Fact-checked by Grok 2 weeks ago

Keys to Tulsa

Keys to Tulsa is a crime drama directed by Leslie Greif in his feature directorial debut and written by , who also served as a , based on the of the same name by Brian Fair Berkey. Set in , the story follows Richter Boudreau (), a down-on-his-luck who loses his job at the local newspaper, owes money to a dangerous drug dealer (), and becomes entangled in an scheme after witnessing a . The film features a notable , including as Richter's ex-girlfriend and Ronnie's wife, as his wealthy but estranged mother, and in an early supporting role as Trudy, Richter's date. Filmed on location in Tulsa and , to capture the city's oil-boom underbelly and seedy atmosphere, it draws comparisons to the gritty tales of authors like Jim Thompson, blending elements of , , and family dysfunction. Upon its release on April 11, 1997, Keys to Tulsa received mixed reviews from critics, who praised the screenplay's sharp dialogue and the performances—particularly Stoltz's portrayal of a —but criticized its uneven pacing and derivative plot twists reminiscent of mid-1990s crime films. With a modest budget, the movie had a limited theatrical run and later found a through releases, appreciated for its Tulsa-specific setting and exploration of themes like , , and moral compromise in a fading oil town.

Narrative

Plot summary

Richter Boudreau, a and critic for a Tulsa , faces imminent job loss due to missed deadlines and is cut off financially by his wealthy mother, Boudreau, who evicts him from the farmhouse she plans to sell. Deep in debt to local drug dealer Ronnie Stover, Richter reluctantly agrees to join Ronnie's scheme to extort money from powerful businessman , using photographs taken by Cherry Pike that capture the of a young , Trudy, by Harmon's son, . Ronnie, married to Richter's ex-girlfriend Michaels, manipulates Richter by leveraging his lingering feelings for Vicky and threats over the unpaid drug debts, drawing him into handling Cherry's protection while coordinating the payoff. Richter hides Cherry at the dilapidated mansion of Vicky's brother, Michaels, an alcoholic drifter amid his . As Richter and Cherry develop a romantic relationship, he rekindles his affair with , complicating matters with Ronnie's jealousy and 's using compromising photos of Richter and Vicky. Ronnie pushes Richter into additional deals to finance logistics, while suspicions initially fall on for the until Richter uncovers Bedford's guilt and family ties linking the Boudreaus to the Shaws. Ronnie's tactics intensify as he demands Richter's full commitment, but a separate scheme involving Vicky's , Chip Carlson, unravels when Chip is accidentally killed during an argument over the evidence, heightening the chaos. In the climax, the group—Richter, Cherry, Vicky, Ronnie, and —confronts Harmon for the payoff at his estate, revealing long-buried family secrets about corruption and past graft involving Cynthia's father. Bedford attempts to silence them violently, leading to his death in during a , while Ronnie is killed in the . Richter, confronting his own failures, rejects Vicky and escapes to with Cherry, leaving behind Tulsa's web of deceit for a chance at renewal.

Themes and style

"Keys to Tulsa" explores central themes of family legacy and generational strains within the affluent Boudreau family, where Richter Boudreau grapples with his role as the black-sheep son of a prominent Tulsa , highlighting tensions between inherited and personal failure. The film delves into in small-town , portraying Tulsa as a seemingly mundane oil-rich community fractured by moral degradation, schemes, and unprincipled dealings among its and . emerges through moral dilemmas, as characters like Richter confront ethical lapses and seek growth amid escalating criminal entanglements, exemplified by his vulnerability and potential to leverage intellect over repeated setbacks. Stylistically, the film employs aesthetics, blending shadowy seedy club settings with moral ambiguity to underscore its narrative. It features Tarantino-esque dialogue—witty, profane, and rapid-fire—and bursts of stylized violence, drawing on tropes to create a late-cycle retread of ""-inspired pacing and character interactions. The adaptation from Brian Fair Berkey's novel infuses these elements with influences of small-town moral decay, contrasting Tulsa's everyday oil-boom mundanity against the intensifying chaos of drugs, , and . While the direction lacks visual dynamism, the script's deft handling of class grudges and life stasis amplifies the thematic grit.

Development and pre-production

Source material and writing

Keys to Tulsa is an adaptation of the 1989 novel of the same name by Brian Fair Berkey, Berkey's debut, first published by the Atlantic Monthly Press (with a 1991 edition by ). The book explores the underbelly of Tulsa's social elite through the eyes of protagonist Richter Boudreau, a directionless young man entangled in family secrets and criminal schemes. The screenplay was written by , a writer renowned for his work on the television series , where he contributed to its surreal and intricate character arcs. Peyton's adaptation condenses the novel's sprawling narrative into a taut crime story, emphasizing sharp on class divisions and personal stagnation in . His script is noted for its outstanding craftsmanship, featuring spiky, energetic that deepens character interactions and reveals shifting motivations, while tightening the for cinematic pacing. Leslie Greif, an experienced producer, directed Keys to Tulsa as his debut, collaborating closely with Peyton—who also co-produced—during the script's . The project marked a key milestone in Greif's transition from production to directing.

Budget and financing

"Keys to Tulsa" was produced by and Group, with distribution managed by , a division specializing in independent releases. As an feature marking Leslie Greif's debut, the film's financing reflected the era's reliance on studio subsidiaries and private investment to support non-mainstream projects amid the indie cinema surge. No official has been publicly disclosed, consistent with many low-profile independent films of the period that prioritized narrative innovation over large-scale marketing. To align with its modest scale, the utilized practical effects, thereby optimizing resource allocation in line with filmmaking practices.

Production

Casting process

The casting for Keys to Tulsa was handled by Fern Champion and Paladini, who assembled a notable ensemble for the independent . Eric was selected for the lead role of Richter Boudreau, bringing his experience from previous films to portray the aimless protagonist. James was cast as the menacing Ronnie Stover, a decision that required Spader to dye his naturally light brown hair black in an Elvis-style pompadour with to fit the character's sleazy demeanor. Cameron Diaz, then early in her film career following her debut in The Mask (1994), took on the supporting role of Trudy, a brief but memorable part as Richter's ditzy that showcased her comedic timing. Mary Tyler Moore, transitioning back to feature films after a long career, was chosen as Cynthia Boudreau, Richter's wealthy and overprotective mother, marking a departure from her iconic TV persona. Supporting roles, including Randy Graff as Louise Brinkman, were filled through auditions that emphasized character depth for the ensemble-driven narrative. As a low-budget , the production faced challenges in attracting high-profile talent like Stoltz, Spader, and to a project without major studio backing. Despite these hurdles, the casting leveraged the actors' interest in crime dramas, resulting in a strong lineup that elevated the film's noirish tone.

Filming and locations

Principal photography for Keys to Tulsa took place over approximately six weeks, beginning on November 28, 1994, and concluding on January 11, 1995. The production filmed primarily in the Dallas metropolitan area of Texas, utilizing locations in Dallas, Fort Worth, and McKinney to stand in for the story's Tulsa setting, with limited additional shooting in Tulsa, Oklahoma, itself. This choice of Texas sites facilitated logistics for the independent production, and the substitution was subtle, noticeable mainly to Oklahoma locals. Director Leslie Greif, in his feature debut, managed the film's ensemble dynamics by balancing noirish crime elements with comic undertones, drawing stylistic inspiration from Southern Gothic classics like Peter Bogdanovich's (1971) and Martin Ritt's (1963). His approach emphasized character interactions in seedy, atmospheric environments, though critics noted a lack of visual flair in capturing the Oklahoma ambiance.

Cast

Principal cast

The principal cast of Keys to Tulsa features a mix of established actors in key roles, with billing reflecting the central characters driving the narrative. The film stars as Richter Boudreau, the lazy and indebted protagonist who becomes entangled in a scheme after losing his job at a local . James portrays Ronnie Stover, Richter's manipulative friend and primary antagonist, a who forces Richter into an plot targeting a local businessman's family. Deborah Kara Unger plays Vicky Michaels Stover, Ronnie's wife and Richter's high school sweetheart with whom he has an ongoing affair, adding tension to the central relationships. Cameron Diaz appears as Trudy, a who serves as one of Richter's romantic interests and provides through her everyday interactions. Mary Tyler Moore is cast as Cynthia Boudreau, Richter's wealthy and overprotective mother who has long supported his aimless lifestyle. Randy Graff plays Louise Brinkman, Richter's colleague at the newspaper who offers advice and witnesses his personal turmoil.

Supporting cast

The supporting cast of Keys to Tulsa features actors whose portrayals of secondary characters deepen the film's exploration of crime, family tensions, and small-town intrigue in Tulsa. Michael Rooker plays Keith Michaels, the brutish, alcoholic brother of Vicky Michaels Stover and longtime friend of protagonist Richter Boudreau, whose unstable personality and involvement in disputes introduce elements of volatility and to the ensemble. His confrontations with Richter highlight simmering familial resentments that propel subplots forward. James Coburn portrays Harmon Shaw, a wealthy and influential local businessman whose family ties draw him into the web of and at the story's core. Peter Strauss portrays Chip Carlson, a prominent local businessman and unwitting victim of the central scheme, whose hidden personal life becomes a catalyst for escalating conflicts among the characters. This role underscores the vulnerabilities of Tulsa's elite, enhancing the narrative's themes of and moral compromise without dominating the foreground. Joanna Going appears as Cherry, an exotic dancer and drug user who enters a brief romantic entanglement with Richter and witnesses a key murder, providing pivotal evidence that ties into the film's criminal undercurrents. Her character's erratic energy contributes to the chaotic ensemble, reflecting the transient, seedy side of the setting. Additional ensemble members, including Randy Graff as Louise Brinkman—the no-nonsense newspaper editor who fires Richter—and Dennis Letts as Preston Liddy, a local figure in the extortion web, fill out the Tulsa-specific subplots with authentic, grounded performances that evoke the community's interconnected pressures. Named extras and minor roles, such as bar patrons and motel occupants, appear in fleeting scenes to immerse the story in local color, though they remain uncredited in principal listings.

Music

Original score

The original score for Keys to Tulsa was composed by Stephen Endelman, a British-born composer known for his work on mid-1990s independent films. Endelman's contribution emphasized atmospheric tension to underscore the film's noir-inflected crime narrative set in . A distinctive element of the score is the incorporation of the , an unconventional Australian Aboriginal instrument performed by musician Graham Wiggins, which provided a droning, primal undertone to heighten suspense during crime-related sequences. This choice contributed to the film's moody, eclectic soundscape, blending ethnic textures with contemporary orchestral elements to evoke the gritty underbelly of 1990s urban life.

Featured songs

The featured songs in Keys to Tulsa primarily consist of licensed tracks from the , integrated both diegetically in bar and social scenes and non-diegetically to underscore emotional moments. A prominent example is "Little Suicides," written by and Lori Carson and performed by , which plays during a key emotional sequence involving the character Cherry's strip routine. The track, originally released in 1994 on the album Pure courtesy of , highlights a timeline discrepancy with the source novel by Brian Fair Berkey, which is set in the early , as the film's contemporary placement incorporates post-publication music not contemporaneous with the book's era. Other notable songs include 1990s alt-rock and blues selections that enhance the film's depiction of Tulsa's gritty cultural underbelly, particularly in bar and drive-in sequences. For instance, "Feel Like Going Home" by The Walkabouts (1993) provides a melancholic backdrop to reflective driving scenes, while "Texas Cadillac" by The Smokin' Joe Kubek Band featuring Bnois King (1997) underscores a tense bar confrontation, evoking the city's raw, blues-infused nightlife. Additional tracks like "Oye Como Va," written by Tito Puente and performed by the Boytana Band, appear in a chaotic pursuit sequence, licensed courtesy of various labels including Okeh/550 Music/Epic Records for related blues numbers. These placements rely on standard licensing agreements with record labels, with no original song contributions tied directly to the production beyond the original score's integration.

Release

Theatrical release

Keys to Tulsa received a in the United States on April 11, , distributed by . The film opened in 24 theaters, primarily art-house venues, reflecting its independent production status and focus on niche audiences. There was no wide international theatrical rollout, with distribution confined to the domestic market.

Marketing

The marketing for Keys to Tulsa (1997), an independent crime distributed by , relied on modest promotional materials to highlight its and suspenseful narrative. The official one-sheet featured prominent images of lead actors and , alongside , while emphasizing plot elements of , violence, and personal peril to underscore the film's tone. The theatrical trailer similarly focused on building tension through quick cuts of intrigue and deception, prominently billing the cast including Stoltz, Spader, Unger, , , , , and to attract audiences interested in character-driven crime stories. Given its production status, promotional efforts appear to have been limited, with success hinging more on critical reviews and word-of-mouth rather than large-scale campaigns.

Commercial performance

Box office

Keys to Tulsa had a limited theatrical release in the United States on April 11, 1997, distributed by Gramercy Pictures. In its opening weekend, the film earned $28,318 across 24 screens, averaging approximately $1,180 per screen. The film's total domestic gross reached $57,252, with no significant international earnings reported, reflecting its constrained distribution. This performance occurred amid fierce competition from major 1997 blockbusters such as Anaconda, which opened to $16.6 million on 2,456 screens the same weekend, and Liar Liar, grossing $14.5 million on 2,880 screens. As an production lacking , Keys to Tulsa faced typical challenges for films in a blockbuster-dominated market, resulting in modest returns despite its .

Home media

The film was first released on by Video. Keys to Tulsa received its initial DVD release on December 17, 2002, from , presented in fullscreen (1.33:1 ) with Dolby Digital 2.0 audio. The disc included basic supplements such as theatrical trailers. A reissue on DVD came from Liberation Hall on December 15, 2020, in format and with a runtime of 113 minutes. As of November 2025, the film is available for streaming on ad-supported platforms including , , , , and , as well as for rent or purchase on Prime Video.

Reception

Critical reviews

Upon its release in 1997, Keys to Tulsa received mixed to negative reviews from critics, earning a 10% approval rating on based on 10 reviews, with an average score of 3.5/10. One of the few positive assessments came from of , who praised Harley Peyton's screenplay as "outstanding" for its construction, shifting motivations, subtext, and spiky dialogue, while highlighting strong performances, particularly James Spader's "complex and vibrant" portrayal of Ronnie Stover and Cameron Diaz's supporting role. noted the ensemble's effective chemistry in delivering the comic crime elements, though he critiqued the film as visually average and overly reliant on a late-cycle Tarantino-inspired style, lacking to appeal to hip audiences. In contrast, Gene Siskel and Roger Ebert panned the film with two thumbs down on their show, dismissing it as derivative. Other reviewers echoed common criticisms of uneven pacing and a convoluted plot lacking energy, despite the capable cast including Eric Stoltz and Deborah Kara Unger.

Legacy and retrospective views

Upon its release, Keys to Tulsa was frequently critiqued as a derivative of Quentin Tarantino's style, appearing as a late entrant in the wave of 1990s independent crime films inspired by Reservoir Dogs and Pulp Fiction. Variety described it as potentially "one more unneeded, late-in-the-cycle Tarantino retread," though it praised the film's adroit blend of genre elements with social commentary on class grudges and family dynamics. Similarly, Emanuel Levy's 1999 analysis in Cinema of Outsiders: The Rise of American Independent Film categorized it among numerous Tarantino offshoots that mixed violence and irony but struggled commercially, grossing just $57,252. In retrospective examinations of indie cinema, the film has been noted for its portrayal of , offering observations on lifestyles, generational tensions, and class disparities in a Midwestern setting rarely depicted in mainstream narratives. Levy highlights its place in the broader indie movement, where such regional stories contributed to the genre's diversity amid the dominance of urban-focused tales. While it received no major awards or widespread acclaim, Keys to Tulsa is referenced in histories of American as an example of the era's ambitious but often overlooked low-budget productions. It has garnered a modest , with an score of 5.2/10 on based on approximately 1,900 ratings as of 2025. By the 2020s, the film's availability on streaming platforms such as , , and has sustained a niche interest, allowing modern audiences to revisit its , including an early role for as the manipulative Trudy. This accessibility has positioned it as a minor curiosity in discussions of 1990s dramas, though it remains overshadowed by more influential contemporaries.

References

  1. [1]
    Keys to Tulsa (1997) - IMDb
    Rating 5.2/10 (1,928) Richter is a lazy son of a wealthy woman, who's put up with too much so no more money. He's about to lose his local newspaper job arranged by his mom.
  2. [2]
    Keys to Tulsa - Variety
    Apr 13, 1997 · A wonderfully written and performed comic crime meller, “Keys to Tulsa” might seem on paper to be one more unneeded, late-in-the-cycle Tarantino retread.<|control11|><|separator|>
  3. [3]
    Keys to Tulsa - Rotten Tomatoes
    Rating 10% (10) Richter is in debt to a drug dealer and having an affair with his wife. He's forced into an extortion plot, and his situation gets dangerous.
  4. [4]
    ‎Keys to Tulsa - Apple TV
    Keys to Tulsa. Drama. Though his wealthy mother tries to protect him, Richter (Eric Stoltz) has found lots of trouble. He's in debt to menacing drug peddler ...
  5. [5]
    Keys to Tulsa (1997) - Full cast & crew - IMDb
    Directed by Leslie Greif, cast includes Eric Stoltz, James Spader, Deborah Kara Unger, and Cameron Diaz. Producers include Leslie Greif and Harley Peyton.
  6. [6]
    Keys to Tulsa 1996, directed by Leslie Greif | Film review - Time Out
    Sep 10, 2012 · Tulsa, Oklahoma, a seedy sweat-joint propped up on a little oil - Jim Thompson would know his way around here. Stoltz is a reporter, ...
  7. [7]
    Character-Rich 'Keys' Lacks Direction - Los Angeles Times
    Apr 11, 1997 · You can well imagine that as a murder mystery with some well-drawn colorful characters, “Keys to Tulsa” would make a good read.Missing: plot summary
  8. [8]
    KEYS TO TULSA - Movieguide | Movie Reviews for Families
    KEYS TO TULSA recounts one really bad week in the wretched life of Richter (Eric Stoltz), the son of society matron Cynthia Boudreau (Mary Tyler Moore).Missing: film plot summary
  9. [9]
    Book Reviews, Sites, Romance, Fantasy, Fiction | Kirkus Reviews
    It's the summer of 1981; staunchly Republican Tulsa is now in the mainstream, and disaffected Berkeley graduate Richter Boudreau is in bad shape ...Missing: plot summary
  10. [10]
    Film review: Keys to Tulsa - Deseret News
    Apr 11, 1997 · The convoluted, character-heavy plot has Eric Stoltz returning home to Tulsa, Okla., where his mother (Mary Tyler Moore) gets him a job on the ...Missing: summary | Show results with:summary
  11. [11]
    Full text of "Columbia College today - V. 18 (1991-92)"
    The Keys to Tulsa by Brian Fair Berkey '74. In this novel, a man returns home to find a town splintered by moral deg¬ radation and religious fundamentalism ...<|separator|>
  12. [12]
    The Good, The Bad & The Badass: Quentin Tarantino - JoBlo
    Aug 2, 2021 · I'm old enough to remember Quentin Tarantino's time riding the pop culture zeitgeist following PULP FICTION. ... KEYS TO TULSA, TRUTH OR ...
  13. [13]
    Watch Keys to Tulsa Online | 1995 Movie | Yidio
    In conclusion, Keys to Tulsa is a gritty crime drama that delves into the darker corners of life in small town America. The film features a talented cast who ...
  14. [14]
    Keys to Tulsa | Book by Brian Fair Berkey - Simon & Schuster
    This exuberant, boisterous first novel explodes with energy, humor and a touch of the bizarre. Publishers Weekly praised it as a novel of great sympathy.
  15. [15]
    Up in Old Flames : THE KEYS TO TULSA<i> by Brian Fair Berkey ...
    Jun 25, 1989 · A week in the life of Tulsa native Richter Boudreau is not a pretty thing. Waking up bleary, bruised and sweaty in the midst of a dry spell ...
  16. [16]
    All Time Domestic Box Office for Gramercy Movies - The Numbers
    Budgets and Finances Franchises Keywords Movie Index Release Schedule ... Keys to Tulsa, $57,252, $17,525, $74,777. 56, 1997 · The Grimm Brothers' Snow White ...Missing: film | Show results with:film
  17. [17]
    Gramercy Pictures | JH Wiki Collection 2.0 Wiki | Fandom
    April 11, 1997, Keys to Tulsa, distribution only; produced by PolyGram Filmed Entertainment and ITC Entertainment, $57,252. May 2, 1997, Commandments, co ...
  18. [18]
    https://jhwikicollection-20.fandom.com/wiki/Gramercy_Pictures
  19. [19]
    The Evolution of Cameron Diaz - Games Radar
    Jun 29, 2010 · He gets involved with drug dealer Ronnie (James Spader), in a story of strippers, blackmail and film reviewing. Keys to Tulsa has a bit more ...
  20. [20]
    Keys to Tulsa (1997) - Filming & production - IMDb
    Filming locations ; Tulsa, Oklahoma, USA · 2 ; McKinney, Texas, USA · 0 ; Dallas, Texas, USA · 0 ; Fort Worth, Texas, USA · 0.Missing: principal photography
  21. [21]
    [PDF] Film and Television Projects Made in Texas (1910 - 2025)
    Jul 5, 2017 · KEYS TO TULSA. Feature (Independent). Empire Pictures. 1994-10-28. Dallas; Fort Worth; McKinney. BOTTLE ROCKET. Feature (Studio). Columbia ...
  22. [22]
    Dallas Film Tourism
    Keys to Tulsa (1996) starring Eric Stoltz and James Spader shot there. HBO's ... 5728 Lakeview Drive, Midlothian, TX 76065. http://www.myspace.com ...
  23. [23]
    keys to tulsa - Film Threat
    Apr 14, 1997 · Still hung up on Vicki, Richter allows Ronnie to drag him into a blackmail plot involving the son of local mega-millionaire James Coburn.
  24. [24]
    https://www.imdb.com/title/tt0116762/fullcredits
  25. [25]
    Keys to Tulsa | Moviepedia | Fandom
    Keys to Tulsa is a 1997 American crime film ... Plot. The story revolves around a perpetual ... James Coburn as Harmon Shaw; Peter Strauss as Chip Carlson ...
  26. [26]
    Keys to Tulsa (1997) Movie Script - SubsLikeScript
    Richter Boudreau, the son of local celebrity Cynthia, is not very successful and works as a film critic for a local newspaper. In a short time he loses his job ...Missing: plot | Show results with:plot<|control11|><|separator|>
  27. [27]
    Keys to Tulsa | Cast and Crew - Rotten Tomatoes
    Keys to Tulsa: Full Cast & Crew. 1997, Comedy/Drama. Though his wealthy mother ... Character(s) Chip Carlson. Credit(s) Actor. Joanna Going. Character(s) Cherry.
  28. [28]
    Keys to Tulsa (1997) - Soundtracks - IMDb
    Little Suicides. Written by Anton Fier and Lori Carson. Performed by The Golden Palominos. Courtesy of Restless Records. Can't Cry Hard Enough. Written by David ...
  29. [29]
    Book Review: The Keys to Tulsa by Brian Fair Berkey
    Nov 12, 2011 · The novel centers on Richter Boudreau, the ne'er-do-well son of a once-prominent Tulsa family. Boudreau escaped Tulsa during the 1960s when he ...Missing: setting | Show results with:setting
  30. [30]
    Chris Eckman - /Soundtracks
    +“Keys To Tulsa”(1995): an American feature film starring James Spader (The Walkabouts "Feel Like Going Home"). Soundtracks: Theme: Hidden Memories of Angela ...
  31. [31]
    Movies Released in 1997 - The Numbers
    This list shows all films released in 1997, including films that went direct-to-video, or only got an international theatrical release. ... Keys to Tulsa · Drama ...
  32. [32]
    Keys to Tulsa (movie, 1997) - Kinorium
    Keys to Tulsa. 1997. Movie; Cast & Crew; Videos; Photos · Posters · Filming ... Chip Carlson · Cameron Diaz. Trudy · Full Cast. Director. Leslie Greif ...<|control11|><|separator|>
  33. [33]
    Keys to Tulsa (1997) - Release info - IMDb
    No readable text found in the HTML.<|control11|><|separator|>
  34. [34]
    Keys To Tulsa
    ### Poster Design Summary for *Keys to Tulsa*
  35. [35]
    Keys To Tulsa TRAILER - YouTube
    Nov 7, 2020 · Keys to Tulsa (1997) directed by Leslie Greif, starring Eric Stoltz, James Spader, Deborah Kara Unger and Joanna Going with Michael Rooker, ...
  36. [36]
    Keys to Tulsa (1997) - Box Office Mojo
    Domestic. Area, Release Date, Opening, Gross. Domestic, Apr 11, 1997, $28,318, $57,252. Latest Updates: News | Daily | Weekend | All Time | International | ...
  37. [37]
    'Anaconda' Puts the Squeeze on Carrey - Los Angeles Times
    Apr 15, 1997 · Several smaller films in limited release included: “Chasing Amy,” which took in $302,406 on 25 screens in its second week, “Keys to Tulsa” ($ ...<|control11|><|separator|>
  38. [38]
    https://movies.fandom.com/wiki/List_of_PolyGram_Video_releases
  39. [39]
    Keys To Tulsa - Amazon.com
    Amazon.com: Keys To Tulsa : Mary Tyler Moore, Peter Srauss, Michael Rooker ... #114,318 in Movies & TV (See Top 100 in Movies & TV). #10,313 in Action ...Missing: film | Show results with:film
  40. [40]
    Keys to Tulsa streaming: where to watch online? - JustWatch
    Currently you are able to watch "Keys to Tulsa" streaming on fuboTV, Shout! Factory Amazon Channel or for free with ads on The Roku Channel, Pluto TV.Missing: low budget
  41. [41]
    Anaconda/Grosse Pointe Blank/Paradise Road/Keys to Tulsa/Kissed ...
    Anaconda/Grosse Pointe Blank/Paradise Road/Keys to Tulsa/Kissed/Mabarosi. Episode aired Apr 12, 1997; TV-PG. YOUR RATING. Rate. Roger Ebert and Gene Siskel ...
  42. [42]
    [PDF] Cinema of Outsiders : The Rise of American Independent Film
    The Wedding Banquet and Four Weddings and a Funeral made investors sit ... Keys to Tulsa (1997). Most of these derivative movies owe their existence to ...
  43. [43]
    Keys To Tulsa - Xumo Free Action Movies
    An Oklahoma slacker (Eric Stoltz) and his no-good pals fail to meet their prominent families' expectations.<|separator|>