Paramore discography
The discography of Paramore, an American rock band formed in 2004, consists of six studio albums, five extended plays, two live albums, one remix album, and numerous singles released primarily through Fueled by Ramen and Atlantic Records from 2005 onward.[1] The band's debut studio album, All We Know Is Falling, arrived in 2005 and marked their entry into the pop-punk and alternative rock scenes, eventually earning a platinum certification from the RIAA in August 2025 for one million equivalent units sold in the United States.[2] Their sophomore effort, Riot! (2007), represented a commercial breakthrough, peaking at No. 15 on the Billboard 200 and achieving triple-platinum status from the RIAA in 2021 for over three million units.[1][3] Subsequent releases include the platinum-certified Brand New Eyes (2009), which debuted at No. 2 on the Billboard 200 and featured the multi-platinum single "The Only Exception," as well as the self-titled Paramore (2013), the band's first chart-topping album on the Billboard 200 and also platinum-certified by the RIAA.[4][5] Later works encompass the pop-infused After Laughter (2017), which peaked at No. 6 on the Billboard 200 and included the platinum single "Hard Times," and This Is Why (2023), debuting at No. 2 on the Billboard 200 with its title track topping the Alternative Airplay chart.[6][7] Paramore's extended plays, such as the early The Summer Tic (2006) and the 2011 Singles Club series (four monthly releases), along with live albums like The Final Riot! (2008), highlight their evolution from high-energy pop-punk to more experimental alternative sounds, while singles like "Misery Business" (six-times platinum) and "Ain't It Fun" (their first top-10 Hot 100 hit) underscore their enduring chart impact and over 10 billion streams on Spotify alone as of November 2025.[8][9][10]Album releases
Studio albums
Paramore has released six studio albums, marking their evolution from pop-punk roots to more experimental rock sounds. Their debut, All We Know Is Falling, arrived in 2005 via Fueled by Ramen, establishing the band's energetic style produced by James Paul Wisner. Subsequent releases built on this foundation, with Riot! (2007, Fueled by Ramen) produced by David Bendeth achieving triple platinum status in the US for over 3 million units sold. Brand New Eyes (2009, Fueled by Ramen), also produced by Bendeth, debuted at number 2 on the Billboard 200 and earned platinum certification. The self-titled Paramore (2013, Fueled by Ramen) marked a shift, co-produced by Justin Meldal-Johnsen and Taylor York on select tracks, topping the Billboard 200 and reaching platinum. After Laughter (2017, Fueled by Ramen) introduced brighter pop influences under Meldal-Johnsen and York's production, peaking at number 6 on the Billboard 200 and certified gold. Their latest, This Is Why (2023, Atlantic), produced by Carlos de la Garza, debuted at number 2 on the Billboard 200.| Album | Release Date | Label | Billboard 200 Peak | RIAA Certification |
|---|---|---|---|---|
| All We Know Is Falling | July 26, 2005 | Fueled by Ramen | Did not enter (peaked at #30 on Heatseekers Albums) | Platinum (2025) |
| Riot! | June 12, 2007 | Fueled by Ramen | #15 | 3× Platinum (2021) |
| Brand New Eyes | September 29, 2009 | Fueled by Ramen | #2 | Platinum (2016) |
| Paramore | April 9, 2013 | Fueled by Ramen | #1 | Platinum (2016) |
| After Laughter | May 12, 2017 | Fueled by Ramen | #6 | Gold (2021) |
| This Is Why | February 10, 2023 | Atlantic | #2 | None |
Live albums
Paramore has released two live albums, both captured during the band's 2008 tours supporting their breakthrough album Riot!. These releases highlight the group's energetic performances and audience interaction in their early career, showcasing raw live energy with extended improvisations and crowd participation not present in studio versions.[11][12] The first, Live in the UK 2008, was a limited-edition double CD-R set produced in collaboration with ConcertLive.co.uk and released on January 30, 2008, with only 1,000 copies available exclusively to UK fans.[13][14] It features recordings from three shows on the UK leg of the Riot! Tour: Manchester Apollo on January 30, Brixton Academy on February 1, and Birmingham Academy on February 4. The album emphasizes the band's pop-punk roots with high-tempo renditions of tracks from All We Know Is Falling and Riot!, including notable live extensions like the elongated guitar solos in "Let the Flames Begin." No official chart data exists due to its exclusive distribution.[15][16]| No. | Title | Recorded at | Length |
|---|---|---|---|
| 1 | "For a Pessimist, I'm Pretty Optimistic" | Manchester | 3:52 |
| 2 | "Born for This" | Manchester | 4:01 |
| 3 | "Emergency" | Manchester | 4:20 |
| 4 | "Never Let This Go" | Manchester | 3:41 |
| 5 | "Fences" | Manchester | 3:22 |
| 6 | "Let the Flames Begin" | Manchester | 5:45 |
| 7 | "When It Rains" | Manchester | 3:40 |
| 8 | "My Heart" | Manchester | 5:15 |
| 9 | "Crushcrushcrush" | Brixton | 3:10 |
| 10 | "Pressure" | Brixton | 3:51 |
| 11 | "Here We Go Again" | Brixton | 3:15 |
| 12 | "That's What You Get" | Brixton | 3:42 |
| 13 | "Stop This Song (Lovesick Melody)" | Birmingham | 3:08 |
| 14 | "Hallelujah" | Birmingham | 3:24 |
| No. | Title | Length |
|---|---|---|
| 1 | "Born for This" | 5:46 |
| 2 | "That's What You Get" | 3:34 |
| 3 | "Here We Go Again" | 4:10 |
| 4 | "Fences" | 3:21 |
| 5 | "Crushcrushcrush" | 3:10 |
| 6 | "Let the Flames Begin" | 5:38 |
| 7 | "When It Rains" | 4:03 |
| 8 | "My Heart" | 5:30 |
| 9 | "Hallelujah" | 3:16 |
| 10 | "Misery Business" | 3:32 |
| 11 | "For a Pessimist, I'm Pretty Optimistic" | 3:49 |
| 12 | "We Are Broken" | 3:40 |
| 13 | "Emergency" | 4:21 |
| 14 | "Until Tomorrow (You Dirty Rat)" | 3:09 |
| 15 | "Decode" | 4:25 |
Remix albums
Paramore's remix album, Re: This Is Why, was released on October 6, 2023, through Atlantic Records, serving as a collaborative reimagining of tracks from their sixth studio album, This Is Why.[21] The project originated as a creative extension of the original record, featuring contributions from a wide range of indie, alternative, and electronic artists who reworked the songs to highlight diverse stylistic interpretations, from post-punk to experimental electronica.[22] This release marked Paramore's final output under their Atlantic contract, emphasizing fan engagement through artist collaborations and a fresh take on their recent material.[23] The album comprises 12 tracks, with 11 remixes of songs from This Is Why and one new original composition, "Sanity," co-written by the band. Key remixes include Foals' energetic post-punk version of the title track "This Is Why," which amplifies the original's urgency with layered guitars and driving rhythms; The Linda Lindas' punk-infused rendition of "The News," injecting youthful rebellion and raw energy; and Panda Bear's psychedelic electronic overhaul of "Running Out Of Time," transforming it into a swirling, ambient soundscape.[24] Additional highlights feature Zane Lowe's bass-heavy, dubstep-tinged alternate mix of "Running Out Of Time," emphasizing pulsating drops; Romy's intimate, soulful reinterpretation of "C'est Comme Ça," with emotive vocals and subtle synths; Bartees Strange's gospel-touched soul remix of "Double Trouble," adding warmth and depth; Wet Leg's quirky, surf-rock flavored take on "You First"; Claud's lo-fi, introspective spin on "The Only Thing"; Julien Baker's haunting, piano-driven version of "Figure 8"; Remi Wolf's vibrant, funk-pop reworking of "Liar"; and Boyish's ethereal, dream-pop closer "Crave." These contributions collectively broaden the album's scope, blending Paramore's rock foundations with guest artists' unique signatures to create a dynamic mosaic of sounds.[21][22]| Track | Title | Remix Contributor |
|---|---|---|
| 1 | This Is Why | Foals |
| 2 | The News | The Linda Lindas |
| 3 | Running Out Of Time | Panda Bear |
| 4 | Running Out Of Time | Zane Lowe |
| 5 | C'est Comme Ça | Romy |
| 6 | Double Trouble | Bartees Strange |
| 7 | You First | Wet Leg |
| 8 | The Only Thing | Claud |
| 9 | Figure 8 | Julien Baker |
| 10 | Liar | Remi Wolf |
| 11 | Crave | Boyish |
| 12 | Sanity | Paramore |
Non-album releases
Extended plays
Paramore's extended plays represent supplementary releases that complement their studio albums, offering b-sides, acoustic arrangements, promotional material, and thematic collections of covers. These EPs typically range from 4 to 7 tracks and emphasize non-album exclusivity, providing fans with unique insights into the band's creative process, from early pop-punk energy to more introspective acoustic interpretations and collaborative efforts. While not full-length albums, they have played key roles in bridging album cycles and exploring experimental or holiday-themed content. The Summer Tic EP, released on June 18, 2006, by Fueled by Ramen, served as an early promotional vehicle during the band's Warped Tour appearances, coinciding with the rollout of their debut album All We Know Is Falling. Consisting of five tracks, it features a mix of live staples and exclusive material, including the b-side "Oh Star" and covers like Bon Iver's "Re: Stack," alongside "Stuck on You" and an acoustic "Fences." Originally available only as a physical CD at shows, it highlighted Paramore's raw, energetic pop-punk sound and was reissued digitally in 2025 for the 20th anniversary of their debut album.[26][27] The 2010 Summer Tour EP, released on August 10, 2010, by Fueled by Ramen, was a promotional release tied to the band's summer touring, featuring live recordings and exclusive tracks from that period. It included four tracks and was available digitally and on CD. The Only Exception EP, released on September 28, 2010, by Fueled by Ramen, focuses on the single "The Only Exception" from Brand New Eyes, with remixes, acoustic versions, and b-sides. It contains five tracks and served as a companion to the ballad's promotion. Singles Club, a series of four monthly digital EPs released in late 2011 by Fueled by Ramen, bridged the gap to the self-titled album. Each EP featured two tracks: "Part of Me" (October), "In the Mourning" (November), "Monster" (December), and "Hate to See Your Heart Break" (2013, but part of series). Limited 7" vinyl editions were also produced. This initiative showcased new material during the band's transition.) The Holiday Sessions, a 4-track EP released on April 20, 2013, by Fueled by Ramen as a limited 7" vinyl for Record Store Day (700 copies), features acoustic sessions with a holiday theme. It includes "Holiday," "Native Tongue," "Stay with Me," and "I'm Not Angry Anymore," drawing from self-titled album sessions but presented introspectively. A digital version followed later.[28] Ain't It Fun Remixes, a digital EP released on June 24, 2014, by Fueled by Ramen, compiles remixes of the hit single "Ain't It Fun" from the self-titled album. Featuring versions by artists like Foxes and Armin van Buuren, it extends the track's dance and electronic appeal.Singles
Paramore's singles discography encompasses 28 official releases from 2005 to 2024, primarily serving as lead or promotional tracks from their studio albums, extended plays, and soundtrack contributions. These singles have collectively garnered significant commercial success, with several achieving top 40 positions on the Billboard Hot 100 and multi-platinum certifications from the RIAA in the United States. The band's early singles, such as "Misery Business" and "Decode," helped establish their pop-punk sound, while later releases like "Ain't It Fun" marked a shift toward mainstream crossover appeal. International variants, including UK-specific physical releases and European radio edits, have also contributed to their global reach, though U.S. charts remain the primary benchmark for performance. The following table lists all singles in chronological order by release date, including associated album or project, peak position on the Billboard Hot 100 (where applicable), and notable certifications. B-sides unique to single formats are noted where relevant.| Title | Release Date | Album/Project | Billboard Hot 100 Peak | Certifications | Notes/B-sides |
|---|---|---|---|---|---|
| Pressure | August 2, 2005 | All We Know Is Falling | — | — | Debut single; UK CD single variant with "Here We Go Again" as B-side. |
| Emergency | October 11, 2005 | All We Know Is Falling | — | — | Follow-up single; international promo with live tracks. |
| All We Know | December 16, 2006 | All We Know Is Falling | — | — | Third single; limited European release. |
| That's What You Get | March 20, 2007 | Riot! | #66 | Platinum (RIAA) | Lead single from second album; UK single with "Stop This Song (Love Sick Melody)" B-side. |
| Hallelujah | June 25, 2007 | Riot! | — | — | Promotional single; UK digital release. |
| Misery Business | June 12, 2007 | Riot! | #23 | 3× Platinum (RIAA) | Breakthrough hit; re-released in 2017 with edited lyrics; UK variant with "Stop the Show" B-side. |
| Crushcrushcrush | October 16, 2007 | Riot! | #64 | Platinum (RIAA) | Third single; featured acoustic version in some international editions. |
| Decode | October 27, 2008 | Twilight Soundtrack | #75 | 2× Platinum (RIAA) | Soundtrack single; B-side "I Caught Myself" on physical releases; UK CD single variant. |
| Ignorance | May 4, 2009 | Brand New Eyes | #78 | — | Lead single; European promo with remix. |
| Brick by Boring Brick | November 23, 2009 | Brand New Eyes | — | — | Second single; UK release with "Swimming Home" B-side. |
| Playing God | December 14, 2009 | Brand New Eyes | — | — | Third single; digital-only in most markets. |
| The Only Exception | February 26, 2010 | Brand New Eyes | #24 | 3× Platinum (RIAA) | Ballad single; international variants include live versions. |
| Careful | June 7, 2010 | Brand New Eyes | — | — | Fifth single; UK physical release. |
| Monster | December 6, 2011 | Singles Club EP / Now (album bonus) | #36 | — | Part of Singles Club series; B-side "Renegade" on vinyl. |
| Part of Me | October 10, 2011 | Singles Club EP | — | — | First Singles Club release; limited 7" vinyl. |
| In the Mourning | November 7, 2011 | Singles Club EP | — | — | Second Singles Club single; handwritten note edition. |
| Now | January 7, 2013 | Paramore | #77 | — | Lead single from self-titled album; UK radio promo. |
| Still Into You | March 11, 2013 | Paramore | #24 | Platinum (RIAA) | Second single; Grammy-nominated. |
| Daydreaming | April 22, 2013 | Paramore | — | — | Third single; international digital release. |
| Ain't It Fun | February 24, 2014 | Paramore | #10 | 2× Platinum (RIAA) | Fourth single; band's highest-charting; Grammy for Best Rock Song. |
| Last Hope | November 18, 2013 | Paramore | #17 | Platinum (RIAA) | Fifth single; re-released in 2014. |
| Hard Times | April 3, 2017 | After Laughter | #90 | — | Lead single from fifth album; UK variant with remix. |
| Told You So | May 15, 2017 | After Laughter | — | — | Second single; European promo. |
| Rose-Colored Boy | March 12, 2018 | After Laughter | — | — | Third single; digital release with alternate mix. |
| This Is Why | November 11, 2022 | This Is Why | — | Gold (RIAA) | Lead single from sixth album; early digital release. |
| The News | December 8, 2022 | This Is Why | — | — | Second single; flexi disc physical edition. |
Charting songs
Other charted songs
Paramore has seen several non-single tracks gain traction on music charts, often driven by soundtrack placements and high-profile collaborations rather than traditional promotion. The band's contribution to the 2008 film Twilight's original soundtrack, "Decode," marked their first significant Hot 100 entry without single status, debuting amid the movie's popularity and peaking at No. 33 after spending nine weeks on the chart. It also reached No. 5 on the Alternative Airplay chart, showcasing Paramore's crossover appeal in rock and pop formats.[9][6] In the realm of collaborations, Hayley Williams' feature on Taylor Swift's "Castles Crumbling" from the 2023 re-recording Speak Now (Taylor's Version) debuted and peaked at No. 31 on the Hot 100, bolstered by the album's massive streaming debut. This track highlighted Williams' vocal synergy with Swift, entering the chart as part of the project's vault songs without standalone single promotion from Paramore.[29] Soundtrack-specific efforts like "I Caught Myself," another *Twilight* saga contribution for Eclipse in 2010, received radio play but did not enter major Billboard charts, underscoring "Decode" as the standout in that category. Tracks from later albums, such as those on This Is Why (2023), have occasionally bubbled on alternative formats through organic airplay, though without the same Hot 100 impact as these earlier entries.[9]Certified songs
Paramore's songs have achieved numerous certifications from major recording industry associations, highlighting their enduring popularity through physical sales, downloads, and streaming equivalents. In the United States, the Recording Industry Association of America (RIAA) has certified several tracks at multi-platinum levels, particularly from their early catalog, with updates reflecting the impact of streaming platforms in the 2020s. For instance, "Misery Business" from the 2007 album Riot! reached 6× Platinum status in June 2022, recognizing over 6 million units sold or streamed. Similarly, "The Only Exception" from 2009's Brand New Eyes was certified 2× Platinum in March 2019, a post-2020 update driven by renewed streaming interest. These certifications underscore how older tracks continue to accumulate units in the digital era. Other notable RIAA certifications include "Ain't It Fun" from the 2013 self-titled album, which earned 3× Platinum in March 2019 for exceeding 3 million units, marking one of the band's biggest commercial hits. "Still Into You," also from the self-titled album, holds 2× Platinum certification since July 2015, with over 2 million units. "Decode," a 2008 standalone single for the Twilight soundtrack, similarly achieved 2× Platinum in 2019. Tracks like "Crushcrushcrush" from Riot! received Platinum certification in March 2016 for 1 million units, while more recent updates in August 2025 certified "Pressure" from the 2005 debut All We Know Is Falling at Platinum and "Emergency" from the same album at Gold.| Song | Album/Single | Certification | Date | Units |
|---|---|---|---|---|
| Misery Business | Riot! (2007) | 6× Platinum | June 2022 | 6,000,000 |
| Ain't It Fun | Paramore (2013) | 3× Platinum | March 2019 | 3,000,000 |
| Still Into You | Paramore (2013) | 2× Platinum | July 2015 | 2,000,000 |
| The Only Exception | Brand New Eyes (2009) | 2× Platinum | March 2019 | 2,000,000 |
| Decode | Twilight Soundtrack (2008) | 2× Platinum | March 2019 | 2,000,000 |
| Crushcrushcrush | Riot! (2007) | Platinum | March 2016 | 1,000,000 |
| Pressure | All We Know Is Falling (2005) | Platinum | August 2025 | 1,000,000 |
| Hard Times | After Laughter (2017) | Gold | April 2018 | 500,000 |
| Emergency | All We Know Is Falling (2005) | Gold | August 2025 | 500,000 |
Video releases
Video compilations
The Final Riot! serves as Paramore's principal video compilation, released as a bonus DVD bundled with the live album of the same name on November 25, 2008, through Fueled by Ramen Records.[30][31] Recorded during the band's Final Riot! Tour, the DVD captures visual elements complementing the audio counterpart, emphasizing the group's dynamic stage presence and tour experiences.[31] The content is divided into three key segments. The primary section, "The Final Riot! Live in Chicago," presents full concert footage from the band's performance at the Congress Theater on August 12, 2008, featuring live renditions of tracks from their album Riot!, including high-energy performances of "Misery Business," "That's What You Get," "Let the Flames Begin," and "Decode."[31][32] A second segment, "40 Days of Riot!," offers a behind-the-scenes documentary chronicling the tour's daily life, challenges, and band interactions over 40 days on the road.[31] The third, "The Final Riot! On Tour," includes exclusive interviews with band members and additional tour highlights, providing insights into their creative process and fan connections.[31] Available primarily in a CD/DVD combo format, the release highlights Paramore's transition from studio recordings to live documentation, with the DVD runtime exceeding 90 minutes of video material.[30][31] The accompanying live album charted at number 88 on the Billboard 200, reflecting the bundled package's commercial reception.[33] In September 2009, Paramore released Paramore's Videos. All of Them. Ever., a digital compilation available exclusively through iTunes, featuring 10 official music videos from their early career, including "Misery Business," "That's What You Get," "Crushcrushcrush," "Decode," "The Only Exception," and others up to that point.[34] This collection served as a retrospective of their visual works prior to the self-titled album era.[35]Music videos
Paramore has produced over 30 music videos since 2005, serving as key promotional tools for their singles and albums, often blending performance footage with narrative storytelling that explores themes of relationships, identity, and societal critique.[36] These visuals have evolved from the raw, high-energy pop-punk style of their early work to more polished, genre-blending aesthetics in later releases, frequently directed by collaborators who capture the band's emotional intensity and Hayley Williams' dynamic presence. Release timelines align closely with album cycles, with many videos debuting on digital platforms like YouTube starting around 2010 to maximize fan interaction and streaming visibility.[37] Early videos established Paramore's visual identity through dramatic, youthful narratives. For instance, the video for "Pressure," released in 2005 and directed by Shane Drake, features the band performing amid shadowy, confined spaces that evoke tension and urgency, mirroring the song's lyrical pressure.[38] Similarly, "Emergency" (2006), also helmed by Drake, incorporates fast-paced cuts and band interplay in an abandoned warehouse, emphasizing themes of emotional chaos.[39] In 2008, Marcos Siega directed "That's What You Get," portraying a chaotic house party with synchronized performances and comedic mishaps, highlighting relational confusion in a lively, teen-centric setting.[40] That same year, Drake's direction for "Decode"—commissioned for the Twilight soundtrack—delivers a cinematic narrative where Williams navigates a supernatural chase and romantic entanglement, integrating seamlessly with the film's gothic romance themes. As Paramore's sound matured in the 2010s, their videos incorporated brighter, more experimental elements. "Misery Business" (2007), directed by Shane Drake, uses a high school bullying storyline interspersed with band performances, amplifying the song's empowerment anthems through vivid, confrontational visuals.[41] The 2013 video for "Still Into You," directed by Isaac Rentz, bursts with color as Williams dances through urban and natural landscapes, symbolizing joyful persistence in love with a playful, upbeat vibe.[42] "Now" (2013), under Daniel "Cloud" Campos' direction, employs stark black-and-white cinematography and symbolic imagery like shattering glass to convey isolation and resolve.[43] By 2017, "Hard Times" (2017), directed by Andrew Joffe, channels '80s MTV nostalgia with retro synth-pop aesthetics and dreamlike sequences of Williams in oversized suits, underscoring resilience amid adversity.[44] In the late 2010s and 2020s, videos reflected Paramore's shift toward alternative and introspective styles, often with satirical or socially aware undertones. Warren Fu's 2018 direction for "Rose-Colored Boy" satirizes media optimism through an '80s newsroom parody, with Williams as a disillusioned anchor delivering deadpan commentary.[45] The 2022 video for "This Is Why," directed by Brendan Yates, premiered on YouTube in September and unfolds in a frenetic news studio setting, capturing collective frustration with modern chaos through rapid edits and expressive performances.[46] Similarly, "Thick Skull" (2024), again by Yates, uses intimate, raw footage to explore personal stubbornness, maintaining the band's tradition of thematic depth tied to single promotions.[47]| Year | Song | Director | Themes/Notes |
|---|---|---|---|
| 2005 | Pressure | Shane Drake | Atmospheric performance in confined spaces, evoking tension.[38] |
| 2006 | Emergency | Shane Drake | Chaotic warehouse performance highlighting emotional urgency.[39] |
| 2007 | Misery Business | Shane Drake | High school narrative on empowerment and confrontation.[41] |
| 2008 | That's What You Get | Marcos Siega | Comedic house party chaos tied to relationship themes.[40] |
| 2008 | Decode | Shane Drake | Supernatural narrative for Twilight soundtrack, romantic drama. |
| 2013 | Still Into You | Isaac Rentz | Vibrant, dance-filled visuals symbolizing enduring affection.[42] |
| 2013 | Now | Daniel "Cloud" Campos | Symbolic black-and-white imagery of isolation.[43] |
| 2017 | Hard Times | Andrew Joffe | '80s-inspired retro dream sequences on resilience.[44] |
| 2018 | Rose-Colored Boy | Warren Fu | Satirical '80s news broadcast critiquing optimism.[45] |
| 2022 | This Is Why | Brendan Yates | Tense newsroom frenzy reflecting societal frustration; YouTube premiere.[46] |