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Jonathan Kay


Jonathan Kay is a Canadian journalist, editor, author, and podcaster known for his commentary on cultural, political, and issues.
Born and raised in , , Kay graduated from in 1992 with degrees in metallurgical engineering and economics before earning a from . Initially trained as an engineer and lawyer, he transitioned to , serving as comment editor at the National Post and contributing op-eds to the publication. From 2014 to 2017, Kay was editor-in-chief of The Walrus magazine, resigning amid a public dispute over free speech and cultural appropriation policies that highlighted tensions between and institutional pressures.
In 2017, Kay joined as a senior editor and host, where his work has focused on critiquing ideological conformity, , and biases in mainstream institutions, often drawing on empirical examples from and media. He advises the Foundation Against Intolerance & Racism and has authored or co-authored books such as Among the Truthers: A Journey Through America's Growing Conspiracist Underground (2011), which examines conspiratorial thinking, and Legacy: How French Canadians Shaped (2016), exploring historical influences on Canadian identity. Kay's career reflects a commitment to heterodox perspectives, earning him recognition including National Newspaper Awards, while positioning him as a of systemic left-leaning biases in journalistic and academic establishments.

Early life and education

Childhood and family influences

Jonathan Kay was born and raised in , , to an anglophone Jewish family whose heritage traced back to émigrés on his father's side. His paternal grandmother, a Russian immigrant, spent most of her 96 years in Montreal after arriving in . Kay grew up in the affluent neighborhood, attending the private during the 1970s and 1980s, an era when many English-speaking Quebecers, particularly in elite anglophone enclaves, could pursue education and social life predominantly in English despite emerging French-language policies under Bill 101. His mother, , a socially conservative , contributed to a household environment shaped by strong opinions on cultural and political matters. Family trips, including one to organized by his parents, reinforced his Jewish identity, which he has described as a foundational influence on his journalistic perspective, fostering an awareness of historical Jewish resilience amid challenges. This upbringing amid Quebec's linguistic tensions also prompted later self-reflection; Kay has recounted how his generation of anglos often viewed bilingualism as optional, an entitlement that clashed with the province's push for primacy and sovereignty movements.

Academic training

Kay completed his undergraduate studies at , earning a in metallurgical engineering in 1992, alongside coursework in and . He then pursued graduate-level engineering education at the same institution, obtaining a in metallurgical engineering. Following these degrees, Kay attended , where he received a . He is admitted to the bar, reflecting his legal training's practical orientation toward areas such as .

Journalistic career

Early positions and National Post tenure

Jonathan Kay entered journalism by joining the 's founding editorial board in 1998, shortly after completing his legal training. The newspaper, established by as a conservative to Canada's dominant centrist outlets, launched on October 27, 1998, with Kay among a cohort of young contributors tasked with challenging prevailing narratives. He promptly began contributing opinion pieces, establishing himself as a regular voice on the paper's comment pages. Kay's role expanded over time; by 2002, his critical writing earned him Canada's National Newspaper Award in that category. He received another such award in 2004 for editorial writing, the same year he ascended to of the section, a position he held for the subsequent decade. In this capacity, he curated content from a spectrum of ideological perspectives, editing columns by figures such as , , , and his mother, , while fostering debates on national and international issues ranging from to cultural matters. Kay's 16-year tenure at the concluded in November 2014, when he departed to assume the editorship of magazine. In a reflective published on November 21, 2014, he recounted personal anecdotes from his time there, including the unique experience of editing family members and navigating the paper's evolution under multiple ownership changes. His work during this period solidified the 's reputation for robust commentary, though Kay later noted the challenges of maintaining amid corporate shifts.

Editorship of The Walrus

Jonathan Kay was appointed editor-in-chief of , a Canadian non-profit general-interest magazine, on October 29, 2014, succeeding Dylan Rathbun. He joined the organization on December 1, 2014, and officially assumed the role in January 2015 after a transition period. Prior to this, Kay had spent over 16 years at the , where he served as comment pages editor. During his tenure, Kay aimed to broaden The Walrus's appeal as a platform for in-depth , crediting his editorial team—including Carmine Starnino and digital editor Jessica Johnson—for enhancing its readership as both a print magazine and website. The publisher later acknowledged Kay as a talented editor who made substantial contributions to the publication. His leadership emphasized publishing provocative and substantive content, though specific initiatives like expanded digital engagement were part of efforts to sustain the magazine's relevance in a competitive . Kay resigned as editor-in-chief on May 14, 2017, following a public controversy over cultural appropriation. The dispute arose after he defended the value of open debate on the topic in a National Post opinion piece, in response to the resignation of Write magazine editor Hal Niedzviecki, who had proposed an "Appropriation Prize" to encourage cultural borrowing in literature. Kay's stance drew criticism from some Walrus contributors and external commentators, amplifying internal tensions. He cited long-running differences with the publisher over the magazine's editorial direction, rather than the immediate backlash, as a primary factor, alongside personal burnout from managerial demands that limited his own writing. The Walrus Foundation accepted his resignation, expressing gratitude for his service while noting the need for alignment on future vision.

Transition to Quillette and independent commentary

Kay resigned as editor-in-chief of The Walrus on May 14, 2017, shortly after publicly defending the value of open debate on cultural appropriation in response to controversy surrounding a proposed satirical "appropriation prize," which drew internal staff resignations and external criticism accusing him of insensitivity. The episode highlighted tensions at The Walrus over editorial independence and tolerance for dissenting views, with Kay later describing the pressure as emblematic of broader institutional aversion to heterodox discourse. Following his departure, Kay joined , an online magazine founded in 2015 that emphasizes evidence-based skepticism toward prevailing cultural and academic narratives, as a senior editor focused on . In this role, which became his primary full-time position by late 2017, he has edited articles challenging progressive orthodoxies on topics such as , , and scientific integrity, while contributing his own essays on theories and . Kay also launched and hosts the Quillette Podcast, starting in 2018, which features long-form interviews with scholars, journalists, and contrarians discussing free speech, rationality, and societal taboos, amassing hundreds of episodes that amplify voices marginalized in mainstream outlets. Complementing this, he sustains independent commentary through freelance op-eds in the , where he critiques institutional capture by ideology, and his newsletter Deeply Problematic, initiated in 2022, which delves into "problematic" questions on psychology, politics, and culture unbound by editorial constraints. This shift has allowed Kay greater latitude to pursue investigative work, such as exposés on academic and viewpoint discrimination in Canadian universities.

Published works

Books

Among the Truthers: A Journey Through America's Growing Conspiracist Underground (2011) examines the psychological and social dynamics of conspiracy theorists, drawing on Kay's interviews with 9/11 truthers, anti-vaccine activists, and others, arguing that such beliefs often stem from personal or ideological echo chambers rather than evidence. Legacy: How French Canadians Shaped (2016), co-edited with Pratte and published by Signal, compiles essays by various authors highlighting the historical contributions of to continental identity, challenging narratives of cultural subordination. Your Move: What Board Games Teach Us About Life (2019), co-authored with Joan Moriarity and published by Little, Brown Spark, analyzes how modern board games foster skills like strategic thinking and social negotiation, using examples from games such as Settlers of Catan to illustrate broader life lessons. Panics and Persecutions: The Communist Show Trials of , , and Hugo Chavez (2021), published by All Points Books, compares historical moral panics across ideologies, critiquing how accusations of subversion have been weaponized in diverse political contexts from America to Latin American populism. Earlier, Kay co-authored The Volunteer: A Canadian's Secret Life in the (2007) with Ross, detailing Ross's covert operations as an spy in the and , based on declassified accounts and personal testimony. More recently, Magic in the Dark (2023) explores the cultural and psychological appeal of illusionism and in contemporary society.

Selected articles and essays

Kay has contributed essays critiquing the rise of and its impact on public discourse, including "Critical Race Theory Wasn't Always Like This," published in on June 20, 2022, which traces the evolution of from its legal origins to its contemporary role in promoting racial and institutional reforms. In this piece, he argues that early CRT scholars focused on in law but that later iterations have shifted toward prescriptive ideologies that prioritize group equity over individual merit. Another essay, "How the left's obsession with American-style culture wars corroded ," appeared in the National Post on June 17, 2021, where Kay contends that imported U.S. progressive activism has overshadowed Canada's tradition of pragmatic , leading to events like the 2021 controversies over residential school graves. He cites polling data showing widespread Canadian pride in national symbols prior to such campaigns, attributing the shift to elite-driven narratives rather than grassroots sentiment. On social media's role in enforcing orthodoxies, Kay wrote "Jonathan Kay on the tyranny of : How mob censure is changing the intellectual landscape" for the National Post on June 22, 2017, analyzing how platform dynamics amplify passive-aggressive identity-based grievances, drawing parallels to historical moral panics while noting 's disproportionate influence on editorial decisions at outlets like . In "Oh look: Now the ravines are racist, too," published in the National Post on April 23, 2021, Kay satirizes a Globe and Mail report framing Toronto's natural system as exclusionary due to its underuse by non-white residents, using personal observations to challenge claims of systemic environmental in urban green spaces. Addressing Canadian self-perception amid historical reckonings, "Canada's grave errors" in The Critic (April 2023) examines media amplification of unverified residential school grave claims, arguing that initial lack of autopsies and limitations fueled exaggerated narratives of , contrasting this with empirical evidence of disease-driven mortality in isolated communities. Kay's earlier commentary includes "Why our intellectual class made 150 the worst birthday ever" in the National Post on December 28, 2017, which critiques leftist academics and media for framing the 2017 sesquicentennial as a celebration of , citing specific calls and opinion pieces that prioritized grievances over national unity.

Media and podcasting

Quillette Podcast

The Podcast, launched on November 6, 2018, conducts extended interviews with intellectuals, journalists, and experts on topics including cultural debates, scientific inquiry, historical analysis, and critiques of ideological orthodoxies, with an emphasis on evidence-based discourse and classical liberal values. Jonathan Kay co-hosts the program alongside Italia, alternating episodes, and has produced over 270 installments as of 2025, drawing on his background in to facilitate discussions that challenge prevailing narratives in , , and politics. Episodes typically run 30 to 90 minutes and are distributed via platforms such as , , and , amassing a listener base reflected in ratings averaging 4.4 out of 5 on from over 770 reviews. Kay's hosting style prioritizes substantive engagement over confrontation, often probing guests on empirical evidence and logical inconsistencies in topics like and ; for example, in a July 7, 2025, episode, he examined ideological biases in with Heterodox Academy scholar Nafees Alam, highlighting the profession's drift toward conformity over client-centered empiricism. Similarly, an August 1, 2025, installment with journalist Adam Zivo dissected tensions between gay rights advocacy and activism, attributing rifts to policy divergences on issues such as youth medical transitions and sports participation. Other episodes under Kay's lead cover diverse ground, including a September 22, 2025, discussion with historian on the 1664 Dutch-English colonial handover in , underscoring contingency in historical outcomes, and an April 19, 2025, advocacy for reduced parental overprotection with , citing data on childhood independence and risk aversion. By October 2025, the had exceeded 300 episodes total, contributing to 's reputation for hosting heterodox viewpoints amid institutional skepticism toward such platforms, though it has drawn criticism from progressive outlets for amplifying dissenting voices on and issues. Kay's contributions align with his broader editorial role at , where he selects guests to foster debates grounded in verifiable data rather than consensus-driven assumptions.

Columns, Substack, and public appearances

Kay has contributed numerous opinion columns to , where he serves as senior editor, addressing topics including cultural debates, political discourse in , and critiques of ideological excesses. For instance, in September 2025, he published a column defending against charges of intellectual superficiality, arguing that Gladwell's narrative-driven approach illuminates social phenomena in ways rigorous academic analysis often overlooks. Earlier pieces have examined issues such as Iran's exploitation of Canadian residential-school narratives for and the persistence of cultural appropriation controversies. In addition to , Kay maintains a newsletter titled Deeply Problematic, launched around 2022, which features weekly essays and commentary on current events, often blending personal reflections with broader societal analysis. The publication has attracted thousands of subscribers and includes archival content republishing or referencing his prior columns, such as a 2017 piece on dynamics. Topics range from geopolitical commentary to cultural critiques, with posts like a November 2023 essay questioning the imperative to perpetually discuss certain conflicts. Kay frequently appears in public forums, including interviews and panel discussions, where he discusses Canadian politics, masculinity, and free speech. On October 21, 2025, he participated in a YouTube interview examining masculinity in crisis, Prime Minister Justin Trudeau's leadership, and Canada's evolving political landscape. In April 2025, he joined an iHeartRadio podcast episode analyzing election dynamics and voter shifts in Canada. These appearances often highlight his independent perspective, drawing on his journalistic background to critique establishment narratives.

Intellectual positions and critiques

Analysis of conspiracy theories

Jonathan Kay's analysis of conspiracy theories centers on his 2011 book Among the Truthers: A Journey Through America's Growing Conspiracist Underground, in which he embeds himself among adherents of various movements, including 9/11 "truthers" alleging U.S. government complicity in the attacks, "Birthers" questioning Barack Obama's birthplace, anti-vaccine activists, and UFO enthusiasts. Kay traces the historical roots of conspiracism back to but argues that post-9/11 America experienced a surge, driven by a fractured in institutions and the internet's capacity to create echo chambers and amplify fringe voices. He categorizes participants as "cranks"—often educated professionals undergoing midlife disillusionment seeking purpose—and "firebrands" who lead with , portraying conspiracism as a secular offering clarity, communal belonging, and intellectual superiority over mainstream narratives. Kay emphasizes psychological drivers, positing that conspiracy theories fulfill innate human needs for pattern recognition and agency in chaotic events, often substituting complex causality with simplistic narratives of elite malice. He critiques the epistemological flaws, such as selective evidence-gathering and dismissal of counterproof as further proof of cover-ups, drawing parallels to religious fervor where doubt is pathologized as heresy. In examining specific cases, Kay highlights how 9/11 truthers, like theologian David Ray Griffin who authored multiple books on the topic, repurpose technical anomalies (e.g., building collapse physics) into grand indictments without rigorous falsifiability, while Birther claims exploited racial anxieties and documentation gaps to delegitimize authority. Updating his framework in a 2021 National Post column, Kay argues that has transformed conspiracism from passive consumption—exemplified by early viral videos like on 9/11—to active participation, where users publicly endorse theories (e.g., 2020 U.S. election fraud allegations) and face psychological pressure to maintain consistency, entrenching beliefs through tribal reinforcement rather than evidence. This shift, he contends, blurs distinctions between casual skeptics and dedicated adherents, as platforms like and reward performative outrage and meme-sharing as identity signals, accelerating beyond pre-digital drivers like institutional distrust. Kay warns of broader societal risks, including eroded shared facts and potential for violence, as seen in truther overlaps with anti-government extremism, though he acknowledges that while most theories remain harmless, their proliferation undermines rational discourse and policy-making grounded in empirical verification. Through , where he serves as senior editor, Kay has extended this scrutiny via podcasts and essays debunking phenomena like UFO sightings, interviewing skeptics such as to advocate evidence-based inquiry over speculative leaps.

Challenges to identity politics and political correctness

Jonathan Kay has consistently critiqued for fostering mob censure and intellectual conformity, particularly highlighting how amplifies passive-aggressive power dynamics where perceived victimhood overrides substantive debate. In a 2017 National Post column, he described as prioritizing group-based grievances over individual merit, leading to environments where dissent triggers coordinated online outrage rather than reasoned discourse. Kay's resignation as editor of magazine on May 14, 2017, exemplified his opposition to enforced orthodoxies in cultural institutions. He stepped down after the organization issued an apology for an by contributor Niedzviecki that questioned the rigid boundaries of cultural appropriation, arguing that the backlash represented the unchecked influence of "identity-politics fundamentalists" who prioritize ideological purity over open . This incident, Kay contended, illustrated how progressive gatekeepers in media suppress heterodox views under the guise of protecting marginalized groups, stifling broader cultural conversations. In and media appearances, Kay has framed as an elevation of emotional sensitivity over empirical truth, rendering it counterproductive for all parties involved. During a 2019 TEDxUTSC talk titled "Political Correctness Works For No One," he argued that PC norms discourage candid discussion of socioeconomic realities, such as class-based disparities, in favor of symbolic identity markers that benefit elite institutions more than disadvantaged communities. He extended this critique to academia and journalism, where, he claims, hypersensitivity to identity issues diverts attention from verifiable data—like persistent gaps in educational outcomes tied to family structure and policy failures—toward unattainable equity quotas. Through his role at , Kay has edited and contributed to content dissecting "wokeness" as an ideological framework that imposes quasi-religious tests on discourse, often serving as a bureaucratic for white-collar professionals rather than a genuine antidote to . In podcast episodes, such as discussions with guests analyzing wokeness's intellectual ancestry in thinkers like , Kay posits that it entrenches causal fallacies by attributing all disparities to systemic oppression while ignoring behavioral and cultural factors supported by longitudinal studies. He warns of its spread to conservative circles as a "woke right" variant, where identity-based erodes classical liberal principles of and . Kay's analyses draw on first-hand observations of institutional dynamics, emphasizing that such ideologies thrive in low-stakes environments detached from real-world accountability, as evidenced by declining trust in media outlets that prioritize narrative conformity over investigative rigor.

Controversies and public debates

Walrus resignation and cultural appropriation debate

In May 2017, Hal Niedzviecki, editor of Write magazine published by the Writers' Union of , penned an titled "Winning the Appropriation Prize," in which he expressed skepticism toward prohibitions on cultural appropriation, stating, "I don't believe in cultural appropriation" and provocatively inviting submissions for a fictional prize rewarding such practices. This piece ignited widespread condemnation from writers and activists, who viewed it as dismissive of historical harms associated with cultural borrowing by dominant groups, prompting Niedzviecki's swift on May 10, 2017. Jonathan Kay, then of The Walrus, publicly supported the value of open on the topic, tweeting on May 10 that "Everyone pile on! Let's have a real debate on cultural appropriation," and defending Niedzviecki's right to voice nonconformist views amid what he described as an online "mobbing." On May 12, Kay published an opinion piece in the arguing that the backlash exemplified a broader intolerance for heterodox opinions in Canadian literary circles, particularly on issues involving perspectives, and criticized the rapid escalation to demands for professional consequences. The highlighted specific instances of outrage, including boycott calls against The Walrus and personal attacks on Kay, framing the episode as evidence of enforced ideological conformity rather than substantive engagement with the underlying arguments. Kay's intervention drew intense backlash, with critics accusing him of insensitivity to marginalized voices and pressuring The Walrus board to act; by May 14, he announced his resignation as editor-in-chief, effective immediately, citing a desire to pursue "reckless commentary" unburdened by institutional constraints. In a subsequent National Post column on May 16, Kay clarified that his departure was voluntary and not an implicit critique of The Walrus itself, though he noted the preceding days' events had accelerated his decision to seek freer platforms for expression. Reflecting in a 2022 Quillette article, Kay acknowledged legitimate Indigenous concerns about cultural misrepresentation but maintained that the controversy illustrated the perils of social media-driven cancellations, where nuanced advocacy for debate is equated with endorsement of harm. The episode underscored tensions in Canadian media between editorial independence and accountability to progressive norms on identity and culture.

Broader clashes with progressive orthodoxies

Kay has consistently critiqued as a mechanism that prioritizes emotional sensitivity over empirical truth and open inquiry, arguing it undermines societal progress by discouraging candid discourse. In a September 2019 TEDx talk, he described as elevating feelings above facts, which he contended benefits no group in the long term by fostering intellectual conformity rather than robust debate. Similarly, in a 2016 analysis, Kay faulted progressive fixation on for diverting leftist attention from socioeconomic challenges like alleviation toward symbolic identity-based grievances, thereby weakening advocacy for the economically disadvantaged. His work at has amplified challenges to progressive ideological conformity across domains, including and cultural narratives. Kay has highlighted how intra-left conflicts over erode political coalitions, as seen in Canadian cases where factional purity tests alienated broader voter bases. He has also examined the importation of American-style identity orthodoxies into Canada, contending they distort national discourse on issues like celebrations and indigenous history, often prioritizing grievance narratives over evidence-based reconciliation. In a 2023 contribution to the anthology Grave Error, Kay scrutinized claims of systemic genocide and mass unmarked graves at residential schools, arguing that media amplification of unverified allegations—such as those from anomalies misinterpreted as graves—exemplified a rush to align with prevailing trauma orthodoxies without forensic substantiation, with official death tolls standing at around 3,200 from and accidents out of 150,000 attendees rather than evidence of deliberate mass killings. Kay extends these critiques to progressive enforcement of dissent suppression, as in his observation that even figures like Green Party leader Elizabeth May faced ostracism for questioning absolute stances on abortion, illustrating a broader intolerance for nuance within left-leaning circles. Through podcasts, he has hosted scholars dissecting the historical roots of "woke" conformity, portraying it not as a novel phenomenon but as an intensification of elite-driven ideological capture in institutions like academia and media, where deviation invites professional repercussions. These positions reflect Kay's advocacy for first-principles scrutiny over dogmatic adherence, often positioning him against mainstream progressive consensus on topics ranging from gender ideology to racial narratives.

Personal life and legacy

Family and personal interests

Kay is the son of , a socially conservative known for her work at the , and Ronald (Ronny) Kay, who grew up in as the child of Jewish emigrants Arthur and Marika Kupitsky. He was raised in in an anglophone Jewish family. Kay is married to Jennifer Good. He and his wife have multiple children, including an eldest daughter; in 2018, he began driving them to school daily, using the time to discuss their daily experiences, school events, and reading preferences. Among Kay's personal interests is board gaming, a pursuit he has explored deeply through play and analysis. In 2019, he co-authored Your Move: What Board Games Teach Us About Life with game designer Joan Moriarity, examining how modern hobby games like Settlers of Catan reflect social dynamics, strategy, and human behavior, drawing on examples from historical wargames such as Advanced Squad Leader to contemporary titles addressing colonialism. He has credited board games with providing insights into irrational decision-making and interpersonal relations. Kay also took up disc golf in 2020 amid pandemic restrictions, appreciating its low-key physicality as a "wilderness stroll" with throwing mechanics akin to but less demanding than traditional golf. Other hobbies include jigsaw puzzles, from which he derives lessons in patience and pattern recognition, and an interest in historical endurance sports like 19th-century six-day walking races.

Influence on Canadian discourse

Jonathan Kay has exerted influence on Canadian public discourse primarily through his editorial role at Quillette, where he has amplified heterodox perspectives on free speech, identity politics, and cultural controversies since joining as Canadian editor in 2017. His platform has hosted analyses critiquing Canada's adoption of American-style culture wars, including opposition to expansive hate-speech legislation like Bill C-63, which he argues risks censoring legitimate debate under the guise of combating online harms. Kay's writings, such as those decrying "crowdsourced censorship" via social media mobbing, have contributed to broader conversations about the erosion of open inquiry in Canadian institutions, drawing on examples from media resignations and academic disputes. A pivotal moment came in May 2017, when Kay resigned as editor-in-chief of The Walrus amid backlash over an editorial by contributor Hal Niedzviecki advocating for cultural appropriation in literature, sparking national debate on artistic freedom versus Indigenous sensitivities. The incident, which led to corporate funding withdrawals and public apologies, highlighted tensions between progressive norms and editorial autonomy in Canadian publishing, with Kay later reflecting on it as emblematic of intolerance for contrarian views. This event influenced subsequent media self-censorship discussions, as evidenced by its citation in analyses of how social media pressures distort public conversation. Kay's columns and public appearances have further shaped discourse on topics like Indigenous policy, where he has argued that romanticized narratives of pre-colonial harmony hinder practical reforms, citing data on reserve governance failures under the . He has also critiqued the importation of U.S.-centric identity frameworks into , positing that bilingualism and regional differences provide a against such extremes, as seen in Quebec's resistance to certain DEI mandates. Through podcasts and debates, including on and , Kay has advocated for evidence-based scrutiny over ideological conformity, participating in events like UBC Okanagan's 2025 panel on whether constitutes a "crisis." His work, often drawing from firsthand journalistic experience, has resonated in conservative and centrist circles, countering what he describes as left-leaning biases in mainstream outlets, though critics from progressive media have accused him of amplifying divisive rhetoric.

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