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Four Good Days

Four Good Days is a 2020 American drama film directed and co-written by Rodrigo García, focusing on a mother's determined to assist her adult daughter through four days of severe symptoms in a home setting without professional medical support. The story centers on Deb (played by ), who restrains her estranged daughter Molly (), a long-term addict, to endure the physical and emotional torment of , drawing from real-life accounts of familial tough-love approaches amid the opioid crisis. Adapted from journalist Eli Saslow's 2016 Washington Post article detailing the experiences of Amanda Wendler and her mother Libby Alexander, the film portrays the raw challenges of , including , risks, and strained bonds. Premiering at the on January 25, 2020, it received a limited on April 30, 2021, followed by availability. Supporting cast includes as Molly's father, with the emphasizing causal factors in such as repeated cycles of and . Notable for its unflinching depiction of withdrawal's physiological effects, the film earned an Academy Award nomination for Best for Diane Warren's "Somehow You Do," highlighting themes of resilience amid empirical realities of .

Synopsis

Plot Summary

Molly, a young woman battling addiction, arrives unannounced at her mother Deb's home after years of estrangement, appearing bruised and on the verge of collapse from ongoing withdrawal. Desperate for help, Molly explains she must remain -free for four days to qualify for a Vivitrol injection, a treatment that blocks opioid effects, and begs Deb to monitor her despite past betrayals. After initial hesitation and Molly sleeping outside, Deb relents and allows her inside, initiating a grueling supervised detox. During the first day, Molly suffers intense early symptoms, including , tantrums, and physical , straining Deb's patience as she enforces rules like confiscating possessions and watching for attempts. As the days unfold, symptoms escalate to severe , fevers, , muscle aches, and , interspersed with psychological distress, deceptive claims of improvement, and revelations about Molly's fractured life, such as lost custody of her children and abusive relationships tied to her . Molly's lies about prior use and temptations to test Deb's resolve, culminating in heated arguments and moments of raw vulnerability. On the final day before the appointment, overwhelmed, leaves to visit , the father of her children, and admits upon return to having used drugs during her absence, revealing a that undermines the detox effort. Facing disqualification, implores Deb for a clean sample to fake the test; after deliberation, Deb provides it, enabling to receive the injection despite the dangers of recent presence in her system. The treatment triggers acute precipitated withdrawal, forcing an emergency hospital visit, after which stabilizes.

Cast and Characters

Principal Cast

Glenn Close portrays Deb, the determined mother navigating the emotional toll of supporting her adult daughter's recovery efforts, with a performance noted for its intensity in conveying unyielding resolve amid familial strain. embodies Molly, the opioid-dependent daughter, offering a visceral depiction of physical and psychological dependency that underscores the film's raw examination of addiction's grip. Their central performances, praised for authenticity drawn from real-life inspirations, form the emotional backbone of the narrative, highlighting the mother-daughter dynamic without reliance on overt sentimentality.

Supporting Roles

Stephen Root plays Chris, Deb's husband and a source of pragmatic emotional support for her during Molly's , highlighting the broader familial toll of without overshadowing the central relationship. His portrayal underscores the quiet endurance required from secondary family members in such crises. Chad Lindberg portrays Daniel, Molly's former associate tied to her past substance use, embodying the external temptations and relapses that test the protagonists' resolve and amplify the isolation of the mother-daughter bond. This role illustrates how peripheral influences exacerbate the personal stakes. Joshua Leonard appears as Sean, the medical professional guiding the treatment process, whose interventions provide clinical realism and contrast the raw domestic intensity of Deb and Molly's interactions. His character facilitates key moments of hope and setback, reinforcing the narrative's focus on sustained efforts. Sam Hennings plays Dale, Molly's estranged biological father, representing absentee paternal dynamics that indirectly heighten Deb's solitary burden in confronting her daughter's addiction. This supporting presence adds layers to the generational and relational pressures encircling the core duo. Rebecca Field and Michael Hyatt feature in roles as Coach Miller and Lisa, respectively, depicting institutional figures—such as a coach and possibly a counselor—who offer limited but pivotal external guidance, emphasizing the insufficiency of outside help against intimate familial bonds. Their contributions subtly depict systemic responses to addiction, framing the protagonists' private ordeal.

Production

Development and Writing

The screenplay for Four Good Days originated from a 2016 Washington Post article by Pulitzer Prize-winning reporter , which chronicled the addiction of Amanda Wendler and her mother Libby Alexander's to secure four days of for implant treatment. Saslow's reporting captured the visceral realities of , including physical agony and manipulative behaviors, drawing from extended observation of the family's ordeal in amid the broader crisis. Saslow co-wrote the script with director Rodrigo García, adapting the account into a fictionalized while preserving core elements like the high-stakes four-day window required for medical intervention. García, whose prior directorial works such as Mother and Child (2009) and (2005) explored fractured family bonds and personal redemption, emphasized authentic depiction of enabling patterns and withdrawal's toll, opting for a contained timeline to intensify dramatic tension without extending into long-term recovery narratives. This structural choice underscored causal factors in , including environmental triggers and eroded trust, informed by Saslow's journalistic insights rather than dramatized optimism.

Filming and Technical Aspects

Principal photography for Four Good Days commenced in late September 2019 in , , with production wrapping shortly thereafter. Specific filming locations included Santa Clarita, contributing to the film's grounded, urban authenticity amid its focus on personal isolation. Jadue-Lillo shot the film digitally using the Sony camera, employing a wide-screen 2.39:1 to frame the confined domestic spaces. The visual approach featured a desaturated color palette to evoke the emotional desolation of opioid dependency, with selective warmer lighting introduced during fleeting instances of familial reconciliation or resolve. To depict the physical toll of withdrawal realistically, lead actress reduced her body weight by 5 to 10 pounds over eight months and adopted an unkempt appearance, including bleached hair with dark roots modeled after images of active addicts. Director Rodrigo García prioritized a responsive style, permitting actors to organically develop scene physicality—such as improvised movements during detox sequences—over rigidly prescribed camera placements, enhancing the raw immediacy of the mother-daughter confrontations. This technique, combined with close-quarters lensing in the single-location home setting, amplified the psychological tension without relying on expansive exteriors or elaborate effects.

Soundtrack and Score

The original score for Four Good Days was composed by , who previously collaborated with director Rodrigo García on films such as Mother and Child (2009). Shearmur's work, completed in early 2020 ahead of the film's Sundance premiere, supports the intimate dramatic tone through orchestral elements tailored to the narrative's focus on personal crisis. The soundtrack incorporates a select number of licensed songs to punctuate key moments, including "Somehow You Do," an original song for the film performed by with lyrics by . Additional tracks feature "At the Heels" performed and written by Phil Hamelin, and "Light Inside" performed by Steve Ivey. "Through the Years" also appears, contributing to the sparse musical landscape that prioritizes diegetic and ambient sounds over extensive licensing. No commercial album release of Shearmur's full score has been documented.

Release and Distribution

Premiere

The film had its world premiere at the in , on January 25, 2020, as an official selection in the Premieres program. The screening featured appearances by lead actors and , along with director Rodrigo García, drawing attention from festival attendees and industry figures amid the festival's focus on independent drama. The premiere timing aligned with heightened national discourse on the , which had claimed over 50,000 lives annually in the U.S. by 2019 according to Centers for Disease Control and Prevention data, positioning the film's exploration of addiction as resonant with contemporary challenges. Following the debut, acquired North American distribution rights, initially planning a limited theatrical rollout in spring 2020 before pandemic-related shutdowns prompted delays.

Theatrical and Streaming Release

Four Good Days had its limited theatrical release in the United States on April 30, 2021, distributed by . The rollout followed the film's world premiere at the on January 25, 2020, with distribution delayed by over a year due to the pandemic's impact on cinema operations and market conditions. Video on demand availability began on May 21, 2021, expanding access beyond theaters. By August 2021, the film became available for streaming on . Subsequent platform availability included Peacock and other services, though initial emphasis remained on domestic theatrical and digital rental windows.

Reception

Critical Reviews

Critics gave Four Good Days mixed reviews, with a % approval on from 78 reviews, reflecting praise for the lead performances amid broader reservations about the screenplay's execution. The film holds a score of 60 out of 100, based on 14 critics, indicating generally favorable but divided sentiment focused on its dramatic craftsmanship. Performances by as the mother and as the addict daughter drew consistent acclaim for their intensity and emotional depth. highlighted director Rodrigo García's adept handling of female-centric drama, crediting Close's collaboration with him and Kunis's raw portrayal for lending authenticity to the central relationship. noted Kunis's effective depiction of physical and psychological deterioration during withdrawal scenes, praising the actors for grounding the material despite its familiar tropes. Deadline described the duo's work as "superb," emphasizing their ability to convey the harrowing toll of through subtle, lived-in details. Conversely, reviewers frequently criticized the film for relying on melodramatic conventions and uneven pacing that undermined its . awarded it 2 out of 4 stars, faulting the narrative for stranding its strong cast in a bland setup with contrived metaphors and insufficient narrative propulsion. described the overall feel as artificial, likening it to a polished TV movie that glosses over deeper horrors despite Close's efforts. The acknowledged visceral elements in the detox sequences but pointed to clichéd plotting and predictable emotional beats as diluting the film's impact. These critiques centered on the script's failure to transcend genre expectations, contrasting moments of stark with broader sentimental excess.

Audience and Box Office Response

Four Good Days grossed $837,849 in the United States and and $6,119 in other territories, for a worldwide total of $843,968. The film's theatrical release occurred amid the on April 30, 2021, limiting its availability to select theaters and contributing to its modest earnings. , as measured by verified viewer ratings, showed a generally positive but not exceptional response. On , the film received an 81% audience score from over 100 verified ratings. users rated it 6.6 out of 10 based on 15,531 votes as of the latest available data. These scores reflect a niche appreciation, particularly among viewers interested in dramatic portrayals of , though broader public engagement remained limited. Following its limited theatrical run, the film became available on streaming platforms including starting in August 2021, where it garnered views primarily within audiences focused on personal recovery narratives, though specific viewership metrics are not publicly detailed.

Awards and Nominations

At the held on March 27, 2022, Four Good Days received a for Best for "Somehow You Do", written and composed by ; the song did not win, losing to "No Time to Die" from the film. The film's score and song also garnered nominations in music-focused awards: a Hollywood Music in Media Award (HMMA) nomination in 2021 for Original Song – Feature Film, and a Society of Composers and Lyricists Award nomination in 2022 for Outstanding Original Score for a Studio or Independent Feature Film. Neither resulted in a win, reflecting limited broader industry recognition beyond the song's ballad style, consistent with Warren's history of nominations for emotionally driven tracks. Despite strong performances by and , the film earned no acting nominations from major awards bodies such as the , Golden Globes, or . Its world premiere at the on January 25, 2020, yielded no competitive awards, aligning with the festival's emphasis on emerging voices rather than established dramas in the U.S. Dramatic Competition.

Themes and Realism

Depiction of Addiction and Recovery

The film portrays through the protagonist's experience of dependence, depicting acute symptoms such as severe , , , muscle aches, , and , which align with established physiological responses observed in clinical settings where short-acting opioids like produce peak withdrawal intensity within 24-72 hours. These manifestations reflect the body's response to blockade and autonomic hyperactivity following cessation, as of approximately 30 minutes leads to rapid onset of abstinence syndrome. The narrative centers on a compressed four-day period to achieve eligibility for Vivitrol (extended-release ), an injection that blocks euphoric effects and reduces craving, requiring patients to be fully opioid-free to prevent precipitated . This timeline captures elements of real-world protocols for short-acting opioids, where acute subsides sufficiently after 3-5 days to initiate antagonist therapy without immediate risk of severe precipitated symptoms, though guidelines often recommend 7-10 days of for safety. Critics have noted the portrayal's emphasis on individual agency and volitional triggers, such as the character's deliberate choices to evade or procure drugs, underscoring causal realism in progression driven by repeated of use despite evident harms, rather than external . However, this depiction has faced accusations of oversimplification by framing recovery as achievable through short-term endurance and pharmacological intervention alone, neglecting of sustained high rates—ranging from 72-88% within 12-36 months post-detoxification and up to 80-95% in the first year—attributable to protracted physiological changes, cue-induced , and behavioral patterns. Harm-reduction advocates argue the film's visual stereotypes of physical decay and moral failing exacerbate , potentially deterring treatment-seeking by associating solely with personal moral lapse over neuroadaptive mechanisms. In contrast, proponents of consequence-focused commend its unvarnished illustration of withdrawal's torment and the imperative of , aligning with showing that sustained correlates more strongly with internal and avoidance of environmental cues than with initial detox success alone.

Family and Personal Responsibility

In Four Good Days, the mother's enforcement of strict boundaries against her daughter's repeated deceit underscores the interpersonal barriers to , portraying the addict's as a primary obstacle that demands personal rather than unconditional indulgence. Deb, the mother, initially enables Molly's addiction through financial aid and shelter but shifts to "" by requiring verifiable —such as four drug-free days monitored via medical protocols—before offering further support, highlighting how evasion of consequences perpetuates dependency. This dynamic illustrates causal realism in family roles, where the daughter's fabrications, including feigned compliance and hidden , erode trust and prolong relapse cycles, forcing the mother to prioritize long-term over short-term . The film's strength lies in demonstrating tough love's potential efficacy, as Deb's ultimatums compel Molly to confront her self-destructive patterns without rescue, aligning with evidence that structured family disengagement from behaviors fosters entry into treatment. Real-world data supports this: Community Reinforcement and Family Training (), which emphasizes boundary-setting and accountability over confrontation, achieves a 64% success rate in prompting addicted individuals to enter treatment, compared to lower rates for traditional interventions lacking family skill-building. Similarly, family-involved therapies that discourage improve treatment retention by up to 50% and cut relapse rates by 25-30%, per analyses, by reallocating support toward verifiable progress rather than shielding from natural repercussions. Enabling, conversely, sustains addiction by insulating users from accountability, correlating with prolonged use and familial harm, as families absorb financial, emotional, and legal fallout without interrupting the cycle. Critics note limitations in the portrayal, such as underemphasizing co-dependency risks where parental over-involvement might inadvertently reinforce addictive bonds even amid boundaries, though the film avoids romanticizing without . This focus on ethical —prioritizing the addict's over familial guilt—avoids common pitfalls in narratives that equate love with leniency, instead evidencing how deceit erodes relational capital, necessitating rebuilt trust through demonstrated . Empirical outcomes affirm that interventions stressing personal , like those modeled here, outperform permissive approaches, with family disengagement reducing enabling's drag on timelines.

Basis in Reality

Inspiration from True Events

The film Four Good Days is inspired by events described in Pulitzer Prize-winning journalist Eli Saslow's 2016 Washington Post article "'How's Amanda?': A Story of Truth, Lies and an American Addiction," which documents the opioid addiction struggles of , a 24-year-old from , in 2015 and early 2016. The narrative centers on Amanda's mother, Deb, who monitors her daughter daily after a brief detox to ensure abstinence long enough to receive a injection, an aimed at blocking the drug's effects and reducing risk. This supervised period reflects the real-life challenges of maintaining sobriety amid intense withdrawal symptoms, cravings, and external temptations, with Deb conducting unannounced checks and managing Amanda's deception attempts, such as feigning compliance while seeking drugs from acquaintances. Factual alignments include the core mechanism of maternal oversight during a critical post-detox window for administration, Amanda's history of and use escalating from prescription painkillers after a 2011 injury, multiple failed rehabs, and intersections with the system via arrests for and . In reality, Amanda endured severe , having consumed up to 100 pills daily at her peak, and the article details her partial success in reaching the treatment milestone after days of turmoil, though long-term outcomes involved further relapses. For narrative compression, the film specifies a rigid four-day abstinence requirement, diverging from standard medical protocols recommending 7–10 days opioid-free to prevent precipitated from . It also amplifies isolated incidents, like a staged confrontation with a contact, into heightened , while streamlining the article's broader chronicle of repeated cycles, family exhaustion, and societal enablers of , such as easy prescription access in the early opioid crisis. These adaptations prioritize emotional intensity over the article's exhaustive, multi-month timeline.

Impact and Controversies

Cultural Influence

Four Good Days has been cited in discussions of the epidemic's familial toll, providing a lens on and that underscores personal accountability amid broader crisis coverage peaking after 2020. Released in May , the film aligned with heightened media focus on individual recovery stories during a period when U.S. overdose deaths exceeded 100,000 annually for the first time in , though direct causal links to policy shifts remain unestablished. In media portrayals of addiction, the movie reinforced trends toward emphasizing self-directed and familial efforts over institutional interventions, as observed in analyses of Hollywood's evolving dramatizations of substance use disorders post-2010. This approach, centering a mother's role in enforcing , contrasted with narratives reliant on medical or governmental frameworks, influencing scripts that highlight behavioral choices in . Educational and sociological reviews post-release have noted the film's utility in fostering on family-driven interventions, with limited empirical studies attributing modest gains in public empathy for such strategies among viewers exposed to similar content. While not tied to specific campaigns, its depiction has appeared in recovery-focused compilations, contributing incrementally to favoring personal narratives by 2025.

Debates on Accuracy and Stigma

The film Four Good Days has sparked debates over its portrayal of , with critics divided on whether it realistically depicts the challenges of detox and or reinforces harmful stereotypes that exacerbate . advocates, such as those at Avenues Recovery Center, have faulted the movie for superficial treatment of underlying and for prioritizing the mother's emotional arc over a deeper exploration of the addict's internal struggles, describing certain scenes as "cringey" and inadequately reflective of sustained processes. Conversely, some analyses praise its adherence to empirical realities of , including severe physical symptoms like seizures and , which align with documented opioid detox protocols absent medical intervention. Harm reduction perspectives, exemplified by magazine, argue that the film perpetuates stigmatizing tropes, such as exaggerated depictions of "" and untreated decay, which they contend distort public understanding and overlook evidence-based treatments like or —medications that reduce overdose risk by up to 50% in clinical trials. This omission is seen as ideologically driven toward an abstinence-only narrative, potentially discouraging access to medications for (MOUD), which boast retention rates superior to counseling alone in meta-analyses. 's critique reflects a broader ethos prioritizing systemic factors and destigmatization, though such outlets have been accused of underemphasizing individual agency in favor of environmental explanations for persistence. In counterpoint, proponents of personal responsibility frameworks highlight the film's opening reference to a 97% relapse rate as a sobering alignment with data showing 85-95% relapse within one year post-treatment in untreated or short-term detox scenarios, challenging overly optimistic media narratives that downplay . This unvarnished emphasis on consequences and familial boundaries is defended as causally realistic, mirroring real-world outcomes where cold-turkey detox succeeds in only a fraction of cases without ongoing accountability, as evidenced by longitudinal studies on . Right-leaning commentators often valorize this approach for underscoring over compassion divorced from enforcement, contrasting with left-leaning critiques that prioritize anti-stigma rhetoric potentially at the expense of acknowledging high failure rates in recovery.

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