Fact-checked by Grok 2 weeks ago

Front Cover

Front Cover is a 2015 American romantic comedy-drama film written, directed, and co-produced by Ray Yeung. It centers on the developing relationship between Ryan Fu, a Chinese-American stylist in who actively distances himself from his ethnic heritage to assimilate, and Ning Jianing, a celebrated but Chinese visiting for a photoshoot. Through their collaboration and ensuing romance, the protagonists confront personal insecurities, cultural expectations, and the pressures of concealing aspects of their identities amid East-West divides. Starring as Ryan and James Chen as Ning, with supporting performances by Elizabeth Sung and Sonia Villani, the film explores themes of , heritage rejection, and the intersection of sexuality with professional ambition in high-fashion and entertainment industries. Premiering at LGBTQ+ film festivals like Frameline, it garnered attention as an independent production addressing underrepresented narratives of Asian male leads in queer cinema. Critically, Front Cover holds an 83% approval rating on based on limited reviews, praised for its nuanced portrayal of identity struggles without overt didacticism, though some critiques noted reliance on familiar tropes. Roger Ebert's review highlighted its effective blend of romance and cultural commentary, awarding it three out of four stars for character-driven storytelling. The film underscores causal tensions between individual efforts and communal ties, reflecting real-world dynamics observed in communities.

Production

Development and Writing

Front Cover's screenplay was written by its director, Ray Yeung, marking his second following Cut Sleeve Boys in 2006. The script centers on themes of and hidden , drawing directly from Yeung's personal background as a native who attended an English , where he faced discrimination and internalized shame about his heritage, leading him to deny aspects of his to fit in. This experience informed the Ryan Fu, a gay -American fashion stylist who rejects his roots to advance professionally in . The of Ning, a Beijing actor, was inspired by individuals Yeung encountered in the industry who concealed their due to career risks, positioning Ning as a to Ryan's openness. Yeung set the story in to contrast old and new immigrant experiences, highlighting tensions between the and persistent cultural barriers for Asian . While specific details on the script's iterative development or drafting timeline remain undocumented in available accounts, Yeung's emphasized authentic portrayals amid limited nuanced roles for Asian actors, which extended into challenges. The screenplay has been noted for its straightforward , prioritizing graceful character interactions over plotting.

Casting and Pre-Production

Ray Yeung developed the screenplay for Front Cover drawing from his personal experiences as a gay immigrant navigating in , contrasting a Westernized Chinese-American stylist's rejection of with a closeted Mainland Chinese actor's concealment of sexuality. The story was set in to highlight dynamics between old and new waves of Chinese immigrants, symbolizing the American Dream's tensions. emphasized authentic representation of Asian experiences, with Yeung aiming for distribution through U.S. and outlets like and , which were secured post-completion. The production was handled by NewVoice Films, with Fortissimo Films as presenter, reflecting its independent scale. Casting proved challenging due to the scarcity of nuanced roles for Asian in mainstream cinema, requiring extensive auditions to find performers capable of portraying layered cultural and sexual identities. Yeung prioritized natural chemistry and versatility; was cast as Ryan Fu, the openly gay fashion stylist, for his unforced acting style honed from working in gay bars, which lent authenticity to the character's bold persona. James Chen secured the role of Qi Xiao Ning, the closeted actor, after testing against multiple candidates; his Yale training and technical proficiency allowed flexibility, and his on-screen rapport with Choi emerged as the most convincing during pairings. Supporting roles included Elizabeth Sung as Yen, Ryan's mother; Jennifer Neala Page as Janet; and Sonia Villani as Francesca, selected under casting director Donna DeSeta to round out the ensemble's queer fashion world.

Filming and Post-Production

Principal photography for Front Cover took place entirely in , leveraging the city's diverse urban landscapes to depict the fashion industry's backdrop and the characters' cultural tensions. Much of the production occurred at in [Long Island City](/page/Long Island_City), , facilitating controlled interior scenes amid the independent film's constrained budget. Eun-ah Lee served as director of photography, employing a visual approach that highlighted the sleek aesthetics of shoots contrasted with intimate, shadowed personal moments. The shooting , typical for low-budget features, prioritized efficiency in location work across and to capture authentic street-level authenticity without extensive permits or closures. Post-production details remain sparsely documented, but the process was completed in time for the film's world premiere at the on May 28, 2015, involving editing, sound design, and color grading to refine the narrative's subtle emotional arcs under director Ray Yeung's oversight.

Synopsis and Characters

Plot Summary

In Front Cover, Ryan Fu, a Chinese-American fashion stylist based in , has deliberately distanced himself from his to into the competitive world of high , prioritizing his open over traditional Asian family expectations. Assigned to style Ning, a prominent but actor from preparing for a major magazine cover shoot, Ryan encounters initial friction stemming from Ning's guarded demeanor and their divergent approaches to —Ryan's rejection of his roots contrasting with Ning's concealment of his sexuality to maintain his career in . As they collaborate amid the glamour of photo shoots and nightlife, a tentative forms, evolving into romantic attraction that challenges both men's self-imposed barriers. Ning's visit exposes him to openness, prompting reflections on his suppressed , while Ryan grapples with resurfacing cultural ties through interactions with his and Ning's perspective on heritage. Their relationship navigates external pressures, including professional demands and familial disapproval, culminating in mutual growth toward authenticity.

Cast and Performances

The principal roles in Front Cover are portrayed by Jake Choi as Ryan Fu, an openly gay Chinese-American fashion stylist working at a New York magazine who has distanced himself from his traditional family background; James Chen as Qi Xiao Ning, a prominent Beijing-based actor navigating personal secrecy amid professional fame; and Elizabeth Sung as Yen Fu, Ryan's conservative mother. Supporting characters include Jennifer Neala Page as Janet, Ryan's demanding editor; Sonia Villani as Francesca, a colleague; Li Jun Li as Miao, Ning's associate; and Ming Lee as Ba. The casting emphasized actors of Asian descent to authentically depict cultural tensions central to the narrative. Lead performances received acclaim for their nuance in exploring identity conflicts. Jake Choi's debut as conveyed a blend of professional confidence, emotional restraint, and vulnerability, earning description as a portrayal of "a young man of real complexity who’s in the throes of self-discovery." James Chen's depiction of Ning balanced outward star charisma with underlying personal conflict, effectively highlighting the character's hidden struggles. These efforts were noted as exceptionally strong, contributing to the film's intimate dramatic tone despite its modest production. Chen was awarded at the 2015 Golden Koala for his role. Supporting turns, including Sung's embodiment of familial expectations, provided grounded contrast to the protagonists' arcs, though reviews focused primarily on the central duo's chemistry and restraint.

Themes and Analysis

Exploration of Identity and Culture

The film Front Cover centers on the protagonist Ryan Fu, a Chinese-American fashion stylist in who actively rejects his ethnic heritage, viewing it as incompatible with his assimilated, Westernized lifestyle and open . This internal conflict manifests in Ryan's disdain for traditional Chinese elements, such as avoiding and criticizing aspects of his immigrant parents' values, which he associates with repression and heteronormativity. Through his professional assignment to style Ning, a Chinese actor from who embodies national pride and cultural conservatism, the narrative juxtaposes Ryan's self-loathing and cultural alienation against Ning's unapologetic embrace of Chinese , despite the personal costs of secrecy in a society where faces . Director Ray Yeung employs their evolving relationship to explore reconciliation with heritage, as Ryan gradually confronts internalized racism and learns to value Chinese traditions—such as family obligations and aesthetic sensibilities—without fully abandoning his queer autonomy. Ning's character highlights the tensions of cultural representation in China, where queer individuals navigate state-sanctioned patriotism and familial expectations, often suppressing personal identity for social conformity; his arc suggests a tentative path toward self-acceptance influenced by Western openness, though constrained by realistic barriers like career risks. Critics note that while the film addresses these dynamics through intimate, dialogue-driven scenes—such as debates over cultural shame versus pride—it prioritizes emotional resolution over deeper systemic critique, resulting in a gentle portrayal that affirms hybrid identities but risks simplifying East-West divides. Broader cultural themes underscore the rarity of Asian-American queer narratives in cinema, with Front Cover contributing visibility to intersections of ethnicity, sexuality, and diaspora experiences, though some analyses argue it reinforces homonormative ideals by framing acceptance as individualistic romance rather than collective resistance. The story's focus on fashion as a metaphor for constructed identities further illustrates how globalized aesthetics bridge cultural gaps, enabling Ryan to reinterpret Chinese motifs through a queer lens, yet it draws criticism for underplaying class disparities and geopolitical realities in Sino-American relations. Overall, the film's exploration privileges personal growth amid cultural hybridity, portraying identity not as fixed but as negotiated through relational and experiential pressures.

Representation of Sexuality and Relationships

In Front Cover, sexuality is depicted through the protagonists' divergent personal histories and evolving self-perceptions, emphasizing the tensions between and individual desire. Ryan Fu, a -American fashion stylist in , embodies an assimilated, openly gay identity, frequently partnering with white men and expressing disdain for Asian physical traits, which reflects and a preference for Western ideals of attractiveness. Conversely, Qi-Xian, or Ning, a Beijing-based preparing for a role, initially rejects as antithetical to traditional and family expectations, displaying overt homophobia toward Ryan's . This contrast underscores the film's exploration of how societal norms in suppress expression, with Ning's status tied to professional survival in a conservative industry. The central relationship between and Ning begins as a professional styling assignment but transforms into a romantic and sexual bond, serving as the for mutual . Ning's initial gives way to and during intimate moments, culminating in a physical relationship that forces him to reconcile suppressed desires with his public persona. Their interactions highlight cross-cultural negotiations, as Ryan introduces Ning to New York's gay scene— including clubs and drag performances—while Ning challenges Ryan's cultural alienation, prompting the stylist to reconnect with traditions like and family rituals. This dynamic portrays queer relationships not merely as erotic pursuits but as catalysts for identity reconciliation, though the film's resolution sees Ning publicly outed by a after their affair, leading to personal fallout without full societal acceptance. Broader representations extend to ancillary characters and settings, illustrating varied queer Asian experiences amid urban diversity. Ryan's colleagues and lovers represent a spectrum of gay subcultures, from affluent white partners to fellow Asian queers navigating visibility, while Ning's backstory evokes the isolation of mainland China's underground gay networks. The film critiques homonormative assimilation by showing Ryan's initial self-loathing evolve through Ning's influence, yet some analyses argue it softens harsher realities of discrimination, prioritizing romantic harmony over systemic barriers like familial rejection or legal perils in China. Overall, Front Cover advances visibility for gay Asian male intimacy on screen, using the leads' union to probe how sexuality intersects with ethnicity, class, and migration, though its optimistic tone has drawn mixed views on depth versus accessibility.

Release

Premiere and Festivals

Front Cover had its world premiere at the 41st on May 28, 2015. The film competed in the New American Cinema category and received the New American Cinema Award for its exploration of and personal growth. Following its Seattle debut, the film screened at the on October 18, 2015, where it won Best Film in the /Out-Look Competition. It continued its festival run in 2016, premiering at FilmOut on June 3, earning the FilmOut Festival Award and recognition for Best Screenplay. Additional screenings included the Frameline Film Festival in on June 25, highlighting its appeal in LGBTQ+-focused events. The film's festival circuit emphasized its themes of Asian-American identity and romance, garnering awards for narrative craftsmanship across independent and genre-specific venues.

Distribution and Marketing

Strand Releasing acquired North American theatrical and distribution rights for Front Cover in September 2015, following its festival premieres. The film received a limited U.S. theatrical rollout, opening on August 5, 2016, at the Village East Cinema in , with expansion to the Sundance Sunset Cinema in on August 12. This debut generated $9,773 in its first weekend across one theater, reflecting the modest scale typical of independent LGBTQ+-themed releases. In Asia, secured rights for and , scheduling a theatrical release for the first quarter of 2016 to capitalize on regional interest in queer cinema. The film's international rollout built on its festival momentum, including screenings at events like the Frameline LGBTQ+ festival and the Hong Kong Lesbian and Gay Film Festival, which served as key platforms for audience engagement and press coverage. Post-theatrical distribution shifted to digital platforms, with availability on services like and , broadening access beyond limited cinema runs. Marketing efforts, constrained by the indie budget, relied on an official trailer highlighting the romantic comedy elements and themes, alongside targeted promotions at queer and Asian American film festivals to reach niche audiences. Reviews in outlets like preceded the U.S. release, aiding visibility among critics and festival-goers.

Reception and Impact

Box Office Performance

Front Cover had a in the United States starting August 5, 2016. The film earned $6,907 during its opening weekend from August 5–7, 2016. Over its entire domestic run, it grossed a total of $26,409. As an independent production focused on LGBTQ themes, the film's modest reflects its niche audience and restricted distribution, with no significant international earnings reported.

Critical Response

Front Cover garnered mixed reviews from critics, holding a 52/100 Metascore on based on nine reviews, indicating average reception. On , it achieved an 83% approval rating from 12 critics, with the consensus highlighting its charm as a despite narrative shortcomings. Critics praised the performances of leads Mosser and Dylan Dickerson, noting their chemistry and ability to infuse nuance into underdeveloped characters. commended the "nuance" found in the portrayals of an openly gay fashion stylist and a actor, crediting the actors for elevating the material. Similarly, described it as a "skillfully written and acted Gaysian love story," appreciating its handling of cultural and personal intersections. acknowledged the film's endearing leads and its function as a "nice little ," even amid awkward bridging of personal and cultural elements. However, detractors criticized the screenplay for relying on clichés and lacking depth. ' Jeannette Catsoulis observed that the film "strains to surmount its thin narrative and unfortunate dips into clichéd territory," particularly in its exploration of identity clashes. aggregates echoed this, with one review calling it "sweet but ultimately forgettable," suggesting missed opportunities for greater impact. Overall, while the film's earnest intent and festival appeal were noted, its execution was seen as conventional, limiting broader acclaim.

Accolades and Recognition

Front Cover garnered several awards at niche film festivals focused on LGBTQ+ themes and Asian American narratives, reflecting its exploration of and relationships. In 2016, the film received the Best Screenplay award at the FilmOut LGBT Film Festival for writer-director Ray Yeung's script. That same year, it won the Jury Award for Best Domestic Feature at the Outflix Film Festival in . The film also earned audience acclaim, taking the Audience Award for Best Narrative Feature at the 2016 Boston Asian American Film Festival. At the Golden Koala Chinese Film Festival, Front Cover was awarded Best Film and Best Director for Yeung, while James Chen received Best Actor for his portrayal of Ning. These honors underscore the film's resonance within specialized cinematic communities, though it did not achieve broader industry-wide recognition such as Academy Award nominations.

Cultural and Social Discussions

The film Front Cover examines the tensions between cultural assimilation and ethnic heritage through the protagonist Ryan Fu, a Chinese-American fashion stylist who actively rejects his traditional upbringing in favor of Western individualism and professional success in New York City. This portrayal highlights the internalized disdain some diaspora individuals harbor toward their origins, associating Chinese elements with backwardness or limitation, as Ryan prioritizes stylistic reinvention over familial or communal ties. Critics noted this as a realistic depiction of self-loathing rooted in immigrant experiences, where socioeconomic mobility demands cultural erasure, evidenced by Ryan's initial contempt for anything evoking his parents' immigrant struggles. Social discussions surrounding the film center on the intersection of sexuality and , particularly the faced by from conservative Asian backgrounds. The character Ning, a Beijing actor concealing his to maintain career viability and under China's heteronormative pressures, embodies the clash between personal authenticity and societal conformity. Ray Yeung, drawing from observations of Asian lives, uses their evolving relationship to illustrate how encounters can prompt reevaluation of suppressed identities, with Ning's gradual openness challenging Ryan's assimilated facade. Reviews praised this for addressing class disparities—Ryan's urban, affluent lifestyle versus Ning's state-sanctioned stardom—without romanticizing resolution, underscoring persistent barriers like familial expectations and professional risks in both American and contexts. Broader cultural commentary in analyses of Front Cover emphasizes its contribution to visibility for gay Asian narratives, often underrepresented in mainstream due to stereotypes of or desexualization. The film critiques intra-community biases within gay spaces, where Ryan encounters rejection tied to racial preferences, reflecting documented patterns of fetishization or exclusion reported in surveys of LGBTQ+ dynamics. While some outlets highlighted its gentle approach to as transformative, others observed limitations in depth, arguing it prioritizes personal growth over systemic critique of globalized homophobia or ethnic hierarchies. Yeung's work, informed by his roots, thus sparks discourse on how can humanize these struggles without endorsing assimilation as the sole path to fulfillment.

References

  1. [1]
    Front Cover (2015) - IMDb
    Rating 6.5/10 (1,504) When a gay fashion stylist works with a renowned foreign actor, they both embark on a journey of self-discovery.
  2. [2]
    Front Cover movie review & film summary (2016) | Roger Ebert
    Rating 3/4 · Review by Godfrey CheshireAug 5, 2016 · A skillfully written and acted gay love story about two young men of Chinese ancestry, Ray Yeung's “Front Cover” has a title that evokes the ...
  3. [3]
    Front Cover - Frameline
    Set against New York City's slick and cutthroat fashion world, this culture-clash romance is stylish, charming, and captivating from the get-go.
  4. [4]
    Front Cover | Rotten Tomatoes
    Rating 83% (12) A growing friendship between a gay New York fashion stylist (Jake Choi) and a rising Beijing actor (James Chen) turns into romance.
  5. [5]
    FRONT COVER Ray Yeung 2015 - Fortissimo Films
    Front Cover tells the story of Ryan Fu, a gay Chinese American who rejects his Asian heritage and has learnt to suppress it to climb up the social ladder.<|control11|><|separator|>
  6. [6]
    Interview: Front Cover Director Ray Yeung | New Bloom Magazine
    Sep 28, 2016 · Ray Yeung is a director of Hong Kong origin whose films touch upon the lives of queer Asian men and issues related to coming out and cultural expectations.Missing: process | Show results with:process
  7. [7]
    Film Review: 'Front Cover' - Variety
    Jul 18, 2016 · Film Review: 'Front Cover'. If there isn't much subtlety or surprise in Yeung's screenplay, his direction is graceful enough to make this a ...<|separator|>
  8. [8]
    'Front Cover': Film Review - The Hollywood Reporter
    Aug 2, 2016 · Ray Yeung's romantic comedy centers on a Chinese-American fashion stylist and a Beijing movie star who have little in common.Missing: writing | Show results with:writing
  9. [9]
    Where was Front Cover Filmed? - The Cinemaholic
    Jun 14, 2022 · 'Front Cover' was filmed in New York, primarily in various locations across New York City. Eun-ah Lee worked as the director of photography for the film.
  10. [10]
    Front Cover | Strand Releasing
    Ryan is a handsome fashion stylist living in New York City who rejects his traditional Asian upbringing in favor of enjoying his life as openly gay.
  11. [11]
    Front Cover: Openly Gay Asian Stylist Examines Cultural Identity
    Aug 2, 2016 · Ray Yeung's 'Front Cover' follows an openly gay Asian stylist who examines his identity after being assigned to style a famous Chinese ...
  12. [12]
    Front Cover (2015) - Full cast & crew - IMDb
    Cast ; Jake Choi · Ryan Fu ; James Chen · Qi Xiao Ning ; Elizabeth Sung · Yen ; Love & Death Premiere 2023. Jennie Page · Janet ; Sonia Villani · Francesca.
  13. [13]
    [PDF] Front Cover | Strand Releasing
    FRONT COVER is about handsome, openly gay New York City fashion stylist Ryan. (Jake Choi), who rejects his traditional Asian upbringing.Missing: process | Show results with:process
  14. [14]
    Front Cover (2015) - Awards - IMDb
    No readable text found in the HTML.<|separator|>
  15. [15]
    Front Cover (2015) - User reviews - IMDb
    FRONT COVER is so much more than your typical American gay comedy film. The characters are visceral, the story is multi-dimensional, the writing is authentic, ...
  16. [16]
    In 'Front Cover' a gay Chinese American comes to terms with his ...
    Sep 29, 2016 · Ryan Fu's feelings about his heritage are complicated. The openly gay son of Chinese immigrants, the New York fashion stylist can't even cross paths with an ...Missing: 2015 | Show results with:2015<|separator|>
  17. [17]
    Review: In 'Front Cover,' Struggling for Self-Acceptance
    Aug 4, 2016 · This gay romance, written and directed by Ray Yeung, takes a gentle, thoughtful look at the intersection of ethnicity and sexuality.
  18. [18]
    Hong Kong filmmaker Ray Yeung's new film, Front Cover, is a story ...
    Sep 17, 2015 · The film concerns a gay Chinese-American stylist, Ryan (played by Jake Choi), who rejects his Chinese identity but is asked to style a patriotic ...
  19. [19]
    Throwing back to Front Cover: This one hurts so good - Q+ Magazine
    Jan 22, 2023 · Front Cover is the story of two Chinese gay men who live different lives and deal with their sexuality in very different ways.Missing: summary | Show results with:summary<|separator|>
  20. [20]
    Stylish Front Cover Offers Gay Asian Twist to Romantic Comedy ...
    Through his relationship with Ning he learns to respect Chinese culture. Ning says it's nothing to be ashamed of. The slow curve Ryan goes through has him ...Missing: analysis | Show results with:analysis
  21. [21]
    Review of Front Cover: All the Ways a Gay Asian Man Can Hate ...
    Jan 14, 2019 · A 2016 romantic comedy that centers openly gay Chinese American fashion designer Ryan (played by Jake Choi) and closeted Beijing movie star Ning (played by Ray ...<|separator|>
  22. [22]
    Movie Review: “Front Cover” Airbrushes Serious Issues And Lacks ...
    Aug 2, 2016 · When a gay fashion stylist works with a renowned foreign actor, they both embark on a journey of self-discovery.
  23. [23]
    Front Cover: A Neo-Liberal Reiteration of Homonormativity
    Nov 28, 2017 · Director Ray Yeung attempts to create a queer movie by creating a script focusing on the non-normative protagonists. Yet, Yeung fails to ...
  24. [24]
    Review: Front Cover - Slant Magazine
    Rating 0.5/4 · Review by Diego SemereneAug 1, 2016 · In writer-director Ray Yeung's Front Cover, Ryan (Jake Choi), a Chinese-American fashion stylist living in New York City who takes pride in ...Missing: production | Show results with:production
  25. [25]
    Front Cover & gay Asian identity: a love story of a very different kind
    Aug 20, 2016 · Ray Yeung's new film represents a real breakthrough, the most complex and compelling gay Asian love story that I've seen on the screen since ...
  26. [26]
    Film review: Front Cover - Chinese values reconsidered in gay ...
    Oct 25, 2016 · An openly gay Chinese-American fashion stylist falls in love with an overtly homophobic Beijing actor in this bittersweet New York-set romance.Missing: movie themes
  27. [27]
    SIFF ANNOUNCES FULL LINEUP FOR 41st SEATTLE ...
    Apr 29, 2015 · Front Cover (d: Ray Yeung, USA 2015, World Premiere). Good Ol' Boy (d ... world with the Seattle International Film Festival, SIFF Cinema, and ...<|separator|>
  28. [28]
    SEATTLE INTERNATIONAL FILM FESTIVAL ANNOUNCES ...
    Jun 7, 2015 · Front Cover (d: Ray Yeung, USA 2015, World Premiere). Good Ol' Boy (d ... world with the Seattle International Film Festival, SIFF Cinema, and ...
  29. [29]
    https://m.imdb.com/title/tt3185602/awards/
  30. [30]
    Strand Releasing to Open Ray Yeung's 'Front Cover' in North America
    Sep 12, 2015 · Strand Releasing will handle the North American distribution of “Front Cover” by Asian-American director Ray Yeung.
  31. [31]
    Gay Filmmaker Ray Yeung New Movie “Front Cover”
    Aug 2, 2016 · In this exclusive audio interview Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ talks with Filmmaker Ray Yeung about his new ...Missing: writing script
  32. [32]
    Weekly Box Office Chart for August 5, 2016 - The Numbers
    Aug 5, 2016 · The Wailing · Well Go USA, $11,106, +280%, 6, +5, $1,851, $774,425, 12. 67, N, Front Cover · Strand Relea… $9,773, 1, $9,773, $9,773, 1. 68, (85) ...Missing: distribution | Show results with:distribution
  33. [33]
    Edko to open 'Front Cover' in Hong Kong | News - Screen Daily
    Sep 23, 2015 · The film will next screen at the Chicago International Film Festival's Outfest competition and the Hawaii International Film Festival.
  34. [34]
    Watch Front Cover | Netflix
    A New York stylist works with an up-and-coming Chinese actor, beginning a bumpy relationship that gives them new perspectives on life, work and love.Missing: film | Show results with:film
  35. [35]
    Watch Front Cover | Prime Video - Amazon.com
    Rating 4.3 (121) Ryan is assigned to style Ning, a famous Chinese actor, for an important photo shoot for his firm. Despite a rocky start, an unlikely romance develops.
  36. [36]
    Official Trailer FRONT COVER (2015, Jake Choi, James Chen, Ray ...
    Jun 2, 2024 · Theatrical trailer of "Front Cover" by Ray Yeung. Starring Jake Choi, James Chen, Jennie Page, Elizabeth Sung, Sonia Villani, Ming Lee, ...Missing: film | Show results with:film
  37. [37]
    https://www.boxofficemojo.com/releasegroup/gr4073673221/
  38. [38]
    Front Cover Reviews - Metacritic
    Rating 52% (9) Front Cover is weighed down by heavy-handed dialogue and a melodramatic score. By Stephanie Merry FULL REVIEW. Aug 1, 2016.
  39. [39]
    Front Cover critic reviews - Metacritic
    ... Front Cover would make more of an impression, instead of being the sweet but ultimately forgettable film that it is. Read More. By Chris Evangelista FULL REVIEW.
  40. [40]
    Front Cover | Reviews - Rotten Tomatoes
    Rotten score. The very few instances where stereotypes are challenged are forced and didactically delivered. Full Review | Original Score: 0.5/4 | Aug 1, ...
  41. [41]
    Busan: Ray Yeung Opens Closet With New Film at Asian Project ...
    His second feature, “Front Cover,” won a slew of awards including best screenplay for Yeung at the FilmOut San Diego LGBT Film Festival 2016, the audience award ...