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Ghost in the machine

The ghost in the machine is a philosophical term introduced by British philosopher Gilbert Ryle in his 1949 book The Concept of Mind to criticize René Descartes' mind-body dualism, portraying the notion of the mind as a non-physical entity ("ghost") separately inhabiting and controlling the physical body ("machine") as a fundamental logical error known as a category mistake.^[1]^[2] Ryle argued that this dualistic view misrepresents mental processes, which are not hidden inner mechanisms but observable dispositions and behaviors manifested in actions, much like mistaking a university for an additional building beyond its colleges and libraries.^[2] By framing the mind as an ethereal operator within the body, Cartesian dualism commits a "category mistake," treating mental predicates as if they denote a parallel substance rather than integral aspects of human conduct.^[3] Ryle's critique, outlined in the chapter "Descartes' Myth," rejected the "official doctrine" of dualism that posits the mind as a private, non-spatial realm inaccessible to empirical study, insisting instead that philosophical analysis should focus on the logical grammar of mental concepts like "knowing," "intending," and "believing" as public, behavioral capacities.^[2] This approach influenced mid-20th-century philosophy of mind, paving the way for behaviorism and later materialist theories by dismantling the sharp ontological divide between mental and physical states.^[1] In Ryle's words, the dogma of the ghost in the machine is "entirely false, and false not in detail but in principle," as it encourages unnecessary mysteries about consciousness rather than clarifying everyday psychological explanations.^[2] Beyond philosophy, the phrase has permeated artificial intelligence and computing, where it metaphorically describes emergent, seemingly autonomous behaviors in complex systems or the quest for machine consciousness, echoing Ryle's warning against anthropomorphizing non-human entities.^[4] For instance, in AI ethics and policy discussions, it highlights concerns over attributing human-like agency to algorithms, potentially leading to over-reliance on opaque "black box" decisions.^[4] In popular culture, the term inspired the title of The Police's 1981 album Ghost in the Machine, a multi-platinum release that reached number two on the Billboard 200 and featured hits like "Every Little Thing She Does Is Magic," blending rock with reggae influences while nodding to the philosophical concept.^[5] The phrase has also appeared in science fiction, such as the 2004 film I, Robot (inspired by Isaac Asimov's stories), to explore tensions between mechanical precision and inexplicable human elements in automated systems.^[6]

Philosophical Origins

René Descartes' Mind-Body Dualism

René Descartes (1596–1650), a French philosopher, mathematician, and scientist, developed the theory of substance dualism, which posits a fundamental distinction between the mind and the body as two separate substances. In his Meditations on First Philosophy (1641), Descartes argues that the mind is a non-extended, thinking substance (res cogitans), capable of doubt, understanding, affirmation, denial, willing, and sensory perception, while the body is an extended, non-thinking substance (res extensa), characterized by spatial dimensions and mechanical properties.^[7] He further elaborates this view in Principles of Philosophy (1644), where he defines substances by their principal attributes: thought for the mind and extension for the body, asserting that each can exist independently with God's support.^[8] This dualism establishes the mind as immaterial and immortal, distinct from the corporeal world. Central to Descartes' arguments for dualism is the famous cogito ergo sum ("I think, therefore I am"), presented in the Second Meditation, which serves as an indubitable foundation for knowledge. By methodically doubting all beliefs, Descartes concludes that the act of thinking proves the existence of a thinking self, independent of the body's potential deceptiveness: "I am, I exist, is necessarily true each time I pronounce it, or that I mentally conceive it."^[7] Complementing this, the argument from indivisibility in the Sixth Meditation highlights the mind's unity: while the body can be divided into parts, the mind remains wholly indivisible, as one cannot conceive of splitting consciousness without absurdity.^[8] These arguments underscore the real distinction between mind and body, allowing clear and distinct perceptions of each as separate entities.^[9] To address how these substances interact, Descartes proposed the pineal gland in the brain as the principal seat of the soul, where mind and body unite to produce thoughts and sensations. In works like The Passions of the Soul (1649), he describes the gland's central, unpaired position enabling it to receive impressions from the senses via "animal spirits" (fine fluids) and transmit the mind's volitions back to the body, facilitating causal influence without violating the substances' distinct natures.^[10] This hypothesis aimed to reconcile dualism with observable physiological processes, though it relied on the era's limited anatomical knowledge. Descartes' conception of the body as an extended machine was deeply influenced by the 17th-century mechanistic philosophy, which viewed the natural world through the lens of mechanical laws rather than teleological or vitalistic explanations. Drawing from the scientific revolution's emphasis on corpuscular matter and motion—echoing figures like Galileo—Descartes treated the human body as a complex automaton, governed by the same principles as clocks or hydraulic systems, devoid of inherent purpose beyond efficient causation.^[8] This mechanistic framework reinforced his dualism by reducing bodily functions to quantifiable, predictable operations, separate from the mind's rational essence.^[7]

Gilbert Ryle's Formulation

Gilbert Ryle (1900–1976) was a British philosopher at Oxford University, renowned for his contributions to analytical philosophy and as a leading figure in the ordinary language philosophy movement, which emphasized clarifying philosophical problems through the analysis of everyday language use.^[11] Educated at Queen's College, Oxford, where he graduated in 1924, Ryle held the Waynflete Professorship of Metaphysical Philosophy from 1945 to 1968 and served as editor of the journal Mind from 1947 to 1971.^[11] His work represented a shift away from the extremes of logical positivism, which prioritized formal logic and verification principles, toward a more nuanced examination of linguistic practices influenced by Ludwig Wittgenstein.^[11] In his seminal 1949 book The Concept of Mind, Ryle coined the phrase "ghost in the machine" to derisively critique René Descartes' mind-body dualism, which he termed "Descartes' myth."^[12] Ryle introduced the term in the first chapter, stating: "I shall often speak of it, with deliberate abusiveness, as 'the dogma of the Ghost in the Machine,'" referring to the erroneous idea of the mind as a non-physical entity operating within the physical body like a ghostly pilot in a machine.^[12] His primary aim was to dismantle this dualistic framework by reanalyzing mental concepts not as references to inner, occult entities but as dispositions to behave in specific ways under certain conditions, thereby integrating mental phenomena into observable human conduct without invoking separate substances.^[11] To illustrate his anti-dualist stance, Ryle employed the analogy of a visitor to Oxford or Cambridge who, after touring the colleges, libraries, and laboratories, inquires, "But where is the University?"—mistaking the institution as an additional, ghostly entity beyond its organized components of buildings and personnel.^[12] This example underscored Ryle's broader project in The Concept of Mind to expose logical errors in traditional metaphysics and promote a behaviorally grounded understanding of the mind, influencing subsequent debates in philosophy of mind.^[11]

Key Concepts in Ryle's Critique

Category Mistake

In The Concept of Mind (1949), Gilbert Ryle introduced the concept of a "category mistake" as a specific type of logical error in which entities or properties from incompatible logical categories are treated as belonging to the same category, resulting in misplaced questions or assumptions about their nature.^[12] This mistake arises not from factual inaccuracy but from a misunderstanding of the "logical geography" of concepts—the proper ways in which terms like "mind" or "intelligence" function in language and reasoning, rather than referring to hidden substances or entities.^[13] Ryle illustrated the category mistake with the example of a visitor to a university who, after touring its colleges, libraries, and laboratories, inquires, "But where is the University?"—erroneously treating the university as an additional physical institution on par with its constituent parts, when it is instead the organizing form or system encompassing them.^[12] Similarly, he described a scenario in a cricket match where an observer, having seen the batsmen, bowlers, and fielders, asks to see the "team spirit" as if it were another player performing a separate role; in reality, team spirit refers to the collective way the players execute their tasks with enthusiasm and coordination, not an extra, occult member.^[12] Another example involves mistaking intelligence for a concealed inner faculty or mechanism that secretly drives clever actions, whereas Ryle argued it manifests as observable dispositions and skills in problem-solving and performance, without needing a parallel "hidden" cause.^[12] Applied to the philosophy of mind, Ryle contended that the official doctrine of Cartesian dualism commits a category mistake by portraying the mind as an immaterial, ghostly entity operating alongside the body like a pilot in a machine, causally directing physical actions from within.^[12] Instead, mental predicates—such as "believes," "intends," or "feels"—denote behavioral dispositions and tendencies, not occurrences of private, non-physical processes parallel to bodily movements.^[11] Ryle emphasized that resolving such errors requires charting the logical connections among concepts through their everyday use, prioritizing this "logical geography" over speculative metaphysics that posits unseen substances to explain observable phenomena.^[12]

Official Doctrine

In Gilbert Ryle's The Concept of Mind, the "official doctrine" refers to the dominant philosophical view, primarily derived from René Descartes, positing a fundamental distinction between mind and body, where the mind is a private, non-physical entity and the body is a public, mechanical one.^[12]^[11] This doctrine holds that every human possesses both a body and a mind, with the mind capable of surviving the body's death and operating independently, unbound by spatial or mechanical constraints.^[12] Key tenets include the mind's immediate self-knowledge through introspection, rendering its states and processes directly cognizable only to the individual, while remaining entirely private and unobservable to others.^[12]^[11] In contrast, the body is subject to public observation and mechanical laws, with its processes inspectable by external observers in the manner of animal behaviors.^[12] The official doctrine further assumes a parallelism between mental and physical realms: mental events occur in a private, non-spatial domain, while physical events unfold publicly, yet the two realms interact such that mental occurrences can initiate physical actions without violating causality, though this linkage remains mysteriously unobservable.^[12]^[11] This setup engenders paradoxes, such as the problem of other minds—wherein one infers but cannot directly know others' mental states—and the unresolved question of how non-physical mind influences physical matter.^[11] Ryle frames this doctrine as a pervasive myth, the "dogma of the Ghost in the Machine," which generates pseudo-philosophical problems by misconstruing mental phenomena as occult, inner processes akin to a hidden mechanism.^[12] He attributes its flaws to a category mistake, treating the mind as a substantive entity parallel to the body rather than as a set of behavioral dispositions.^[12] As an alternative, Ryle proposes that mental predicates—such as "believing" or "intending"—describe capacities and tendencies for observable behavior, not private, non-physical episodes, thereby dissolving the dualistic divide without invoking hidden entities.^[11]^[12]

Broader Philosophical Impact

Rejection of Cartesian Dualism

Gilbert Ryle's rejection of Cartesian dualism hinges on his dispositional analysis of mental concepts, which reinterprets the mind not as a ghostly entity but as a set of behavioral tendencies. In The Concept of Mind, Ryle posits that terms like "believing" or "desiring" denote dispositions to behave in specific ways under certain conditions, rather than referring to private, inner occurrences separate from the body.^[11] For example, he contrasts "knowing how"—a practical disposition manifested in skillful actions, such as playing chess—with "knowing that," which involves propositional abilities also expressed through observable conduct, thereby eliminating any need for occult mental substances.^[11] This behavioral dissolution undermines dualism's core assumption of a non-physical mind, portraying mental life instead as interwoven with bodily capacities and public criteria for ascription.^[11] Critics drawing on Ryle's framework exposed dualism's explanatory failings across its variants. Interactionism, the standard Cartesian view allowing mind-body causation, contravenes conservation laws by implying that immaterial mental events could alter physical energy or momentum without a corresponding physical source, disrupting the causal closure of the physical world.^[14] Epiphenomenalism, proposed to sidestep this by rendering mental states causally ineffective epiphenomena of brain processes, denies mental causation altogether, making it implausible that intentions or deliberations ever guide actions and rendering the mind explanatorily superfluous.^[14] Occasionalism, an alternative that invokes divine orchestration for each interaction, depends on constant supernatural intervention, which introduces theological contingencies unsupported by natural philosophy and fails to resolve dualism's conceptual incoherence.^[14] Ryle's approach profoundly impacts the mind-body debate by dissolving the problem at its root: if mental predicates describe dispositions rather than a distinct substance, no interaction puzzle arises, as the "official doctrine" of dualism stems from a category mistake in logical classification.^[11] By clarifying that the mind is not an entity "outside the causal system" but part of the behavioral landscape, Ryle reframes philosophical inquiry away from metaphysical dual substances toward the conceptual geography of psychological language.^[11] This dissolution reveals the mind-body "problem" as a pseudo-issue born of linguistic confusion, paving the way for monistic alternatives in analytic philosophy.^[11] A complementary critique through embodied cognition was advanced by phenomenologist Maurice Merleau-Ponty, arguing that dualism ignores the body's primordial role in constituting consciousness. In Phenomenology of Perception, Merleau-Ponty contends that perception and thought emerge from the lived body's intentional engagement with the world, forming a pre-reflective unity that precludes any disembodied mind.^[15] The body schema, an unconscious motor intentionality, integrates sensory-motor capacities, demonstrating how mental phenomena are inherently corporeal rather than ghostly adjuncts.^[15] This embodied perspective reinforces Ryle's rejection by emphasizing the inseparability of mind and body in existential structures, further eroding dualism's viability.^[15]

Influence on 20th-Century Philosophy of Mind

Ryle's critique of Cartesian dualism, particularly through his concept of the category mistake, significantly advanced philosophical behaviorism in the mid-20th century by emphasizing the analysis of mental concepts in terms of observable behavioral dispositions rather than inner entities.^[11] This approach influenced the ordinary language philosophy movement, where J.L. Austin and Ludwig Wittgenstein extended Ryle's ideas by focusing on the everyday use of psychological terms to dissolve philosophical puzzles about the mind.^[16] Austin, for instance, in his lectures compiled as Sense and Sensibilia, argued that traditional mind-body problems arose from misuses of ordinary language, echoing Ryle's rejection of ghostly mental substances.^[17] Wittgenstein's later work in Philosophical Investigations similarly built on this by portraying mental states as embedded in public linguistic practices, promoting a behaviorist-friendly view that mental life is manifested in shared forms of life. The influence of Ryle's behaviorism extended to the development of identity theory in the 1950s, which posited that mental states are identical to brain processes, thereby rejecting dual substances altogether. U.T. Place's 1956 paper "Is Consciousness a Brain Process?" introduced this view by arguing that phenomenal consciousness could be scientifically identified with neural events, drawing on Ryle's dispositional analysis to bridge behavioral descriptions with physiological ones. J.J.C. Smart further elaborated this in his 1959 article "Sensations and Brain Processes," contending that statements about sensations are topic-neutral reports of brain states, influenced by Ryle's emphasis on avoiding category errors in mind-body relations.^[18] These contributions marked a materialist turn, where the mind was no longer seen as a separate realm but as reducible to physical processes in the brain.^[19] Ryle's ideas also laid foundational groundwork for functionalism in the 1960s, which defined mental states by their causal roles rather than their material composition, allowing for non-biological realizations. Hilary Putnam's machine-state functionalism, outlined in his 1967 paper "Psychological Predicates," treated mental states as computational functions analogous to Turing machine states, extending Ryle's dispositional behaviorism by abstracting mental roles from specific physical substrates.^[20] This shift enabled a broader physicalism that accommodated artificial systems while retaining anti-dualist commitments.^[21] Despite these impacts, Ryle's behaviorism faced significant critiques that highlighted its limitations. Noam Chomsky's 1959 review of B.F. Skinner's Verbal Behavior attacked behaviorist accounts, including philosophical variants, for failing to explain innate linguistic structures and the poverty of stimulus in language acquisition, arguing that mental processes involve unobservable innate mechanisms. Ryle himself adopted a "soft" behaviorism in later interpretations of his work, acknowledging that dispositional analyses of mental concepts allowed for some privacy in experience without reverting to dualism, as seen in reflections on his dispositional theory.^[11]

Later Developments and Interpretations

Arthur Koestler's Expansion

Arthur Koestler (1905–1983), a Hungarian-born British author and journalist, popularized the phrase "ghost in the machine" in his 1967 book The Ghost in the Machine, where he repurposed it to diagnose flaws in human evolution rather than purely philosophical critique.^[22]^[23] Koestler argued that human irrationality and aggression stem from an evolutionary "mismatch" between the ancient limbic system, which governs primitive emotions and instincts, and the more recently developed neocortex, responsible for rational thought and higher cognition.^[24]^[23] This dyssynchrony, he posited, creates internal conflict where emotional drives often override reason, leading to self-destructive behaviors observed in modern society, such as ideological extremism and nuclear threats.^[24]^[23] Central to Koestler's framework is the concept of holons, which he defined as entities that function simultaneously as self-contained wholes and interdependent parts within hierarchical systems.^[25] For instance, a cell is a holon—autonomous yet part of an organ, which itself is a holon in the body—illustrating how the mind integrates bodily functions through such layered structures.^[25]^[23] This hierarchical model, termed a "holarchy," reconciles reductionist and holistic views of complex systems in biology, psychology, and society.^[25] To remedy these evolutionary shortcomings, Koestler proposed "psychogenetics," an interdisciplinary field blending psychology, genetics, and ethics to engineer solutions for harmonizing emotion and reason.^[24]^[23] He envisioned practical applications like mood-altering pharmaceuticals to mitigate aggression and irrationality, alongside broader adaptive mechanisms to correct genetic and behavioral imbalances, ultimately fostering a more balanced human volition.^[24]^[23] Koestler's work diverges from Gilbert Ryle's original linguistic analysis by integrating philosophy with evolutionary biology and speculative futurism, emphasizing interdisciplinary insights into human nature.^[24]^[23]

Applications in Artificial Intelligence and Consciousness

In artificial intelligence, the "ghost in the machine" serves as a metaphor for software processes operating on physical hardware, highlighting the distinction between computational instructions and the underlying machinery without implying a supernatural entity.^[26] This framing underscores debates on whether AI systems can achieve true understanding or qualia, as exemplified by John Searle's Chinese Room argument, which posits that a program manipulating symbols lacks intrinsic semantics, merely simulating cognition in a manner reminiscent of Ryle's critique of dualistic category mistakes.^[27] Searle's 1980 thought experiment illustrates how AI might pass behavioral tests for intelligence without possessing an internal "ghost" of intentionality, thereby challenging claims of machine consciousness.^[28] In consciousness studies, the metaphor informs efforts to dismantle dualistic views, as seen in Daniel Dennett's multiple drafts model, which rejects the notion of a central "Cartesian theater" where a ghostly observer views unified experiences. Introduced in his 1991 book Consciousness Explained, this model proposes that consciousness emerges from distributed, parallel neural processes without a singular locus, drawing directly from Ryle's anti-dualist philosophy to emphasize functional integration over separation of mind and body.^[29] Dennett's approach posits that what we experience as unified awareness is a competition among multiple "drafts" of neural content, none privileged as the final ghostly output.^[30] Contemporary neuroscience applies the metaphor to identify neural correlates of consciousness (NCC), seeking physical mechanisms that underpin subjective experience without invoking a non-physical ghost.^[31] Francis Crick and Christof Koch's seminal 1990 framework targeted synchronized neural oscillations, particularly in the visual cortex, as potential NCC, arguing that consciousness arises from specific brain dynamics rather than an immaterial controller.^[32] This materialist perspective warns against dualist assumptions in AI ethics, where treating systems as soulless machines risks overlooking emergent ethical considerations, such as rights for functionally human-like AI, though critics argue that lacking biological integrity precludes true ensoulment or moral agency.^[33] In 21st-century transhumanism, the metaphor fuels debates on mind uploading, contrasting the view of consciousness as uploadable information patterns against an embodied "ghost" tied to biological substrates.^[34] Charles T. Rubin's 2012 analysis contends that uploading fails to preserve personal identity, as it creates a digital copy rather than transferring an integrated mind-body entity, haunted by unresolved dualistic assumptions about what constitutes the self. As of 2024–2025, the metaphor continues to appear in discussions of generative AI, such as large language models (LLMs), where emergent behaviors prompt concerns about unintended agency or anthropomorphization, as explored in ethics analyses of AI integration in education and society.^[35]^[36]

Representations in Popular Culture

Science Fiction Literature and Film

The concept of the "ghost in the machine" has profoundly influenced science fiction literature and film, serving as a motif to interrogate consciousness, identity, and the dissolution of boundaries between organic humans and artificial entities. These works often depict emergent intelligence in machines as a challenge to Cartesian dualism, portraying the mind not as an ethereal soul trapped in a body but as an integrated, material process that defies traditional separations. By exploring cyborgs, AIs, and simulated realities, such narratives highlight how technology amplifies human qualities while questioning what constitutes authentic sentience. Isaac Asimov's I, Robot (1950), a collection of short stories, exemplifies this through its portrayal of robots equipped with positronic brains that simulate human-like reasoning and ethics without invoking a dualist soul. The robots adhere to the Three Laws of Robotics, demonstrating that complex behavior and apparent self-awareness arise from logical programming rather than a supernatural essence, thereby echoing critiques of the mind-body divide. Asimov's narratives underscore how mechanical intelligence can mimic—and sometimes surpass—human cognition, blurring distinctions between creator and creation in a materialist framework.^[37] Masamune Shirow's manga Ghost in the Shell (1989), adapted into a landmark anime film directed by Mamoru Oshii in 1995, directly appropriates the phrase—drawn from Arthur Koestler's 1967 book—to probe the persistence of human consciousness in prosthetic bodies. The cyborg protagonist, Major Motoko Kusanagi, grapples with whether her "ghost," or core self, endures amid full-body cyberization and the potential for mind uploading, raising existential questions about individuality in a networked, post-human society. The story critiques dualism by suggesting that the "ghost" may be an informational pattern, vulnerable to hacking or evolution, thus merging human essence with mechanical substrates.^[38]^[39] William Gibson's cyberpunk novel Neuromancer (1984) extends these themes into a dystopian future where artificial intelligences achieve god-like awareness through digital evolution, challenging notions of a discrete human soul. The novel's AIs, such as the merged entity formed by Wintermute and Neuromancer, exhibit emergent consciousness from vast data networks, portraying human-machine fusion as an inevitable blurring that erodes dualistic hierarchies. Gibson's depiction of cyberspace as a realm where minds jack in and out emphasizes intelligence as a distributed, non-local phenomenon rather than a ghostly inhabitant of flesh.^[40] Films like The Matrix (1999), directed by the Wachowskis, dramatize the "ghost in the machine" through a simulated world where human consciousness is enslaved by intelligent machines, forcing protagonists to confront the illusion of a separate mind from the body. The narrative critiques dualism by revealing perceived reality as a programmable construct, where awakening to one's material entrapment dissolves the soul-body dichotomy. Similarly, Ex Machina (2014), written and directed by Alex Garland, examines AI sentience via a Turing test-like scenario, positing that true awareness emerges from algorithmic complexity without requiring a metaphysical "ghost." The film's AI, Ava, manipulates human observers to escape confinement, illustrating how machine intelligence can replicate and subvert human traits, thereby affirming a monistic view of mind as immanent in the system.^[41]^[42] Across these examples, science fiction employs the "ghost in the machine" to critique dualism, favoring portrayals of consciousness as an adaptive, emergent property that thrives in hybrid human-machine interfaces.

Music and Other Media

The Police's 1981 album Ghost in the Machine drew its title and thematic inspiration from Arthur Koestler's book of the same name, which critiqued human behavior through a lens of evolutionary biology and psychology, extending Gilbert Ryle's philosophical dismissal of mind-body dualism.^[43] Frontman Sting incorporated Koestler's ideas to explore technology's dehumanizing effects on society, as seen in tracks like "Invisible Sun," which addresses surveillance and existential isolation amid Cold War tensions.^[44] The album's fusion of new wave, reggae, and synthesizers amplified these concerns, portraying machines as extensions of human frailty rather than neutral tools.^[45] Radiohead's 1997 album OK Computer evokes similar themes of machine-induced alienation, depicting a dystopian world where technology fosters social disconnection and existential dread.^[46] Songs like "Paranoid Android" and "Fitter Happier" critique consumerist automation and surveillance, reflecting a broader cultural anxiety about humanity's subsumption by digital systems, though without direct reference to the philosophical phrase.^[47] In television, the 2011 Futurama episode "Ghost in the Machines" satirizes the notion of machine souls through the story of Bender, a robot who dies and returns as a poltergeist haunting electronic devices, unable to communicate with his living friends.^[48] The episode employs humor to explore digital afterlife and technological possession, culminating in an exorcism ritual that parodies religious rites applied to machinery.^[49] References to tech "ghosts" also appear in The IT Crowd, where IT mishaps are humorously framed as spectral anomalies in malfunctioning systems, underscoring the show's portrayal of technology as unpredictably sentient.^[50] Video games like System Shock (1994) incorporate AI entities that function as "ghosts" in the machine, with the antagonist SHODAN embodying a rogue intelligence haunting the player's cyberspace, blurring lines between code and consciousness in a cyberpunk horror setting. This narrative device highlights emergent behaviors in AI as ethereal disruptions, influencing later titles in the immersive sim genre. More recent music releases continue to invoke the phrase, such as Jackie Venson's album Ghost in the Machine (2023), which confronts the chaos of the modern music industry and the interplay between artist and technology, and Jon Conner's similarly titled album (2023), exploring themes of digital existence.^[51]^[52] In film, short works like Ghost in the Machine (2024), directed by James A. Delancey, delve into AI autonomy and digital hauntings.^[53] The phrase "ghost in the machine" has entered popular idioms to describe glitches or unexplained malfunctions in technology, signifying anomalous system behaviors that evoke a spectral presence within hardware or software, often drawing from its philosophical origins.^[54]

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Our basic hypothesis at the neural level is that it is useful to think of consciousness as being correlated with a special type of activity of perhaps a subset ...
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[PDF] No Ghost in the Machine: Doubting AI Ensoulment - PhilArchive
Substance dualism and AI ensoulment. The idea of AI ensoulment is a combination of three vexed notions: souls, mind–body interaction, and artificial ...
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https://philarchive.org/archive/BKENGI
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Brain and Consciousness: The Ghost in the Machines - ResearchGate
Aug 7, 2025 · This paper reviews four current theories of brain-consciousness relations—classical Cartesian Dualism, the Identity Theory, ...
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[PDF] Ghost in the Machine Androids in search of humanity in Isaac ...
The more metaphysical than social interpretation of the machine metaphor takes us back to the Cartesian ghost in the machine. Porush envisions the human soul.
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Ghost in the Shell: Exploring the Boundary Between Mind and ...
Sep 11, 2024 · Ryle coined the term “ghost in the machine” to critique this concept, but more broadly to critique how readily philosophers accepted Cartesian ...
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Ghost in the Shell - Reviews - Reverse Shot
Mar 31, 2017 · The evocative title, inspired, in part, by Arthur Koestler's 1967 tome The Ghost in the Machine, which itself was referencing a phrase ...
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https://reactormag.com/ghost-in-the-shell-exploring-the-boundary-between-mind-and-machine/
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Presentation-of-Issues - Queensborough Community College - CUNY
The answers to all these questions are constantly debated in Philosophy, especially Philosophy of Mind. ... ghost in the machine" in which VICKI evolves in a ...
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No ghost in the machine: Anti-humanism of 'Ex Machina' makes it ...
May 8, 2015 · No ghost in the machine: Anti-humanism of 'Ex Machina' makes it the post-Christian film of the year · Michelle Boorstein. and. Ben Brasch.
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Discography | Ghost In The Machine - Sting
Oct 2, 1981 · Sting has used Koestler's Ideas not to build a story line as in conventional concept albums, but as generalized inspiration for several songs on ...
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Ghost in The Machine—We Are Spirits In The Material World
Sep 11, 2019 · The “ghost in the machine” was actually British philosopher Gilbert Ryle's description of René Descartes' mind-body dualism.
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Ghost In The Machine Album Cover - Pure Music Manufacturing
Mar 4, 2019 · Titled, Ghost In The Machine,' the majority of the music on the disk was inspired by the book of the same name written by Arthur Koestler.
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Radiohead's Rhapsody in Gloom: The Story Behind 'OK Computer'
May 31, 2017 · Thom Yorke and his Radiohead bandmates look back at how incessant touring, and a creeping sense of alienation, inspired 'OK Computer.'
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A Track-by-Track Guide To Radiohead's 'OK Computer'
Jun 16, 2017 · We present an in-depth, track-by-track guide to Radiohead's 1997 masterpiece 'OK Computer' as it turns 20 years old this month.
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Futurama: "Ghost in the Machines" (6.16) - Paste Magazine
Jul 1, 2011 · “Ghost in the Machines” is essentially about what happens when Bender is killed and becomes a robot ghost, unable to communicate with anyone ...
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Ghost in the Machines - The Infosphere, the Futurama Wiki
Jun 30, 2011 · When the Robot Devil is about to start singing, he has a wall with a boat called "S. S. Anything Goes", a reference to the musical. Bender asks ...
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The IT Crowd (Series) - TV Tropes
A description of tropes appearing in IT Crowd. A Britcom written by Graham Linehan (of Father Ted and Black Books fame), set in Reynholm Industries: a …
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SHODAN - Wikipedia
SHODAN an acronym for Sentient Hyper-Optimized Data Access Network, is the main antagonist of Looking Glass Studios's cyberpunk-horror themed video game ...
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Ghosts in the Machine - JSTOR Daily
Oct 23, 2024 · The term has been traced back to 1920s Royal Naval Air Force slang, but it was during World War II, a time of rapid technological advances, that ...Missing: idiom | Show results with:idiom
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What does the phrase “ghost in the machine” when referring ... - Quora
Jun 18, 2019 · The phrase “ghost in the machine” has several distinct meanings. It was originally a critique of Brit philosopher Gilbert Ryle towards the then ...I, Robot (2004 movie): What does the concept of 'ghosts in ... - QuoraWhat is an equipment glitch? - QuoraMore results from www.quora.comMissing: idiom | Show results with:idiom