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Front curtain

The front curtain, also known as the grand drape, house curtain, or act curtain, is the primary theatrical drape positioned immediately upstage of the proscenium arch, serving as a visual and physical barrier between the stage and the auditorium. It functions to conceal the acting area and scenery when closed, while opening—typically at the formal start of a performance as house lights dim—to reveal the set and performers to the audience. This curtain is a fundamental element in proscenium-style theaters, defining the boundary of the performance space and enhancing the dramatic transition into the show.^[1]^[2]^[3] Commonly constructed from heavy, opaque fabrics such as 21-ounce cotton velour or 22-ounce Encore velour for acoustic absorption and durability, the front curtain often features decorative linings or luxurious materials like velvet or theater wool in rich colors including burgundy, navy, or black to contribute to the theater's aesthetic grandeur. Its operation varies by design, with prevalent types including the traveler (or bi-parting) curtain that parts horizontally from the center along a track, the fly curtain that rises vertically via a rigging system, or the contour curtain that gathers upward with counterweights for a draped effect. Less common variants, such as the Austrian or tableau styles, lift in ways that create artistic fullness or diagonal reveals, allowing for varied staging possibilities.^[1]^[3]^[2] Historically, the front curtain evolved from early theater practices where it was the most downstage drape, but in modern setups, it typically serves as the act curtain with additional elements like a permanent teaser or valance positioned upstage for framing. Beyond its performative role, it must comply with fire safety standards, often backed by a separate fire curtain made of heavy fiberglass or iron to isolate the stage in emergencies, underscoring its importance in both artistic and regulatory contexts. In contemporary theaters, motorized systems are increasingly used for smooth, reliable operation, ensuring seamless integration with lighting and sound cues.^[1]^[2]^[3]

Definition and Function

Role in Performance

The front curtain, also known as the proscenium curtain or act curtain, serves as the primary barrier separating the stage from the audience in proscenium-arch theaters.^[1] It is typically raised at the start of a performance to reveal the stage set and lowered during intermissions or at the conclusion to conceal the action, facilitating smooth scene transitions and act separations.^[4] In addition to its dramatic role, the front curtain's materials must meet flame-retardancy standards outlined in NFPA 701 to ensure they resist ignition, contributing to overall stage safety.^[5] However, proscenium opening protection, as mandated by NFPA 101 for assembly occupancies like theaters, is provided by a separate fire safety curtain positioned behind the front curtain to act as a barrier containing flames and smoke on stage and preventing spread to the auditorium.^[6] The heavy fabrics used in the front curtain can also contribute to acoustic absorption, helping to reduce sound transmission and reverberation between the stage and auditorium when closed, which aids in maintaining focus during rehearsals.^[7] It offers visual privacy, shielding stage preparations from view when closed, allowing crews to reset scenery without audience observation.^[8] This role has evolved from rudimentary hides or screens in ancient Greek and Roman theaters, which provided basic concealment, to sophisticated automated systems in modern venues that integrate lighting, sound, and projection effects for enhanced immersion.^[9] For instance, in grand opera houses, ornate front curtains enable dramatic reveals that heighten theatrical tension, whereas minimalist designs in contemporary spaces, such as experimental theaters, emphasize transparency and quick scene changes with lighter, retractable fabrics.^[10] As of 2025, recent trends include the adoption of sustainable materials like recycled fabrics and smart technologies for automated operation in front curtains.^[11]

Historical Context

The front curtain, or proscenium curtain, traces its origins to ancient Roman theaters, where it first appeared as the auleum, a mechanically operated fabric drop positioned behind the proscenium and lowered into a stage trench to reveal or conceal the action.^[12] Dating to around the 2nd century BCE, this innovation marked a departure from earlier Greek theaters, which lacked a comparable front barrier and relied instead on the skene facade for scene transitions.^[13] Early versions likely employed simple fabrics or hides, drawn from practical materials available in the Mediterranean region, to separate performers from spectators and enhance dramatic reveals.^[14] During the medieval period, curtains remained rudimentary in European performances, often limited to portable screens or tapestries in courtly spectacles, but the Renaissance brought significant advancements in Italy. By the mid-16th century, enclosed box theaters reintroduced the proscenium curtain as a fixed element, with the first recorded mechanized systems using ropes and pulleys appearing in venues like the Teatro Olimpico in Vicenza (1580), allowing for smoother openings and closings in court productions.^[15] These developments, inspired by classical revivals and Vitruvian principles, spread across European courts, transforming the curtain from a mere divider into a symbolic threshold between audience and illusion.^[16] The 19th century saw widespread adoption of front curtains in major opera houses and urban theaters, driven by both aesthetic elaboration and safety imperatives following devastating fires. In Milan, the construction of La Scala in 1778, prompted by the 1776 blaze at the preceding Teatro Regio Ducale, incorporated early fire-resistant curtain designs using non-flammable materials to protect audiences, influencing similar innovations across Europe.^[17] On Broadway, where theaters proliferated after 1850, ornate painted front curtains became standard by the 1860s, as seen in the New York Theatre's 1860s installations, symbolizing the era's shift toward grand, illusionistic staging. Iron safety curtains, first trialed at London's Drury Lane in 1794, became mandatory in many venues by the 1880s after tragedies like the 1881 Ringtheater fire, prioritizing compartmentalization between stage and auditorium. Post-World War II advancements accelerated mechanization, with electric motors replacing manual counterweights in the 1950s and 1960s, enabling precise, automated control in larger venues and reducing labor demands.^[18] By the 2000s, integration with digital lighting systems—such as LED arrays and programmable consoles—allowed curtains to synchronize with dynamic projections and color washes, enhancing immersive effects in contemporary productions.^[19] Culturally, the act of raising the curtain has symbolized new beginnings since the 18th century, evolving into idioms like "curtain raiser" for introductory events, while in Japanese kabuki theater, black drop curtains (kuro maku) have signified transitions or closures since the Edo period (1603–1868), underscoring ritualistic boundaries in non-Western traditions.^[20]

Design and Construction

Materials and Fabrics

Front curtains, also known as proscenium curtains, are primarily constructed from heavy-duty fabrics selected for their opacity, drape, and acoustic properties to effectively separate the stage from the auditorium. Common materials include velvets, which provide excellent light absorption and a luxurious fall; these are often cotton-backed for added weight and durability, as seen in fabrics like 25 oz Memorable Velour. Lightweight crushed synthetic silks like Tergalet are used for their sheen and elegance in certain applications. Synthetics, particularly polyester velours, offer enhanced durability and resistance to wear, exemplified by 22 oz Encore Synthetic Velour, which maintains shape over repeated use.^[21]^[22]^[23] Selection criteria emphasize flame retardancy and longevity, with most fabrics requiring treatments to meet safety standards such as NFPA 701 in the United States or EN 13501-1 in Europe. Cotton and synthetic velvets typically undergo chemical flame-retardant coatings to achieve certification, ensuring they self-extinguish if ignited, while some polyester variants are inherently flame-retardant (IFR) without additional processing. UV protection treatments, such as blocking sprays, are applied to prevent fading and extend fabric life, particularly in venues with natural light exposure. Weight and density play crucial roles in functionality: heavier fabrics, around 0.2 pounds per square foot (or 0.4 pounds per square foot when pleated at 200% fullness), create dramatic, stable falls for traditional openings, whereas lighter options around 0.1-0.5 pounds per square foot enable quick movement in traveler-style curtains.^[24]^[25]^[26]^[21] Sustainability has influenced material choices since the early 2010s, with a shift toward eco-friendly options in environmentally conscious theaters. Recycled polyester fabrics, such as 100% recycled Eco Voile IFR and ReVive Synthetic Velour, reduce waste while maintaining performance standards like flame resistance and opacity. Natural alternatives like mohair velvets, weighing 470-770 g/m², offer durability and renewability without synthetic processing.^[27]^[28] Proper maintenance is essential to preserve these materials, typically involving regular vacuuming or brushing to remove dust twice annually, avoiding machine washing to prevent shrinkage. Professional steaming or on-site cleaning is recommended every 5-10 years to restore appearance and reapply treatments, contributing to a lifespan of 10-20 years under careful use. Mohair and IFR synthetics require minimal intervention due to their inherent resistance to moisture and wrinkling.^[29]^[30]^[31]

Structural Components

The structural framework of a front curtain, also known as the proscenium or grand drape, relies on core hardware elements to maintain stability and uniform hanging. Battens, typically consisting of wooden or metal pipes, serve as primary supports by weighting the lower edge and providing rigidity, particularly in curved track configurations where softer materials alone would sag.^[32] Grommets, reinforced brass eyelets embedded in webbing along the header, facilitate secure attachment to these battens via braided tie lines spaced every 12 inches, ensuring even load distribution without visible hardware on the front face.^[33] Header pockets, sewn into the top hem as continuous casings, allow insertion of additional pipes for adjustable fullness and balanced suspension, common in traveler-style front curtains.^[33] Support systems integrate these elements into venue-specific setups, with track systems like I-beam profiles (e.g., 1-5/8-inch wide aluminum extrusions rated for 30 pounds per linear foot) enabling horizontal traversal along the proscenium, while tension wire systems provide lightweight overhead guidance for smaller venues.^[34] Counterweight arbors, comprising guided carriages loaded with iron bricks, counterbalance batten weights to achieve equilibrium, typically handling loads from 500 to 2,000 pounds depending on curtain scale.^[35] Standard dimensions adapt to proscenium arches, with widths commonly spanning 20 to 100 feet and heights 15 to 50 feet; for instance, full-scale theaters often feature 30-foot heights by 60-foot widths to fully frame the opening.^[36] Assembly emphasizes durable sewing to resist deformation over time, using vertical seams joined with reinforced stitching for multi-panel construction and double-folded bottom hems (2 to 6 inches wide) weighted via chain pockets or inserted pipes to prevent sagging on uneven floors.^[33] Lined hems, incorporating a raised chain or metal pipe, further enhance flatness and longevity, with all edges double-hemmed to distribute tension evenly across the fabric.^[37] Since the early 2000s, structural designs have evolved to include multifunctional integrations, such as embedded LED strips within header pockets for programmable lighting effects (e.g., DMX-controlled RGB arrays up to 512 units per system on reinforced velour bases) and acoustic linings sewn into hems for sound reflection and absorption, improving venue reverberation control without altering core hardware.^[33]^[38]

Types and Variants

Austrian Curtain

The Austrian curtain is a type of stage drapery consisting of a single panel of fabric gathered into multiple horizontal rows of scallops or swags through shirring or hand-pleating along vertical seams, creating a multi-pleated appearance that emphasizes decorative folds when lowered.^[39] This design allows the curtain to form elegant waves across its width, making it suitable for use as a front or act curtain in theatrical settings.^[40] In terms of mechanics, the Austrian curtain operates by lifting vertically from the bottom upward, with lift lines or cables attached at key points along the pleats and guided through rings sewn on the back of the fabric.^[41] These lines are typically operated manually via pulleys or motorized systems, gathering the curtain into compact folds as it rises, which requires minimal overhead loft space compared to traditional guillotine-style curtains.^[40] The simultaneous raising at multiple points—often 10 or more for larger installations—produces a graceful, undulating rise that reveals the stage dramatically.^[41]^[42] Key variants of the Austrian curtain include the Venetian and the Waterfall. The Venetian curtain is characterized by vertical fullness and stiffer, more structured pleats, particularly suited for opera houses due to its formal, elongated draping that maintains sharp lines during ascent.^[43] In contrast, the Waterfall variant, also known as a puff curtain, features vertical pleats like a standard curtain when closed, providing a smoother appearance and lifting in a similar manner to the Austrian for a fluid reveal.^[44] Historically, the Austrian curtain gained popularity in 19th-century European theaters, where its elaborate fullness contributed to the grandeur of Baroque and Romantic stage productions, evolving from earlier decorative traditions in ancient Greek and Roman venues.^[45]^[46] Among its advantages, the Austrian curtain offers strong aesthetic appeal through its ornate, wave-like profile and efficient use of vertical space, compacting neatly when raised to accommodate venues with limited fly space.^[40] However, it presents disadvantages such as the need for complex rigging with numerous lift points, which demands skilled operators and abundant fabric for the required fullness, potentially increasing installation and maintenance costs.^[41]

Brail and Traveler Curtains

Brail curtains are designed to lift upward from the bottom using a system of brailing lines attached to rings sewn along the back of the fabric.^[40] These lines run through the rings and connect to a header, allowing the curtain to gather and rise in a series of horizontal folds when operated, providing a vertical reveal without requiring extensive overhead fly space.^[47] This mechanism makes brail curtains a practical alternative to traditional full-drop curtains in smaller or no-loft venues, where limited rigging height would otherwise restrict vertical travel. A related type is the guillotine or straight-lift curtain, which rises vertically without gathering, often used as a simple fly curtain in proscenium theaters.^[48] Traveler curtains, often referred to as bi-parting or draw curtains, consist of two overlapping panels that move horizontally across the stage on specialized tracks, parting from the center to reveal the set and closing by drawing together.^[43] The panels are suspended from carriers that slide along the track, enabling smooth side-to-side motion that stacks the fabric offstage behind borders or legs.^[33] This horizontal operation allows for rapid scene transitions, making traveler curtains a staple in proscenium theaters for both main and mid-stage applications.^[49] The mechanics of these curtains rely on distinct rigging systems tailored to their movement. For traveler curtains, overlapping track sections—typically 2 to 4 feet per panel—ensure complete closure without gaps, with the draw line attached to lead carriers that pull or push the remaining carriers via pulleys or motorized drives.^[47] Brail curtains, in contrast, employ winch-operated lift lines that raise the bottom hem, often manually or automatically, to create the gathering effect, sometimes incorporating separate controls for contour variations in larger installations. In practical applications, traveler curtains excel in regional and community theaters for quick scene changes during performances, as their horizontal parting facilitates efficient reveals without vertical clearance issues.^[44] Brail curtains find use in venues with constrained fly towers, such as older or compact theaters, where their upward lift provides an economical vertical option that mimics a traditional rise but requires less infrastructure.^[50] Compared to other front curtain types, brail curtains offer vertical economy by minimizing the need for full-height rigging, while traveler curtains prioritize speed and simplicity in horizontal operation, often opening in seconds to suit dynamic productions.^[51]

Specialty Curtains

Specialty curtains encompass unique front curtain variants tailored for particular theatrical effects, historical contexts, or modern technological integrations, often prioritizing visual impact or operational efficiency over standard designs. These include olio drops, which served as versatile backdrops in early 20th-century vaudeville, tableau curtains that framed static pictorial scenes in 19th-century productions, and wipe curtains designed for rapid scene shifts in transitional theater formats.^[52]^[53]^[44] The olio drop, a roll-style curtain featuring a canvas sheet attached to a weighted tube at the bottom, originated in the late 19th century and gained prominence in vaudeville theaters from the 1880s to the 1930s.^[52]^[54] It unfurled downward from a batten, requiring minimal overhead space, which made it ideal for low-ceiling venues without full fly systems.^[52] In vaudeville interludes, the olio drop functioned as a painted backdrop for short, miscellaneous acts—such as comedy sketches—allowing quick concealment of upstage scenery while performers occupied the downstage area.^[55] Often adorned with advertisements from sponsors, it provided a practical, conglomerated visual element between main performances, operable by a single stagehand for seamless transitions.^[52] Tableau curtains, also known as tab or butterfly curtains, consist of two overlapping panels hung from a single batten with rings sewn diagonally along the back edges, typically in 50-100% fullness to create draped folds.^[53] When opened, a drawline pulls the leading edges outward and upward, forming a festooned, arched effect that frames the stage like a static picture.^[53]^[56] This design was particularly suited to 19th-century melodramas, where it revealed frozen actor groupings—known as tableaux vivants—that punctuated the action with pictorial summaries of emotional climaxes, such as scenes of peril or redemption, to heighten suspense and audience reflection.^[57] In Victorian pageants, like the 1909 Pageant of Great Women, tableau curtains enhanced static depictions of historical figures in thematic groups, blending education with suffrage advocacy through elegant, draped reveals of costumed ensembles.^[58] Wipe curtains, akin to a single-panel variation of traveler curtains, employ a broad sheet of fabric that slides horizontally across the stage width, stacking compactly to one side for unobtrusive storage.^[44] This configuration mimics a filmic "wipe" transition, enabling swift horizontal reveals that facilitate quick scene changes, especially in adaptations bridging cinema and live theater.^[59] Such efficiency can reduce setup times to under 10 seconds in optimized rigging, minimizing delays during fast-paced productions.^[44] Since 2015, modern specialty curtains have incorporated projection screens and LED integrations to support immersive theater experiences, transforming traditional front curtains into dynamic multimedia surfaces. Projection-compatible curtains, often made from perforated or rear-projection fabrics, allow front or rear image mapping directly onto the drape, enabling seamless blending of video with live action in contemporary venues.^[60] LED-integrated curtains, featuring flexible panels of embedded RGB lights, debuted in immersive setups around this period, offering programmable animations, video loops, or live feeds to create enveloping environments, as seen in productions using modular LED meshes for enhanced visual storytelling.^[61]^[62] These innovations prioritize low-resolution effects for atmospheric depth, with examples including star-drop LED variants that simulate twinkling skies or dynamic backdrops in experimental theaters.^[63]

Operation and Mechanisms

Opening and Closing Methods

Front curtains in traditional venues are often operated manually using rope pulls and counterweight systems, where operators pull on a hand line connected to a balanced arbor loaded with steel weights to raise or lower the curtain with controlled effort.^[64] This method allows for precise adjustments during performances, as the counterweights offset the curtain's load, enabling smooth vertical or horizontal movement depending on the curtain type.^[65] In modern theaters, automated systems employing electric motors and winches have become prevalent, providing consistent and programmable operation for front curtains. These systems typically feature variable speeds adjustable from 0 to 3 feet per second, allowing for tailored movement in bi-parting or lifting configurations.^[66] Winches, often integrated with line-shaft mechanisms, distribute load evenly across cables or chains, supporting curtains up to several hundred pounds while minimizing manual labor.^[67] Opening and closing sequences for front curtains vary to suit performance needs, with gradual opens at slower speeds—such as 0.5 to 1 foot per second—used to build dramatic tension and reveal the stage set methodically. In contrast, rapid closes, often at full speed up to 3 feet per second or via gravity-assisted drops, are employed for emergencies to quickly isolate the stage area.^[68] Traveler curtains, for instance, part horizontally in these sequences to facilitate quick transitions.^[43] Safety features in front curtain operations include limit switches to prevent over-travel and emergency release mechanisms for immediate descent, mandated by rigging standards developed following enhanced regulations in the 1980s aimed at preventing accidents in performance venues. These elements ensure controlled stops and rapid response, with systems often incorporating overload detection and fusible links for fire safety integration.^[66] Venue-specific examples highlight these methods: while Las Vegas productions, such as those at the Palazzo and Aria resorts, rely on automated electric winches for seamless, high-speed reveals in elaborate shows, traditional proscenium theaters maintain manual systems for authenticity.^[69]

Rigging and Control Systems

The rigging of front curtains in theatrical fly systems relies on a network of components designed to support and distribute the weight of the curtain and associated battens safely. Loft blocks, mounted in the overhead gridiron, guide lift lines from the batten upward, while head blocks, positioned at the fly rail, redirect these lines horizontally to the counterweight arbor, ensuring even load distribution across multiple lines. These blocks are engineered for high durability, with models such as the Universal 55/56/59 Series from J.R. Clancy offering capacities up to 3,000 pounds for eight-line configurations in cast iron sheaves, suitable for heavy front curtains in professional venues.^[70]^[65] Control technologies for front curtain rigging have evolved to integrate seamlessly with broader stage automation. Since the early 1990s, the DMX512 protocol has become the industry standard for digital communication, enabling synchronized operation of curtains with lighting and effects through a daisy-chain network of up to 512 channels.^[71] This protocol supports motorized curtain systems, where DMX signals control winches or drives for precise positioning, as seen in light-duty motion solutions from manufacturers like Rose Brand.^[72] In modern smart theaters, remote applications via wireless DMX extensions or integrated building management systems allow operators to monitor and adjust curtain movements from offstage consoles, enhancing efficiency in complex productions.^[73] Load calculations for counterweight systems ensure balanced operation, where the counterweight mass approximates the curtain's load to achieve neutral equilibrium under gravity. The basic balance equation is counterweight weight = (curtain mass × gravitational acceleration), typically resulting in a 1:1 ratio for the arbor load, though rigging components incorporate higher design factors for safety—such as an 8:1 ratio for lift lines under ANSI E1.4-1 standards to account for dynamic forces and wear.^[74] A conservative safety multiplier, like 1.5, may be applied in preliminary sizing for ancillary elements such as arbors or guides to prevent overload during unbalanced conditions.^[75] Maintenance protocols emphasize regular checks to mitigate risks from operational wear. Annual inspections, as mandated by ANSI E1.4-1-2016 and recommended by ETCP guidelines, involve visual and tactile examinations of cables for fraying, kinking, or corrosion, and sheaves for groove wear, bearing smoothness, or misalignment that could reduce efficiency or cause binding.^[76] Certified technicians use tools like groove gauges to verify sheave dimensions, ensuring compliance and extending system longevity.^[77] Advancements in rigging include widespread conversions from traditional counterweight setups to motorized systems during renovations, improving precision, speed, and operator safety. In the 2010s, Broadway theaters underwent such updates, with reinforced rigging in venues like the Belasco Theatre.^[78] As of 2025, ongoing renovations, such as those at the Todd Haimes Theatre, continue to incorporate motorized elements and hybrid systems to enhance accessibility for crew and comply with updated standards, as promoted by industry leaders like Wenger Corporation.^[79]^[80]

Decorative Elements

Accents and Embellishments

Front curtains in theaters often feature decorative accents such as tassels, fringes, and valances to enhance their visual appeal and provide elegant edging along the bottom hem or top border. These elements, including bullion fringes made from twisted threads or metallic tassels, add a layer of sophistication, particularly in luxurious designs where they are applied to match the theater's overall décor.^[81]^[82] Valances, which frame the top of the proscenium opening, may incorporate swagged or pleated styles with fringe details for added drama.^[81] Metallic threads are commonly woven or embroidered into front curtains to create subtle sparkle, often using gold or silver for a shimmering effect under stage lighting. Application techniques include machine embroidery for large-scale patterns on heavy fabrics like velour, ensuring durability, or hand-sewn appliqués for intricate, custom motifs that require precision.^[83] These methods allow accents to be integrated seamlessly with the curtain's base fabric, such as velvet or commando cloth, without compromising functionality.^[84] Functional accents like weighted hems incorporate chain weights encased in muslin pockets, positioned just above the bottom edge to prevent fluttering during operation and ensure smooth movement. This practical embellishment maintains the curtain's drape while adding stability, especially in high-airflow environments like theaters.^[85] Decorative elements must comply with fire safety standards, such as NFPA 701 flame-retardant treatments for trims and fringes to mitigate fire risks in theatrical settings.^[86] The addition of accents influences cost, with basic trims like fringes priced around $15-20 per yard as of 2025, potentially increasing the total expense based on length and complexity; custom tassels or embroidered designs require additional labor, elevating prices further for bespoke applications.^[87] In examples, opulent venues such as royal theaters employ gold fringes and tassels for grandeur, contrasting with minimalist spaces that favor understated metallic thread weaves for a modern, subtle elegance.^[88]

Stylistic Variations

Front curtains have evolved stylistically to mirror artistic movements, incorporating opulent materials and intricate patterns during the Baroque period of the 17th and 18th centuries. These designs emphasized grandeur and drama, often featuring heavy brocades woven with gold and silver threads alongside rich velvet and silk fabrics to create a sense of theatrical splendor.^[89]^[90] In the 20th century, Art Deco influences brought geometric motifs to theater curtains, particularly in the 1920s, with bold symmetrical patterns, streamlined lines, and metallic accents that reflected the era's modern Machine Age aesthetic.^[91] Cultural influences shape front curtain designs to convey symbolic meanings, as seen in Chinese opera houses where red silk linings are used on special occasions to symbolize luck, prosperity, and auspiciousness.^[92] Thematic designs tailor front curtains to venue-specific motifs, enhancing the local character of performances. Since the early 2000s, modern trends in front curtains have shifted toward minimalist aesthetics, including sheer or transparent mesh fabrics that allow for seamless integration with multimedia projections and LED elements, enabling dynamic visual effects during contemporary productions.^[93] These stylistic choices profoundly influence the mood of performances, with velvet curtains, for example, fostering intimacy and emotional depth in dramatic works by absorbing light and creating a warm, enclosed atmosphere that draws audiences closer to the narrative.^[94]^[95]

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Curtain Construction - Stage Decoration
Tie Line: Braided tie line is used to hang curtains from battens or other pipe. They can be hidden by using a second grommet. An alternate tie method is tie ...
[38]
Sound Reflective Fabrics - Acoustic Curtains and Solutions - Products
14-day returnsGerriets developed sound-reflecting textiles decades ago, which have been used successfully in many projects since then.
[39]
Types of Stage Curtains - Drapeworks
An Austrian Curtain is made of one piece and consists of multiple rows of scallops or curves. The scallops are created either by shirring or hand-pleating ...Missing: variants historical
[40]
Austrian, Brail, and Contour Curtains - Sew What? Inc.
Austrian and Brail Curtains are generally used as Front Curtains (aka Main or Act Curtains), when theatre personnel would like to fly the Main Curtain but have ...Missing: mechanics variants
[41]
Austrian curtains - Typology of curtain - Peroni SPA
The mechanics of the Austrian curtain are identical to those of the Venetian curtain and of the Roman curtain. The three curtains are totally different in ...Missing: variants historical
[42]
Curtains for Theatre stages, Opera and Movies | altax.ro
Austrian – It opens vertically and makes a series of waves using the folds of the material. It is operated simultaneously in several points and it is ...<|control11|><|separator|>
[43]
Venetian curtains - Typology of curtain - PERONI
It is made with vertical fullness. The mechanics of the Venetian curtain are identical to those of the Austrian curtain and of the Roman curtain. The three ...
[44]
Proscenium Curtains | S&K Theatrical Draperies
The track selection will be determined by the curtain dimensions, curtain weight, and whether it is a curved or straight configuration. The track recommended ...
[45]
Austrian/Festoon Curtains - Whaleys Stages
The origins of festoon curtains can be traced back to ancient Roman and Greek theatre, where elaborate draperies and curtains were used to decorate the stage ...
[46]
Mythological narratives on theatrical curtains: Vienna — Turin — Milan
The text examines mythological themes in 18th- and early 19th-century theater curtains across Vienna, Turin, and Milan. Key figures include Giovanni Battista ...
[47]
[PDF] guide to stage curtains - The Monument
... curtains sewn without pleats. 36" braided #4 cotton tie lines are supplied in grommets for curtains attached to battens. Black curtains are to be supplied.Missing: components | Show results with:components
[48]
Austrian Curtains for Theatre and Stage | Flickr
The front curtain in a no-loft stage is sometimes rigged as a Brail curtain to achieve a faster and more-desirable lifting action than the slower motion of a ...Missing: mechanics variants historical
[49]
Stage Curtain Opening Styles - Gerriets International
A Traveler Curtain is a bi-parting style curtain that overlaps in the center and moves stage left and stage right, usually stacking off stage behind the ...
[50]
https://www.historictheatrephotos.com/Research/Fire-Safety-Curtains/
[51]
Fire/Safety Curtain Research - Historic Theatre Photos
Safety/Fire curtains are fitted to the rear of the proscenium arch, usually within tightly-fitting channels and with a padded bottom all to help ensure a tight ...Missing: 1813 Italy
[52]
https://hstech.org/how-to-tech/rigging/olio-drop/
[53]
Olio Drops are used in Theaters with Low Ceilings to fly scenery
Originally, the term 'oleo' was applied to the location of a drop, not the drop or to the machinery. The oleo was located approximately 3 to 5 feet upstage of ...
[54]
Stage Curtains from Rose Brand
### Definition and Description of Tab (Tableau) Curtain
[55]
https://www.studio-productions-inc.com/white_papers/wp_oleo_olio_rollhist.html
[56]
What is the history of the terms: Oleo, Olio or Roll Drop Scrim.
However, 'Olio Drop' and 'Oleo Drop' can also be used to describe any painted drops, usually vaudeville drops...and some downstage built scenery (not drops, but ...
[57]
TABLEAU CURTAIN definition and meaning - Collins Dictionary
tableau curtain in American English Theater. a curtain, often used as an act curtain, designed to be drawn aside and up to give a festooned or draped effect. ...
[58]
[PDF] Tableaux and Melodramatic Realism - Edizioni Ca' Foscari
Mar 9, 2020 · Using exemplary readings of melodramas across the English 19th century, this essay demonstrates the formal potentialities of the tableau, ...
[59]
The Pageant of Great Women
This procession took place in Princes Street on 9 October 1909. In addition, a smaller series of tableaux, featuring a few of the performers who were prominent ...<|separator|>
[60]
Different Types of Curtains for Stage - LinkedIn
Nov 16, 2016 · A modern variant of the Austrian drape is Waterfall drape. This version has similar operational characteristics but appears like standard ...
[61]
Projection Screens - ShowTex
Large front or rear projection screen on a black modular, aluminium frame that can be wall-mounted, freestanding or suspended from the ceiling. RollUp 300 - ...
[62]
What Is an LED Video Curtain - PixelFlex
Nov 28, 2024 · An LED video curtain is a flexible, lightweight digital screen with modular LED panels. These curtains are designed to create high-resolution video displays.
[63]
ShowLED Curtains - ShowTex
ShowLED Animation. LED curtain for low resolution video loops, images and flash animations on performances and special events.Missing: 2015 | Show results with:2015<|separator|>
[64]
https://www.wengercorp.com/Lit/JR%20Clancy_Wenger/DS-137-01%20Manual%20Rigging.pdf
[65]
None
### Summary of Manual Rigging for Curtains Using Rope Pulls and Counterweights
[66]
[PDF] Theatrical Rigging System Design Guide - Sweets
The load being raised or lowered (scenery, curtains, or lights) is counterbalanced by an arbor loaded with the correct amount of steel weights as shown below.
[67]
Automated Curtain System - IWEISS
Standard ACS units are pre-engineered to handle lifting loads of up to 500 pounds, operating at fixed or variable speeds ranging from 0 to 180 feet per minute.Missing: front sec
[68]
Types of Motorized Stage and Theatre Rigging Equipment
Automated theatre rigging facilitates smooth transitions along predefined tracks via electric motors. Metal tracks are mounted above the stage to guide curtains ...
[69]
8 Drape Opening Styles That Set the Stage - TSA | Theatre Safe Australia
### Summary of Curtain Opening Styles and Speeds/Sequences
[70]
Theatre - Elizabethan, Stage, Design | Britannica
Occasionally, a curtain might have been used to augment the scenic effect, being drawn aside to permit upstage action. As with Shakespeare, however, locale was ...<|separator|>
[71]
Automated Drapes and Blinds at The Palazzo - YouTube
Jan 8, 2015 · The Palazzo in Las Vegas has automated everything!
[72]
Universal Loft Block - 55/56/59 Series - JR Clancy
Features. May be mounted upright or underhung; May be supported by I-beams, grid wells or Unistrut™; Nylon or ASTM Class 30 grey iron sheaves are available.
[73]
DMX Lighting Control: History, Design, Do's and Don'ts
Oct 23, 2019 · More specifically, DMX512. That's because it is the most ubiquitous type of lighting control since the early '90s. As the name DMX512 implies, ...
[74]
https://stagecraftfundamentals.com/wp-content/uploads/2025/01/manual_counterweight_e1-4_2014.pdf
[75]
DMX 512 Info - Electronic Theatre Controls Inc
Jun 21, 2021 · The original and 1990 versions of the DMX standard specify 120 ohm or 100 ohm 1- or 2-twisted pair shielded cable suitable for use with EIA-485 ...
[76]
[PDF] E1.4 Manual Counterweight Rigging - stagecraft fundamentals
The design factor for lift lines shall be determined by the following calculation: (Breaking Strength) x (Strength Reduction Factors). (Design Load Limit).
[77]
Design Factors in Theater Rigging - Entertaining Safety
Jul 19, 2025 · Case Study 1: Counterweight Rigging Under ANSI E1. 4-1, the recommended design factor is 8:1 for overhead use.Missing: balance | Show results with:balance
[78]
Stage Rigging Inspection - Stagecraft Industries
Stagecraft provides inspections of stage rigging equipment to keep in compliance with OSHA 1926.550(a)(6) requirement. Our inspectors are ETCP certified.Missing: sheaves | Show results with:sheaves
[79]
Inspection of Wire Rope Sheaves and Drums - Mazzella Companies
To check the sheave size, contour and amount of wear, a groove gauge is used. As shown in Figure 1, the gauge should contact the groove for about 150° of arc.
[80]
Broadway's Belasco Theatre - McLaren Engineering Group
Award-Winning Belasco Theatre Renovations ... Select elements that support theatrical rigging in the stage house were also reinforced to support desired loads.Missing: 2020s | Show results with:2020s
[81]
[PDF] RIGGING GUIDE - Wenger Corporation
This guide is an education resource for theatre rigging technology, covering types of rigging, safety, and the importance of proper installation and operation.
[82]
[PDF] Guide to Stage Curtains - Syracuse Scenery
Austrian curtains used as full stage curtains will open by raising the curtain with cables run through rings sewn onto the backside of the curtain. Brail, ...
[83]
Large Scale Machine Embroidery - London - hawthorne & heaney
Mar 1, 2024 · Metallic threads can be an added test of skill ... theatre stage curtains, complete with gold metallic trimmings to match the embroidery!
[84]
https://gastage.com/153-metallic-fabrics
[85]
Curtain Options - BellaTEX
The top hem is reinforced by a continuous piece of webbing and grommeted every 12” with a heavy duty #3 steel grommet. Grommets have a durable non-reflective ...
[86]
6" Antique Gold Bullion Fringe | S&K Theatrical Draperies
$$16.15Theater grade antique gold bullion fringe. Bullion fringe for theater curtains and stage drapery ... Price Ranges. $16.15. Full Bulk: $16.15.Missing: cost | Show results with:cost
[87]
PROSCENIUM CURTAINS, | Decima 1948
These drapes can be of various shapes depending on the age of the theater and the style, draped, multilayered, decorated with fringes, borders, bows and ...Missing: accents tassels
[88]
Stage Curtains in Historical Theaters: Preserving Tradition While ...
Apr 19, 2024 · In the early days, simple fabric drapes or painted backdrops served as rudimentary stage coverings, setting the scene for dramatic narratives.
[89]
https://chicagocanvassupply.wordpress.com/2024/04/19/stage-curtains-in-historical-theaters-preserving-tradition-while-embracing-modernity/
[90]
Set Design Inspiration – Art Deco - Bygone Theatre - WordPress.com
Jun 3, 2014 · The style is most commonly associated with the 1920s and 30s. It featured bold, geometric patterns, rich colours, metallics, and modern Machine Age imagery.
[91]
National Centre for the Performing Arts 北京国家艺术表演中心
... Theater, on symbolic days and to welcome prestigious guests, the sails are clad in red: the golden curtain is therefore lined with a red silk flag). They are ...
[92]
Chinese Silk Sheet - Timothy S. Y. Lam Museum of Anthropology
While red is a symbol of happy events, wealth, and auspiciousness, it is also the symbol of fire. The physical warmth of fire is a metaphor for the intensity of ...Missing: opera front curtains
[93]
High Quality Stage Curtains for Sale - Theater & Wedding
Best for: Illusion-heavy productions, musicals, avant-garde theater ... Neutral tones like gray or navy offer versatility across productions.
[94]
20 Beach-Style Home Theaters and Media Rooms That Wow!
Experience the charm of a small beach style media room with coastal themed décor and a vibrant red couch. Perfect for relaxation and entertainment.
[95]
Metal Mesh & String & LED Curtains - Products - Gerriets International
Gerriets is your go-to source for Soft Goods and Theatrical Equipment. Fabric - Flooring - Projection - Equipment.
[96]
The Art of Stage Draping: From History to Modern Examples
Stage draping is a powerful storytelling tool, influencing mood, focus, and thematic tone. For example, dark red velvet curtains evoke richness and intimacy, ...
[97]
How do velvet curtain fabrics interact with artificial lighting in a room?
Velvet's natural light-absorbing properties make it ideal for rooms where a moody, intimate ambiance is desired, such as home theaters, reading rooms, or cozy ...