Fact-checked by Grok 2 weeks ago

J-Live

J-Live (born Jean-Jacques Cadet; February 22, 1976) is an American hip hop recording artist, DJ, and producer based in and . Known for his intricate lyricism, conscious themes, and roots in the scene, J-Live has maintained an independent career since the mid-1990s, blending with in his music. Born and raised in the Spanish Harlem section of , J-Live developed his skills as a rapper while attending the at , where he adopted influences from the culture. After graduating, he balanced his music pursuits with a career as an eighth-grade English teacher in , a period during which he honed his debut material. He first gained attention with the 1995 single "Braggin' Writes," which showcased his verbal dexterity and established him as a promising voice in . Throughout the 2000s, J-Live released a series of influential albums on indie labels, including The Best Part (2001), All of the Above (2002), The Hear After (2005), and Then What Happened? (2008), earning praise for their production collaborations with figures like Prince Paul, , and . He also founded Productions and later Mortier Music LLC to manage his output, contributing guest verses to projects by artists such as and J. Rawls while performing as a DJ and live act. Into the and , J-Live continued releasing albums and EPs, solidifying his status as an enduring figure in conscious hip hop.

Early life

Childhood and family

Jean-Jacques Cadet, known professionally as J-Live, was born on February 22, 1976, in Spanish Harlem, . Raised by his mother in Uptown , Cadet enjoyed a happy childhood immersed in the city's dynamic urban environment. He attended Central Park East school from elementary through high school. From an early age, he was exposed to the evolving hip-hop culture of the 1980s through local radio broadcasts and the vibrant New York scene, drawing initial influences from artists such as De La Soul, A Tribe Called Quest, EPMD, Public Enemy, Big Daddy Kane, Rakim, and Redman.

Education and early influences

J-Live, born Jean-Jacques Cadet, attended the State University of New York at Albany (SUNY Albany) in the early 1990s, where he earned a Bachelor's degree in English. His studies in language and literature honed his command of words, which later shaped his intricate lyricism by emphasizing clarity, structure, and rhetorical precision in hip-hop composition. During his time at SUNY Albany, he adopted influences from the Five-Percent Nation culture, taking the name Justice Allah. This academic foundation complemented his early immersion in true-school hip-hop, drawing influences from artists like KRS-One, Rakim, and Chuck D of Public Enemy, whose socially conscious and technically adept styles inspired his approach to storytelling and wordplay. During his college years in the mid-1990s, J-Live began his initial forays into through recordings and local performances. He spent time in studios experimenting with beats and rhymes, while participating in sessions that built his improvisational skills. At SUNY events, he performed freestyles and even opened for major acts like the , gaining early exposure despite modest crowds. These experiences, starting from his teenage years when he first deejayed and battled at age 12, laid the groundwork for his emceeing without yet venturing into professional releases. Following graduation, J-Live pursued a career in , teaching junior high school English in Brooklyn's Brownsville neighborhood starting in 1998, before moving to Bushwick in 2000, a role he held until 2002. Balancing this demanding job with his music aspirations proved challenging; he often wrote lyrics late at night after long school days, using to refine his ability to convey messages effectively. As he reflected, his classroom experience taught him "how to write songs that hit home when you have an intended message," bridging with artistic expression. This period underscored his commitment to intellectual pursuits alongside , informing the thoughtful depth in his emerging work.

Career

Debut and breakthrough (1990s–2000s)

J-Live entered the hip-hop scene in the mid-1990s while studying at the , where he began performing as an MC and building a reputation in underground circles. His debut single, "" b/w "Braggin' Writes," released in 1995 on Raw Shack Records, showcased his intricate wordplay and lyrical dexterity, quickly gaining traction among enthusiasts. The track's raw production and J-Live's confident delivery earned him a feature in magazine's Unsigned Hype column in November 1995, highlighting him as a promising talent without a major label deal. Follow-up singles like "Can I Get It?" in 1996 and "Hush the Crowd" further solidified his underground acclaim, with the latter's energetic flow and crowd-hyping elements becoming staples in club sets and mixtapes. After facing delays with Raw Shack, J-Live signed with in 1997, but label instability—stemming from Payday's parent company London Records being absorbed by —led to ongoing challenges in releasing material. His debut album, The Best Part, finally emerged in 2001 on Productions in partnership with , featuring production from renowned beatsmiths including , , Prince Paul, DJ Spinna, and . Recorded between 1996 and 1999, the album blended conscious lyricism with jazz-infused beats on tracks like "Got What It Takes," where Premier's soulful scratches underscored J-Live's reflections on perseverance, and "Timeless," produced by , which explored enduring authenticity. Critics praised its maturity and technical prowess, with RapReviews calling it an "absolutely classic release" that captured the essence of independent amid commercial shifts. J-Live's sophomore effort, All of the Above, arrived in 2002 on Coup d'État Records, navigating independent distribution hurdles after further label transitions. The album, which paid homage to John Coltrane's Blue Train with its , emphasized conscious themes through self-produced tracks and collaborations, peaking at number 28 on the Heatseekers chart and number 16 on the Independent Albums chart. lauded its "chilled-out, transcendent" elements on the title track, noting J-Live's evolution toward introspective storytelling on societal issues. By 2005, The Hear After on Penalty Recordings continued this trajectory, with J-Live handling much of the production himself on cuts like "Play," blending weary narratives of industry struggles with uplifting conscious rap motifs; RapReviews highlighted its "conceptual songwriting and crowd-rocking cuts" as a compact advancement in his catalog. His 2008 release, Then What Happened? on BBE, marked a deeper personal exploration, featuring guests like and Posdnuos on "The Upgrade" and addressing resilience amid career setbacks, as detailed in BBE's promotional materials. Throughout the 1990s and 2000s, J-Live cultivated a cult following in the underground by touring extensively with acts like , , and , performing at key venues and festivals that amplified his live energy and improvisational skills. These experiences, coupled with features in outlets like —which described his early LPs as "acclaimed" cornerstones of 2000s indie —helped him transcend label woes, establishing a dedicated fanbase appreciative of his authentic, lyric-driven approach in an era dominated by mainstream trends.

Mid-career evolution (2010s)

In the early , J-Live solidified his commitment to independence by releasing the Undivided Attention EP in 2010 through his own Productions label, marking a deliberate shift toward self-directed artistry following earlier label entanglements. This EP served as a bridge to his fifth studio album, S.P.T.A. (Said Person of That Ability), issued in 2011, which features production by J-Live alongside collaborators including Korede and , emphasizing raw lyricism and beats that evoked classic while addressing personal resilience and artistic authenticity. The album's themes of perseverance reflected J-Live's ongoing navigation of the scene, positioning him as a steadfast figure amid hip-hop's commercial shifts. By mid-decade, J-Live evolved further with the establishment of Mortier Music LLC in 2014, releasing that same year, a project that showcased his maturation through introspective tracks like "Rep the Writer," exploring and creative . In 2015, he released How Much Is Water? on Soulspazm Records, reflecting on the value of music in the streaming era with jazz-influenced production on tracks like "Warm Currents." This period also highlighted key collaborations, including his verse on Homeboy Sandman's 2014 track "Enough" from Hallways, where J-Live's precise complemented the ensemble's focus on lyrical depth and industry critique. These efforts underscored his role in fostering networks, drawing on his veteran status to mentor and connect with emerging conscious rappers. Throughout the , J-Live faced the rigors of independent hustling, including self-funding releases and promotion, which echoed his narrative but sustained his relevance through consistent touring and festival appearances. His veteran contributions earned acclaim in media, with features in outlets like Daily portraying him as an enduring independent visionary, and podcast appearances such as on Bedroom Beethovens in reflecting on his influence during the decade.

Recent activities (2020s)

In 2020, J-Live released the single "Paint A Picture," a self-produced featured on his Drawn Up. The song, distributed through Mortier Music LLC, showcased his continued lyrical dexterity over a hook and beat. Following this, J-Live issued the EP Lose No Time in November 2021, comprising six vocal tracks and their corresponding instrumentals, all self-produced by the artist. Key tracks included "The Feeling," "Hating," "Rite Nah," "Montage Music," "Can't Get Enough," and "Nat Turner," emphasizing themes of overcoming self-doubt and personal independence. The project, totaling 22 minutes, highlighted J-Live's role as both emcee and producer, bridging vocal performances with beatmaking. In June 2024, J-Live dropped the "At The Date Of This Writing," a two-minute self-written, produced, and arranged by the under Mortier Music LLC. This release served as a standalone effort, demonstrating his ongoing commitment to introspective lyricism and minimalistic production. The year 2025 marked a prolific period for J-Live, beginning with the September release of two remix EPs in collaboration with producer Illastrate. Rite Nah (Illastrate Remix), issued on September 30, featured the title track remix, its instrumental, and an acapella version, spanning 11 minutes. Similarly, The Feeling (Illastrate Remix) followed suit, reworking the original track from Lose No Time with Illastrate's production, including instrumental and acapella variants. These EPs underscored J-Live's adaptability to remix formats, enhancing his catalog through partnerships that refreshed earlier material. Culminating the year, J-Live released his full-length album on November 12, produced primarily by Illastrate. The LP incorporated remixes of recent singles like "" and "At The Date Of This Writing," alongside new cuts such as " (Illa Remix)," blending his signature conscious with updated sonic elements. Throughout the decade, J-Live has maintained an active presence as a DJ and producer, sharing sets on platforms like and conducting live streaming sessions via . As an educator in , he continues to contribute to the genre's legacy through his multifaceted roles, though specific workshop details remain tied to his broader artistic output.

Musical style and artistry

Lyrical themes and technique

J-Live's lyricism is deeply rooted in conscious , where he frequently explores themes of , personal growth, and critiques of commercialism, positioning his work as a to mainstream rap's . In tracks like "Satisfied?" from his 2002 album All of the Above, he dissects the exploitative nature of the music industry, portraying it as a relentless "" that demands constant hustle without genuine fulfillment, reflecting anxieties about societal pressures and economic . This anti-commercial stance underscores his commitment to authenticity over sales, as seen in his portrayal of artists trapped in cycles of dissatisfaction despite superficial success. His technical prowess shines through , intricate internal schemes, and narrative-driven , often drawing from his background as a , which informs his precise language and educational undertones. For instance, on The Best Part (2001), J-Live employs layered in verses that weave personal anecdotes with broader cultural commentary, such as in "Braggin' Writes," where boastful flows evolve into self-aware reflections on skill and perseverance. This technique allows him to pack dense ideas into fluid delivery, making complex social observations accessible yet intellectually demanding. Over his career, J-Live's themes have evolved from the more boastful, skill-showcasing tracks of his early work to a reflective maturity shaped by industry battles and life experiences, emphasizing personal growth and resilience. On (2005), this shift is evident in songs like "Them That's Not," where he confronts disparities and imbalances with weary rather than aggression, drawing from his own struggles to release music and maintain independence. The album's conceptual depth highlights growth through adversity, moving beyond early bravado to explore emotional and societal in a non-preachy manner. In circles, J-Live is often aligned with peers like for his emphasis on lyrical substance over spectacle, earning a reputation as a "poet's rapper" through razor-sharp commentary and narrative innovation that prioritizes depth and craft. His approach influences collaborations, where these motifs find new expression, but remains centered on elevating hip-hop's intellectual tradition.

Production and collaborations

J-Live has demonstrated a hands-on approach to production throughout his career, often self-producing tracks that feature rhythms layered with and samples for a rich, organic texture. On his 2011 album S.P.T.A. (Said Person of That Ability), he handled production on multiple tracks, utilizing sampling techniques to create dense, atmospheric beats that underscore his lyrical delivery. His broader production style draws heavily from -influenced , evident in moody instrumentals like those on the 2010 EP Undivided Attention, where he crafted backdrops blending classic hip-hop drums with soulful loops. Collaborations with established producers have been pivotal to J-Live's sound, particularly on early works. His debut The Best Part (2001) included contributions from , who produced standout tracks such as "The Best Part" and the remix of "Braggin' Writes," infusing sharp, minimalist beats that complemented J-Live's precise flows. More recently, in 2025, J-Live teamed up with Illastrate for remix EPs like Rite Nah (Illastrate Remix) and The Feeling (Illastrate Remix), as well as the project featuring Illa remixes, updating his catalog with contemporary production flair. Other key partnerships include DJ Spinna on "Satisfied?" from All of the Above (2002), where J-Live also self-produced a third of the for sonic cohesion. J-Live's extensive guest appearances—spanning numerous projects—have amplified his presence in , with features on over 40 releases that highlight his versatility. A landmark contribution was his verse on "The Truth" from Handsome Boy Modeling School's So... How's Your Girl? (), blending his sharp lyricism with the project's eclectic, sample-heavy aesthetic to broaden his audience. Similarly, his appearance on "Beyond the Sun" from ' Strange Journey Volume Three (2014) added introspective depth to the track, produced by Kno, and reinforced J-Live's reputation for elevating collaborative efforts. These spots, alongside features with artists like and , have sustained his visibility across indie scenes. Beyond studio work, J-Live excels as a DJ, integrating turntable and live instrumentation into his performances for dynamic energy. Tracks like "Can I Get It?" (1996) and "The Way That I Rhyme" from Undivided Attention showcase his prowess, while live sets often incorporate MPC-driven beats and ad-libs to enhance thematic elements in his music. His self-reliant production philosophy, as detailed in discussions around like His Own Self (2015), where he managed beats, mixing, and mastering solo, extends to mentoring emerging artists through shared techniques in beat-making and fundamentals.

Discography

Studio albums

J-Live's debut studio album, The Best Part, was released on May 1, 2001, through his own imprint Productions after delays from prior label issues. The project features production from , , and Prince Paul, and is acclaimed for its forward-thinking concepts, vivid storytelling, and sharp lyricism that blends humor with introspective flows. His follow-up, All of the Above, arrived on April 2, 2002, via the independent label , marking a strong underground statement with its sound and multifaceted rhymes. The album solidified J-Live's reputation as a key figure in hip-hop's underground scene, praised for its high-quality production and engaging narratives that homage influences like . The Hear After, J-Live's third studio effort, came out on , 2005, under Penalty Recordings, offering a more compact collection of socially conscious tracks and conceptual songwriting. The album explores themes of personal and societal reflection amid smoothed-out beats, earning recognition for its mature lyricism and crowd-pleasing energy. In 2025, it marked its 20th anniversary with renewed appreciation for its enduring storytelling. Then What Happened?, released on May 27, 2008, by BBE, serves as a personal continuation in J-Live's catalog, emphasizing narrative-driven songs and collaborations like those with and Posdnuos. Critics highlighted its intensely personal mood and supreme storytelling, blending introspection with upbeat elements produced during a transitional period in the artist's life. The 2011 album S.P.T.A. (Said Person of That Ability), issued on through Productions, represents a self-produced milestone showcasing J-Live's evolution with early '90s-inspired beats and refined, modern lyricism. It underscores his artistic maturity and independence, delivering a throwback feel while addressing themes of authenticity and skill without seeking external validation. Around the Sun, released on April 29, 2014, via Melted Wax/Triple Threat Productions, features collaborations with producers like and , exploring themes of time and personal growth over soulful, introspective beats. His Own Self, J-Live's self-produced album from March 31, 2015, on Mortier Music, delves into personal and lyrical prowess with tracks reflecting on life experiences and authenticity. How Much Is Water?, released on November 13, 2015, through Media Pony, challenges perceptions of music's value in the digital age with experimental production and socially aware lyrics. Face Value, issued on November 12, 2025, via Productions, compiles remixes of recent tracks by producers like Illa and Illastrate, emphasizing J-Live's continued evolution and collaborative spirit in .

Extended plays

J-Live has utilized extended plays as platforms for experimental explorations and transitional works that bridge gaps between his full-length albums, often showcasing raw , remixes, or thematic focuses in a more concise format. His debut EP, Always Has Been, released in 2003 on Productions, compiled early singles and demos from his formative years, highlighting his raw, unpolished roots with tracks like "The Midas Touch" and "Yes," serving as a bridge to his 2001 album The Best Part. This release captured the essence of his underground beginnings, emphasizing intricate over polished production. Undivided Attention, released on November 2, 2010, through Triple Threat Productions, features collaborations with artists like Boog Brown and , addressing industry critiques and social issues over production. In , amid the global lockdowns of the , J-Live issued Lose No Time independently via streaming platforms like and , a five-track EP featuring motivational anthems such as "The Feeling" and "Rite Nah," urging and urgency in personal and artistic pursuits. The project acted as an experimental outlet between albums, blending introspective verses with upbeat beats to address themes of perseverance during isolation. Marking a collaborative turn in 2025, Rite Nah (Illastrate Remix) emerged as a three-track EP updating a classic track from Lose No Time through remixes by Illastrate, including vocal and versions that refreshed J-Live's energetic delivery with modern infusions. This functioned as a bridging experiment, revitalizing older material for contemporary audiences while previewing potential full- directions. Similarly, , also from 2025, is a companion three-track EP delving into emotional via remixed versions of its , produced by Illastrate, with added layers of atmospheric that amplify J-Live's vulnerable lyricism on and relationships. As a short-form , it highlights his evolving artistry in collaborative ing, connecting to broader thematic threads in his recent work without expanding into a full .

Singles

J-Live's debut single "," released in 1995 on Raw Shack Productions with distribution ties to , marked his entry into the scene as a promising lyricist from . The track, produced by George Sulmers, showcased his intricate wordplay and received notable radio play, including features on Mark Farina's Mushroom Jazz compilation, helping it resonate in underground circles. Its B-side, "Braggin' Writes," further highlighted his technical prowess with dense rhymes, contributing to the single's status as an early underground staple. In the mid-1990s, J-Live followed with additional 12" releases that solidified his presence in indie hip-hop. "Hush the Crowd," paired with "?" on a Raw Shack Productions pressing, became a vinyl favorite for its energetic production and crowd-hyping lyrics, earning acclaim in circuits and among DJs for its replay value. These tracks exemplified the era's raw, unpolished sound, gaining traction through college radio charts and word-of-mouth in the scene without major commercial backing. Transitioning into the 2000s, "Satisfied?" emerged as a key single from his 2001-2002 album cycle, released as a 12" on in 2002. The song critiqued societal inequities with sharp , produced by DJ Spinna, and played a significant role in mixtape culture by being sampled and spun in underground sets, amplifying J-Live's reputation for thoughtful lyricism. "The Upgrade," issued in 2008 on BBE Records as a vinyl single backed by "The Understanding," served as the lead track for his album Then What Happened?. Featuring and Posdnuos of , it blended optimistic vibes with soulful sampling from Lou Courtney's "Since I First Laid Eyes on You," receiving positive reviews for its collaborative energy and contributing to J-Live's mid-career revival in indie rap. In 2024, J-Live released the independent single "At The Date Of This Writing" via his own platforms, addressing contemporary social and political currents in a concise, reflective style. Available on streaming services like and since June, it underscores his ongoing relevance as an artist commenting on current events without major label support.

Guest appearances

J-Live has contributed to over 40 guest appearances across various projects, demonstrating his adaptability and lyrical prowess in supporting roles on tracks by established producers and groups. A pivotal early feature came on "The Truth," where he collaborated with on Handsome Boy Modeling School's debut album So... How's Your Girl? (1999), produced by Prince Paul and ; this exposure through Prince Paul's influential network elevated J-Live's visibility in underground circles without requiring him to lead the project. In the mid-2000s, he appeared on J. Rawls' "Ships Pass" from The Essence of J. Rummy (2000), blending smooth production with his precise flows to complement the soulful vibe. Later collaborations included "Beyond the Sun" on ' Strange Journey Volume Three (2014), where his verses added introspective depth to the group's conceptual narrative. J-Live's work with , such as on "" featuring , highlighted his ability to mesh with jazz-infused beats and ensemble dynamics in the late . Into the , he continued lending features to underground efforts, including El Fudge's "Realise" and Ekundayo's "Ascending," maintaining his relevance in niche compilations and reinforcing connections within the independent scene. These appearances collectively amplified J-Live's reputation by aligning him with diverse talents like Prince Paul and , fostering broader recognition through shared platforms in an era dominated by solo acts.

References

  1. [1]
    J-Live Songs, Albums, Reviews, Bio & More | Al... - AllMusic
    J-Live (followed by 15 users) ... Beginning his rap career while studying at SUNY Albany, this New York wordsmith released a string of acclaimed LPs in the 2000s.
  2. [2]
    J-Live
    ### J-Live Summary
  3. [3]
    J-Live - Hip Hop Golden Age
    Born: February 22, 1976 in New York City, New York, U.S. ... New York based MC J-Live was born Jean-Jacques Cadet. He is commonly known as Justice Allah since ...
  4. [4]
    Hip hop musician J-Live: He was once a junior high English teacher
    Oct 5, 2019 · J-Live was born on February 22, 1976, in Spanish Harlem in New York City. His given name was Jean-Jacques Cadet. He earned his Bachelor's ...
  5. [5]
    Interview: J-Live - The Find Mag
    Jun 22, 2015 · I'm from New York but I've been in Atlanta now for eight years, that's where the mother of my three kids is from. Life is good, I can't complain ...Missing: upbringing | Show results with:upbringing
  6. [6]
    J-Live - interview - whudat.com
    While he was attending college at S.U.N.Y. Albany, J-Live was in the studio putting his heart into his future plans. In 1995 he took up an internship with ...Missing: rapper | Show results with:rapper
  7. [7]
    MVRemix Interviews - J-Live | Online Rap Magazine
    As a songwriter I'm looking outside of Hip Hop for my influences right now. Whereas before, I would say I want to be a songwriter like KRS or Rakim or Chuck ...
  8. [8]
    https://www.mvremix.com/urban/interviews/jlive2.shtml
  9. [9]
    Around The Sun - J-LIVE - Bandcamp
    Around The Sun by J-LIVE, released 29 April 2014 1. Around The Sun (Solstice) 2. Eight Minutes 3. Walk Like 4. Top Of The Food Chain feat.
  10. [10]
    Seven Key Releases From Independent Hip-Hop Visionary J-Live
    May 11, 2020 · “Can I Get It?,” the follow-up to J-Live's debut single “Longevity/Braggin' Writes,” dropped in 1996 on Raw Shack Records—an indie label run by ...<|control11|><|separator|>
  11. [11]
    J-Live Explains Zulu Nation, Islam & Muslims in Hip-Hop ... - YouTube
    Jun 1, 2020 · ... hip hop recordings. #Jlive explained his position during an appearance on the #BedroomBeethovens podcast. Clip from: Episode (64) | Bedroom ...Missing: veteran | Show results with:veteran
  12. [12]
    Paint A Picture - song and lyrics by J-Live - Spotify
    Listen to Paint A Picture on Spotify. Song · J-Live · 2020.
  13. [13]
    ‎Paint a Picture - Single - Album by J-Live - Apple Music
    Listen to Paint a Picture - Single by J-Live on Apple Music. 2020. 1 Song. Duration: 3 minutes.
  14. [14]
    Paint A Picture : J-Live: Amazon.de: Digital Music
    Paint A Picture. J-Live. 1 SONG • 3 MINUTES • AUG 21 2020. Play. Purchase options. 1. Paint A Picture. 03:05. ℗© 2020 Mortier Music LLC. Top of page.
  15. [15]
    Lose No Time - EP by J-Live | Spotify
    Lose No Time. J-Live. 20216 songs, 22 min 23 sec. The Feeling · J-Live · Hating · J-Live · Rite Nah · J-Live · Montage Music · J-Live · Can't Get Enough · J- ...
  16. [16]
    Lose No Time - EP - Album by J-Live - Apple Music
    Listen to Lose No Time - EP by J-Live on Apple Music. 2021. 6 Songs. Duration: 22 minutes ... Lose No Time - EP. J-Live. HIP-HOP/RAP · 2021. Preview. Song. Time.
  17. [17]
    J-Live Pushes Through Self-Doubt With "Lose No Time" Project
    half ...
  18. [18]
    Lose No Time - J-LIVE - Bandcamp
    Lose No Time by J-LIVE, released 24 October 2018 1. The Feeling 2. Hating 3. Rite Nah 4. Montage Music 5. Can't Get Enough 6. Nat Turner And 1 more tracks.
  19. [19]
    At The Date Of This Writing - Single - Album by J-Live - Apple Music
    Jun 14, 2024 · Listen to At The Date Of This Writing - Single by J-Live on Apple Music ... June 14, 2024 1 song, 2 minutes ℗ 2024 Mortier Music LLC. More ...
  20. [20]
    At the Date of This Writing by J-Live (Single, Hip Hop): Reviews ...
    At the Date of This Writing, a Single by J-Live. Released 14 June 2024 on Mortier. Genres: Hip Hop. Featured peformers: J-Live (writer, producer, arranger, ...<|control11|><|separator|>
  21. [21]
    At The Date Of This Writing by J-Live: Listen on Audiomack
    J-LiveAt The Date Of This Writing · Producer:Jean-Jacques Cadet · Release Date:June 13, 2024R · ℗ 2024 Mortier Music LLC.
  22. [22]
    Rite Nah (Illastrate Remix) - EP by J-Live | Spotify
    Rite Nah (Illastrate Remix). J-Live. 20253 songs, 11 min 31 sec. Rite Nah - Illastrate Remix · J-Live, Illastrate · Rite Nah - Illastrate Remix Instrumental.
  23. [23]
    ‎Rite Nah (Illastrate Remix) - Single - Album by J-Live - Apple Music
    Listen to Rite Nah (Illastrate Remix) - Single by J-Live on Apple Music. 2025. 3 Songs. Duration: 11 minutes.
  24. [24]
    J-Live - Spotify
    All Of The Above2002 • Album. Always Has Been2003 • Album. Around The Sun2014 • Album. The Early Works of J-Live (Box Set)2009 • Album ...
  25. [25]
    Play Rite Nah (Illastrate Remix) by J-Live on Amazon Music
    Rite Nah (Illastrate Remix). J-Live. 3 SONGS • 11 MINUTES • SEP 30 2025. Play. Purchase Options. 1. Rite Nah (Illastrate Remix).
  26. [26]
    Face Value by J-Live (Album): Reviews, Ratings, Credits, Song list ...
    Face Value, an Album by J-Live. Released 12 November 2025 on Mortier. Featured peformers: J-Live (writer), Illastrate (producer), Damien Van der Meer ...
  27. [27]
    Face Value - J-LIVE - Bandcamp
    Face Value by J-LIVE, released 12 November 2025 1. One Two (Illa Remix) 2. The Feeling (Illa Remix) 3. At The Date Of This Writing (Illa Remix) 4.Missing: 2020 | Show results with:2020
  28. [28]
    J-LIVE
    J-LIVE. MC+DJ+MPC(NYC/ATL)=J-LIVE. New Music From J-Live "Lose No Time" (Single).Missing: 2021 | Show results with:2021
  29. [29]
    J-LIVE - Facebook
    J-LIVE. 40017 likes · 71 talking about this. MC + DJ + MPC (NYC/ATL) #hiphop #artist #educator.Missing: producer mentorship 2020s
  30. [30]
    J-Live :: All of the Above - RapReviews
    Mar 26, 2002 · J-Live takes lyricism back to the day when good writing and good delivery meant more than a good sample to rap over or a good guest to sing ...
  31. [31]
    The Definitive 100: My All-Time Favorite Hip Hop Albums
    Nov 3, 2024 · The group's ability to blend pure boom-bap with live instrumentation was groundbreaking, forging a sound that set Illadelph apart from its ...
  32. [32]
    J-Live - The Best Part (2001) | Review - Hip Hop Golden Age
    Jun 22, 2024 · The album features premier top-tier producers like DJ Premier, Pete Rock, and Prince Paul, as well as the lesser-known but formidable 88 Keys, ...
  33. [33]
    J-Live Exclaim!
    Sep 25, 2011 · J-Live is a living legend in the New York underground rap scene, a self-made rapper/producer/DJ who debuted with 1995's "Braggin' Writes" ...Missing: biography 2010s
  34. [34]
    J-Live: The Hear After Album Review | Pitchfork
    6.5 By Peter Macia Genre: Rap Label: Penalty Reviewed: October 13, 2005 Grizzled veteran trades in pared-down, Roots-y production and weary lyrics.Missing: Rawkus | Show results with:Rawkus
  35. [35]
    J-Live :: The Hear After - RapReviews
    Sep 6, 2005 · “The Hear After” is more compact but continues the mixture of conceptual songwriting and crowd-rocking cuts.Missing: exposure | Show results with:exposure
  36. [36]
    Talib Kweli | Similar artists and music - Chosic
    List of similar artists to Talib Kweli ; 60. J-Live. 44 ; 61. Camp Lo. 42 ; 62. Reflection Eternal. 42 ; 63. Large Professor. 41 ...
  37. [37]
    J-Live Details Making A Pete Rock-Produced Gem From The Best Part
    Apr 28, 2024 · J-Live describes how ... Upon some bootlegging and its eventual proper release, Heads heard a hungry New Yorker with a passion for lyricism ...
  38. [38]
    S.P.T.A. Said Person of That Ability - J-LIVE
    S.P.T.A. Said Person of That Ability by J-LIVE, released 27 September 2011 1. As I Start 2. From Scratch 3. The Authentic 4. Watch Sun Watch feat.Missing: Flatiron | Show results with:Flatiron
  39. [39]
    J-Live - S.P.T.A. (Said Person of That Ability) - HipHopDX
    Oct 7, 2011 · The beauty of S.P.T.A. is J-Lives' ability to deliver a relevant throwback album. It has an early '90s feel with modern lyricism. Fully equipped ...
  40. [40]
    https://hiphopdx.com/reviews/j-live-s-p-t-a-said-person-of-that-ability/
  41. [41]
    J-Live - The Best Part [Prod. By DJ Premier] - YouTube
    Jan 8, 2012 · From J-Live's 1st album, "The Best Part". Premier is also featured on the track, Enjoy!
  42. [42]
    DJ Premier - Braggin' Writes [J-Live] - YouTube
    Oct 9, 2008 · The DJ Premier Remix of Braggin' Writes by J-Live.
  43. [43]
    The Feeling (Illastrate Remix) - EP by J-Live | Spotify
    Listen to The Feeling (Illastrate Remix) on Spotify · EP · J-Live · 2025 · 3 songs.
  44. [44]
    All of the Above - J-LIVE - Bandcamp
    All of the Above by J-LIVE, released 02 April 2002 1. First Things First 2. How Real It Is 3. Satisfied? 4. Interlude 1 (I'm A Rapper) 5. MCee 6.Missing: SUNY Albany freestyles<|control11|><|separator|>
  45. [45]
    Handsome Boy Modeling School ft. Roisin Murphy & J-Live - The Truth
    Oct 15, 2021 · Track 7 from the 1999 album "So... How's Your Girl?" by Handsome Boy Modeling School. Lyrics: [Roisin Murphy] Go ... Go to the mountain if ...
  46. [46]
    https://www.youtube.com/watch?v=PFSMdxNKn8I
  47. [47]
    Beyond the Sun (feat. J Live) - Spotify
    Listen to Beyond the Sun (feat. J Live) on Spotify. Song · CunninLynguists, J-Live · 2014.Missing: collaboration | Show results with:collaboration
  48. [48]
    Beyond The Sun f. J-Live - Cunninlynguists Bandcamp
    track credits. from Strange Journey Volume Three, track released April 1, 2014. Produced by Kno for Knolan Ryan Production (ASCAP). read more ...Missing: collaboration | Show results with:collaboration
  49. [49]
    https://cunninlynguists.bandcamp.com/track/beyond-the-sun-f-j-live
  50. [50]
    The Best Part - J-LIVE - Bandcamp
    The Best Part by J-LIVE, released 01 May 2001 1. Outside Looking 2. Intro 3. Got What It Takes 4. Don't Play 5. Vampire Hunter J 6. Yes! 7.
  51. [51]
    https://realjlive.bandcamp.com/album/the-best-part
  52. [52]
    J Live - The Best Part - HipHopDX
    Mar 27, 2001 · Live a great emcee? Well, he has a ridiculous flow, and very tight lyrics. Not to mention he stays true to hiphop and represents a nice blend of ...Missing: concept stages
  53. [53]
    https://hiphopdx.com/reviews/j-live-the-best-part/
  54. [54]
    J-Live: All of the Above Album Review | Pitchfork
    "All of the Above" is easily the best track, musically, on the album. The beat has a chilled-out, transcendent quality to it, spinning a low-key jazz funk in ...
  55. [55]
    J-Live Revisits His Classic Album 'All of the Above' | Interview ...
    Mar 30, 2017 · His (now ex-) wife recites a spoken word piece on the “I'm a Rapper” interlude, and his one-year-old daughter demonstrates her own verbal ...
  56. [56]
    https://albumism.com/interviews/j-live-revisits-all-of-the-above
  57. [57]
    https://www.discogs.com/release/529856-J-Live-The-Hear-After
  58. [58]
    Then What Happened? - J-LIVE - Bandcamp
    Then What Happened? by J-LIVE, released 27 May 2008 1. One To 31 2. Be No Slave 3. The Upgrade feat. Oddisee & Posdnuos 4. It Don't Stop 5.Missing: Coup État
  59. [59]
    https://realjlive.bandcamp.com/album/then-what-happened
  60. [60]
    J-Live :: Then What Happened? - RapReviews
    Jul 1, 2008 · “The Upgrade” features a dream collaboration with De La Soul's Posdnous over a healthy portion of chopped soul vocals served up by Oddisee, ...
  61. [61]
    J-Live - Then What Happened? - HipHopDX
    May 30, 2008 · Although a supreme storyteller, the rather unremarkable tale of a one night stand on “Ooweee” that concludes the narrative which began on “Ole” ...Missing: sequel | Show results with:sequel
  62. [62]
    https://hiphopdx.com/reviews/j-live-then-what-happened/
  63. [63]
    J-Live :: S.P.T.A. (Said Person of That Ability) - RapReviews
    Oct 4, 2011 · I'm that cat who buys every J-Live album and wishes he was as well known as Gucci Mane, Jay-Z or Eminem. I try to tell anybody who will listen ...
  64. [64]
    https://www.rapreviews.com/2011/10/j-live-s-p-t-a-said-person-of-that-ability/
  65. [65]
    J-Live Discography - Download Albums in Hi-Res - Qobuz
    J-Live released his third LP, The Hear After, in 2005 on the Penalty (Ryko) label, following up with the Reveal the Secret EP in 2007. Then What Happened ...Missing: Rawkus | Show results with:Rawkus<|separator|>
  66. [66]
    J-Live - Longevity - YouTube
    Jun 18, 2018 · Produced by Georges Sulmers. J-Live - Longevity. 23K views · 7 years ago ...more. Undah90s. 7.31K. Subscribe. 650. Share. Save.Missing: single 1995 Payday
  67. [67]
    https://www.discogs.com/release/6820713-J-Live-His-Own-Self
  68. [68]
    https://realjlive.bandcamp.com/album/how-much-is-water
  69. [69]
    J-Live - Apple Music
    This New York lyricist got his start emceeing while studying at SUNY Albany in the 1990s. Early singles “Longevity” and “Braggin' Writes” earned J-Live a ...
  70. [70]
    https://www.discogs.com/release/2558469-J-Live-Undivided-Attention-EP
  71. [71]
    In 2008, Posdnuos, Oddisee, & J-Live Came Together To Upgrade ...
    Jan 17, 2019 · Originally released on BBE Records, the album contains the ultimate collaboration in J's catalog. “The Upgrade” is a moment of optimism, shared ...
  72. [72]
    At The Date Of This Writing - J-LIVE - Bandcamp
    $$3.50At The Date Of This Writing by J-LIVE, released 14 June 2024. ... Track artwork for At The Date Of This Writing At The Date Of This Writing Jun 2024 ...
  73. [73]
    Feature Presentations Vol. 1 - J-LIVE - Bandcamp
    Feature Presentations Vol. 1 by J-LIVE, released 03 September 2025 1. El Fudge feat J-Live - Realise 2. Peshay feat. J-Live - End Of Story 3. Ekundayo feat.