Cage the Elephant
Cage the Elephant is an American rock band formed in 2006 in Bowling Green, Kentucky.[1] The group, consisting of brothers Matt Shultz (lead vocals) and Brad Shultz (rhythm guitar, keyboards), Daniel Tichenor (bass guitar), Jared Champion (drums), and Nick Bockrath (lead guitar), draws from alternative rock, indie rock, and garage punk influences to create raw, energetic music.[1][2] After generating buzz at South by Southwest in 2007, the band signed with the UK-based Relentless Records and relocated to London in 2008 to build an international audience ahead of their debut release.[3] Their self-titled debut album arrived in 2008 in the UK and 2009 in the US via Jive Records, propelled by the breakthrough single "Ain't No Rest for the Wicked," which peaked at No. 3 on the Billboard Alternative Songs chart.[4] The band has released six studio albums, including the gold-certified Thank You Happy Birthday (2011), Melophobia (2013), Tell Me I'm Pretty (2015), Social Cues (2019), and their latest, Neon Pill (2024).[5] They have achieved significant chart success, with 13 No. 1s on the Billboard Alternative Airplay chart as of 2025, tying for the second-most in its history.[6] Cage the Elephant has won two Grammy Awards for Best Rock Album—for Tell Me I'm Pretty in 2017 and Social Cues in 2020—along with additional nominations, including a 2025 nomination for Best Alternative Music Performance for "Neon Pill," solidifying their status as enduring figures in modern rock.[7][8]History
Formation and early career (2006–2008)
Cage the Elephant was formed in 2006 in Bowling Green, Kentucky, by brothers Matt Shultz and Brad Shultz, along with childhood friends Daniel Tichenor and Jared Champion, with Lincoln Parish joining as lead guitarist shortly thereafter.[9] Prior to the band's creation, Matt, Brad, and Jared had played together in a high school group called Perfect Confusion, a short-lived project that released a self-titled LP in 2005 and helped them hone their raw, energetic rock sound through local performances.[10] The Shultz brothers drew from adolescent musical experiments in the Bowling Green area, where they experimented with punk and alternative influences amid the region's limited scene.[9] The band's name originated from a peculiar encounter in Knoxville, Tennessee, in 2006, when a disheveled man approached Matt Shultz outside a club after a show and repeatedly shouted, "You have to cage the elephant," before embracing him; the phrase, evoking themes of containment and frustration, stuck as a symbol of the band's explosive energy.[10] Abandoning the "terrible" moniker Perfect Confusion, they adopted the new name and began recording demos, including the single "Free Love," which they released independently in 2007 to build buzz.[9][11] Throughout 2007, Cage the Elephant cultivated a grassroots following with frequent gigs in Kentucky and Tennessee, particularly at venues like Tidball's in downtown Bowling Green, where their chaotic, high-octane live shows—marked by Matt Shultz's acrobatic stage antics—drew crowds and word-of-mouth acclaim.[12] Their breakthrough came at the 2007 South by Southwest festival in Austin, Texas, where a standout performance led to a signing with UK label Relentless Records after submitting demos.[3] In 2008, seeking greater international exposure, the band relocated to London, England, immersing themselves in the city's vibrant music scene while preparing their debut album.[9]Debut album and rise to fame (2009–2010)
In 2008, Cage the Elephant recorded their self-titled debut album after relocating to London, England, to pursue international opportunities, working with producer Jay Joyce to capture their raw, energetic sound in a swift production process.[13] The album was first released on June 23, 2008, in the United Kingdom through Relentless Records, an imprint of EMI, debuting at No. 38 on the UK Albums Chart and spending four weeks in the top 100.[14] The U.S. release followed on March 24, 2009, via RCA/Jive Label Group, where it peaked at No. 59 on the Billboard 200, No. 18 on the Top Alternative Albums chart, and No. 2 on the Heatseekers Albums chart, marking their breakthrough in the American market.[15][16] The lead single, "Ain't No Rest for the Wicked," was released in November 2008 ahead of the album, blending bluesy riffs with narrative lyrics about moral dilemmas, and it became their signature track, topping the Billboard Alternative Airplay chart for three weeks in 2009 and reaching No. 83 on the Hot 100.[17] Its music video, directed by Patrick Mackenzie, intercuts the band's performance in a dimly lit room with vignettes depicting characters like a struggling prostitute and a desperate thief, earning a nomination for Best Rock Video at the 2009 MTV Video Music Awards.[18] Follow-up singles included "Back Against the Wall," released in early 2009, which peaked at No. 13 on Alternative Airplay and featured a video directed by Bryan Schlam showcasing the band evading surreal pursuers in an abandoned house.[17] The album's success propelled Cage the Elephant into their first major U.S. headlining opportunities, including a support slot on The Pigeon Detectives' North American tour in spring 2009 and a performance at Lollapalooza in Chicago that August, where they drew crowds with high-energy sets blending garage rock urgency and Southern influences.[19] These appearances solidified their rising fame, transitioning them from UK indie buzz to American alternative radio staples.[4]Thank You, Happy Birthday era (2011–2012)
Following the success of their debut album, Cage the Elephant began recording their sophomore effort, Thank You, Happy Birthday, in late 2010 at St. Louis' Blackbird Studio with producer Mark Rankin, who helped shape the album's raw, energetic sound through a focus on live band performances and minimal overdubs. The sessions emphasized the band's evolving songwriting, drawing from frontman Matt Shultz's introspective lyrics that explored themes of paranoia and existential unease, as evident in tracks like "Around My Head," where Shultz sings of being "tangled like a braid" amid mounting anxiety.[20] Rankin, known for his work with acts like Queens of the Stone Age, encouraged a gritty, unpolished aesthetic that amplified the group's garage rock roots while incorporating folk-tinged elements.[21] The album was released on January 11, 2011, via Jive Records, debuting at No. 2 on the Billboard 200 with first-week sales of 39,000 copies, a strong showing that outperformed the band's self-titled debut's peak position of No. 59 but reflected more modest overall commercial momentum compared to the earlier record's cumulative sales exceeding 375,000 units by that point.[22] Key singles included "Shake Me Down," which topped the Billboard Alternative Songs chart after an 11-week climb, driven by its anthemic riff and video directed by Matt Shultz and Ryan Eady, featuring surreal desert imagery symbolizing personal disorientation.[23] Follow-up tracks "Around My Head" and "Aberdeen" also received radio play and music videos; the former's clip, shot in a stark, looping narrative, underscored paranoia through repetitive motifs of entrapment, while "Aberdeen" tied into the album's darker introspection with its raw, howling delivery.[20] In support of the release, the band embarked on their first major U.S. headlining tour in spring 2011, co-headlining dates with Manchester Orchestra and playing high-profile festival slots, including Radio 1's Big Weekend alongside [Arctic Monkeys](/page/Arctic Monkeys), which helped build momentum amid the album cycle.[24] Critically, Thank You, Happy Birthday earned praise for its eclectic blend of high-energy garage rock, punk urgency, and slower, folk-inflected moments, with AllMusic noting its "visceral" appeal and Rolling Stone highlighting the "high-strung racket" on tracks like "Sell Yourself."[25] However, some reviewers, such as Consequence, critiqued its inconsistency as a "collection of songs that simply don't work well together," contributing to perceptions of mixed commercial performance relative to the debut's breakout buzz.[26]Melophobia era (2013–2015)
In early 2013, Cage the Elephant began recording their third studio album, Melophobia, in Nashville, Tennessee, reuniting with producer Jay Joyce, who had helmed their previous two releases. The sessions were marked by internal band tensions, which ultimately led to the departure of founding lead guitarist Lincoln Parish later that year; Parish contributed guitar to the album before leaving on amicable terms to pursue a career in music production.[27][28] The band navigated these changes without immediate permanent replacements during recording, maintaining their core sound of raw alternative rock infused with psychedelic and garage elements.[29] Melophobia was released on October 8, 2013, through RCA Records, debuting at No. 15 on the Billboard 200 chart with approximately 18,000 copies sold in its first week. The album achieved commercial success, later earning a gold certification from the RIAA on January 9, 2019, for 500,000 units shipped in the United States. Breakthrough singles included "Come a Little Closer," which topped the Billboard Alternative Songs chart for two weeks in early 2014, marking the band's fourth No. 1 on that tally, as well as "Teeth" and "Take It or Leave It," which peaked at No. 5 and No. 11, respectively, on the same chart. These tracks propelled Melophobia into the band's most successful era to date, blending introspective lyrics with energetic riffs.[30][31][32] At the 57th Annual Grammy Awards in 2015, Melophobia received a nomination for Best Alternative Music Album, highlighting the band's growing critical acclaim, though it ultimately lost to St. Vincent's self-titled album.[33][34] This recognition underscored the album's impact, coming alongside strong radio play and fan support. The band undertook extensive touring from 2013 to 2015, including headlining slots across North America and Europe, festival appearances, and support dates that solidified their live reputation for high-energy performances.[35]Tell Me I'm Pretty (2015–2017)
Following the success of their third album Melophobia, Cage the Elephant expanded its lineup on a full-time basis with guitarist Nick Bockrath and multi-instrumentalist Matthan Minster.[36] The band entered the studio in spring 2015 to record their fourth album, Tell Me I'm Pretty, enlisting producer Dan Auerbach of the Black Keys at his Easy Eye Sound studio in Nashville.[37][38] The sessions emphasized a return to raw, honest songwriting, drawing from late-1960s and 1970s psychedelic rock influences amid frontman Matt Shultz's personal reflections shaped by extensive global travels.[39][40] Released on December 18, 2015, via RCA Records, Tell Me I'm Pretty debuted and peaked at No. 8 on the Billboard 200 chart.[41][42] The album featured three singles: "Mess Around," "Trouble," and "Cold Cold Cold." "Mess Around," released with a surreal, dimly lit official video directed by Matt Shultz, topped the Billboard Alternative Songs chart.[43][44] "Trouble," also directed by Shultz in a stark, introspective visual style, reached No. 1 on the US Alternative Songs chart and became a staple of the band's live sets.[45][46] "Cold Cold Cold," accompanied by a moody, narrative-driven video, peaked at No. 3 on the Alternative Songs chart.[47][48] From 2016 to 2017, Cage the Elephant supported the album with extensive touring, including headlining arena shows on their Rock & Roll Radio Tour alongside Silversun Pickups, Foals, and Bear Hands, as well as select opening dates for Muse and festival appearances such as Coachella in 2016.[49][50]Social Cues and challenges (2018–2023)
Following the extensive touring in support of their 2015 album Tell Me I'm Pretty, Cage the Elephant entered a period of rest in late 2017, allowing the band members to recharge after over a decade of continuous activity.[51] This break extended into 2018, during which frontman Matt Shultz grappled with significant personal challenges, including the end of his marriage and the onset of mental health struggles that would intensify in subsequent years.[52] Shultz's difficulties culminated in a psychotic episode starting around 2019, triggered by an adverse reaction to prescribed medication for ADHD, leading to paranoia and erratic behavior.[53] These issues came to a head in January 2023 when Shultz was arrested in New York City on weapons possession charges after two loaded firearms were found in his hotel room; he later entered a plea deal in June 2023, avoiding jail time through treatment and probation.[54] Amid these personal trials, the band reconvened in 2018 to record their fifth studio album, Social Cues, splitting sessions between Los Angeles and Nashville.[55] They collaborated with multiple producers, including Beck, who contributed to several tracks after the band shared early demos with him following a chance meeting.[52] The album's themes revolve around isolation, emotional turmoil, and relational breakdown, drawing directly from Shultz's divorce and feelings of disconnection.[56] Tracks like "Broken Boy" and "Ready to Let Go" explore vulnerability and letting go of toxic patterns, reflecting Shultz's introspection during a time of profound personal upheaval. Social Cues was released on April 19, 2019, via RCA Records, following its announcement in late January.[55] The album debuted at No. 21 on the Billboard 200, marking the band's highest chart entry at the time and earning critical acclaim for its raw emotional depth, ultimately winning the Grammy Award for Best Rock Album in 2020.[57] Lead single "Ready to Let Go," released in January 2019, topped the Billboard Alternative Songs chart, becoming the band's eighth No. 1 there and underscoring their enduring radio dominance.[23] Subsequent singles "Black Madonna" and the title track "Social Cues" also reached No. 1 on the Adult Alternative Songs and Alternative Songs charts, respectively, with music videos—such as the collage-style "Black Madonna," directed by Shultz himself—incorporating footage from live performances and personal archival material to evoke themes of introspection and recovery.[58][59][60] Promotion for Social Cues included a limited run of U.S. festival appearances and headlining shows in 2019, but the band's planned European tour in early 2020 was abruptly canceled due to the COVID-19 pandemic, halting live performances for nearly two years.[61] This disruption compounded the group's challenges, as Shultz's mental health issues persisted amid global isolation. Touring resumed in 2022 with select North American dates, building momentum through festival slots including Lollapalooza in 2023, where the band delivered high-energy sets blending Social Cues material with earlier hits. These performances signaled a gradual return to stability, though the era remained marked by adversity and intermittent activity until the band's full resurgence in 2024.Neon Pill and ongoing activities (2024–present)
Cage the Elephant recorded their sixth studio album, Neon Pill, during 2023 and 2024 in studios across Texas, New York, Tennessee, and North Carolina, reuniting with producer John Hill, who had previously helmed their 2019 release Social Cues. The sessions emphasized a raw, garage-rock sound, with the band incorporating elements like strings arranged by Rob Moose to enhance the emotional depth. Themes of resilience and hope permeate the album, reflecting the group's recovery from a five-year hiatus marked by personal challenges, including frontman Matt Shultz's battle with medication-induced psychosis.[62][63][64][65] Neon Pill was released on May 17, 2024, through RCA Records, marking the band's first full-length project since Social Cues. The album debuted at No. 57 on the Billboard 200 chart, selling approximately 12,000 equivalent units in its first week, while achieving stronger placement on rock-specific lists, including No. 4 on the Top Rock Albums chart. It received positive reviews for its blend of introspective lyrics and energetic instrumentation, with critics noting its role in revitalizing the band's catalog.[66][67] The lead single, "Neon Pill," arrived on January 19, 2024, and quickly gained traction on rock radio, topping Billboard's Alternative Airplay chart in March and becoming the band's 11th No. 1 there.[63][67] A music video directed by Stephen Gough, featuring surreal visuals of the band navigating a dreamlike landscape, premiered on May 20, 2024. Follow-up single "Rainbow," released ahead of the album with a lyric video on May 16, secured airplay success, reaching No. 1 on both the Alternative Airplay (12th No. 1, September 2024) and Adult Alternative Airplay charts.[68] Additional tracks like "Metaverse" continued this trend, topping Alternative Airplay (13th No. 1, April 2025). The title track "Neon Pill" earned a Grammy nomination for Best Alternative Music Performance at the 67th Annual Grammy Awards in 2025.[6][33] Supporting the album, Cage the Elephant launched the Neon Pill Tour in summer 2024, a 47-date North American run co-headlined with Young the Giant and featuring Bakar on select dates, which wrapped in the fall and drew praise for its high-energy sets blending new material with classics. The band extended their activity into 2025 with a world tour, including opening slots on Oasis's reunion trek, such as shows at MetLife Stadium in New Jersey on August 31 and the Rose Bowl in Los Angeles on September 6, where frontman Matt Shultz highlighted the familial camaraderie with the Gallagher brothers as a source of inspiration.[69][70][71] Headline dates followed in fall 2025, encompassing stops in San Antonio at Boeing Center at Tech Port on October 4, Grand Rapids at GLC Live at 20 Monroe on October 19, and Los Angeles, alongside festival appearances at Shaky Knees in Atlanta on September 20—where they delivered a setlist heavy on Neon Pill tracks—and iHeartRadio's ALTer EGO in Inglewood on January 17, 2026.[72] In interviews, Shultz has described the period as a "rebirth," emphasizing the band's renewed creative vigor and commitment to ongoing performances without plans for another extended break, as evidenced by their packed 2025–2026 itinerary. This surge in activity underscores Cage the Elephant's evolution, positioning them as a enduring force in alternative rock amid their most active phase since the mid-2010s.[73][74][75]Band members
Current members
The current lineup of Cage the Elephant consists of six core members who have shaped the band's sound through their instrumental roles and creative input since the mid-2010s.[76] Matt Shultz serves as the lead vocalist and primary songwriter, having founded the band in Bowling Green, Kentucky, in 2006 alongside his brother and initial collaborators. His dynamic stage presence, often featuring acrobatic movements and theatrical flair, has become a hallmark of the band's live shows, energizing audiences with raw emotional delivery.[62][77][78] Brad Shultz, Matt's older brother, plays rhythm guitar, keyboards, and provides backing vocals; he co-founded the band and has been integral to its rhythm section from the outset. His contributions include layering textural elements on guitar and keys, particularly evident in the band's evolving alternative rock arrangements.[79][80][76] Nick Bockrath handles lead guitar duties, having joined the band in 2013 following the departure of the previous guitarist. Since then, he has contributed to songwriting and arrangement, adding intricate riffs and solos that enhance the band's psychedelic and garage rock influences, notably from the Tell Me I'm Pretty era onward.[76][81][82] Daniel Tichenor plays bass guitar and delivers backing vocals, as an original member since the band's formation. He anchors the low-end frequencies, providing a solid foundation for the group's driving rhythms and has been key in shaping their studio production through direct console integration techniques.[79][83][76] Jared Champion is the drummer and another founding member, responsible for the propulsive, backbeat-driven grooves that power the band's high-energy performances. His no-frills style has been central to their live dynamic, supporting the chaotic yet controlled intensity of their sets.[84][85][76] Matthan Minster contributes on guitar, keyboards, and backing vocals, initially joining as a touring member in 2013 before becoming full-time around 2015. His multi-instrumental work adds atmospheric layers and harmonic depth, expanding the band's sonic palette with keyboard textures and auxiliary guitar parts.[76][36][86]Former members
Lincoln Parish served as the lead guitarist for Cage the Elephant from the band's formation in 2006 until his departure in December 2013.[87] During his tenure, Parish contributed to the band's first three studio albums: Cage the Elephant (2008), Thank You Happy Birthday (2011), and Melophobia (2013), all produced by Jay Joyce, from whom he learned production techniques.[88] He left the group on good terms to pursue a career in music production and songwriting in Nashville, citing the loss of allure in extensive touring after six years and a desire for the creative variety of studio work.[28][88] Since then, Parish has worked as a producer for other artists and released music under the moniker Parish f/t, including co-writing and production across pop and rock genres.[88]Timeline
The band's lineup has remained stable since 2015, with key changes occurring during its early development and mid-career transition periods. Below is a chronological summary of the major lineup evolutions, tied to the band's formative and recording eras.[89][28][41]| Year | Event/Change | Lineup After Change |
|---|---|---|
| 2006 | Formation in Bowling Green, Kentucky, by core founding members ahead of debut recordings and early tours. | Matt Shultz (vocals), Brad Shultz (rhythm guitar), Lincoln Parish (lead guitar), Daniel Tichenor (bass), Jared Champion (drums) |
| 2013 | Lincoln Parish departs in December to pursue music production, during the Melophobia recording and promotion era; Nick Bockrath joins as lead guitarist shortly thereafter. | Matt Shultz (vocals), Brad Shultz (rhythm guitar), Nick Bockrath (lead guitar), Daniel Tichenor (bass), Jared Champion (drums) |
| 2015 | Matthan Minster added full-time as multi-instrumentalist (guitar, keyboards, backing vocals) for the Tell Me I'm Pretty album and subsequent tours. | Matt Shultz (vocals), Brad Shultz (rhythm guitar), Nick Bockrath (lead guitar), Matthan Minster (guitar, keyboards, backing vocals), Daniel Tichenor (bass), Jared Champion (drums) |
| 2016–2025 | No major lineup changes, supporting consistent stability through Social Cues, Neon Pill releases, and ongoing tours. | Matt Shultz (vocals), Brad Shultz (rhythm guitar), Nick Bockrath (lead guitar), Matthan Minster (guitar, keyboards, backing vocals), Daniel Tichenor (bass), Jared Champion (drums) |
Artistry
Musical style
Cage the Elephant is primarily known as an alternative rock band, drawing heavily from garage rock, psychedelic rock, and indie rock traditions. Their sound often features raw, energetic compositions that blend punk-infused urgency with bluesy undertones, creating a distinctive post-punk revival aesthetic.[1][90][91] The band's instrumental style is characterized by driving rhythms and fuzzy guitar riffs, which provide a propulsive backbone to their tracks. Drums and bass lines deliver punchy, relentless grooves, while guitars layer distorted, riff-based structures that evoke the raw edge of early 2000s garage rock revival acts. Lead singer Matt Shultz's versatile vocals further define their sound, shifting seamlessly from high-energy screams to ethereal falsetto, adding emotional depth and dynamism to the arrangements.[92][93][94][95] Over time, their production has evolved from the organic, live-recorded rawness of their early work to more polished, retro-infused approaches. The self-titled debut album, produced by Jay Joyce, captured a quick, unpolished energy that highlighted the band's immediate, visceral appeal. In contrast, later efforts like Tell Me I'm Pretty, helmed by Dan Auerbach of the Black Keys, introduced a refined sheen with vivid studio techniques inspired by mid-1960s rock, balancing throwback warmth with contemporary clarity. This progression mirrors the energetic, riff-driven ethos of peers like the Foo Fighters, with whom they share chart dominance and touring history in alternative rock circles.[96][97][98][99][100]Lyrical themes
Cage the Elephant's lyrics, primarily penned by frontman Matt Shultz, frequently explore themes of alienation, addiction, and escapism, often drawing from personal and societal observations to depict human vulnerability. In early tracks like "Ain't No Rest for the Wicked" from their 2008 self-titled debut, Shultz narrates vignettes of moral ambiguity, portraying characters compelled by economic desperation—a prostitute turning to her trade for her child's medication and a thief justifying his actions to feed his family—highlighting the relentless pressures that drive individuals toward ethically gray choices without respite.[101] These narratives underscore escapism as a flawed response to hardship, a motif that recurs across the band's work as characters seek temporary relief from their predicaments. Addiction appears both literally and metaphorically, as in songs addressing substance dependency intertwined with emotional isolation, reflecting Shultz's intent to capture the "dark underbelly" of human experiences.[41] The evolution of these themes traces a progression from external storytelling in the band's initial releases to more introspective and psychedelic explorations in later albums, culminating in themes of resilience. On 2013's Melophobia, Shultz delves into alienation and loneliness as core struggles, describing the album as a "struggle to maintain that naked honesty" amid feelings of disconnection from others and oneself, influenced by the band's relentless touring.[102] By Tell Me I'm Pretty (2015), the lyrics shift toward psych-infused introspection, blending personal turmoil with surreal imagery to examine identity and escape, as seen in "Cigarette Daydreams," where Shultz evokes nostalgia and a sense of being adrift, with lines about standing alone and chasing fleeting daydreams symbolizing isolation from loved ones amid life's chaos.[103] In contrast, the 2024 album Neon Pill marks a turn toward recovery and endurance, with Shultz reinterpreting earlier writings composed during a period of medication-induced psychosis, transforming themes of alienation into affirmations of clarity and hope post-recovery.[104] Shultz's songwriting style often employs a stream-of-consciousness approach, shaped by dreams, travels, and spontaneous revelations, allowing raw, unfiltered emotions to surface without rigid structure. He has described pulling lyrics from moments of heightened awareness during tours, where interactions with strangers and internal reflections fuel narrative fragments that evolve into cohesive songs. This method infuses the band's discography with a dreamlike quality, blending social commentary on personal struggles with an escapist wanderlust derived from the road, ensuring themes remain intimately connected to Shultz's lived experiences across albums.[53]Influences
Cage the Elephant's sound draws from a diverse array of musical inspirations, with the band citing the raw garage energy of the White Stripes as a key early influence on their energetic, stripped-down rock approach.[105] Similarly, the dynamic shifts and indie-punk intensity of the Pixies shaped their song structures, particularly after the band discovered the group during their time in London.[106] Elements of glam psychedelia from T. Rex also informed their evolving style, as noted by bassist Daniel Tichenor in discussions of blending classic influences with modern progression.[107] The band's roots extend to 1960s and 1970s rock icons, including Led Zeppelin and Black Sabbath, whose heavy riffs and blues-infused grooves provided foundational building blocks for their guitar-driven sound.[105][108] The Shultz brothers have incorporated elements of hip-hop and R&B rhythms, which subtly influence the percussive beats and groove-oriented elements in their music.[106] Vocalist Matt Shultz's relocation to the UK in 2008 opened doors to Britpop acts, broadening their palette with melodic and anthemic sensibilities evident in later works like Melophobia.[109] Their collaboration with producer Dan Auerbach of the Black Keys further emphasized blues roots, channeling raw, soulful textures into albums such as Tell Me I'm Pretty.[27] This absence of a single dominant influence has resulted in an eclectic discography that defies easy categorization.Discography
Studio albums
Cage the Elephant has released six studio albums, all of which have charted on the US Billboard 200, with peaks ranging from No. 2 to No. 67 and first-week sales figures demonstrating steady commercial performance. The band's albums have achieved at least 2.5 million certified units in the US through RIAA awards for their debut (Platinum), second (Gold), third (Gold), and fourth releases (Gold), contributing to their overall sales success estimated in the millions worldwide based on chart performance and streaming data.| Album | Release date | Label | US Billboard 200 peak | Certifications |
|---|---|---|---|---|
| Cage the Elephant | March 24, 2009 | Jive | 67 | Platinum (RIAA) |
| Thank You, Happy Birthday | January 11, 2011 | Jive | 2 | Gold (RIAA) |
| Melophobia | October 8, 2013 | RCA | 15 | Gold (RIAA) |
| Tell Me I'm Pretty | December 18, 2015 | RCA | 8 | Gold (RIAA) |
| Social Cues | April 19, 2019 | RCA | 4 | None |
| Neon Pill | May 17, 2024 | RCA | 57 | None |
Singles and EPs
Cage the Elephant released their debut single "Ain't No Rest for the Wicked" in 2008, which marked their breakthrough on alternative radio, peaking at No. 3 on the Billboard Alternative Songs chart and earning gold certification from the RIAA for 500,000 units sold in the United States. The track also appeared in the soundtrack for the video game Borderlands, contributing to its widespread exposure.[3][117][44] In 2010, the band followed with "Shake Me Down," the lead single from their second album, which topped the Billboard Alternative Songs chart for 10 weeks and received gold certification from the RIAA. This success solidified their presence in the alternative rock scene. "Come a Little Closer," released in 2013, also reached No. 1 on the Billboard Alternative Songs chart, spending multiple weeks at the top and becoming one of their signature tracks.[118][119][31] The 2016 single "Trouble" achieved similar acclaim, peaking at No. 1 on the Billboard Alternative Songs chart and earning gold certification from the RIAA. It was notably used in a global advertising campaign for Amazon Prime. "Ready to Let Go," the 2019 lead single from Social Cues, likewise topped the Billboard Alternative Songs chart, marking the band's eighth No. 1 on that ranking. Most recently, "Neon Pill" from their 2024 album debuted at No. 1 on the Billboard Alternative Airplay chart, becoming part of their streak that reached 13 leaders as of April 2025 with "Metaverse."[46][120][6] Prior to their major-label debut, Cage the Elephant issued an independent self-titled EP in 2007, featuring early tracks like "Monkey Disease" that showcased their raw rock sound and helped build a local following in Kentucky. The band has not released additional standalone EPs, focusing primarily on full-length albums and singles.| Single | Release Year | Billboard Alternative Songs Peak | RIAA Certification |
|---|---|---|---|
| "Ain't No Rest for the Wicked" | 2008 | 3 | Gold (2009) |
| "Shake Me Down" | 2010 | 1 | Gold (2011) |
| "Come a Little Closer" | 2013 | 1 | - |
| "Trouble" | 2016 | 1 | Gold (2019) |
| "Ready to Let Go" | 2019 | 1 | - |
| "Neon Pill" | 2024 | 1 | - |
Awards and nominations
Grammy Awards
Cage the Elephant has received four Grammy Award nominations and secured two wins as of the 67th Annual Grammy Awards in 2025.[121][122] Their recognition highlights their evolution from alternative rock staples to critically acclaimed performers in the rock category. The band's first nomination came at the 57th Annual Grammy Awards in 2015 for Best Alternative Music Album for their 2013 release Melophobia, though they did not win; the award went to Beck's Morning Phase.[123] In 2017, at the 59th Annual Grammy Awards, Cage the Elephant won their first Grammy for Best Rock Album with Tell Me I'm Pretty (2015), beating nominees including David Bowie's Blackstar and Radiohead's A Moon Shaped Pool.[124] This victory marked a significant milestone, affirming their shift toward a more polished rock sound. The band repeated their success at the 62nd Annual Grammy Awards in 2020, winning Best Rock Album again for Social Cues (2019), defeating competitors such as Bring Me the Horizon's Amo and The Cranberries' In the End.[121] This made them one of few acts to win the category twice in quick succession. Their most recent honor was a nomination at the 67th Annual Grammy Awards in 2025 for Best Alternative Music Performance for the single "Neon Pill" from their 2024 album Neon Pill, though St. Vincent took the award for "Flea."[122]| Year (Ceremony) | Category | Work | Result |
|---|---|---|---|
| 2015 (57th) | Best Alternative Music Album | Melophobia | Nominated[123] |
| 2017 (59th) | Best Rock Album | Tell Me I'm Pretty | Won[124] |
| 2020 (62nd) | Best Rock Album | Social Cues | Won[121] |
| 2025 (67th) | Best Alternative Music Performance | "Neon Pill" | Nominated[122] |