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Chord

'''Chord''' is a term with multiple meanings across various fields. In music, a chord is a set of three or more pitches sounded simultaneously. In , particularly , a chord is a straight line segment whose endpoints both lie on a given curve. In biology, a chord refers to the notochord, a flexible rod-like structure present in the embryos of all chordates. In physics and engineering, it denotes a principal horizontal member in a truss or the straight line connecting the leading and trailing edges of an airfoil. In programming and computing, Chord is a protocol for distributed hash tables in peer-to-peer networks (see Distributed systems subsection). The term also applies to notable individuals and fictional characters (see People section).

Music

Definition

In music theory, a chord is the simultaneous sounding of three or more , creating a that forms the vertical dimension of musical . The simplest and most common chord is the , comprising a , a third above it (either or ), and a fifth above the , which together establish basic tonal relationships. The historical origins of chords trace back to theory, where (c. 570–495 BCE) identified consonant intervals through mathematical ratios—such as the (2:1) and (3:2)—via experiments with the monochord, linking music to cosmic order. This foundation evolved during the with the rise of , as composers like layered independent voices to produce vertical harmonies, formalized by theorists such as in his 1558 Le Istitutioni harmoniche, which emphasized proportional consonance in multi-voice compositions. By the , advanced modern harmonic principles in Traité de l'harmonie (1722), treating chords as fundamental units derived from natural and assigning them functional roles within tonal keys. Chords function harmonically through : consonance arises from stable, pleasing combinations that evoke , while dissonance introduces through clashing s that demand progression toward consonance. The major triad, with its and , represents a prototypical , conveying brightness and stability, whereas the minor triad, featuring a minor third, provides a consonant yet more subdued affective quality. The English term "chord" evolved from "cord," a influenced by Latin chorda (gut string) and ultimately from khordē (string), but semantically derived from "accord" to signify the of sounding notes.

Types and construction

Musical chords are primarily constructed by stacking intervals in , beginning with the simplest form, the , which consists of three notes: a , a third above the root, and a fifth above the root. The most common triads are major, minor, diminished, and augmented, each defined by the quality of their intervals measured in semitones from the root. A major triad is formed by a , a (4 semitones above the root), and a (7 semitones above the root), resulting in the interval structure 0-4-7; for example, a triad comprises the notes C-E-G. In contrast, a minor triad uses a , a (3 semitones), and a (7 semitones), yielding 0-3-7, as in C-E♭-G. The features a , minor third (3 semitones), and diminished fifth (6 semitones), creating 0-3-6, such as C-E♭-G♭, which produces a tense, unstable sound. An consists of a , (4 semitones), and (8 semitones), forming 0-4-8, like C-E-G♯, often used for dramatic effect due to its symmetrical structure. Seventh chords extend the triad by adding a seventh interval above the root, typically another third stacked on the fifth, resulting in four notes. The dominant seventh, common in functional harmony, builds on a major triad with a minor seventh (10 semitones), giving 0-4-7-10, as in C-E-G-B♭. A major seventh chord adds a major seventh (11 semitones) to a major triad, producing 0-4-7-11, exemplified by C-E-G-B. The minor seventh chord stacks a minor seventh (10 semitones) on a minor triad, yielding 0-3-7-10, such as C-E♭-G-B♭. Extended chords build further by adding notes beyond the seventh, continuing the pattern of thirds while often omitting certain chord tones for playability. Ninth chords incorporate a ninth (2 semitones above the octave, or 14 semitones from the root) above a seventh chord, compatible with major, minor, dominant, and diminished types; for instance, a dominant ninth might be C-E-G-B♭-D. Eleventh chords add an eleventh (5 semitones above the octave, or 17 semitones total), typically on minor or diminished seventh chords to avoid clashing with the major third, as in C-E♭-G-B♭-D-F. Thirteenth chords extend to a thirteenth (7 semitones above the octave, or 21 semitones), often on dominant or major seventh chords, with omissions like the fifth or ninth for voicing, such as C-E-G-B♭-D-F-A. Inversions rearrange the chord notes so that a note other than the is in the , altering the voicing without changing the chord's identity; voicings refer to the specific spacing and order of notes for instruments like or guitar. For triads, root position places the in the (e.g., C-E-G), first inversion puts in the (E-G-C), and second inversion the fifth (G-C-E). Seventh chords have an additional third inversion with the seventh in the (e.g., for Cmaj7: B-C-E-G). voicings, common on and guitar, distribute notes across octaves for fuller sound, such as voicing a seventh as C-G-B-E to emphasize openness. Non-triadic chords deviate from third-based construction, encompassing clusters and polychords, particularly in 20th-century atonal music. Tone clusters stack adjacent notes (seconds) for dense dissonance, as in secundal . Polychords superimpose two or more triads, often separated by register, to create complex sonorities. employed such structures in his free atonal works, like (1912), to maximize dissonance and avoid tonal resolution, influencing expressionist composition.

Mathematics

Geometry

In geometry, a chord is defined as a straight line segment connecting two points on a , with the term most commonly applied to such segments on a . This figure contrasts with the , which is the curved path between the same points along the circle's boundary. Within a circle of radius r, several key properties govern chords. The perpendicular line drawn from the circle's to a chord bisects that chord, dividing it into two equal segments; this follows from the of the circle and the equal radii forming . Additionally, the of a chord subtending a \theta (in radians) is given by the formula $2r \sin(\theta/2), derived from trigonometric considerations in the isosceles triangle formed by the two radii and the chord. Angles inscribed in the circle that subtend the same chord are equal, a consequence of the . Important theorems involving chords include the , which states that if two chords intersect inside a , the products of the lengths of their respective segments are equal: for chords AB and CD intersecting at P, AP \cdot PB = CP \cdot PD. This is a direct application of similar triangles formed by the intersecting lines. Relatedly, the power of a point theorem asserts that for a point inside the , the product of the segment lengths of any chord passing through that point is constant, equal to r^2 - d^2 where d is the distance from the center to the point; this remains regardless of the chord's . Chords find applications in more complex curves such as cycloids and ellipses. In a —the path traced by a point on a rolling along a straight line—chords connect points on the generating to analyze parametric properties, such as the equality of certain lengths to chord measures in the . For ellipses, an analogous holds, where the rectangles formed by pairs of intersecting chords are proportional to the squares of parallel diameters, extending properties to these conic sections. Historically, employed chords as sides of inscribed and circumscribed regular polygons (up to 96 sides) in his to approximate the value of \pi, bounding it between $223/71 and [22/7](/page/22/7). Diagrams illustrating chords typically depict a with a chord AB, the center O, and the from O to the chord's M, highlighting the and forming right triangles OMA and OMB. Another common visualization shows two intersecting chords within the , labeling lengths to demonstrate the , or inscribed subtending the chord to show equality. Such figures emphasize the chord's role in bridging straight-line with curved boundaries.

Advanced concepts

In graph theory, chordal graphs are undirected graphs in which every cycle of length four or greater contains a chord connecting two non-adjacent vertices in the cycle. This property ensures that chordal graphs are perfect graphs, meaning their chromatic number equals the size of the maximum clique. A key characterization is the existence of a perfect elimination ordering (PEO), an ordering of vertices such that, for each vertex, its later neighbors form a clique. Chordal graphs admit efficient algorithms for optimization problems, including minimum coloring and maximum clique detection, running in linear time relative to the number of edges. In semidefinite programming, chordal structure exploits sparsity by decomposing the problem into smaller dense subproblems along a clique tree, enabling scalable solutions for large-scale applications like control theory and machine learning. A fundamental trigonometric identity expresses the length of a chord subtending a \theta in the unit circle as $2 \sin(\theta/2). This formula arises from considering the formed by two radii and the chord, halving it to apply the half-angle sine relation. It facilitates computations in circular geometries and appears in for evaluating distances between points on the unit circle, such as phase differences in periodic signals where the chord length quantifies angular separation in representations. In , chords play a role through the chordal on the , which extends the by adding a and equips it with a invariant under transformations. For points z, w \in \mathbb{C} \cup \{\infty\}, the chordal distance is defined as d(z, w) = \frac{|z - w|}{\sqrt{(1 + |z|^2)(1 + |w|^2)}}, corresponding to the chord length between stereographic projections on the unit . This is crucial in conformal , as it preserves and provides a for studying holomorphic functions on Riemann surfaces, facilitating proofs of compactness and uniformization theorems. Chord diagrams are combinatorial objects used in to represent and compute Vassiliev invariants, consisting of a with non-intersecting chords connecting pairs of points that model points in knot projections. Each encodes the Gauss code of a or via chord endpoints on the , with intersections of chords (but not the circle) forbidden except at endpoints. Seminal work by Vassiliev introduced these diagrams to generate finite-type invariants through resolution, where relations like 4T and 1T simplify diagrams while preserving values. Applications include deriving weight systems from algebras, enabling classification of low-degree invariants beyond classical polynomials. In , algorithms for computing chord lengths support approximation of , where a smooth is discretized into a by selecting such that the , measured by maximum deviation from chords to the , is minimized. A dynamic programming approach solves the uniform-cost variant in O(n^2) time for n sample points, optimizing vertex selection to balance chord lengths against . For non-uniform costs, such as minimizing total chord length subject to bounds, algorithms achieve constant-factor guarantees, with applications in and geographic information systems for efficient representation.

Science and technology

Biology

The is a flexible, rod-like embryonic midline structure defining the phylum Chordata, composed of large vacuolated notochordal cells surrounded by an sheath rich in , , and proteoglycans. This structure provides both mechanical support as a and signaling functions during early development. In embryogenesis, the plays a critical role in inducing formation by secreting signaling molecules such as Sonic hedgehog (Shh), which patterns the ventral and floor plate. It also offers axial elongation and support to the developing embryo, acting as a primitive before the forms. Evolutionarily, the is a synapomorphy of chordates, present in all members including invertebrate forms like lancelets (cephalochordates) where it persists into adulthood, and (urochordates) where it appears transiently in larvae. In vertebrates, it serves as the precursor to the , with surrounding sclerotome cells differentiating into vertebrae that envelop and replace much of the . In human embryos, the forms around weeks 3-4 and is transient, largely degenerating by birth as its cells condense to form the pulposus—the gel-like core of intervertebral discs that provides shock absorption in the . Malformations of the , often due to disruptions in planar cell polarity pathways like VANGL1 and VANGL2 mutations, can impair closure and contribute to spinal defects such as .

Physics and engineering

In , the chord length refers to the straight-line distance between the leading and trailing edges of an , serving as a fundamental dimension for analyzing , , and overall performance. This measurement defines the chord line, which provides a reference for the airfoil's and . For with tapered or swept s, the mean aerodynamic chord (MAC) represents the average chord length across the wing, weighted by the local lift distribution, and is crucial for determining the center of position to ensure . Typically, the center of gravity is positioned at 15-25% of the MAC to optimize and prevent during flight. In , chords form the principal longitudinal members of truss systems, such as those used in bridges, where the top chord primarily resists compressive forces and the bottom chord handles tensile loads under applied weights. In a , these parallel chords are connected by equilateral triangular diagonals that alternate between and , enabling efficient load distribution without vertical members and making it suitable for spans up to 100 meters. This , patented in 1848 by James Warren, exemplifies how chords contribute to the 's rigidity and economy of material in civil . Astronomy employs the chord concept in stellar occultations to measure planetary and asteroid diameters precisely. During an occultation, when a celestial body passes in front of a , observers on Earth record the timing of the light's disappearance and reappearance, defining a chord as the straight-line path across the body's . Multiple such chords from different sites allow of the body's and size; for instance, a 2022 multi-chord of the near-Earth (3200) Phaethon yielded projected dimensions of 6.12 ± 0.07 km × 4.14 ± 0.07 km by fitting the chord lengths to an ellipsoidal model. This method provides sub-kilometer accuracy, far superior to or for small bodies. In physics, the chord approximation simplifies the analysis of motion beyond the small-angle . For larger amplitudes, replacing the of swing with the straight chord connecting the endpoints adjusts the effective , yielding a more accurate estimate via T \approx 2\pi \sqrt{\frac{l}{g}} \left(1 + \frac{\theta_0^2}{16}\right), where l is the chord , g is , and \theta_0 is the initial angle. This approach, derived from geometric considerations, reduces error compared to the simple harmonic for angles up to 45 degrees. Engineering applications of chords extend to historical and modern contexts, such as in blades where chord length varies along the span to optimize aerodynamic . In contemporary designs, blades taper from a wider chord near the (up to 3-4 meters) to a narrower tip, enhancing at low wind speeds while minimizing at rated conditions.

Programming and computing

Input devices

Chorded input devices enable users to enter characters, commands, or actions by pressing multiple keys or buttons simultaneously, analogous to striking a chord on a keyboard to produce a harmonious . These devices prioritize compactness and efficiency over sequential keying, allowing for reduced size while supporting complex through predefined combinations. The history of chorded keyboards traces back to the late , with early applications in and stenography for rapid transcription. Devices like the stenotype machine, developed around 1877 for court reporting, used a chorded layout where operators pressed up to 10 keys at once to phonetically encode syllables or words, achieving speeds over 200 after extensive training. Modern chorded keyboards evolved from these foundations, incorporating ergonomic designs for . The BAT keyboard, introduced by Infogrip around 1986, features a one-handed setup with seven keys on a base for resting the hand, enabling users to generate alphanumeric characters and macros through key combinations; it supports efficient typing with practice and is particularly suited for needs. Similarly, the Twiddler, first prototyped in 1992 for wearable , employs a 3x4 grid operated by one hand, where letters are entered via single or dual-key chords and frequent words via multi-character chords, allowing expert users to reach 60-65 . Mouse chording extends the chord principle to graphical user interfaces, where holding multiple mouse buttons simultaneously triggers specific functions. In the 1968 oN-Line System (NLS) developed by , a five-button chorded keyset paired with a three-button allowed users to perform commands by chording while manipulating the cursor, demonstrating early integration of simultaneous inputs for productivity. In contemporary (CAD) software, such as , chording techniques like holding the middle button with wheel scrolling enable panning and zooming, while combining buttons with keyboard modifiers (e.g., Shift + right-click) accesses context-sensitive menus for object manipulation. In gaming, chording facilitates combo actions, such as pressing left and right buttons together to execute special attacks in first-person shooters, enhancing responsiveness without interrupting movement controls. Chorded input devices offer advantages in compactness and one-handed operation, making them for portable or space-constrained environments, such as wearable computers or assistive technologies for users with impairments. For instance, the and Twiddler reduce key count to 7-12, minimizing physical strain and enabling input while the other hand performs tasks like control, with potential speeds rivaling traditional keyboards after training. However, they present disadvantages including a requiring substantial due to of chord mappings—ranging from several hours for basic use to longer for proficiency—and higher initial error rates for novice users, as there are no visual cues like labels. In accessibility applications, chorded keyboards like on-screen variants or the aid individuals with physical disabilities by allowing customizable chord assignments for reduced fatigue, though adoption depends on user-specific training. Contemporary implementations adapt chorded principles to emerging interfaces, particularly in virtual reality (VR) and mobile systems. In VR, hand controllers like those for or support chorded text entry by mapping finger grips or button combinations to keyboard layouts, enabling one-handed typing without additional hardware, as demonstrated in mappings for consumer VR setups. Wearable solutions, such as the chording glove, embed keys on fingers for gesture-based input in immersive environments, detecting simultaneous presses via sensors to input text or commands. On mobile devices, gesture systems emulate chording through simultaneous taps or swipes on screens, facilitating quick shortcuts in apps while maintaining portability.

Distributed systems

Chord is a (DHT) protocol designed for scalable key-value storage and lookup in (P2P) networks, enabling efficient mapping of keys to nodes without centralized control. Introduced in 2001 by Ion Stoica, Robert Morris, David Karger, M. Frans Kaashoek, and , it organizes nodes in a logical structure using , where both nodes and keys are assigned m-bit identifiers from a , forming a circular identifier of size $2^m. This approach ensures that keys are stored on the successor node responsible for the interval they fall into, supporting applications requiring decentralized data distribution. Each in Chord maintains a finger table containing O(\log N) pointers (where N is the number of nodes), each pointing to the successor node at a distance of $2^i (for i = 0 to m-1) along the identifier from the current . Routing proceeds via a binary search-like mechanism: to find a , a forwards the query to the finger that most closely precedes the key's identifier, halving the remaining distance on average and achieving a lookup path length of O(\log N) hops with high probability. This structure keeps per- state and message overhead logarithmic in network size, facilitating scalability. Chord's algorithms for node management include join and leave procedures that maintain the ring's . When a joins, it initializes its successor and finger table by querying an existing , then notifies affected s to update their tables, requiring O(\log^2 N) messages; leaves are handled by updating predecessors and successors. Stabilization runs periodically on each to verify and correct successor pointers in the face of failures or concurrent changes, ensuring the ring remains accurate with O(\log N) messages per stabilization round. These mechanisms provide , as the system operates correctly even if s fail, by relying on redundant paths in the finger tables. The protocol supports applications such as distributed indexes for keyword search (similar to early systems like or ), cooperative file mirroring for load-balanced content distribution, and time-shared for intermittently connected devices. As of , Chord continues to influence , with implementations in languages like for high-performance data replication and applications in distributed rendering. Chord has influenced subsequent P2P systems, including variants of other DHTs like used in file-sharing networks such as for decentralized peer discovery and content retrieval. To address load imbalances from skewed key distributions, Chord employs virtual s, where each physical hosts multiple virtual identifiers (e.g., O(\log N) per ), improving key uniformity—reducing the maximum load to 1.1 times the average in simulations with 1,000 s and 100,000 s using 20 virtual s. Chord's advantages include its , eliminating single points of failure, and to node churn, with lookups succeeding despite up to a constant fraction of failures. Compared to prefix-based protocols like and , Chord's approach is simpler in implementation and more robust to concurrent joins and failures, though it shares the O(\log N) lookup cost.

People

Notable individuals

Chord Overstreet (born February 17, 1989) is an American actor and musician best known for portraying , a quarterback-turned-glee club member, on the Fox musical comedy-drama series from 2009 to 2015. Born in , Overstreet grew up in a family immersed in music; he is the son of , a prominent singer-songwriter known for hits like "Daddy's Come Around," and , a . His siblings include actor and musician Nash Overstreet, a member of the pop-rock band , in whose music video for "Tonight Tonight" Chord made a . Overstreet's early exposure to music shaped his career, leading him to pursue both acting and songwriting. After Glee, he transitioned into a solo music career, signing with Safehouse Records and Island Records; his debut single, "Homeland," was released on August 26, 2016. He followed with the 2017 single "Hold On," which achieved double platinum certification and marked his first major success as an independent artist. Overstreet has released several EPs, including Hold On - EP (2017), Stone Man - EP (2018), and Tree House Tapes - EP (2019), blending pop, folk, and country influences reflective of his upbringing. In recent years, he has continued releasing singles, including "To Break A Good Man" (November 2024), "Barely Hanging On" (July 2025), and "Why Do I Drink?" (September 2025). Through his role on Glee, Overstreet contributed to the show's broader cultural influence in mainstreaming musical performances and inspiring renewed interest in musical theater among younger audiences. He has described the experience as an intensive "bootcamp" that honed his skills in live singing and acting, preparing him for subsequent projects like the Apple TV+ series Acapulco (2021–2025). The Chord is rare and primarily of English origin, possibly derived from "corde" meaning string or rope, or as an Anglicized form of "ceard" referring to a or . Historical records show limited notable figures bearing the , with no major documented individuals in science, , or the arts beyond contemporary uses like Overstreet's first name, which evokes musical terminology.

Fictional characters

In the Marvel Comics universe, Andrew Chord is a former U.S. Army sergeant who served during the Siancong War and became entangled with the mystical Dragon's Breadth cult. Married to cult member Miyami, he fathered twins Janelle and Aaron Chord, later raising (Night Thrasher) as a guardian after being mystically compelled to kill Taylor's parents to fulfill a cult pact. As a skilled combatant, marksman, and inventor, Chord mentored the team, designing equipment like Night Thrasher's suit, though his actions were often influenced by the cult's schemes. He eventually reconciled with his family before his death. Janelle Chord, also known as , is Andrew's daughter and a descendant of the Dragon's Breadth cult, granting her Darkforce manipulation powers including , phasing, flight, and energy constructs. First appearing as a vigilante alongside her brother Aaron (Midnight's Fire) and Night Thrasher, she joined the and participated in missions against threats like the Folding Circle. Paralyzed after a botched operation, she adapted her expertise for upper-body combat and later aligned with the during the Superhuman Registration Act. Her abilities and family ties often symbolize hidden mystical forces and interdimensional connections in superhero narratives. Aaron Chord, known as Midnight's Fire, shares the family legacy as Andrew's son and Janelle's twin, possessing similar , speed, and Darkforce abilities. A vigilante and member, he frequently collaborated with his sister against cult-related villains, embodying themes of fraternal unity amid supernatural tension. In film, Chord appears as the primary antagonist in the 2014 techno-thriller Open Windows, portrayed by . Operating as a cyberterrorist under the alias Chord (sometimes specified as Simon Chord), he manipulates protagonist Nick Chambers through online deception, escalating into a sadistic game of control and surveillance. This role highlights digital intrusion and psychological tension, drawing loosely from musical metaphors of discord. Fictional characters named Chord remain scarce outside niche and indie thrillers, primarily serving disambiguation in media with no major cultural icons comparable to those or other fields. Their portrayals often evoke or conflict through familial or manipulative dynamics, rooted in post-1980s storytelling.

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