FutureNever
FutureNever is the second solo studio album by Australian musician Daniel Johns, best known as the former frontman of the rock band Silverchair, released on 22 April 2022 through BMG Rights Management.[1] The album comprises 12 tracks and incorporates a genre-blending mix of art rock, electronic, pop, and R&B elements, reflecting Johns' experimental approach to songwriting and production.[2] It features notable collaborations with artists including Peking Duk on "Cocaine Killa," What So Not on "Stand 'Em Up," Moxie Raia on "I Feel Electric," as well as contributions from Peter Gabriel, Father John Misty, and Portishead's Geoff Barrow.[1] Upon release, FutureNever debuted at number one on the ARIA Albums Chart, marking Johns' first solo album to top the chart, and in November 2025, it received Australia's inaugural silver certification from ARIA for sales exceeding 20,000 units.[1][3] The album's creation was preceded by Johns' first solo effort, the 2015 EP Aerial Love, and his 2017 single "Talk," signaling a shift toward more personal and eclectic solo material after Silverchair's 2011 hiatus.[4] Johns announced FutureNever in December 2021, describing it as a project born from a desire to explore vulnerability and recovery themes, influenced by his experiences with chronic arthritis and personal challenges.[4] Produced primarily by Johns alongside co-writers like Beau Golden and Josh Wakely, the record was recorded in various locations including Los Angeles and Sydney, emphasizing live instrumentation blended with electronic textures.[5] Tracks such as "Reclaim Your Heart" and "Mansions" highlight the album's introspective lyrics, while others like "FreakNever" showcase its playful, genre-defying energy.[2] Critically, FutureNever received mixed to positive reviews, praised for its bold creativity and Johns' vocal evolution but noted for its occasionally disjointed structure.[2] The album's release was accompanied by a multimedia project, culminating in the November 2025 premiere of the short film What If The Future Never Happened?, a semi-autobiographical work directed by Johns that ties into the album's themes of reflection and reinvention.[3] As of 2025, FutureNever stands as a pivotal work in Johns' post-Silverchair career, underscoring his status as one of Australia's most awarded musicians with over 20 ARIA certifications across his catalog.[6]Background and conception
Development
Following the dissolution of Silverchair in 2011, Daniel Johns sought to redefine his artistic identity through solo work, beginning with his debut album Talk in 2015, which marked a shift toward alternative R&B and electronic sounds as a deliberate departure from the band's rock roots.[7] This project represented only a portion of his creative range, prompting Johns to pursue a broader, more experimental approach in subsequent efforts, influenced by his ongoing personal health struggles, including reactive arthritis diagnosed during Silverchair's later years and later battles with anxiety, depression, and PTSD.[7][8] These challenges, compounded by a 2019 defamation lawsuit and the pressures of early fame, fueled his desire for greater collaboration, as seen in partnerships with producers like Peking Duk on FutureNever.[7] The conception of FutureNever emerged during the COVID-19 pandemic in 2020, amid global uncertainty and Johns' own recovery process, where he began compiling thousands of demos from three distinct conceptual albums spanning eight years—encompassing modern punk, opera, and electronica—ultimately merging them into a single, genre-spanning work.[7][8] Johns described the album as a "collision" of his past, present, and future selves, transforming previous anxieties about his post-Silverchair trajectory into a source of strength, with the title FutureNever symbolizing a speculative yet contented space unbound by traditional expectations.[7] This ideation was further shaped by reflections in his 2021 podcast Who Is Daniel Johns?, which helped him reconcile with his history and embrace a more holistic artistic expression.[8] In a December 2021 open letter to fans, Johns announced his deliberate choice to forgo pre-release singles, aiming to preserve FutureNever as a unified listening experience rather than fragmented tracks optimized for streaming algorithms, a decision enabled by releasing on his own label through BMG.[9] This approach underscored his evolving priorities toward artistic autonomy and cohesion, free from commercial pressures that had constrained earlier projects.[9][8]Announcement and delay
On December 7, 2021, Daniel Johns announced his second solo album, FutureNever, through an open letter shared on social media, in which he described the project as "a place where your past, present and future collide" and credited the global reception of his podcast series as a key inspiration for returning to music.[10][11] In the letter, Johns expressed gratitude to fans for their support, noting that the overwhelming response to his non-music endeavors had reignited his creative drive after a period of personal reflection.[4] The album was initially scheduled for release on April 1, 2022, marking Johns' first full-length solo effort in seven years since his 2015 debut album Talk.[4][12] However, in March 2022, Johns announced a postponement to April 22, 2022—coinciding with his 43rd birthday—to allow time to finalize and incorporate the track "Emergency Calls Only," a collaboration with Van Dyke Parks, ensuring the album's completeness.[13][14] FutureNever was released through Johns' own independent label in partnership with BMG Music Australia, a global deal that supported his desire to handle the project on his own terms while leveraging the company's distribution network.[15][16] This arrangement underscored Johns' evolution as an independent artist following his Silverchair days and the gap in solo releases.[4]Production
Recording process
The recording of FutureNever primarily took place at Daniel Johns' home studio in Newcastle, New South Wales, where approximately 90% of the album was captured. This setup provided a personal and isolated creative space during the height of COVID-19 restrictions in Australia, which limited travel and collaborations in 2020 and 2021.[17] Sessions for the album extended over multiple years, beginning in earnest during 2020 and continuing into late 2021, with the final track, "Freaknever," completed at Johns' residence toward the end of that year. The process incorporated orchestral arrangements alongside electronic production techniques, reflecting Johns' experimental approach, before final mixing yielded a 44:38 runtime across 12 tracks.[5]Production team
Daniel Johns served as the primary producer on FutureNever, handling production duties for tracks such as "Reclaim Your Heart," "I Feel Electric," and "Emergency Calls Only," drawing from his extensive experience as Silverchair's frontman to shape the album's experimental rock sound.[18] His hands-on approach emphasized a DIY ethos, with approximately 90% of the album recorded in his home studio in Newcastle, Australia, blending personal intuition with professional execution.[5] Beau Golden emerged as a key collaborator, co-producing "Mansions" alongside Casey Golden and contributing keyboards, synthesizers, and engineering on "FreakNever," infusing the project with his signature electronic and pop sensibilities as a Sydney-based producer.[18][5] Additional production came from MXXWLL on "I Feel Electric," adding R&B influences, while "D4NGRSBOY" was co-produced by Daniel Johns and This Week in the Universe, and select tracks like "Stand 'Em Up" were produced with input from electronic artist What So Not, enhancing the album's dance-oriented elements.[18][19] The album's eclectic mix was elevated by notable guest features, including Peking Duk on "Cocaine Killa," where the duo's production brought high-energy electronic beats to the track.[19] Veteran composer and arranger Van Dyke Parks contributed to "Emergency Calls Only," providing orchestral arrangements that lent a lush, cinematic depth, a collaboration that prompted Johns to delay the album's release for further refinement.[14][19] Other featured contributors included singer Moxie Raia on "I Feel Electric," delivering soulful vocals; electronic act purplegirl on "FreakNever," adding atmospheric textures; and the group This Week in the Universe on "D4NGRSBOY," incorporating indie pop flair.[19] Engineering efforts combined home-based intimacy with studio precision, featuring Brent Clark on "Emergency Calls Only," Dave Jenkins Jr. on "D4NGRSBOY," and Beau Golden on additional tracks, while some sessions utilized professional facilities like Oceanic Studios in Brookvale for polish.[5][18] Mixing was overseen by Mitch Kenny across the entire album, with Sean Carey providing additional support on "FreakNever," and mastering by Steve Smart ensured sonic cohesion throughout.[18] This collaborative team dynamic allowed FutureNever to merge raw, personal recordings with expert refinements, resulting in its diverse sonic palette.Musical content
Style and genres
FutureNever showcases a fusion of electro, dance, opera, and rock elements, blending slinky electronic grooves with operatic flourishes and R&B-inflected pop. This genre-hopping approach draws from Johns' earlier work in Silverchair and his earlier solo single "Talk", while incorporating theatrical orchestral arrangements and cinematic prog influences for a multifaceted sound.[2][20][21] The album's texture is defined by riotous guitar work—featuring wailing solos and shredding—pumping electronic production, and sweeping orchestral swells, which together create a choppy yet brilliant overall feel through abrupt stylistic shifts and experimental structures. This eclecticism echoes influences like Prince's genre-blending versatility, while incorporating edges of post-punk revival in its raw, defiant energy. The record marks Johns' first inclusion of explicit content, adding a layer of unfiltered intensity to its sonic experimentation.[2][20][22] Spanning a sonic palette that alternates between high-energy dance tracks with industrial and garage rock beats and more introspective ballads laced with trip-hop and baroque pop nuances, FutureNever totals 44:45 in length across its 12 tracks. These contrasts highlight Johns' chameleonic style, prioritizing bold transitions over cohesion to evoke a sense of restless evolution.[20][21][23]Themes and songwriting
FutureNever's central themes revolve around introspection and reclamation, as Daniel Johns reflects on past traumas from his rapid rise to fame with Silverchair, present anxieties stemming from mental health challenges, and an uncertain future marked by personal growth. Drawing from his own health struggles—including battles with anorexia, reactive arthritis, anxiety, depression, PTSD, and substance abuse—Johns weaves narratives of vulnerability and resilience throughout the album. For instance, tracks like "FreakNever" recast his teenage experiences of fame as a "disease," interpolating elements from Silverchair's 1997 song "Freak" to confront the emotional toll of early celebrity. These themes are informed by Johns' documented history, including his entry into rehab for alcohol dependency shortly before the album's release.[8][24][7] The songwriting process for FutureNever emphasizes raw emotional honesty, with Johns collaborating with producers and co-writers to explore addiction, fractured relationships, and self-reclamation. Vulnerability is a cornerstone, evident in lyrics that address self-medicating behaviors, such as "taking all the pills" in "Mansions," which draws from Johns' struggles with alcohol and isolation. Addiction is directly confronted in "Cocaine Killa," a collaboration with Peking Duk that lays bare the dangers of substance use, while relational dynamics appear in tracks like "Where Do We Go?," questioning personal connections amid turmoil. Self-reclamation emerges prominently in "Reclaim Your Heart," where Johns urges listeners (and himself) to "reclaim your soul, it was never theirs to chain," symbolizing a break from external expectations tied to his Silverchair past. This approach marks a shift from his earlier solo work, prioritizing therapeutic expression over polished narratives.[8][2][24] The album achieves conceptual unity as a holistic listening experience, designed to unfold sequentially without the interruption of standalone singles, allowing its themes of past reflection, present reckoning, and future hope to build narratively. Johns has described FutureNever as his "purest record," blending personal history with forward-looking optimism, and intentionally withheld singles or videos to encourage full-album immersion. Electro-dance elements in certain tracks subtly amplify the emotional intensity of these themes, creating a dynamic sonic backdrop for lyrical introspection. This structure underscores the album's intent as a complete artistic statement, distinct from the fragmented consumption of modern music.[8][25][7]Track listing
The album FutureNever comprises 12 tracks with a total runtime of 44:45.[23]| No. | Title | Duration |
|---|---|---|
| 1 | "Reclaim Your Heart" | 4:11 |
| 2 | "Mansions" | 3:45 |
| 3 | "Where Do We Go?" | 2:57 |
| 4 | "Cocaine Killa" (featuring Peking Duk) | 3:36 |
| 5 | "Stand 'Em Up" (featuring What So Not) | 3:38 |
| 6 | "I Feel Electric" (featuring Moxie Raia) | 3:51 |
| 7 | "Emergency Calls Only" (featuring Van Dyke Parks) | 3:29 |
| 8 | "FreakNever" (featuring purplegirl) | 4:04 |
| 9 | "D4NGRSB0Y" (featuring This Week in the Universe) | 4:03 |
| 10 | "Hopeful" | 4:05 |
| 11 | "The Hotel" | 3:49 |
| 12 | "FutureNever" | 3:30 |
Promotion and release
Singles
FutureNever adhered to Daniel Johns' vision of forgoing pre-release singles to preserve the album's intended cohesion as a complete listening experience.[11] The lead single, "I Feel Electric" featuring Moxie Raia, was released digitally on April 22, 2022, simultaneously with the album launch via BMG.[28] No further singles were issued after the album's debut, reinforcing Johns' emphasis on holistic album consumption.[8]Marketing campaign
The marketing campaign for FutureNever adopted a non-traditional approach, shaped by Daniel Johns' ongoing health issues and the disruptions of the COVID-19 pandemic. Johns' reactive arthritis, a condition that has long restricted his mobility and ability to perform live or travel extensively, precluded conventional tours or in-person events, leading to a focus on digital content and remote fan interactions.[29][30] Central to the pre-album promotion was the three-part docuseries Inside the Mind of Daniel Johns, released on Johns' official YouTube channel between August and November 2022 in collaboration with BMG Rights Management. The series incorporated archival footage from his Silverchair era, including road cases, outfits, and fan correspondence, alongside discussions of his artistic evolution and teasers for FutureNever tracks such as "When We Take Over" and "Someone Call an Ambulance." While Johns appeared in the episodes to share personal reflections, the format emphasized pre-recorded narratives to accommodate his physical limitations.[31][32] Traditional promotional activities were kept to a minimum, with the album's announcement delivered through an open letter posted on social media platforms in December 2021, outlining Johns' independent vision for the project. Virtual unveilings and social media updates fostered direct engagement with fans, compensating for supply chain bottlenecks that delayed physical stock amid pandemic-related global issues.[9][10][33] Following the April 2022 release, momentum built organically via word-of-mouth among fans and recognition through ARIA Award nominations, including for Best Artist. To evoke local ties, limited-edition vinyl records in a red-and-blue marble design were issued, symbolizing Johns' pride in his Newcastle roots where much of the album was recorded.[25][17]Related media
In 2025, a semi-autobiographical sci-fi short film titled What If The Future Never Happened? was produced by Clockwork Films in association with Daniel Johns, BMG, and Winarch Group, serving as a cinematic companion to the FutureNever album.[34][35] The 30-minute featurette, directed by James Medlam, premiered nationally across Australia in November 2025 during a series of live events featuring screenings and conversations with Johns.[36][37] The film utilizes FutureNever as its emotional backbone, weaving in never-before-seen archival material from Johns' recording sessions and personal life, including photographs, unreleased recordings, and rare footage that highlight his creative process.[37][38] This integration reinforces the album's exploration of memory, identity, and alternate realities, as detailed in its thematic content.[39] Additional tie-ins include the limited-edition "Carve Your Name In FutureNever" picture disc vinyl, released in 2022, which allowed 500 fans to have their names etched on the record for a personalized collector's item.[40] This fan-engagement variant enhanced the album's interactive appeal by blending physical media with personal commemoration.[41]Reception
Critical response
Upon its release, FutureNever received generally positive reviews from music critics, who praised its artistic ambition and Daniel Johns' personal vulnerability while noting some inconsistencies in its eclectic structure. The Guardian awarded the album four out of five stars, describing it as featuring "brilliant songs on a choppy album" due to its adventurous blend of electro-opera elements, operatic tracks, and genre-spanning experimentation that occasionally disrupts cohesion.[2] Similarly, NME gave it four stars, commending Johns for reflecting on his past experiences without the anxiety that marked earlier works, positioning the album as a mature evolution from his Silverchair days through its raw emotional depth and high-quality production.[20] Critics highlighted the album's strengths in individual tracks, such as the stunning production on "Emergency Calls Only," a collaboration evoking pocket symphonies, and the vulnerability in songs like "FreakNever," which reexamines teenage fame's trauma.[2] However, mixed sentiments emerged regarding its eclecticism, with reviewers like those at Sputnikmusic (3.5/5) noting that while the melodic exploration and eccentricities shine, the disparate styles make it feel incomplete as a unified whole rather than a seamless album experience.[42] Bernard Zuel echoed this, appreciating the lyrical honesty on fame and self-medication but critiquing the "too disparate" approach as sometimes needy and demanding, though ultimately rewarding in its freedom.[21] Overall, the critical consensus viewed FutureNever as a complete artistic statement in its vulnerability and production polish, marking Johns' growth into a more introspective and boundary-pushing solo artist beyond Silverchair's shadow, even if its bold fusions occasionally sacrificed flow for innovation.[20][2]Accolades
FutureNever received a nomination for Best Solo Artist at the 2022 ARIA Music Awards, recognizing Daniel Johns' performance on the album.[43] The album was also nominated for the Australian Music Prize in 2022.[44] At the 2023 AIR Awards, the album won Best Independent Pop Album or EP and was nominated for Independent Album of the Year.[45] In August 2025, FutureNever was included in Rolling Stone Australia's list of the 100 Best Australian Albums of the 2020s (So Far), highlighting its enduring influence in contemporary Australian music.[46]Commercial performance
Chart performance
FutureNever debuted at number two on the ARIA Albums Chart in April 2022, before climbing to the top spot in its third week of release in May 2022.[47][1] The album returned to number one in October 2022 following the release of a vinyl edition, marking a 22-week gap between its two chart-topping weeks and establishing it as the only Australian album to achieve multiple number-one positions that year.[47][25] This performance also set a record for the longest chart run in the top ten by a solo Australian male artist in 2022, with six weeks spent in that range overall.[48][49] On the year-end ARIA Albums Chart for 2022, FutureNever was the highest-ranking new release by an Australian artist.[50] In the United Kingdom, the album achieved a peak position of number 18 on the Official Album Downloads Chart in May 2022, spending one week in the ranking.[51] The album's charting success was primarily confined to Australia and the UK, reflecting strong support from Johns' domestic fanbase bolstered by targeted promotional efforts.[47][25]Sales and certifications
FutureNever achieved its first certification in November 2025, when the Australian Recording Industry Association (ARIA) awarded it Silver status for 20,000 units shipped in Australia, marking Daniel Johns' inaugural solo certification.[52] This accolade also represented ARIA's first-ever Silver certification for an Australian album, introduced to recognize shipments of 20,000 units within three years of release.[48] The album's initial commercial success was propelled by its multiple number-one positions on the ARIA Albums Chart, including its first peak at number one and a return to the top after 22 weeks, setting records for the largest gap between chart-topping weeks for an Australian artist.[49] Sustained consumer interest contributed to its record-breaking longevity, as it became the longest-reigning Australian album in the ARIA top 10 of 2022 and the longest-standing title in the top 20 that year.[48][49] Physical sales were limited but notable through special editions, such as colored vinyl pressings, bonus-track cassettes, and the deluxe Almanac Edition featuring over 160 pages of rare photos and artwork, which helped build toward the certification total despite constraints from a primarily virtual promotional campaign tied to the accompanying featurette.[53][54][55]Credits
Personnel
FutureNever features Daniel Johns as the primary artist, handling vocals, guitar, piano, drums, bass, and strings arrangements on multiple tracks, in addition to production duties.[18]Musicians and Performers
- Daniel Johns – vocals, guitar, piano, drums, bass, strings arrangement (tracks 1, 3, 5, 7, 9–12)
- Phil Stack – bass (track 1)
- Ben Lambert – viola (tracks 1, 10)
- Rodney Wikstrom – violin 1 (tracks 1, 10)
- Anthea Wikstrom – violin 2 (tracks 1, 10)
- Beau Golden – instruments, piano, keyboards, synthesizer, Moog bass (tracks 2, 3, 7, 8)
- Casey Golden – instruments (track 2)
- Dave Jenkins Jr. – drums (tracks 3, 8)
- Jake Meadows – harp (track 3)
- Peking Duk – featured artists (track 4)
- What So Not – featured artist (track 5)
- Mxxwll – producer (track 6)
- Moxie Raia – featured artist (track 6)
- Van Dyke Parks – featured artist, orchestral arrangements (track 7)
- Laurence Pike – drums (track 7)
- Purplergirl – featured artist (track 8)
- Lisa Gerrard – backing vocals (track 12)
Production and Technical Staff
- Beau Golden – producer (tracks 2, 3, 7), engineer (track 9)
- Casey Golden – producer (track 2)
- Mitch Kenny – mixing (all tracks), additional producer (track 8)
- Steve Smart – mastering (all tracks)
- Brent Clark – engineer (track 7)
- Sean Carey – additional mixing (track 9)
- Dave Jenkins Jr. – engineer (tracks 3, 8)
Additional Credits
- Josh Wakely – writer (track 1)
- Matt Ryan Tobin – artwork and illustrations[56]
- BMG Rights Management – label and management[18]