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Fuck Buttons

Fuck Buttons was a electronic music duo consisting of Andrew Hung and Benjamin John Power (also known as Blanck Mass), formed in 2004 in , , and known for their experimental blend of , , and pulsating soundscapes. The duo's music evolved from abrasive, feedback-heavy compositions on their debut album Street Horrrsing (2008), which featured distorted vocals and influences, to more expansive, psychedelic epics on Tarot Sport (2009) and Slow Focus (2013), incorporating layered synths, tribal rhythms, and immersive builds that garnered critical acclaim for their intensity and emotional depth. Their track "Surf Solar" from Tarot Sport achieved widespread recognition when it was featured in the opening ceremony of the in , marking one of the most unexpected mainstream breakthroughs for an underground act. Following the release of Slow Focus, Fuck Buttons entered an extended , with members pursuing projects—Hung releasing like Realisationship (2017) and continuing as Blanck Mass—before Hung confirmed the band's official disbandment in 2022, ending over a decade of influential contributions to electronic and scenes.

History

Formation and early years (2004–2007)

Fuck Buttons were formed in , , in 2004 by Andrew Hung and Benjamin John Power. The pair, both natives of Worcester, had known each other since their teenage years through but began collaborating musically while studying at the University of the West of England in . Their initial creative partnership focused on experimental , drawing inspiration from acts like and noise-rock groups such as . From the outset, Hung and Power experimented with raw, abrasive electronic sounds using improvised and low-cost setups, including toy keyboards, basic effects pedals, and unconventional objects like radiators treated as percussion instruments. In early live shows, Power often incorporated techniques such as scraping guitar strings with a bow to generate harsh textures, emphasizing a visceral, pain-inducing approach to that set them apart in Bristol's burgeoning experimental scene. The band's provocative name, "Fuck Buttons," stemmed from a humorous suggestion they made for a friend's unfinished loosely based on , aiming to create a bold, memorable identity within the community. Hung and Power began performing live almost immediately after forming, delivering intense sets that helped cultivate a dedicated following in the UK underground electronic and noise circuits. These performances, often featuring dense drones and screamed vocals, resonated with audiences at small venues and festivals, positioning the duo as rising figures in the experimental music landscape. In 2007, they released their debut single, the 7-inch "Bright Tomorrow" b/w "Little Bloody Shoulder," on ATP Recordings, a limited-edition picture disc that introduced their chaotic yet rhythmic sound to a wider audience and solidified their entry into the professional music scene. This release paved the way for further opportunities, including their full-length debut the following year.

Street Horrrsing era (2008–2009)

The recording of Fuck Buttons' debut album Street Horrrsing occurred between 2007 and 2008 at Dropout Studios in , where the duo worked with producer John Cummings of , who also handled mixing, alongside recording engineer Tim Cedar. Having signed with ATP Recordings earlier that year, the band appreciated the label's flexibility in allowing them to choose their collaborator and venue, which facilitated a focused creative process. The album was released on March 17, 2008, through ATP Recordings, with international distribution supported by the label's established network for physical formats like and double LP. Street Horrrsing captured the duo's raw noise-dance aesthetic, characterized by hypnotic electronic layered with abrasive climaxes and rhythmic pulses, creating an innovative fusion of noise and that balanced confrontation with melodic allure. Standout tracks like "Sweet Love for Planet Earth," built on twinkling synths and a driving , and "Ribs Out," driven by frenetic drum patterns and vocal chants, highlighted this dynamic interplay of chaos and structure. Evolving from the abrasive energy of their 2007 single "Bright Tomorrow," the album refined their sound into a more immersive experience. Following the release, Fuck Buttons toured extensively in the UK and Europe starting in February 2008, including opening for Caribou and Mogwai, as well as headline dates, where their intense live shows—featuring improvised noise and physical performance—generated substantial buzz among audiences and critics. The album garnered immediate praise for its bold genre-blending, earning an 8.6/10 from Pitchfork, which lauded its ability to make noise music feel surprisingly accessible while pushing electronic boundaries.

Tarot Sport period (2009–2012)

Following the raw, noise-driven intensity of their debut album Street Horrrsing, Fuck Buttons entered a new phase with the recording of their second album, Tarot Sport, in 2009 at RGC Studios in , where they collaborated with producer to refine their sound. The album was released on October 12, 2009, via ATP Recordings in the UK, marking a pivotal shift toward more structured, rhythmic compositions that emphasized epic builds and layered electronics while retaining elements of their experimental edge. Tarot Sport showcased this evolution through tracks like "Surf Solar," a ten-minute opener featuring pulsating rhythms and soaring synths that evoke a sense of cosmic propulsion, and "Olympians," which layers tribal percussion with orchestral swells for a grandiose, anthem-like quality. These pieces highlighted the duo's move toward accessibility without sacrificing their noisy foundations, creating immersive soundscapes that balanced aggression with melodic hooks. The album's production, under Weatherall's guidance, introduced a more polished, four-on-the-floor pulse, allowing the music to resonate in larger venues and broader audiences. The track "Surf Solar" gained significant exposure when it was featured as the opening music in the 2012 ceremony, directed by , which dramatically increased the band's global visibility and introduced their work to millions. This milestone underscored Tarot Sport's cultural impact, positioning Fuck Buttons as innovators in electronic music capable of bridging underground scenes with mainstream events. To support the album, Fuck Buttons undertook extensive touring from late 2009 through 2012, including headline shows across and , culminating in appearances at major festivals such as the ATP Festival in 2009—curated by —and in 2010. These performances amplified the album's rhythmic energy live, with sets often extending tracks into hypnotic, crowd-immersive experiences that solidified their reputation as a formidable live act. Critics praised Tarot Sport for its ambitious scope, with awarding it 4 out of 5 stars and commending its balance of abrasive noise with more approachable, euphoric structures. later described the duo as "sunny sonic terrorists," capturing their ability to weaponize joy through dense, exhilarating sound. Overall, the received widespread acclaim for evolving the band's sound into something both innovative and emotionally resonant.

Slow Focus and disbandment (2013–2022)

Fuck Buttons' third studio album, Slow Focus, was recorded and produced by the duo themselves at their studio, marking a shift from previous collaborations with external producers such as John Cummings (of , for Street Horrrsing) and (for Tarot Sport). Released on July 22, 2013, through ATP Recordings, the album features seven tracks, including the opening "Brainfreeze," which builds from sparse pulses into a dense, immersive . Critics praised Slow Focus for its elemental, slow-building intensity, evoking massive, forbidding sensations of exhilaration and awe through polished, mechanized textures. awarded it an 8.7 out of 10, designating it "Best New Music" and highlighting its scope as a culmination of the band's evolving style. In 2015, Fuck Buttons collaborated with French pioneer on the track "Immortals," featured on Jarre's album Electronica 1: , released October 16 via . The collaboration blended the duo's noise-infused electronics with Jarre's synth-driven approach, serving as their final joint output under the band name. Following the release of Slow Focus, Fuck Buttons embarked on an extensive world tour, including a North American leg in October 2013 and European dates through 2014, performing at festivals like . After these tours and the 2015 Jarre collaboration, the band entered an indefinite hiatus with no new material released, as members Andrew Hung and Benjamin John Power shifted focus to their respective solo careers. In 2022, Andrew Hung announced that Fuck Buttons had officially disbanded, transitioning from hiatus to permanent end, allowing both artists to pursue individual projects without the constraints of band collaboration.

Musical style and equipment

Style characteristics

Fuck Buttons' music is characterized by a distinctive blend of noise music, electronic drone, and post-rock influences, resulting in immersive, ritualistic soundscapes that prioritize texture and atmosphere over conventional song structures. Their sound features fuzzed-out drones that form hypnotic foundations, often layered with crashing percussion and pulsating rhythms derived from techno and tribal elements, creating a sense of relentless momentum. High-pitched shrieks and distorted cries add abrasive intensity, while the absence of traditional vocals or guitars emphasizes synth-driven abstraction and elemental aggression. The duo's style evolved significantly across their discography, beginning with the raw, visceral of their 2008 debut Street Horrrsing, which emphasized dissonant drones and pain-inducing climaxes reminiscent of experimental acts. By their 2009 album Tarot Sport, the sound shifted toward more structured compositions with euphoric builds, incorporating cinematic synth melodies and militaristic drum patterns that evoke dynamics in an context. This progression culminated in the 2013 release Slow Focus, where maximalist elements merged with minimalist voids, yielding polished, forbidding pieces that amplify the ritualistic quality through slow-burning arcs and textures. Comparisons to and pioneers like and highlight parallels in dreamy, abrasive melodies and crescendos, though Fuck Buttons' work remains distinctly synth-oriented without guitar reliance. Their recordings capture the high-energy immediacy of live performances, fostering a communal, rave-like experience through propulsive rhythms and shared sonic immersion that transcends typical barriers.

Equipment and production techniques

Fuck Buttons employed a minimalist setup centered on affordable analog synthesizers and unconventional sound sources to craft their dense, layered sonic landscapes. Key instruments included vintage Casiotone keyboards such as the MT-11 model, alongside other budget synths like the SA-5, VL-Tone, SH-32, MFB Synth II, and , which provided raw, lo-fi tones amenable to manipulation. Children's toys, including karaoke machines and thundersticks, were integrated to generate percussive and textural elements, often abused for noisy, distorted effects that contributed to the duo's experimental edge. Their production techniques emphasized improvised and , typically conducted in home studios to foster organic development. Benjamin John Power constructed a dedicated space called for the band, while Andrew Hung maintained a collection of 40-50 inexpensive keyboards in his for experimentation. Effects pedals formed the core of their , with devices like the for synchronized repetition, Delay for echoing builds, and distortion units such as two Metal Zones and a to intensify sounds without relying on digital processing in early works. This approach drew from and traditions, favoring spontaneous, hands-on builds over rigidly programmed rhythms, as the duo prioritized tactile manipulation of gear to achieve momentum-driven compositions. Over time, Fuck Buttons gradually incorporated elements for greater rhythmic control, particularly evident in later like Slow Focus, which they self-produced for the first time. While initial sessions avoided software plugins to maintain an analog ethos, tools such as were used in professional environments like Andrew Weatherall's Bunker studio for mixing Tarot Sport, allowing precise editing of looped segments and samples derived from random recordings. Modular synths and additional loop pedals also entered their toolkit, enabling more complex layering while preserving the improvised core of their method. This evolution refined their sound without abandoning the foundational use of toy-like instruments that defined their textural unconventionality.

Members and solo careers

Andrew Hung

Andrew Hung co-founded the electronic duo Fuck Buttons in 2004 alongside Benjamin John Power, serving as the primary synthesizer operator, occasional vocalist, and co-producer on their albums. The band's largely instrumental noise and drone sound limited vocal elements, with Hung's contributions emphasizing textural synth layers and production that blended analog and digital elements across their releases. In , Hung announced the official disbandment of Fuck Buttons, transitioning the project from an indefinite to a permanent end. Hung's solo career began with the debut album Realisationship, released on October 6, 2017, via , which marked his first extensive use of vocals and delved into pop-inflected electronic songwriting. The record, entirely written, performed, produced, and mixed by Hung, explored themes of relationships through melodic structures and synth-driven arrangements. As a , Hung co-wrote and co-produced Beth Orton's 2016 album Kidsticks, infusing her folk roots with electronic experimentation. He also collaborated with (performing as ), co-writing tracks such as "Shameless Son" for her 2022 releases, blending introspective lyrics with atmospheric production. Hung continued his solo work with the release of on August 11, 2023, via , further expanding his electronic palette with emotive, synth-heavy compositions. In support, he embarked on solo tours in late 2023, including performances that showcased his shift to band-backed live arrangements featuring drums, guitar, and keyboards. As of 2025, no new solo album has been announced.

Benjamin John Power

Benjamin John Power is a co-founder of the electronic music duo Fuck Buttons, formed in 2004 alongside Andrew Hung in , . As the band's and noise generator, Power specializes in percussion elements and loop-based constructions that drive the group's experimental sound, often incorporating unconventional tools like for rumbling effects, Boss Loopers for repetitive patterns, and distortion pedals such as Metal Zone for abrasive textures. His contributions emphasize physical, rhythmic intensity, complementing Hung's work to create layered and noise compositions. Power launched his solo project Blanck Mass in 2010 as an outlet during periods when Fuck Buttons was inactive, drawing from similar and influences but exploring more personal, immersive landscapes. The self-titled debut album, released in 2011 on Rock Action Records, introduced dense ambient drones recorded in a remote Scottish , establishing a , loop-driven aesthetic. Subsequent releases built on this foundation: (2012) refined the project's textural depth; Dumb Flesh (2015) on incorporated chopped vocals and themes of mortality for a more visceral edge; World Eater (2017) amplified rhythms and aggression; and Animated Violence Mild (2019) critiqued through satirical, high-energy . These five core albums highlight Blanck Mass's signature style of intense electronic drone, designed to evoke physical responses and body-moving immersion. Power continued Blanck Mass with the single "Bloodhound / You" released on December 6, 2024, and the soundtrack for the film She Rides Shotgun on August 1, 2025. He also continued scoring films, including (2020) and She Rides Shotgun (2025), and joined the rock band Editors as a full-time member in 2022, contributing to their electronic-infused sound. This shift marked an evolution from his solo focus toward collaborative , while maintaining his emphasis on powerful, visceral sonics.

Discography

Studio albums

Fuck Buttons released three studio albums, all issued by the independent label ATP Recordings. Street Horrrsing (2008) is the debut full-length by the duo, featuring six tracks with a total runtime of approximately 50 minutes. Produced by John Cummings of , it blends hypnotic drones, pulsing beats, and repetitive loops into a mix of dreamy and climaxes, drawing from influences like [Spacemen 3](/page/Spacemen 3) and Black Dice. The received widespread acclaim, earning an 8.6 rating and "Best New Music" honors from for its welcoming approach to . Tarot Sport (2009), the band's sophomore effort, consists of seven tracks spanning about 59 minutes. Produced by , it marks a shift toward a more structured electronic sound inspired by and , incorporating shimmering synth textures and propulsive rhythms while retaining the duo's visceral intensity. Critics praised its accessibility and power, with awarding it a 9.0 and "Best New Music" status, hailing it as one of the year's standout releases. Slow Focus (2013) serves as the final studio album, comprising six tracks over roughly 42 minutes. Self-produced by Andrew Hung and Benjamin John Power, it emphasizes vast, elemental electronic landscapes with warped synths, hammering drums, and layered textures that evoke exhilaration and awe, blending with minimalist voids. The record garnered strong reviews, including an 8.7 from with "Best New Music" designation, noted for its scale and polished execution. The band's albums were initially released in physical formats including limited-edition pressings, with subsequent digital reissues making them widely available on streaming platforms.

Singles and EPs

Fuck Buttons' debut , "Bright Tomorrow," was released in by ATP Recordings as a limited edition 7-inch , numbered and pressed at , featuring the and B-side "Little Bloody Shoulder." This release previewed material from their forthcoming debut album Street Horrrsing, with the edit of "Bright Tomorrow" offering an accessible entry point into the duo's droning, ritualistic sound. In 2009, the band issued "Surf Solar" through ATP Recordings as another 7-inch single on at , including the "7" Edit" of the title track and the exclusive B-side "New Crossbow." Drawn from their second album Tarot Sport, the single functioned as a promotional teaser, highlighting the evolving, euphoric layers of their electronic compositions with non-album material to build anticipation. The duo produced no formal standalone EPs during their career, though early material from was occasionally distributed in limited packaging tied to tours and collaborations. For instance, a split with appeared as a strictly limited edition , sold exclusively during their joint U.S. tour that fall via Rock Action Records, containing Fuck Buttons' cover of "Mogwai Fear Satan" and a Mogwai remix of "Colours Move." Such efforts echoed the band's approach to singles, which frequently doubled as album previews incorporating unique mixes and live-oriented variants to engage fans ahead of full-length releases.

Remixes and collaborations

Fuck Buttons produced a number of remixes for other artists throughout their active years, often infusing the originals with their signature layers of abrasive noise, pulsating rhythms, and expansive electronic textures. One early example is their 2009 remix of Fever Ray's "," which elongates the track's brooding atmosphere into an over-eight-minute epic of droning synths and building intensity, released on the EP. In , they reworked Caribou's "Kaili" for the Swim Remixes EP, transforming the upbeat indie track into a hypnotic, bass-heavy journey that emphasizes repetitive motifs and sonic depth. In 2011, their remix of Jónsi's "" from the Go Out EP extended the song's ethereal vocals over a churning wall of distortion and tribal percussion, highlighting their ability to amplify emotional crescendos. Later remixes continued this approach, such as their 2013 take on and Wayne Coyne's collaboration "The Perfect Life," where Fuck Buttons added swirling, psychedelic noise to the soulful original, creating a disorienting yet immersive released as a . In 2014, they remixed Atari Teenage Riot's "Modern Liars," accelerating the punk-electronic track into a frenetic barrage of glitches and , featured on the Modern Liars EP. These efforts demonstrated the duo's versatility in reinterpreting diverse genres while maintaining their core noisy aesthetic, though band remixes tapered off after as members pursued solo projects. A notable collaboration came in 2015 with French electronic pioneer on the track "Immortals," featured on Jarre's Electronica 1: The Time Machine; the piece blends Jarre's melodic synth lines with Fuck Buttons' thunderous drums and atmospheric swells, evoking a futuristic ritual. Beyond remixes, the duo contributed original tracks to various compilations on their ATP Recordings label, including noise-infused pieces on samplers that showcased experimental electronic sounds. They also provided music for film soundtracks, such as "Sweet Love for Planet Earth" on the 2009 Cherrybomb score, where its raw energy underscored the film's tense, youthful rebellion.

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