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Khepri

Khepri was an ancient Egyptian deity embodying the rising or morning sun, symbolizing creation, renewal, and rebirth, and frequently depicted as a scarab beetle or a man with a scarab beetle head.^[1]^[2]^[3] His name derives from the Egyptian verb kheper, meaning "to come into being" or "to develop," reflecting the transformative power associated with the dung beetle's life cycle, where young scarabs emerge from balls of dung, mirroring the sun's daily emergence on the horizon.^[3] As a solar god, Khepri formed part of a divine triad with Re (the midday sun) and Atum (the setting sun), representing the complete cycle of the sun's journey.^[3]^[2] In Egyptian iconography, Khepri was often portrayed pushing the solar disk across the sky, akin to a scarab rolling its dung ball, emphasizing themes of resurrection and hope that extended to funerary contexts where he aided the deceased's rebirth.^[1]^[2] He appeared in religious texts such as the Pyramid Texts of the Old Kingdom and the Litany of Re in the tomb of Thutmose III (ca. 1479–1425 BCE), where he was identified as one of the sun god's 75 forms.^[2] Later depictions combined him with solar disks, uraei, ankhs (symbols of life), and was scepters, as seen in New Kingdom artifacts like stelae and sarcophagi in the Cairo Egyptian Museum (CG 22025) and the British Museum (8461).^[3] Khepri's significance grew through syncretism, particularly as Re-Khepri or the composite Re-Horakhty-Khepri, merging aspects of the sun god Re with Horakhty (Horus of the Horizons), a falcon-headed deity, to embody the full solar dominion from dawn to horizon.^[3]^[2] This fusion amplified his role in royal and divine ideology, linking him to creation myths and the afterlife, including associations with Osiris in epithets describing solar voyages.^[3] His cult was prominent from the New Kingdom onward, with worship sites at Abydos, El Kab, and temples like Karnak and the Temple of Sethos I at Abydos, where inscriptions invoked him for protection and renewal.^[3] Evidence of devotion persisted into the Ptolemaic and Kushite periods, underscoring his enduring importance in Egyptian religion.^[3]

Name and Etymology

Linguistic Origins

The name Khepri derives from the ancient Egyptian verb ḫpr, which means "to come into being," "to become," or "to transform," directly linking the deity to core themes of emergence, renewal, and metamorphosis in Egyptian cosmology.^[4] This etymological root underscores Khepri's role as a manifestation of creation and change, with the noun form ḫprr denoting "transformation" or "form" itself.^[4] Across Egyptian historical periods, the name's transliteration and presumed pronunciation evolved subtly due to phonetic shifts in the language. In the Old Kingdom, it appears as ḫprr in religious texts, reconstructed approximately as /xɛˈprr/ based on early hieroglyphic evidence emphasizing consonantal stability.^[5] By the Middle Kingdom, variations like kheper or khepera emerge in Middle Egyptian writings, with a reconstructed pronunciation shifting toward /ˈçɛpɛr/ or /ˈxɛpɛr/, reflecting vowel insertions in group writing systems.^[6] In the New Kingdom, forms such as kheperer or khopri predominate, pronounced roughly as /xɛˈprɪr/ or /ˈxɛpri/, as seen in temple hymns and royal inscriptions, where the aspirated ḫ (a velar fricative) remained consistent but surrounding vowels simplified.^[7] Modern scholarly reconstructions, drawing from comparative linguistics and Coptic descendants, standardize it as "KHEH-pree" in Egyptological convention, prioritizing the original consonantal skeleton over speculative vowels.^[8] Greek transliterations of Khepri, encountered during the Ptolemaic period, rendered the name as Khepri (Χέπρι) or Chepri, preserving the core ḫpr but adapting the fricative to Greek phonetics; early Hellenistic scholars occasionally confused it with similar-sounding deities like Khnum (Χνούμ), leading to interpretive overlaps in Greco-Egyptian syncretism until clarified by later epigraphic studies.^[9] These adaptations influenced Roman-era texts, where the name's transformative connotation persisted in philosophical interpretations. In pharaonic epithets, Khepri frequently combined with solar deities, as in "Khepri-Re," a title for the rising sun used in Old Kingdom Pyramid Texts to invoke divine renewal, such as in Utterance 587: "May you come into being in this your name of Khepri."^[4] New Kingdom examples include royal hymns at Hibis Temple addressing "Amun-Re-Horakhty-Atum-Khepri," integrating the name into composite epithets symbolizing the pharaoh's alignment with cosmic cycles.^[10] Such usages highlight the name's ritual potency in affirming royal legitimacy through themes of eternal becoming.^[11]

Hieroglyphic Representations

The name of the god Khepri was most commonly spelled in hieroglyphic texts using the scarab beetle sign (Gardiner L1) representing ḫpr, often followed by phonetic complements such as the mouth (Gardiner D21) for r and the single reed leaf (Gardiner M17) for i, concluding with a divine determinative such as the seated god (Gardiner A40) or god with hand to mouth (A28) to indicate divinity. A common writing is 𓆣𓂋𓇋𓁛 (scarab + mouth + reed + god determinative).^[12] This combination not only conveyed the phonetic value but also evoked the god's essence of emergence and self-creation, mirroring the observed behavior of scarab beetles appearing to generate life from dung balls.^[13] Over time, variations in the spelling emerged to highlight Khepri's solar attributes, particularly in New Kingdom texts where the sun disk (Gardiner N5) was frequently added above or adjacent to the scarab sign, emphasizing the god's role in the daily rebirth of the sun.^[14] For instance, in royal inscriptions and temple reliefs from this period, the augmented form integrated the sun disk as a determinative or ideogram, reinforcing connections to the broader solar theology.^[15] The hieroglyphs for Khepri appeared prominently in cartouches and protective amulets, where the scarab sign served both phonetically and symbolically; a notable example is found in the inscriptions on scarab pectorals from Tutankhamun's tomb (KV 62), including the winged scarab pectoral bearing the king's throne name Neb-kheperu-re, in which multiple scarab signs denote the plural "kheperu" (manifestations) to invoke eternal renewal.^[16] The mouth sign (D21), recurrent in these spellings, carried additional symbolic weight as a uniliteral element in related transformation motifs, linking to the verb kheper through its association with speech and emergence in ritual contexts.^[13]

Iconography and Symbolism

Depictions in Art

Khepri was most commonly depicted in ancient Egyptian art as a scarab beetle, either in its full zoomorphic form or as an anthropomorphic figure with the head of a scarab beetle.^[17] These depictions often show the god pushing or emerging with a sun disk, symbolizing the dawn and renewal, rendered in materials like faience, stone, or gold across amulets, reliefs, and statues.^[18] Prominent examples include scarab amulets from the Middle Kingdom (c. 2050–1710 BCE), such as those crafted in steatite or glazed composition, which were worn as protective jewelry and inscribed with royal or protective formulae.^[19] In temple architecture, reliefs at Karnak feature Khepri prominently, including the colossal granite scarab statue erected by Amenhotep III (c. 1390–1352 BCE) near the sacred lake, portraying the god in pure beetle form to invoke regeneration.^[20] Another notable artifact is the humanoid Khepri amulet, where a scarab body merges with human arms and head, dating to the Late Period (ca. 664–332 BCE) and highlighting the deity's creative force.^[21] The iconography of Khepri evolved chronologically, with Old Kingdom (c. 2686–2181 BCE) representations favoring zoomorphic scarab forms in seals and early amulets, emphasizing the beetle's natural behaviors.^[17] By the New Kingdom (c. 1550–1070 BCE), depictions shifted toward more anthropomorphic styles, integrating Khepri into composite figures with human bodies and scarab heads in tomb paintings and temple friezes, reflecting heightened solar theology and royal divinity.^[22] This progression underscores a broader trend in Egyptian art toward hybrid divine forms during periods of religious elaboration. In royal iconography, Khepri featured on obelisks and monuments as a emblem of rebirth, such as scarab motifs carved on the bases of obelisks at Heliopolis and Luxor, linking pharaonic legitimacy to solar renewal.^[20] Throne names incorporating the "kheper" element often accompanied scarab-headed depictions in pyramid complexes, reinforcing the king's eternal cycle.^[17]

Scarab Associations

The ancient Egyptians observed the scarab beetle (Scarabaeus sacer), particularly its habit of rolling balls of dung across the ground, which they interpreted as an imitation of the sun's daily journey from east to west across the sky.^[23] This behavior was seen as the beetle pushing the sun disk into the morning sky, aligning with Khepri's role as the god of the rising sun.^[24] Additionally, the Egyptians noted scarabs burying these dung balls underground, from which larvae would emerge, symbolizing the cycle of death and rebirth as the young beetles "hatched" from the earth.^[25] The scarab's apparent self-generation further reinforced its symbolic ties to Khepri, as ancient observers believed the beetle reproduced through parthenogenesis, with no visible female involvement, evoking themes of spontaneous creation without external aid.^[25] This notion linked directly to Khepri's etymology, derived from the Egyptian word kheper, meaning "to come into being" or "to transform," portraying the god as a self-engendered deity who created himself and renewed the world each dawn.^[25] The beetle's role in dung decomposition and regeneration thus mirrored broader creation myths, where Khepri facilitated the universe's ongoing renewal.^[26] Scarabs were widely incorporated into jewelry and seals due to these associations, often carved from stone or faience and worn as amulets for protection and transformation.^[27] A prominent example is the heart scarab, a large beetle-shaped amulet placed over the deceased's heart during mummification, inscribed with Chapter 30 of the Book of the Dead to bind the heart and prevent it from betraying the owner during judgment in the afterlife.^[26] These artifacts embodied the scarab's symbolism of rebirth, ensuring the deceased's resurrection akin to the beetle's emergence from dung.^[26] Biologically, the scarab's diurnal activity, peaking at dawn when it begins rolling its dung balls, integrated seamlessly into Khepri's dawn symbolism, reinforcing the god's connection to the sun's rebirth and the start of each day. This natural rhythm underscored the beetle's role as a living emblem of renewal, observed and revered in Egyptian cosmology from the Old Kingdom onward.^[25]

Mythological Role

Creation and Rebirth

In ancient Egyptian mythology, Khepri served as the manifestation of the sun god Ra at dawn, embodying the moment of emergence and renewal. Depicted as a scarab beetle or a human figure with a scarab head, Khepri symbolized the sun's rising from the primordial mound, akin to a young scarab beetle burrowing out of the earth or dung, representing spontaneous generation and the initiation of cosmic order.^[28] Khepri's role was deeply intertwined with the Heliopolitan creation myth, centered at the temple of Ra in Heliopolis, where he "comes into being" (kheper) each day, enacting eternal renewal through the sun's rebirth. This daily cosmogony mirrored the original act of creation, with Khepri's name deriving from the Egyptian word for "to become" or "to transform," underscoring his function as the active force of existence emerging from chaos.^[29] Khepri was closely linked to Atum, the self-created deity of the Heliopolitan Ennead, often syncretized as Atum-Khepri to represent the transformative principle bridging dusk and dawn. In this aspect, Khepri facilitated Atum's self-generation from the Nun, the primordial waters, by embodying the dynamic process of change and vitality. A specific myth portrayed Khepri as a scarab pushing the solar disk from the underworld through the eastern horizon, ensuring its rebirth and the continuation of life, a motif that integrated into the broader solar journey across the sky.^[28]^[24]

Solar Cycle Integration

Khepri occupied a central position in the ancient Egyptian solar cycle as one of the three manifestations of the sun god within the Heliopolitan Ennead, embodying the dawn alongside Ra at midday and Atum in the evening. This triad reflected the sun's progression through its daily phases—youthful emergence, zenith, and senescence—symbolizing the eternal rhythm of cosmic order and renewal. The Ennead's structure integrated Khepri's role into broader creation narratives, where his "becoming" (kheper) initiated the transformative processes of existence.^[30]^[31] In the daily solar journey, Khepri represented the rising sun at dawn, visualized as unfolding like a lotus blossom or a scarab beetle emerging from its dung ball to push the solar disk above the eastern horizon. This imagery captured the sun's rebirth after its nocturnal passage, with the scarab's apparent self-generation paralleling the god's autogenic qualities and emphasizing themes of spontaneous renewal and transformation. Egyptians observed the beetle's behavior as a natural metaphor for the sun's daily regeneration, reinforcing Khepri's transitional essence from darkness to light.^[31]^[30] Khepri's integration extended to the solar barque, the divine vessel navigating the sun through the sky by day and the underworld by night. During the nocturnal journey, the barque was defended by deities like Seth and Sekhmet against attacks from the chaos serpent Apophis, culminating in Khepri's emergence as the victorious rising sun each morning and maintaining ma'at (cosmic balance). This role underscored the connection between the perilous underworld voyage and daily solar renewal in the perpetual battle between order and disorder.^[32]^[30]

Worship and Religious Practices

Cult Centers and Priesthood

The primary cult center for Khepri was Heliopolis, where his worship was deeply integrated into the broader solar temple complex dedicated to Ra and the Ennead.^[33] As an aspect of the rising sun, Khepri's veneration formed part of the daily solar rituals performed within the temple enclosures, emphasizing themes of creation and renewal tied to the primeval mound.^[30] This integration underscored Heliopolis's role as the epicenter of solar theology from the Old Kingdom onward.^[33] Secondary associations of Khepri's worship extended to Thebes, Abydos, and El Kab during the New Kingdom, evidenced by temple expansions, tomb inscriptions, and stelae that incorporated his iconography into local solar and funerary practices.^[3] In Thebes, particularly at Karnak and in royal tombs like those in the Valley of the Kings, Khepri appeared alongside Amun-Ra syncretisms, reflecting the city's adoption of Heliopolitan elements amid Theban dominance.^[30] At Abydos, the Temple of Sethos I featured chapels with inscriptions to Re-Horakhty-Khepri, invoking his protective and renewing aspects.^[3] In El Kab, New Kingdom tombs contained hymns and depictions of Khepri in solar barks.^[3] The priesthood of Khepri largely overlapped with that of Ra, featuring a hierarchical structure where hem-netjer (servant of the god) priests conducted ceremonies invoking his transformative power, such as those involving scarab amulets in temple and tomb contexts.^[33] These priests, often based in Heliopolis but active across cult sites, emphasized purity and mediation between the divine and human realms, aligning with broader solar priesthood traditions.^[34] Khepri's cult experienced significant historical development, reaching its peak during the 18th Dynasty through royal patronage that amplified solar worship.^[33] This era marked a high point in Khepri's visibility, blending Heliopolitan roots with New Kingdom innovations.^[33]

Rituals and Offerings

Devotion to Khepri manifested in daily dawn rituals performed in solar temples, where priests burned frankincense as part of the liturgy to greet the rising sun and symbolize renewal.^[35] These ceremonies, aligned with the rising sun, emphasized Khepri's role in daily rebirth.^[2] Votive offerings to Khepri commonly included miniature scarab figurines and solar disks, which devotees buried or deposited in temple precincts such as Karnak to petition for individual rebirth and prosperity.^[18] These items, often made of faience or stone, served as tangible symbols of the god's regenerative power, ensuring the offerer's alignment with the solar cycle.^[36] In funerary practices, heart scarabs—large amulets inscribed with Spell 30 from the Book of the Dead—were placed over the deceased's chest during mummification, with priests reciting the spell to bind the heart against betraying its owner in the afterlife judgment.^[37] This integration invoked the scarab's symbolism of renewal to safeguard the soul's rebirth, preventing the heart from testifying adversely in the Hall of Two Truths.^[36] Papyri evidence, such as the Chicago collection, illustrates offerings of beer and bread to solar deities like Re, symbolizing the sun's nourishment and sustenance for the divine and the deceased, as depicted alongside the god in solar barques.^[38] These staples, presented in temple and tomb contexts, reinforced the deity's provision of eternal vitality.^[2]

Appearances in Sacred Texts

Funerary Literature

In ancient Egyptian funerary literature, Khepri played a prominent role as a symbol of rebirth and transformation, particularly through his association with the scarab beetle and the morning sun. This symbolism is evident in the Book of the Dead, where heart scarabs—amulets placed over the deceased's heart—were inscribed with Spell 30B to prevent the heart from testifying against the owner during judgment in the afterlife. The scarab form of these amulets directly invoked Khepri, the god embodying "coming into being" (kheper), ensuring the deceased's successful transformation and entry into the eternal realm, often crafted from green stone like nephrite to represent regeneration and mounted in gold for divine permanence.^[39] The spell's text addresses the heart directly, but the amulet's iconography tied it to Khepri's solar renewal, mirroring the sun's daily emergence and reinforcing the deceased's resurrection.^[39] Khepri's aid in the deceased's emergence, akin to the sunrise, appears frequently in the Coffin Texts, Middle Kingdom spells inscribed on elite coffins to guide the soul through the afterlife. In Spell 317, the deceased identifies with Khepri as a self-created being emerging from the "island of fire," symbolizing renewal and the soul's ascent like the rising sun, with the gods joining in the bark of eternity to affirm eternal length of life.^[40] Similarly, Spell 761 equates the deceased's flanks with Hu (creative word) and Khepri, reconstructing the body through divine attributes for rebirth, while Spell 326 positions the deceased as Horus guiding Khepri's paths across the sky, facilitating cosmic passage and daily-like renewal.^[40] These invocations emphasize Khepri's role in overcoming netherworld obstacles, as in Spell 441, where his throne is positioned beside the lord of eternity after repelling threats, enabling the ba (soul) to manifest and emerge transformed.^[40] The Pyramid Texts, the earliest known funerary corpus from the Old Kingdom pyramids, reference Khepri in contexts linking the pharaoh's resurrection to themes of becoming and self-generation. Further spells, such as Utterance 587, directly invoke Khepri alongside Atum as the self-engendered sun form, greeting "Khepri the self-engendered" to facilitate the king's ascension and resurrection, tying royal immortality to the god's creative becoming.^[41] Symbolically, funerary vignettes in the Book of the Dead often depict the deceased assuming forms to invoke transformative power akin to Khepri's scarab symbolism. These illustrations, common in New Kingdom papyri, portray the deceased pushing the solar disk to ensure rebirth, distinct from broader solar mythology by focusing on individual afterlife ascent.^[39]

Cosmological Narratives

In ancient Egyptian cosmological texts, Khepri plays a central role in the Amduat, particularly during the twelfth hour, where he embodies the regenerated form of the sun god Ra as the solar barque emerges from the underworld into the dawn. This final phase depicts the transformation of the nocturnal, ram-headed Ra into the scarab-beetle-headed Khepri, symbolizing renewal and the sun's triumphant rebirth after navigating the Duat's perils, thereby restoring cosmic order through the daily cycle of light.^[42]^[43] The Book of Gates further integrates Khepri into narratives of solar passage, portraying him as the reborn sun that confronts primordial chaos at the underworld's gates, ensuring the sun's emergence to maintain ma'at, the principle of harmony. In this text, Khepri's scarab form represents the invigorated solar disk rising victorious over serpentine guardians and chaotic forces, a motif that underscores his function in perpetuating the universe's stability against disorder during the nocturnal journey.^[44] The Litany of Re, a New Kingdom composition, invokes Khepri among the sun god's seventy-five forms to affirm cosmic stability, enumerating Re's manifestations—including Khepri as the dawning aspect—to invoke divine protection and the unyielding renewal of creation. This litany, recited to empower the solar cycle, positions Khepri's regenerative essence as essential to the gods' eternal vigilance over the ordered cosmos, preventing dissolution into chaos.^[45] New Kingdom tombs exemplify these narratives, notably the tomb of Thutmose III (KV 34), where scenes from the Amduat's twelfth hour illustrate Khepri's role in nocturnal renewal, with the scarab god at the solar barque's helm, lifting the reborn sun from the eastern horizon to symbolize the pharaoh's eternal rejuvenation alongside Ra. This placement near the sarcophagus integrates Khepri's imagery into the king's afterlife, reinforcing the cosmological promise of daily cosmic rebirth.^[42]^[43]

References

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Ancient Egyptian gods and goddesses | British Museum
Khepri. Often shown as a man with the head of a scarab beetle. God of the rising sun – scarab beetles were often depicted rolling a ball of dung, just as the ...<|control11|><|separator|>
[2]
Re: Sun King of the Egyptian Gods - ARCE
At dawn, he was Khepri, represented as a dung beetle. At sunset, he was Atum, the primordial creator, often shown as a human being dressed in kingly regalia.
[3]
The God Re-Horakhty-Khepri "Ra-@r-Axty-#pri" in Ancient Egypt
As for Khepri who was the form of the sun god which represented the solar disc rising on the eastern horizon. The Egyptians saw the scarab or dung beetle as a ...
[4]
Khepri | Henadology - WordPress.com
(Khopri, Khepera) Khepri's name comes from the Egyptian verb meaning 'to become', a word which also yields a noun meaning 'transformation' or simply 'form'.
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The concept of ḫprr in Old Kingdom religious texts - ResearchGate
PDF | On May 15, 2011, Joanna Popielska-Grzybowska published The concept of ḫprr in Old Kingdom religious texts | Find, read and cite all the research you ...Missing: pronunciation | Show results with:pronunciation
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Names of Gods and Goddesses, an Update - Imperishable Stars
Feb 21, 2017 · Eventually, in the Ptolemaic Period, most monumental hieroglyphic spellings of Khepri's name become ḫpy. By that time the sound change was so ...
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The actual phonetic realities underlying the abstract reconstructions are even more elusive: the traditional pronunciation and transliteration of many. Egyptian ...
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... Chnum, the creator god who shaped mankind on a potter's wheel; see Otto 1975 ... Khepri-Atum,125 whose name is hidden in my heart.126 Soul of souls is ...
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In one of the hymns to Amun-Re from Hibis Temple, a seemingly unique orthography of the name Khepri (. ) occurs in the sequence “Amun-Re-Horakhty-Atum-Khepri”.<|control11|><|separator|>
[11]
[PDF] khepri in egyptian religion - University of Pretoria
The name Kheper also means "to grow" and. "to change oneself" (Jacq, 1985:141 ). The scarab as single sign also stands for the name of the god. Khepri, who is ...
[12]
Gardiner's Sign List of Egyptian Hieroglyphs
Gardiner No. Hieroglyph, Description, Details. L1. 𓆣. Scarab beetle, Phono. ḫpr. In ḫpr “being, exist, become. L2. 𓆤. Bee, Ideo. for bity “King of Lower Egypt.”.Missing: Khepri representation
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Oct 31, 2008 · a head—was xpry, usually rendered as. “Khepri” in Egyptological literature. ... Andrews, Carol. 1994 Amulets of ancient Egypt. London: British ...
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Although the beetle often figures on the base of scarab seals as a hieroglyph ... Khepri. He is the god of the rising sun whereas Re is the sun in "all his ...Missing: hieroglyphs | Show results with:hieroglyphs
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Explores unique orthographies of the name Khepri as found in ancient Egyptian texts, specifically in the hymns for Amun-Re. The paper highlights examples ...
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This beautiful winged scarab pectoral illustrates the throne name of King Tutankhamun, “Neb- khepreu-re.” The central element is the scarab “Khepri” made of ...Missing: inscription | Show results with:inscription
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The scarab (kheper) beetle was one of the most popular amulets in ancient Egypt because the insect was a symbol of the sun god Re. This association evolved from ...Missing: Khepri | Show results with:Khepri
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The Colossal Khepri is a scarab beetle sculpture, made of rose-hued granite, representing the god Khepri, a solar deity, and was a symbol of regenerative ...
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This sculpture portrays a colossal scarab beetle, an insect associated with the young sun god Khepri. The scarab is perched atop an oval red granite plinth.
[21]
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A rare figure of the Egyptian scarab beetle creator god Khepri, with a human head and arms emerging from a scarab's exoskeleton.Missing: examples | Show results with:examples
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Oct 27, 2025 · This beetle was associated with the divine manifestation of the early morning sun, Khepri, whose name was written with the scarab hieroglyph and ...
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[PDF] Room 4 Touch Tour Guide | British Museum
They associated the beetle with the god Khepri, who was thought to push the sun disc into the morning sky, like a scarab beetle pushing its ball of dung.
[24]
Audio Guide - The Metropolitan Museum of Art
This moment of the sunrise is equated with a kind of rebirth. And so the beetle itself becomes this very powerful symbol of rebirth.
[25]
None
### Summary of Scarab Beetle's Association with Khepri
[26]
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By the Middle Kingdom, scarabs were being worn on the finger mounted as a ring, or threaded with a cord for the finger. Numerous impressions on clay ...
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Scarab Decorated with Papyrus and Winged Beetles - New Kingdom
The Egyptian dung beetle symbolizes creation and rebirth, which is emphasized here by the presence of plants as a reference to growth and fecundity. The ...
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Activities - Harvard Museums of Science & Culture
Khepri is a beetle-faced god in ancient Egyptian religion who represents the rising sun of the morning. He was associated with the dung beetle because they ...
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Creation myths and form(s) of the gods in ancient Egypt - Smarthistory
They believed that an ongoing cycle of decay, death, and rebirth was what ... Khepri, which combined the dusk and dawn manifestations of the sun god.
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May 7, 2021 · For instance Khepri could be shown as a scarab beetle in a boat being held up by the god Nun which is then a recapitulation of creation with the ...Missing: Gardiner E17
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This paper investigates the god Re-Horakhty-Khepri. The syncretism of two strong gods, Re and Horus, was one of the most significant events in. Egyptian ...
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Allusions to the tripartite division of solar cycle (Kheprer, Re, Atum) can be found. The spell deals with cleansing and revivification. It is attested in ...
[33]
None
Below is a merged summary of Khepri's involvement in Egyptian mythology, integrating all the information from the provided segments into a comprehensive response. To ensure maximum detail and clarity, I will use a table in CSV format to organize the key aspects (Solar Barque Journey, Nocturnal Rebirth, Battle Against Apophis, and Solar Cycle Integration) across the different summaries, followed by a narrative synthesis that ties everything together. The table will capture specific details, page references, and variations in depiction across the segments.
[34]
[PDF] Between Heaven and Earth: Birds in Ancient Egypt
This volume has been published in conjunction with the exhibition. Between Heaven and Earth: Birds in Ancient Egypt. October 15, 2012–July 28, 2013. Oriental ...<|control11|><|separator|>
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https://wellnavia.com/2025/03/24/when-the-gods-slept-kyphi-burned-ritual-rhythms-in-the-egyptian-temple/
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The main task of the priestly function was to worship, in the name of the pharaoh, the god or gods of a particular temple who were present in their cult images.
[37]
[PDF] Akhenaten's Religious Reforms - BYU ScholarsArchive
Nov 5, 2022 · The worship of the sun had gained particular importance throughout the Eighteenth Dynasty and Akhenaten furthered this movement with the ...
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Mar 24, 2025 · Dawn – Opening of the sanctuary, burning of frankincense; Midday – Offerings of myrrh and fresh linens; Sunset – Kyphi incense burned in silence ...
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Heart scarab - The Global Egyptian Museum
The common idea that the heart scarab was designed to replace the heart after its removal at mummification is incorrect. The Egyptians feared that the heart, ...
[40]
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Spell 30 was often inscribed on heart scarabs that were placed with the deceased. The spell appeals to the heart not to weigh down the balance or testify ...
[41]
Catalog Record: chicago.apis.254 [xml] - Papyri.info
At the top, Khepri squats enshrined on a bark behind which squat Isis and Nephthys. ... loaves, 1; (768) bread and beer, 6 (HELPINGS); (769) white bread in ?flat ...
[42]
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Oct 3, 2017 · and research in the field of the Book of the Dead. In addition to early scholarly articles presented in the oldest Egyptological journal ...
[43]
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the dead in the Coffin Texts. The identification between the dead ... with Khepri in the beginning of the spell and the passing through the island ...
[44]
English Translation of the Unas Pyramid Texts
The complete English translation of the pyramid texts from the pyramid of Unas (also spelled Wenis or Unis), based on translations by Faulkner, Piankoff and ...Missing: Khepri resurrection
[45]
Expedition Magazine | The Rebirth of the Sun - Penn Museum
This book consisted of a series of vignettes and texts arranged in linear fashion to depict the 12 regions of the Duat, which the sun god Re traversed during ...
[46]
[PDF] THE REBIRTH F THE SUN - Penn Museum
The seventh hour of the Amduat, from the tomb of Thutmose III, depicts the ram-headed sun god and his entourage in the night-boat (center register, left), as ...
[47]
Tomb Decoration and Theological Change in KV 57 - Academia.edu
... reborn as Khepri, the morning sun, while Osiris remains in the Duat. ... Book of Gates characterize the sun god. The Book of Gates' depiction of the ...
[48]
[PDF] The Litany of Re - The Eye
This, the fourth of a series of publications on Egyptian religion, presents the complete photographic recording of the reconstructed text of the Litany of ...