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Dwayne Hicks

Corporal Dwayne Hicks is a fictional in the science fiction horror franchise, portrayed by actor as a skilled and resourceful corporal in the United States Colonial Marine Corps. He first appears in the 1986 film Aliens, directed by , where he joins a team investigating the overrun Hadley's Hope colony on the moon LV-426 in the year 2179. In Aliens, Hicks initially participates in the marines' casual skepticism toward Ellen Ripley's warnings about the threat but quickly proves his competence when the creatures attack, assuming command as the after the deaths of Lieutenant Gorman and Sergeant Apone. His level-headed demeanor and tactical expertise shine during the intense battles, including barricading defenses and navigating the colony's vents to evade the aliens. Hicks develops a supportive relationship with Ripley, assisting her in rescuing the sole human survivor, young colonist , and famously quips lines like "We're on an express elevator to —going down!" to underscore the dire situation. As one of the few survivors, Hicks escapes LV-426 with Ripley, , and the damaged via the dropship, though he sustains injuries from an acid burn during the exfiltration. The character's arc in the film highlights themes of camaraderie, heroism under pressure, and makeshift bonds amid horror. Hicks' story extends beyond Aliens into expanded franchise media, including comic books, novels, and video games. In the 2013 Aliens: Colonial Marines, developed by , Biehn reprises his role via voice and likeness, depicting Hicks as having survived the events leading into and continuing to fight Xenomorphs. This portrayal retcons his implied fate from David Fincher's 1992 film , where a cryotube containing a Hicks-like (played by a different ) crash-lands on Fiorina 161, leading to fan debates over . Hicks also features in various Aliens comics from , such as Aliens: Hive and Aliens: Earth Hive, where he aids Ripley in further confrontations with the species.

Fictional character biography

Role in Aliens

Dwayne Hicks serves as a key member of the Colonial Marine Corps detachment dispatched to the Hadley Hope colony on LV-426 to investigate the loss of contact, following reports of a infestation linked to the incident. As a and acting under Al Apone, Hicks demonstrates tactical competence from the outset, coordinating the dropship landing and leading perimeter sweeps with a motion tracker to secure the colony's operations center. His leadership becomes critical after the initial ambush captures Apone and decimates the squad, prompting Hicks to assume command and rally the survivors. Throughout the mission, Hicks engages in several pivotal actions against the xenomorphs, including arming the remaining colonists with pulse rifles and improvised weapons to defend the colony's med lab, and later fortifying positions in the sublevel corridors with automated sentry guns during the retreat to the atmosphere processor. He coordinates the group's evasion through the processor's venting systems and service tunnels, using a power loader to breach obstacles, and fires point-blank shots to repel xenomorphs in within an car. During the chaotic escape, Hicks sustains severe burns from xenomorph acid blood splatter on his chest and arm but persists in aiding the group's movement toward the secondary dropship. Hicks develops a rapport of mutual trust with warrant officer Ellen Ripley, offering her a personal locator beacon for safety and deferring to her expertise on xenomorph behavior, while she in turn supports his command decisions. He shows protective instincts toward the sole surviving colonist, young Rebecca "Newt" Jorden, by providing her with a locator and assisting in her rescue from the xenomorph hive. Interactions with squadmates highlight his steadying influence, such as calming Private William Hudson's panic during the colony breach and coordinating with Apone during the initial sweep before the sergeant's capture. In the film's climax, Hicks, despite his injuries, joins Ripley, , and the android in boarding the Sulaco for evacuation, initiating the atmospheric processor's overload to eradicate the nest before entering hypersleep as the ship departs LV-426. Michael Biehn's portrayal underscores Hicks' calm and resourceful demeanor amid escalating horror.

Fate in Alien 3

In the opening sequence of Alien 3 (1992), the USCSS Sulaco is shown adrift in space with Ripley, Corporal Dwayne Hicks, Newt, and the damaged android Bishop in cryosleep, en route to Earth after escaping LV-426. A facehugger Xenomorph emerges from a Royal Facehugger egg deposited by the Alien Queen during the events of Aliens, breaking free and using its acidic blood to corrode the hypersleep chamber controls, which triggers an onboard fire and the automatic launch of the emergency evacuating vehicle (EEV). The EEV hurtles through the atmosphere toward the remote penal colony on Fiorina 161 (also known as Fury 161), enduring violent turbulence during re-entry that ultimately causes it to crash-land on the planet's rocky shore. Hicks' death occurs off-screen during this chaotic , implied through quick visual cuts and later : a loose support beam within the EEV breaks free amid the impacts, impaling him through the chest while he remains in his cryotube. His body, along with Newt's and Bishop's, is recovered from the wreckage by of the all-male . Upon awakening from cryosleep, Ripley learns from the colony's , Clemens, that Hicks succumbed to severe from the crash, with his corpse showing extensive damage including a disfigured face and torso wounds consistent with impalement. To eliminate any potential Xenomorph infestation, the bodies are promptly autopsied and then incinerated in the facility's leadworks , a decision Ripley reluctantly accepts despite her grief. This unceremonious demise serves a key narrative function in Alien 3, stripping Ripley of her surrogate family and support system established in Aliens to underscore themes of profound isolation, loss, and personal redemption on the desolate prison world. By eliminating Hicks without any on-screen appearance or dialogue, the film shifts the focus entirely to Ripley's solitary confrontation with the Xenomorph threat and her internal struggles, heightening the story's bleak, introspective tone. The decision drew immediate fan backlash for negating the triumphant, hopeful closure of Aliens and curtailing Hicks' character development.

Role in Aliens: Colonial Marines

In the 2013 video game Aliens: Colonial Marines, developed by , Corporal Dwayne Hicks is retconned to have survived the Sulaco incident from Aliens by escaping in a cryotube that separated from the ship during the facehugger outbreak, avoiding the fate shown in . This backstory is detailed in the game's "Stasis Interrupted" , where Hicks is awakened from stasis by colonists Samwell "Stone" Stone and Eugene "Turk" Marlow, who seek his aid amid a infestation at the newly established Origin Facility on LV-426. Hicks joins them in investigating the ruins of Hadley's , only to be captured by Weyland-Yutani forces seeking information on the Xenomorphs. In the main campaign, Hicks is rescued by Corporal Christopher Winter and Private Bella Reznik from the USS Sephora's marine battalion, who respond to his sent 17 weeks after the Aliens events. Promoted to in the interim, Hicks mentors the inexperienced marines, drawing on his prior experiences to guide them through the infested colony while referencing and as key survivors from his original mission. Key events include intense combat against hives and warriors in the atmospheric processing plant and research labs, where the team uncovers Weyland-Yutani's conspiracy to capture and weaponize the creatures, including experiments on a captured Queen. They ally with synthetic pathologist Dr. (a reconstructed of the original ), who provides critical insights into the company's unethical research and helps neutralize threats like facehugger breeders. The "Stasis Interrupted" expands Hicks' role with a four-mission set between Aliens and the main game, where he leads a team of prisoners and synthetics aboard the Sulaco after it is boarded by Weyland-Yutani salvage operatives. Hicks commands operations against infected turned into hosts for Xenomorphs and battles emerging drones and amid the ship's sections and EEV bays, ultimately escaping to LV-426 while thwarting Weyland's attempts for Sulaco access codes. This storyline emphasizes Hicks' resilience and leadership, culminating in his capture at the Origin Facility as a bridge to the core narrative. Michael Biehn reprises his role from Aliens by providing the voice for Hicks throughout the game and DLC.

Appearances in comics

Dwayne Hicks features prominently in the Dark Horse Comics' Aliens miniseries (1988–1990), an alternate continuity that directly follows the events of the 1986 film Aliens, where he survives the Sulaco's escape from LV-426 alongside Rebecca "Newt" Jorden.) In this storyline, spanning the Aliens, Nightmare Asylum, and Female War arcs (collectively 14 issues), Hicks, now scarred and promoted to sergeant, rescues the institutionalized Newt and leads a Colonial Marines expedition to the Xenomorph homeworld to preempt an invasion of Earth orchestrated by a rogue general breeding the creatures. Their mission uncovers a corporate conspiracy involving Weyland-Yutani's covert experiments with Xenomorphs, forcing Hicks to navigate alliances with surviving Marines amid escalating hybrid threats like engineered "domesticated" aliens. Key plot developments highlight Hicks' growth as a protector and leader: after the assault fails and colonies become infested, he reunites with at Gateway Station, where confronts her for the presumed abandonment during the Sulaco incident. Together, they investigate -based outbreaks, battle swarms in urban hives, and confront the Queen Mother in a bid to sever the species' reproductive cycle, emphasizing themes of military resilience and surrogate family bonds. The arc culminates in a , with Hicks formally adopting as they settle into a fragile on a reclaimed , free from immediate threats but haunted by their losses. Hicks receives brief mentions in 's Aliens vs. Predator crossover comics, such as Aliens vs. Predator: Deadliest of the Species (), where he appears as a advisor in peripheral narratives tying into broader conflicts. He also stars in the 2018–2019 comic adaptation of William Gibson's unproduced screenplay, published by , depicting a alternate timeline where the Sulaco is hijacked by corporate raiders; Hicks awakens from cryosleep, evades Weyland-Yutani agents, and allies with a brainwashed against infected Union of Progressive Peoples forces amid a escalation.) These comic appearances exist outside the primary film canon, serving as tales that diverge from Alien 3 (1992) by preserving Hicks' survival to explore enduring motifs of human endurance against corporate exploitation and alien horrors.

Portrayal

Casting

was initially cast in the role of Corporal Dwayne Hicks for James Cameron's Aliens (1986), beginning alongside the rest of the Colonial Marines ensemble. However, after approximately two weeks of filming in , Remar was dismissed due to his on charges of possession, prompting an abrupt recasting. Producer contacted over a weekend to replace Remar, leveraging Biehn's recent success as in Cameron's [The Terminator](/page/The Terminator) (1984); Biehn arrived on set by Monday morning, foregoing the three-week military training rehearsal period, and reshot the majority of Remar's footage over the following ten days. One of the from behind as they enter the alien nest retains Remar as Hicks, since reshoots did not cover every angle and his face is not visible. Cameron envisioned Hicks as a competent yet relatable among the blue-collar Colonial , embodying a gritty, pragmatic frontier spirit that contrasted with Sigourney Weaver's more exceptional portrayal of as the film's central hero. Biehn's natural chemistry with Weaver further aligned with this dynamic during the rushed production. Hicks' canonical death at the opening of David Fincher's (1992) precluded any further live-action casting for the character in sequel films, with subsequent appearances limited to non-actor mediums such as and comics.

Performance

Michael Biehn's portrayal of Dwayne Hicks in Aliens (1986) emphasized quiet competence, relying on understated dialogue and subtle body language to depict a reliable leader amid escalating chaos. Rather than overt bravado, Biehn conveyed Hicks' steadiness through minimalistic expressions and poised movements, such as his calm handling of equipment and supportive interactions with , establishing the character as a grounding force for the ensemble. In the 2013 video game Aliens: Colonial Marines, Biehn reprised his role through , delivering lines that maintained Hicks' heroic demeanor from the film, though he later described the recording process as lacking passion and ultimately unenjoyable. The game utilized Biehn's likeness for the character's model, preserving visual continuity in an alternate storyline where Hicks survives the events of Aliens. Biehn's physical likeness has been incorporated into various authorized Aliens comics published by , where artists drew Hicks based on his film appearance to ensure character authenticity across media. This approach extended to digital representations in games, allowing to experience a consistent embodiment of the role despite Biehn's limited involvement in new productions post-Aliens. Biehn's nuanced performance transformed Hicks from a potentially generic into a enduring , highlighted by memorable scenes like his casual reveal of a with the line, "I like to keep this handy... for close encounters," which underscored the character's practical resourcefulness. This elevation is evident in the character's ongoing popularity, with Biehn frequently reprising Hicks in interactions and projects, cementing his status as a sci-fi staple.

Development

Alien 3 controversy

The production of (1992) was marked by contentious decisions regarding the fate of Corporal Dwayne Hicks, particularly the choice to kill him off early in the film. Director , in his feature debut, aimed to return the franchise to its roots by isolating protagonist and eliminating the surrogate family unit established in Aliens (1986), which included Hicks and . This approach involved script revisions that dispatched Hicks and other supporting characters via an vehicle (EEV) crash upon arrival at the Fiorina 161, heightening narrative tension through sudden loss rather than prolonged survival arcs. Actor was not consulted on Hicks' demise and expressed strong objections upon learning of it during production. He discovered a dummy modeled after his likeness intended for a graphic death scene involving a chestburster, which he viewed as a disrespectful end to the character he had helped develop with . Biehn confronted Fincher on set, vehemently protesting the depiction, and threatened legal action similar to Crispin Glover's lawsuit over unauthorized likeness use in Back to the Future Part II (1989). To resolve the dispute, the filmmakers altered the scene to avoid showing Hicks' face, using a generic stand-in instead; Biehn rejected a reported $100,000 settlement offer from 20th Century Fox, insisting the character's final image not be mutilated. This incident underscored the chaotic, actor-unfriendly environment of the film's production, which Fincher himself disavowed. The abrupt killing of Hicks drew immediate and enduring fan backlash, widely criticized for undermining the optimistic resolution of Aliens and diminishing the emotional stakes built around Hicks as Ripley's ally. Many viewers, including Aliens director James Cameron, were shocked by the off-screen deaths, viewing them as a betrayal of audience investment in the characters' survival and potential for further development. This contributed to Alien 3's polarized reception, with the film earning a reputation as a franchise low point despite its visual style and thematic ambition, grossing $159 million worldwide but failing to match predecessors' cultural impact. The controversy surrounding Hicks' treatment influenced subsequent Alien projects, leading to a deliberate avoidance of the character in mainline films like (1997) and the prequel series ( and ) to sidestep continuity issues from Alien 3. Hicks remained sidelined in canon until expanded universe retcons, such as video games and comics, revived him to address fan dissatisfaction and restore narrative possibilities.

Neill Blomkamp's Alien 5

In early 2015, director Neill Blomkamp shared concept art on Twitter for his envisioned fifth installment in the Alien franchise, depicting Ellen Ripley (Sigourney Weaver), Corporal Dwayne Hicks (Michael Biehn), and Newt (Carrie Henn) as survivors of the events in Aliens, thereby disregarding the narratives of Alien 3 and Alien Resurrection to create a direct sequel to James Cameron's 1986 film. The artwork, which included scenes of the characters in a futuristic setting with xenomorph threats, generated significant buzz and led to Fox greenlighting the project by March 2015, with Blomkamp attached to direct and Ridley Scott producing. Michael Biehn expressed strong enthusiasm for returning as Hicks, stating in multiple interviews that he was "optimistic" about the opportunity and eager to explore the character's arc in this alternate timeline. Concept art and storyboards released by Blomkamp further illustrated Hicks as a battle-hardened veteran, scarred from years of conflict and leading a resistance against incursions, emphasizing his evolution from the seen in . The project faced setbacks when Blomkamp announced in October 2015 that it was on indefinite hold to allow Ridley Scott's Prometheus 2 (later Alien: Covenant) to proceed first. Following Disney's acquisition of 20th Century Fox in March 2019, the film was effectively cancelled amid corporate restructuring and shifts in franchise direction. By 2021, Blomkamp confirmed the project was "completely dead," though he noted in later reflections that external factors like the merger sealed its fate. In November 2025, attributed the cancellation to Scott becoming "very possessive" of the franchise and prioritizing his prequel films. Despite its unproduced status, Blomkamp's has significantly shaped fan discourse on the series' canon, sparking widespread calls for restoring Hicks and Newt's survival and critiquing the franchise's post- trajectory. As of November 2025, no revival or adaptation of the concept has been announced by or the creative .

Alternate projects

In 1987, penned an unproduced screenplay for that diverged significantly from the eventual film, presenting a cyberpunk-infused centered on corporate and dynamics between the and the . In this version, Corporal Dwayne Hicks survives the events of and awakens from cryosleep aboard the USCSS Sulaco after it drifts into Soviet-controlled , where he becomes the primary leading a against a new strain of xenomorphs engineered as bioweapons by rival corporations. The script emphasizes Hicks' resourcefulness as a Colonial , partnering with the damaged android to uncover a involving the Weyland-Yutani Corporation's manipulation of alien biology for military advantage, while remains in cryosleep for much of the story. Gibson's draft, the first of several for , was ultimately rejected due to creative differences and shifts in studio direction. The screenplay's focus on Hicks positioned him as a battle-hardened leader confronting not only xenomorphs but also geopolitical intrigue, including alien-infected spaceships and corporate black ops. In , the script was adapted into a six-part audio drama by Audible and , with reprising his role as Hicks alongside as , bringing the unproduced story to life through immersive and full-cast performances. Similarly, early video game development pitches for Aliens sequels in the 1990s and early 2000s envisioned Hicks as a playable or central character in squad-based action scenarios, though these ideas were scrapped amid shifting priorities, paving the way for later titles like Aliens: Colonial Marines. As of November 2025, with the Alien franchise rights held by Disney following its acquisition of 20th Century Fox, no new unproduced or canon projects involving Dwayne Hicks have been announced, leaving his narrative arc confined to existing media.

Reception

Critical reception

Critics praised Dwayne Hicks for his portrayal as a competent and relatable leader in Aliens (1986), where he served as a grounded to the more boisterous marines, contributing to the film's strong ensemble dynamics. highlighted Hicks as one of his favorite characters among the , appreciating how the role added depth to the group's interactions amid the escalating horror. Biehn's was seen as pivotal to this appeal, bringing quiet authority and vulnerability to the character. The character's abrupt death in (1992) drew significant backlash, with reviewers decrying it as a squandering of potential and an emotional rupture for audiences invested in the surrogate family formed in Aliens. , writing for , noted that killing off Hicks and "simply destroyed the movie," as it undermined the relational stakes and left Ripley isolated in grief, creating a sense of disconnect from the prior film's hopeful resolution. This decision was widely viewed as diminishing the character's heroic arc and the franchise's momentum. In expanded media, Hicks' appearances elicited mixed responses. The 2013 video game Aliens: Colonial Marines retconned his death to feature him in the DLC campaign "Stasis Interrupted," but critics panned the execution for its contrived plotting and failure to recapture the original film's tension, with Biehn's voice work unable to salvage the overall subpar quality. Conversely, ' early 1990s sequels, such as Aliens: Nightmare Asylum and Aliens: Earth Hive, were commended for exploring Hicks' post-Aliens development, portraying him as a scarred protector alongside a grown and delving into his psychological toll from LV-426, adding layers of and to the character. Overall, Hicks has been ranked among the top sci-fi supporting characters in user-driven polls, reflecting his enduring appeal as a reliable ally in the genre. On Ranker, he places highly among characters in the Alien franchise, underscoring his status as a fan-favorite sidekick.

Accolades

Michael Biehn's performance as Corporal Dwayne Hicks in Aliens (1986) garnered a nomination for Best Actor at the 14th Saturn Awards, presented by the Academy of Science Fiction, Fantasy and Horror Films in 1987. This recognition highlighted Hicks' role as a competent and relatable Colonial Marine leader amid the film's intense action sequences. In extended media, Biehn reprised the voice of Hicks for the 2013 video game Aliens: Colonial Marines, though the project received no award nominations for its voice acting. Fan communities have frequently honored Hicks through informal polls and rankings, such as Ranker's ongoing list of the best characters in the Alien franchise, where he consistently places among the top supporting figures for his heroism and camaraderie. Similarly, an IMDb user poll on favorite supporting characters from the franchise featured Hicks prominently among options like Hudson and Bishop. Following the 2010s, no additional formal or fan-voted accolades have emerged for Hicks, attributable to the character's absence from new Alien franchise media since Aliens: Colonial Marines.

Cultural impact

Corporal Dwayne Hicks has been likened to the disciplined space marines in Starship Troopers, embodying an everyman heroism that contrasts with more hyper-competent archetypes while popularizing the trope of gritty, team-oriented soldiers in military science fiction. This portrayal draws from the Colonial Marines' dynamics in Aliens, where Hicks represents a relatable leader amid chaos, influencing subsequent depictions of human-alien conflicts in film. Hicks remains a staple in fan culture, frequently featured in cosplay at conventions such as New York Comic Con, where detailed recreations of his armor and weaponry highlight his enduring popularity among enthusiasts. Iconic lines from the Colonial Marines, such as Hudson's "Game over, man," have spawned widespread memes and online tributes that often include Hicks as part of the squad's collective legacy. Fan demands for his revival peaked in 2015 with a Change.org petition urging director Neill Blomkamp to produce his proposed Alien 5, which would resurrect Hicks alongside Ripley, garnering support from those dissatisfied with his fate in Alien 3. Merchandise featuring Hicks underscores his commercial footprint, including NECA's 7-inch action figures from the Aliens series, complete with pulse rifle accessories, and replicas of his gear. These items continue to sell through specialty retailers, reflecting sustained collector interest. References to Hicks appear in broader Aliens parodies, such as ' multiple spoofs of the franchise, including Itchy & Scratchy segments mimicking encounters that echo the marines' predicaments. As a symbol of 1980s action sci-fi, Hicks' character humanizes the Alien franchise by providing a grounded, empathetic counterpoint to its horrors, an appeal reaffirmed in 2025 analyses of new entries like Alien: Earth, which directly reference his "Stay frosty" line to evoke the original's tension.

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