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Juls

Juls, born Julian Nicco-Annan on 25 October 1985, is a British-Ghanaian , , and renowned for his contributions to the genre. Raised between and , , he draws from diverse cultural influences to create smooth, eclectic beats that blend , R&B, and African rhythms. His signature "Juls Baby" has become a hallmark in modern production. Nicco-Annan's early exposure to music came from his musically inclined family, with influences including hip-hop producers like , , and , as well as Ghanaian and traditions. After initially studying , he began producing beats casually in before committing fully in 2012, marking the start of his professional journey in London's burgeoning scene. His dual heritage informs his sound, often incorporating global elements while maintaining an authentic core. Juls achieved his breakthrough in 2013 with his first major production credit on Show Dem Camp's "Feel Alright," followed by key collaborations with Ghanaian and Nigerian artists like Sarkodie and . He rose to prominence in 2014–2016 through hits for , including "Bankulize" (featuring Pappy Kojo), "Skin Tight" (featuring ), "Hollup," and "Shitor," which helped define the Banku music subgenre. Subsequent works expanded his reach, producing for international stars such as on the Grammy-nominated album , on "Gwarn," on , and others including , Masego, , , Projexx, and Jaz Karis. His solo discography includes critically acclaimed releases like the EPs (2017), Colour (2019), and Happy Place (2020), as well as the debut album Sounds of My World (2021, deluxe 2022) and the sophomore album Peace and Love (2024). Among his accolades, Juls has won Music Awards Producer of the Year in 2017, 2018, and 2022, and Global African Awards Producer of the Year in 2022. He received a Grammy for his contributions to Wizkid's and MOBO nominations for African Act of the Year (2017) and Producer of the Year (2021). In 2025, he earned another Grammy in the Best Album category for contributions to Lila Iké's Treasure Self Love, co-produced with . Beyond production, Juls performs as a DJ at major events and festivals, including , and advocates for emerging African talent through his curation and A&R efforts.

Early life and education

Family and upbringing

Julian Nicco-Annan, professionally known as Juls, was born on 25 October 1985 in Hackney, , to Ghanaian parents who immigrated to the in the late 1970s. His family, musically inclined, provided an early foundation in diverse sounds; his father was a enthusiast, while his mother incorporated elements of and into the home environment. During his childhood, the family relocated to , , where Juls continued to navigate his British-Ghanaian heritage. At age 13, in 1998, he moved to Accra, Ghana, with his family, spending significant portions of his youth immersed in Ghanaian culture with extended family and fostering a strong dual that blended life with West African roots. Family gatherings exposed him to Ghanaian and emerging rhythms, often played alongside his mother's musical contributions. In the local UK scenes of Hackney and , Juls encountered and , which complemented the African influences from home and shaped his early appreciation for rhythmic fusion. This period of cultural immersion laid the groundwork for his later pursuits in formal education and music production.

Academic background

Juls, born to Ghanaian parents in , pursued a formal that initially steered him toward a career in . During his secondary school years, he was a with a keen in physics and , often disassembling to understand their mechanics, before shifting to business-oriented studies to pursue financial stability. He earned a in Banking and Finance from the , Legon, around 2007, followed by a Master's degree in from the around 2010, where he continued experimenting with music production software during his studies. Initially, Juls applied his academic training to a career in , leveraging the analytical and detail-oriented skills honed in . Juls began experimenting with music production around 2007 during his undergraduate studies in , discovering Fruity Loops software. He committed fully to music in 2012 after completing his , marking the beginning of his transition from . By 2014, he had begun to focus more seriously on music, utilizing his from —such as networking and —to navigate the and build collaborations. He fully committed to music full-time in 2018, resigning from his banking role to manage his growing production career.

Career

Early productions and breakthroughs

Juls began experimenting with music production during his university years, drawing on self-taught skills acquired through hands-on learning. His formal education in banking and finance at the , Legon, followed by a master's in finance at the , equipped him with business acumen that later supported his independent management of production projects. By 2012, he had transitioned to taking production more seriously, marking a shift from hobbyist beats to professional output using digital audio workstations and (VST) plugins to blend synth elements with African rhythms. A pivotal early breakthrough came in 2013 with the production of "Feel Alright" for the Nigerian duo , a track that showcased his emerging ability to fuse and influences and garnered significant attention in Nigeria's underground scene. This led to further early credits, including "Opeimu" by C-Real featuring , which highlighted his growing ties to Ghanaian and rap artists through collaborative sessions in . Frequent trips to during this period allowed Juls to immerse himself in Ghana's vibrant music , where he DJed at local clubs and built relationships with key figures, facilitating access to recording opportunities and informal networks. In 2014, Juls marked a deeper entry into with "Bankulize," a collaboration with emerging artist featuring Pappy Kojo, which introduced his signature laid-back, melodic production style and helped establish 's presence in the genre. This track, released amid Juls's increasing involvement in Ghana's scene, contributed to early label interest, including affiliations with BBnZ Live and setups that paved the way for independent deals. Building on this momentum, his 2015 production of "Skin Tight" for featuring became a defining breakthrough, blending smooth R&B vocals with grooves to achieve international streaming success and over millions of plays on platforms like and . The single's traction, particularly in the UK and diaspora markets, solidified Juls's reputation as a bridge between African sounds and global audiences, propelling toward mainstream recognition under Banku Music.

Major collaborations and solo work

Juls's production work gained significant traction through high-profile collaborations that bridged and Nigerian scenes. In 2015, he produced "Rudebwoy Love" for Ghanaian artist , a track that highlighted his ability to infuse rhythms with grooves, contributing to Stonebwoy's Epistles of the Easiest. In 2017, Juls teamed up with on "Gwarn," a vibrant single from his own project that showcased Burna Boy's charismatic vocals over Juls's signature melodic production, further solidifying his influence across the . His collaborations expanded to include production on Wizkid's Grammy-nominated album (2020) and Stormzy's (2022). Transitioning to solo endeavors, Juls released his debut EP Solora in 2014, an instrumental project that laid the groundwork for his fusion of Afrobeats with electronic textures. Building on this, his 2017 EP Leap of Faith represented a pivotal solo milestone, blending Afrobeats with electronic elements through collaborations with artists like Maleek Berry, Nonso Amadi, and Kojey Radical on tracks such as "Early" and "Temperature Rising," earning praise for advancing alternative Afrobeats. Juls continued exploring genre boundaries in subsequent releases. The 2019 EP Colour featured an eclectic mix of , , grime, and Latin-pop influences, with standout collaborations including Worlasi on "Nyafu " and on "Normal," celebrating Africa's sonic diversity through international partnerships. In 2020, the Happy Place EP delved into South African sounds, incorporating elements after Juls's visit to the region; tracks like "Tembisa" featuring and "Soweto Blues" with and Jaz Karis fused house rhythms with , reflecting cross-continental exchanges. Capping this period, Juls's 2021 album Sounds of My World emphasized themes, drawing from African and global influences across 15 tracks with contributors like on "Close to Me" and on "Need You," creating a tapestry of , , and contemporary sounds that underscored shared cultural narratives.

Recent developments

In 2024, Juls released his third studio , Peace and Love, on October 25, which features 18 tracks blending with global influences, including Brazilian percussion elements that highlight his evolving cross-cultural production style. The 's structure—Peace for introspective, slower tempos and Love for upbeat rhythms—showcases collaborations with artists like Masego, , and , emphasizing themes of harmony and connection across diasporic sounds. This project marked a significant step in Juls's career, building on his prior explorations of while expanding into broader worldwide rhythms. Continuing his momentum into 2025, Juls collaborated with Nigerian artist on the single "MAGIC," released on October 24, which fuses soulful vocals with instrumentation to create an enchanting, laid-back vibe. The , produced under Juls's TABOM Records, serves as a teaser for potential future joint work and underscores his ability to merge introspective soul elements with rhythmic grooves. In November 2025, Juls received a Grammy nomination in the Best Reggae Album category for his production contributions to Iké's featuring . That same month, he participated in the Sounds Right initiative alongside Ghanaian singer Olivetheboy, contributing to a global platform that integrates natural soundscapes into to support efforts ahead of COP30 in . This nature-themed allows artists to officially credit environmental elements in their tracks, directing proceeds toward habitat protection and aligning with Juls's interest in culturally resonant, impactful . Earlier in June 2025, Juls curated the immersive exhibition "Travelling Man: Com Amor " at The Department Store in , , from June 8 to 12, featuring a 20-minute and that explore the historical, spiritual, and musical ties between and cultures. The event, his first foray into visual storytelling, included screenings and listening sessions for an accompanying EP, Com Amor , celebrating his travels and the percussive influences shaping his sound. In a January 2025 interview, Juls shared insights from his long-standing collaboration with , describing the superstar as a "perfectionist" whose rigorous standards result in many recorded tracks remaining unreleased, a dynamic that has profoundly influenced Juls's own production approach. He credited working on tracks like "True Love" with as a transformative experience, highlighting the artist's commitment to quality over quantity in production.

Live performances

Festival and event appearances

Juls made his debut appearance at the (SXSW) Festival in 2017, performing as part of the Sounds from Africa showcase alongside artists such as Maleek Berry and Moelogo, where he presented sets to introduce the genre to broader U.S. audiences. He returned to SXSW in 2018 for another Sounds from Africa performance at the 800 Congress venue in , further solidifying his presence in the American music scene through energetic -infused DJ sets. In 2019, Juls took the stage at the Meltdown festival, where he blended DJing with live production elements to showcase his signature fusion of and rhythms, captivating international crowds in the iconic Balearic setting. Later that year, he appeared at the (ADE), delivering sets that highlighted his innovative electronic-African fusion, contributing to discussions and performances centered on global beatmaking influences during the event's programming. Juls has performed at Afro Nation festivals, including in Portugal, delivering DJ sets that blend Afrobeats with global influences. In 2025, he appeared at the Jazz Cafe Festival in Burgess Park, London, on August 3, contributing to the lineup with a live DJ set focused on Afrobeats and fusion sounds. Juls hosted a special immersive exhibition in Brixton, London, from June 8 to 12, 2025, titled Travelling Man: Com Amor Brazil, which featured a screening of his debut documentary exploring cultural ties between Brazil and Africa, alongside photography installations and music from an accompanying original EP, providing an event-focused platform for live audio demonstrations of his production work.

Headlining tours and residencies

In 2025, Juls embarked on a US Club Tour to celebrate 10 years in music, including a performance in Washington, DC, in February. He made his debut at Zsongo Club in Madrid, Spain, on September 14, 2025, delivering a headline DJ set. Juls is scheduled to headline a show at Electric Brixton in London on November 22, 2025, supported by artists including Supa D, Charisse C, and PDR.

Discography

Solo albums and EPs

Juls began his solo discography with the Solara EP in 2014, a five-track project that marked his initial foray into blending electronic elements with emerging influences. Released independently, the EP features instrumental-driven tracks like "Solara" and "Buffering," showcasing experimental production techniques rooted in his early DJ experiences. Other early EPs include (2014), (2014), and Ojekoo (2017), which further explored instrumental and fusion sounds. In 2017, Juls released his debut EP , a 9-track collection that explores romantic themes through a fusion of and R&B, drawing on his Ghanaian heritage and UK upbringing. Key tracks include "Early" featuring Maleek Berry and Nonso Amadi, and "Give You Love" with L.A.X, highlighting smooth, melodic productions that reflect personal aspirations and cross-cultural connections in love. The EP received praise for shaping contemporary Afropop sounds while incorporating highlife-inspired rhythms. Colour, Juls's 2019 album, comprises 10 tracks that seamlessly merge UK genres like grime and with Ghanaian and , creating a vibrant palette of sonic identities. Standout collaborations such as "Cake" with and "Angelina" featuring and Oxlade emphasize infectious rhythms and bilingual lyrics, celebrating the richness of sounds. Critics noted the project's temperate production and vintage nods, positioning it as a masterclass in genre-blending. The Happy Place EP followed in , a five-track release infused with elements inspired by Juls's travels to , featuring local collaborators like on "Soweto Blues" and on "Tembisa." This project captures chill, uplifting vibes through saxophone-laced beats and undertones, evoking a sense of and cultural . It draws briefly from his broader production work, adapting house and structures to highlight joyful, cross-continental partnerships. In 2023, Juls released the PALMWINE DIARIES, VOL. 1 EP, a 6-track project celebrating Ghanaian and culture with modern fusions, featuring artists like , Sarkodie, and . Juls's 2021 album Sounds of My World expands to 15 tracks, delving into diaspora narratives by weaving together , , and across global African influences. Tracks like "Close to Me" with , Agent Sasco, and , and "Summer in the Ends" featuring Jaz Karis and , illustrate a tribute to Black Atlantic connections, blending soulful roots with contemporary rhythms. The album is lauded for its masterful coverage of diasporic sounds, offering an elated, percussion-driven journey through personal and collective experiences. A deluxe edition followed in 2022. In 2024, Juls released Com Amor Brazil EP, a 6-track collection blending rhythms with and soul, inspired by his travels, featuring tracks like "Com Amor Bahia." Most recently, in 2024, Juls delivered Peace and Love, an 18-track sophomore album divided into contemplative "Peace" and upbeat "Love" sides, incorporating percussion from Black diasporic traditions like Ghanaian and rhythms. Highlights include "" with Masego and "" featuring , emphasizing themes of familial and romantic connection through delicate, rhythmic production. Reviewers highlight its cultural odyssey, using drums to bridge shared histories and infuse listeners with warmth and joy.

Production credits

Juls has established himself as a prolific in the scene, accumulating over 50 production credits by 2025, with a focus on innovative beat-making and meticulous mixing that bridges rhythms with global influences. A pivotal early credit came in 2016 with the co-production of "Skin Tight" by featuring , where Juls designed a sparse beat emphasizing minimalistic percussion to create a seductive, dancehall-infused sound that propelled the track to widespread acclaim. In 2015, he produced "Rudebwoy Love" for , blending melodies with Afro-fusion grooves to deliver a vibrant, culturally rooted hit that exemplified his skill in fusing Ghanaian traditions with modern production techniques. Juls's work on "Gwarn" in 2017, featuring , highlighted dancehall's rhythmic drive through its punchy section, resulting in a high-energy collaboration that amplified ' international appeal. Beyond these landmarks, Juls holds production credits on tracks for , including early contributions noted in his 2013 discussion of upcoming projects. He has also engaged in studio sessions with artists like and extensive unreleased work with , many of which remain vaulted due to the latter's perfectionist approach, as revealed in a 2025 interview.

Awards and recognition

Major awards

In 2017, Juls won the UK Based Producer/Engineer of the Year at the Ghana Music Awards UK, an event celebrating the achievements of Ghanaian artists and professionals in the diaspora. That same year, he received the Music Producer of the Year award at the All Africa Music Awards (AFRIMA), a continent-wide honor that recognizes outstanding contributions to African music production. Juls' production work continued to garner acclaim in subsequent years. Most recently, in 2025, he was awarded Best Producer at the , a prestigious ceremony focused on music of Black origin.

Nominations and honors

Juls was nominated for Best African Act at the 2017 , recognizing his contributions to black music in the . He competed alongside prominent artists including , Eugy, Maleek Berry, , Sarkodie, and in this category. He received a for Producer of the Year at the 2021 . Juls earned a Grammy for his contributions to Wizkid's album , which was nominated for Best Global Music Album at the in 2022. In 2025, Juls received a Grammy in the Best Reggae Album category for his work on Lila Iké's The Treasure I Seek (featuring ), announced on November 7, 2025, for the 68th Annual Grammy Awards.

Musical style and influences

Genre fusion and production approach

Juls's core musical style centers on as a foundational element, infused with rhythms drawn from his Ghanaian heritage, alongside contemporary infusions like , , and baile funk to create a hybrid sound that bridges African traditions with global dance genres. This fusion often incorporates and R&B elements, resulting in tracks that emphasize syncopated percussion and sparse arrangements to highlight vocal performances. For instance, his production on "Skin Tight" merges grooves with melodies and subtle influences, producing an infectious, cross-cultural rhythm that propelled the track's popularity. In his production approach, Juls prioritizes to ensure for artists' vocals and , layering organic percussion samples sourced from Ghanaian traditions and Brazilian influences with synths and hand-crafted beats. He frequently samples vintage African records, such as Ghanaian and Nigerian , reinterpreting them into modern and frameworks using software like Fruity Loops, while incorporating live elements like soulful horns and drums for rhythmic depth. This technique fosters an eclectic yet economical sound, as seen in collaborations where he blends African percussion with global textures to evoke diasporic narratives. Juls's style has evolved from the raw, experimental fusions of , , and beats in the early 2010s to more polished, narrative-driven soundscapes by 2024, reflecting his deepening exploration of Black Atlantic connections across , , , and beyond. Key influences include Fela Kuti's innovations for rhythmic complexity, J Dilla's soulful sampling for beat construction, and South African house traditions that inform his integrations, all applied to create timeless, community-oriented music. This progression is evident in his 2024 album Peace & Love, where themes are woven into sophisticated, genre-defying arrangements.

Cultural impact and legacy

Juls has played a pivotal role in bridging the and Ghanaian music scenes, fostering connections between the and global audiences through his productions that integrate , , and other regional sounds. As a British-Ghanaian based in , he has facilitated collaborations that highlight shared cultural rhythms, such as blending Ghanaian percussion with urban influences, thereby amplifying African music's presence in international markets. In interviews, Juls has emphasized the interconnectedness of Black Atlantic musical traditions, drawing parallels between Yoruba, , and Caribbean elements to promote a unified narrative. This approach has popularized concepts of cultural , encouraging listeners to recognize the global flow of Black sounds across continents like , , and the . His work underscores how these fusions serve as tools for broader cultural dialogue and unity. Juls's innovative production style has significantly influenced younger producers navigating and crossovers, particularly in the UK and beyond. By pioneering diaspora-friendly adaptations of these genres, he has inspired emerging talents to experiment with global fusions, contributing to the expansion of African music's footprint in alternative and mainstream spaces. In 2025, Juls contributed to the global "Music with " initiative ahead of COP30 in , collaborating with artist Olivetheboy to release tracks incorporating natural soundscapes from the and ecosystems. This project promotes environmental conservation by embedding themes of into African-inspired music, raising awareness about climate impacts on biodiversity-rich regions. Juls's legacy is marked by his role in strengthening Black Atlantic musical links, with his catalog amassing over 158 million streams by late 2025, reflecting widespread adoption and enduring appeal. Through a of boundary-pushing work, he has inspired a to explore diasporic roots, ensuring African sounds remain central to global cultural conversations.

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