Felix Clary Weatherall (born June 1993), known professionally as Ross from Friends, is a British electronic music producer, DJ, and songwriter from Colchester, Essex.[1]Weatherall began releasing music in the mid-2010s on independent labels such as Lobster Theremin and Breaker Breaker. He signed to Brainfeeder in 2018, releasing his debut album Family Portrait that year, followed by the EP Epiphany in 2019 and his second album Tread in 2021. In 2021, he founded the record label Scarlet Tiger.[2][3]In 2024, Weatherall debuted the alias Bubble Love, a project focused on uplifting electronic pop, with singles like "Believe" and the album Bubble Love released in December 2024. He performs live with a band including guitar and saxophone, and has toured internationally at festivals such as Primavera Sound and Coachella.[4][5]
Early life
Family and upbringing
Felix Clary Weatherall, known professionally as Ross from Friends, was born in June 1993 in Brightlingsea, a coastal town near Colchester in Essex, England.[6]He grew up in this seaside environment within a family deeply immersed in music and the burgeoning rave culture of the era, which profoundly shaped his early exposure to electronic sounds and creative expression.[7][6]Weatherall's father, Jamie Clary, played a pivotal role as a sound system designer who constructed custom setups in the 1980s and toured them across Europe in a converted bus, performing at squat parties and impromptu raves with genres including hi-NRG dance, Italo disco, and proto-techno.[8][7]His mother, Jo Weatherall, was actively involved in the 1990s rave scene, documenting their travels and events through personal video footage; this material later featured prominently in the music video for his track "Pale Blue Dot," serving as a nostalgic tribute to that formative period in his parents' lives.[8][6]The family dynamic fostered strong encouragement toward creative pursuits, with Clary's extensive record collection providing young Felix with constant access to diverse music, while his sister emerged as a key role model in the household.[7]
Musical beginnings
Felix Clary Weatherall, known professionally as Ross from Friends, developed an early interest in electronic music through his family's deep immersion in techno and rave culture during the late 1980s and early 1990s. His father, a non-professional DJ and sound system builder, frequently played hi-NRG, Italo disco, and early techno at squat parties across Europe, including a 1990 tour where he met Weatherall's mother at a rave. This environment exposed the young Weatherall to lo-fi analogue tapes, synthesisers, and the DIY spirit of underground raves, fostering a natural affinity for dance music from childhood.[9][10][11]Around the age of 16 or 17, Weatherall began self-teaching production skills, initially blending guitar recordings from his indie band experiences with basic drum programming on a home computer. Using accessible software like GarageBand, he experimented with chopping samples and creating cut-up beats without formal training, transitioning from rock-oriented band music to electronic experimentation. His father's extensive record collection provided indirect access to early equipment and sounds, encouraging a hands-on, trial-and-error approach in his family's Essex home.[10][12][7]Weatherall's formative influences extended to the lo-fi aesthetics of 1990s and 2000s UK garage and funky house, which he discovered through personal online exploration rather than structured education. Growing up in the musically sparse towns of Brightlingsea and Colchester in Essex, he found limited local scenes but engaged informally through school bands like Broken Heads, where he won a battle of the bands contest, and early dubstep inspirations from artists like Skream. By his late teens, he joined online communities such as the Strictly Lo-Fi Facebook group, honing a DIY ethos in private experiments that emphasized nostalgic, grainy textures over polished production.[12][11][7]His first amateur tracks, created under pseudonyms like Munching Beans, consisted of unreleased gnarly dubstep and sample-heavy experiments uploaded sporadically to platforms like SoundCloud, reflecting a solitary, bedroom-based creative process before any professional involvement. These early efforts underscored a commitment to intuitive, low-fidelity sound design, often taking hours to source obscure samples from YouTube, and laid the groundwork for his later alias adoption in 2012 upon moving to London.[12][13][3]
Career
Early career (2012–2015)
Ross from Friends, the recording alias of British producer Felix Clary Weatherall, entered the electronic music scene with his debut EP David Crane's Amazing Tennis in 2013, a self-released digital collection that introduced his lo-fi house style through hazy, sample-heavy tracks like "Herculean Strength" and "Wear You Down."[14] The release drew from nostalgic 1980s influences, blending crackling vinyl textures with laid-back house rhythms to build a local following in the UK underground.[14]By 2015, Weatherall expanded his output with the Alex Brown EP on the South London-based Breaker Breaker label, featuring three tracks—"Golf School," "Ridley Schöttt," and ".biz"—that incorporated jazzy chords, disco samples, and off-kilter beats, earning acclaim for their warm, organic feel within the burgeoning lo-fi house movement.[15] The track "(Talk to Me) You'll Understand" generated significant early buzz upon its 2015 digital emergence, circulating widely on platforms like SoundCloud and YouTube among UK electronic enthusiasts before its formal inclusion on the You'll Understand EP.[16] It has since amassed over 8.9 million views on YouTube, underscoring its enduring appeal in lo-fi house circles.[17]Critics and blogs in the UK electronic press quickly recognized Weatherall as a promising lo-fi house innovator, with premieres of tracks like ".biz" on sites such as Stamp The Wax highlighting his skillful sampling and nostalgic vibe, while interviews in outlets like The Ransom Note noted his rapid rise through small-label output and online traction.[18][16]
Rise to fame (2016–2018)
In 2016, Ross from Friends, the alias of BritishproducerFelix Clary Weatherall, continued building momentum with the You'll Understand EP on Distant Hawaii, a sub-label of Lobster Theremin, featuring "Gettin' It Done," "Bootman," and the standout "(Talk to Me) You'll Understand," a melodic cut with woozy synths and emotive vocal chops that captured the genre's dreamy essence.[19] This release solidified the buzz from the track's earlier digital circulation in lo-fi house circles due to its hazy, nostalgic sampling and emotional resonance.[20][11] The momentum carried into 2017 with the release of two key EPs that served as transitional works, bridging his early independent output to broader recognition: The Outsiders on Magicwire, featuring tracks like "Crimson" and "The Outsiders" that explored deeper house grooves, and Don't Sleep, There Are Snakes on Lobster Theremin, including "In An Emergency" and "xoxoxo," which highlighted his evolving blend of melancholic synths and rhythmic drive.[21][22][23]Building on this buzz, Weatherall signed to Flying Lotus's Brainfeeder label in early 2018, marking a pivotal step toward international exposure.[24] His debut Brainfeeder release, the Aphelion EP in April 2018, previewed the fuller sound of his forthcoming album with tracks like "Don't Wake Dad" and "John Cage," incorporating vibrant Japanese boogie influences alongside classic house elements for a sun-soaked, exploratory vibe.[25][11]The culmination of this rise came with Weatherall's debut studio album, Family Portrait, released on Brainfeeder on July 27, 2018. The record fused hip-hop sampling aesthetics, 1980s Japanese city pop-inspired melodies, and nostalgic house rhythms into a cohesive 12-track collection conceptualized as intimate "family" snapshots of personal life, with Weatherall incorporating his own vocal recordings for the first time on cuts like "Epiphany" and "Astral Body." The tracklist includes: "Happy Birthday Nick," "Thank God I'm A Lizard," "Wear Me Down," "The Knife," "Family Portrait," "Back into Space," "Project Cybersyn," "I Must Be Losing My Mind," "Epiphany," "Astral Body," "Pale Blue Dot," and "Boots Man."[26][27][11] The album received widespread critical acclaim, earning a "One to Watch" feature from The Guardian for its innovative take on dance nostalgia and coverage in Mixmag that solidified his role as a lo-fi house innovator.[9][11]
Established career (2019–2021)
Following the melodic house and UK garage elements of his debut album Family Portrait, Ross from Friends released the Epiphany EP on August 16, 2019, via Brainfeeder.[28] The three-track EP, comprising "Epiphany," "The Revolution," and "Phantom Ratio" (plus shortened edits), was recorded in a new studio environment that encouraged a shift toward more experimental electronic sounds, incorporating sleeker, tougher production suited for dancefloors while retaining sample-based construction.[29] This release marked his fourth outing on the label and demonstrated a bolder, more introspective edge compared to prior work.[30]During this period, Ross from Friends contributed remixes that highlighted his production versatility, including a rework of Flume's "Let You Know" featuring London Grammar, released on August 23, 2019, which infused the original with his signature emotive, garage-inflected beats.[31] Concurrently, his music saw growing traction on streaming platforms, with tracks from Epiphany such as the title song accumulating nearly 3 million Spotify streams by 2021, and securing placements on editorial playlists like Apple Music's "Ross from Friends Essentials."[32] This visibility contributed to broader audience reach, building on his established fanbase in electronic music circles.[33]Ross from Friends consolidated his career with the second studio album Tread, released on October 22, 2021, via Brainfeeder, featuring 12 tracks including "The Daisy," "Love Divide," and "Revellers."[34] The album explores themes of nostalgia, artistic evolution, love, and personal memories rooted in South London experiences, such as past parties and relationships, crafted using custom software called "Thresho" for spontaneous sample capture.[35] Its sound blends melodic depth with UK garage influences like 2-step rhythms and emotive pads, creating a modern, danceable yet reflective electronic palette that ranges from melancholy to euphoria.[36]Tread received positive reviews for its poignant melodies, confident individuality, and evolution in future garageproduction, earning a critic score of 78/100 on Album of the Year based on four aggregated reviews.[37] Outlets praised tracks like "The Daisy" for their club-ready energy and exploratory phrasing, though some critiques noted a perceived lack of bold innovation, with user scores averaging 75/100 across 250 ratings.[38] Streaming metrics underscored its impact, as singles "Love Divide" and "The Daisy" surpassed 7 million and 6.5 million Spotify plays, respectively, by late 2021, reflecting peak activity in playlist curation and listener engagement.[39]
Recent developments (2022–2025)
Following the release of his 2021 album Tread, Ross from Friends, the alias of Felix Clary Weatherall, entered a creative hiatus in 2022 and 2023, during which he produced limited new material while prioritizing the refinement of his live performances and personal recharge. This period saw him maintain activity through select shows, such as a full set at Brunch Electronik Festival in Barcelona in October 2023 and a performance at Elsewhere in New York City in March 2022, allowing focus on evolving his stage presentation without major studio commitments. By mid-2023, Weatherall described ending this hiatus, with plans for a third album under his primary moniker already underway, signaling a deliberate pause to reassess his artistic direction after the introspective arc of Tread.[40]In 2024, Weatherall launched the Bubble Love alias as a creative pivot toward uplifting electronic music characterized by soaring melodies and dancefloor energy, contrasting the lo-fi house of his earlier work. The project debuted with the single "Believe" in September 2024, followed by remixes of his own tracks "Love Divide" and "The Knife" released on Brainfeeder in July 2024, which infused four-to-the-floor beats and heightened emotional intensity.[4][41][42] This alias emerged from experiments blending the euphoria of live sets with club-oriented production, aiming to capture "drunk, decisive, hedonistic energy" in a brighter, more immediate sound.[5]Bubble Love's self-titled debut album arrived on December 6, 2024, via Scarlet Tiger, featuring ten tracks that emphasize playful synths, euphoric vibes, and a mix of warm house grooves with darker, introspective edges. Highlights include collaborations like "Close Your Eyes" with Cameo Blush and Jeshi, and singles "Double Caper" and "Hate," which showcase vibrant, Daft Punk-inspired melodies alongside raw emotional depth. Critics noted the record's high-energy pop-club aesthetic as a fun, disorienting evolution into alternative dance, prioritizing accessibility and hedonism over the analog introspection of prior releases. The album's house and future garage elements marked Weatherall's exploration of relational themes through fresh electronic soundscapes.[43][44][45][46][47]Extending the alias's momentum, Bubble Love released the single "Lying in the Sand" on April 11, 2025, credited jointly with Ross from Friends and incorporating solo vocal elements for the first time in years, evoking a return to personal lyricism amid summery, laid-back production. This three-track release sampled elements from earlier works while introducing hazy, beach-infused electronics, reinforcing the project's euphoric shift.[48]In 2025, the project performed at events including the Guinness Cork Jazz Festival on October 26 at Cyprus Avenue in Ireland, blending lo-fi electronics with soulful textures in a late-night set, and presented a set as Bubble Love at the Glastonbury Festival on September 19.[49][50] US dates included a show at The Great Northern in San Francisco on July 11. Bubble Love has announced tours across Australia and New Zealand for late 2025 and early 2026, including appearances at Coro Classic on January 3, 2026, the sold-out Lost Paradise festival from December 28, 2025, to January 1, 2026, in Glenworth Valley, and New Year's at the Bowl in Melbourne on December 31, 2025. These engagements highlight Bubble Love's club-driven focus, drawing crowds eager for the alias's vibrant, melody-led sound.[51][52][53]
Musical style
Influences
Ross from Friends, whose real name is Felix Clary Weatherall, draws heavily from the 1990sUKrave and techno scenes, largely shaped by his father's experiences in that era. His father, a designer of electronic sound systems, organized hi-NRG dance parties at Londonsquats in the late 1980s and produced early-1990s rave tapes,[11] immersing Weatherall in stories of squatpartyculture and the vibrant undergroundelectronic landscape. This familial exposure instilled a deep appreciation for the raw energy and communal spirit of those events, which Weatherall has cited as foundational to his interest in electronic music production.[27]Early in his career, Weatherall aligned with lo-fi house pioneers and UK garage revivalists, including DJ Seinfeld, Mall Grab, and DJ Boring, whose hazy, emotive takes on house and garage informed his initial sound. These contemporaries helped propel the lo-fi house movement in the mid-2010s, blending nostalgic samples with contemporary club rhythms, a style Weatherall adopted and expanded in his early EPs like You'll Understand (2016). Their influence is evident in his emphasis on warmth and imperfection over polished production, fostering a revival of UK garage's swung beats and atmospheric textures.[54]The 1980s Japanese boogie and city pop genres also play a significant role, particularly in tracks from his debut album Family Portrait (2018), where Weatherall incorporates their funky, upbeat grooves and synth-driven melodies through sampling. This draws from the era's vibrant pop-funk fusion, adding a layer of exotic nostalgia to his house tracks, as noted in descriptions of the album's eclectic electronic palette. Additionally, hip-hop and funk elements are blended into his house foundations in early releases, with hip-hop's sampling techniques and funk's rhythmic bounce providing structural inspiration for his percussive arrangements.[11][55]Broader nostalgic sources, including fragmented "half-memories" of 1990s and 2000s electronic music, underpin Weatherall's work, evoking personal and cultural reminiscences through warped synths and obscured samples. In a 2018 feature, he described this approach as capturing elusive, euphoric moments from his youth, blending them into a cohesive yet dreamy aesthetic across his discography.[11]
Sound characteristics
Ross from Friends' music is characterized by a signature lo-fi house aesthetic, featuring warm, distorted samples and nostalgic melodies that evoke the vibrant energy of 1990s club scenes. This style draws on analogue tape warmth and synthesisers to create hazy, worn-out textures reminiscent of VHS-era nostalgia, blending fuzzy productions with tactile rhythms and subtle crackle for an intimate, retro-futuristic feel.[27][9]Central to this sound are chopped and spectral vocal samples, often muffled and layered for emotional depth, alongside funky basslines that provide propulsion and subtle hip hop-influenced drums that add a laid-back groove without overpowering the melody. In works like Family Portrait and Tread, these elements combine with clattering yet understated drum machines and thumping rhythms to form bouncy house foundations, evoking personal histories tied to rave culture and urban nightlife. Layered synths create misty washes and twinkling motifs, while reverb-heavy atmospheres enhance the reflective, underwater-like immersion, fostering themes of memory, love, and introspective solitude across releases. Production relies on Ableton Live as the primary digital audio workstation, enabling seamless integration of live-looped drums and bass for dynamic builds.[27][36][56]The evolution of this sound progresses from the gritty, static-laden grit of early EPs—marked by thick, grating loops and cheap drum machine aesthetics—to more polished, euphoric structures in later albums like Tread, where original recordings replace heavy sampling for a mature, melodic introspection. Custom software like Thresho aids this shift by archiving spontaneous sessions, allowing for expansive experimentation with thresholds and timestamps to refine compressed, character-rich layers. In contrast, the Bubble Love project adopts a brighter, more melody-driven approach with vibrant pop-club energy and nu-disco twinkles, diverging from the sepia-toned gauziness of Ross from Friends' core lo-fi palette. This progression subtly incorporates external influences, such as the rhythmic vibrancy of Japanese boogie, to infuse house foundations with eclectic warmth. This brighter approach is further explored in the self-titled debut album under Bubble Love (2024) and the single "Lying In The Sand" (2025), emphasizing vibrant pop-club energy and nu-disco elements.[56][57][5][11]
Live performances
Band and equipment
Ross from Friends, the project of Felix Clary Weatherall, performs live as a trio that blends electronic sequencing with live instrumentation to create a dynamic, improvisational sound. Weatherall handles Ableton Live for clip launching, sequencing beats and basslines, while utilizing keys for melodic elements; he is joined by Jed Hampson on electric guitar and drum machine, and John Dunk on saxophone and synthesizers.[58][59][60]The band's equipment centers on digital and analog tools for flexibility in live settings. Weatherall employs a laptop running Ableton Live, augmented by Novation controllers for real-time manipulation of clips, knobs, and faders, allowing seamless transitions between pre-arranged tracks and on-the-fly adjustments. Hardware synths, operated primarily by Dunk, enable improvisational layers, while Hampson's guitar adds textural depth; the setup incorporates minimal stage visuals to prioritize the auditory experience over elaborate production.[58][61]A key feature of the live configuration is the saxophone, played by Dunk, which introduces organic, jazzy improvisations to the electronic foundation, enhancing tracks with expressive, melodic flourishes that evoke a sense of spontaneity amid structured grooves; this element debuted prominently around 2018 during early full-band outings.[59][62]The ensemble evolved from Weatherall's initial solo DJ sets in his early career, which relied on laptop-based performances, to a collaborative band format by 2019, enabling richer, more energetic deliveries suited to dancefloors. This shift mirrors aspects of his studio production, where electronic beats are layered with emotive, live-feel elements for immersive results. The overall approach emphasizes high-energy execution, fostering crowd engagement through propulsive rhythms and instrumental interplay.[63][3][56]
Key events and tours
Following the release of his early EPs on Brainfeeder, Ross from Friends established a grassroots following through regular club performances in London, including a notable residency at Phonox in Brixton during October 2019, where he curated four consecutive Fridays of DJ sets and live elements to connect with emerging electronic music audiences.[64][65]In 2019, he expanded his live presence with prominent festival appearances, delivering a live set at Sónar in Barcelona on July 18, which showcased his evolving production style in a major international electronic music event.[66] Later that year, he made his Glastonbury debut on the Wow stage on June 27, performing from 21:00 to 22:00 as part of the festival's electronica lineup, drawing crowds with his blend of house and experimental sounds.[67] He also debuted at Coachella in April 2019, taking the Mojave Tent stage for sets during both weekends, including April 12 from 13:45 to 15:00, marking a key milestone in his North American exposure.[68]The release of his 2021 album Tread propelled a series of headline tours across Europe and the US in 2021–2022, supported by his live band setup that allowed for dynamic performances of the album's tracks in venues throughout the UK, continental Europe, and North America.[2] These tours included dates in major cities like London and Manchester, building on his Brainfeeder affiliation to share stages with label-associated acts and solidify his reputation as a live performer.[69]In 2025, under the Bubble Love moniker—which features Ross from Friends alongside collaborators Felix, Jed Hampson, and John Dunk—he announced an extensive tour (as of September 2025) spanning Australia, New Zealand, the US, and Europe. The US leg in summer 2025 included performances in cities such as Chicago at smartbar on July 19, San Diego at Quartyard on July 13, Los Angeles at 1720 on July 9, San Francisco at The Great Northern on July 11, and Denver at Club Vinyl on July 12. The Australian summer leg (December 2025) features festival appearances such as RADAR Festival in Perth on December 28, Lost Paradise in Glenworth Valley on December 30, and New Year's at the Bowl in Melbourne on December 31, followed by a New Zealand show at The Coro Classic in Matarangi on January 3, 2026.[52][70] European stops include the Guinness Cork Jazz Festival at Cyprus Avenue on October 26, alongside UK dates in Manchester at Depot Mayfield on November 21 and London at HERE at Outernet on December 13.[71][72][73][49][53]
Discography as Ross from Friends
Studio albums
Family Portrait (2018, Brainfeeder) is the debut studio album by Ross from Friends, released on July 27, 2018. The 11-track record runs for 41 minutes and builds on the artist's lo-fi house foundations with intricate sampling, nostalgic vocal chops, and ambient textures, drawing from '90s house, hip-hop, and jazz influences. Tracks like "Don't Quit" and "Pale Blue Dot" showcase Weatherall's evolution toward more polished, emotive productions that blend dancefloor energy with introspective depth, earning praise for its warmth and innovation.[74][27]Tread (2021, Brainfeeder), the sophomore studio album, was released on October 22, 2021, featuring 12 tracks over 52 minutes. It explores experimental electronic sounds with custom software Thresho for jam-based composition, incorporating garage, IDM, and downtempo elements alongside themes of artistic fears and love. Standouts like "Love Divide" and "The Knife" highlight a shift to more conceptual, melodic structures with plasticky synths and half-remembered UK influences, marking a mature progression from earlier hazy aesthetics.[34][75]
Extended plays
Ross from Friends, the electronic music project of Felix Clary Weatherall, began his discography with a series of extended plays that established his signature lo-fi house sound, characterized by nostalgic sampling, tape hiss, and emotive vocal chops, while progressively experimenting with polished production and eclectic influences. These EPs served as key milestones, bridging his early DIY experiments to more structured album work on labels like Brainfeeder, allowing Weatherall to refine his blend of house, hip-hop sampling, and ambient textures.[12][76]His debut EP, David Crane's Amazing Tennis (2013, self-released), features three tracks—"Why Must We Wait?", "Bhaja Cave", and "Theogony"—clocking in at around 15 minutes total, marking Weatherall's initial forays into lo-fi electronic production with raw, experimental beats and minimalistic arrangements that evoke early bedroom experimentation. Released as a remastered digital set, it laid the groundwork for his warm, fuzzy aesthetic without the viral traction of later works.[14][77]In 2015, Alex Brown (Breaker Breaker) introduced more defined house elements across three tracks—"Golf School", "Ridley Schöttt", and ".biz"—lasting about 15 minutes, where Weatherall first prominently employed chopped and processed samples from jazz and disco sources to create lush, sample-laden grooves that hinted at his growing interest in nostalgic reinterpretation. This EP's rough-edged cuts helped solidify his place in the emerging lo-fi house scene, emphasizing tactile rhythms over polished mixes.[78][79]You'll Understand (2016, Distant Hawaii) comprises three tracks, including the standout "Talk to Me You'll Understand", which samples Dru Hill's "Tell Me" and has amassed over 8.9 million YouTube views for its moody, chopped vocal hooks and dusty percussion, propelling Weatherall's visibility in undergroundelectronic circles. Running 18 minutes, the EP's deep house vibes with emotive, looped samples exemplified his genre experimentation, blending accessibility with introspective warmth.[19][17][80]The 2017 EP Don't Sleep, There Are Snakes (Lobster Theremin), with four tracks totaling 22 minutes—"In An Emergency", "Pale White", "Thank God I'm a Lizard", and "Don't Sleep, There Are Snakes"—delivers direct lo-fi house bangers featuring urgent, sample-driven rhythms and tactile drum work that bridge Weatherall's raw style toward the more expansive structures of his impending album era. Reviews praised its opener for its immediate dancefloor appeal, highlighting how the EP pushed boundaries in emotive, hazy house without overcomplicating arrangements.[81][23][82]Also in 2017, The Outsiders (Magicwire) expands to six tracks over 43 minutes—"Crimson", "D1RT BOX", "Romeo, Romeo", "Would You Still Be Here", "Suzinak", and "The Outsiders"—incorporating tape hiss, cheap drum machines, and decaying synth effects for a gritty, analog-crackling take on lo-fi house that evokes millennial nostalgia and genre limitations through extended, stuttering builds. While solo-produced, its eclectic Eastern strings and glitchy guitar riffs foster a sense of communal, outsider energy in the lo-fi scene.[83][57]Aphelion (2018, Brainfeeder), a four-track, 28-minute release—"Don't Wake Dad", "John Cage", "There's a Hole in My Heart", and "March"—shifts to a high-definition polish with shimmering synths, pitch-shifted vocals, and new age textures, experimenting beyond lo-fi roots into limpid electro and R&B-infused beats that reference '90s hip-hop and jazz sampling. This EP marked Weatherall's maturation on a major imprint, wiping away earlier fuzz for a widescreen, ambitious sound that directly informed his debut album Family Portrait.[84][76][85]Following Family Portrait, Epiphany (2019, Brainfeeder) offers five tracks (including edits) spanning 26 minutes—"Epiphany", "The Revolution", "Phantom Ratio", and their shortened versions—featuring cathartic synths, angelic vocal samples, deep basslines, and Middle Eastern guitar plucks for a sleeker, tougher post-album reflection that retains Weatherall's warmth while exploring reduced, percussive house with sci-fi undertones. The title track's immersive pads and stereo-shifting shakers underscore his continued genre-blending innovation.[86][87][30]
Remixes
Under the Bubble Love alias, Ross from Friends (Felix Clary Weatherall) produced remixes of his own tracks from the album Tread, emphasizing a shift toward more energetic, club-oriented interpretations. These reworks were released as a standalone EP on July 2, 2024, via Brainfeeder, serving as promotional extras tied to the album's rollout.[88][89]"Love Divide (Bubble Love Remix)" transforms the original's lo-fi, introspective vibe into an uplifting peak-time track, retaining its emotional depth while introducing a driving four-to-the-floor beat at 132 BPM and brighter synth layers for enhanced dancefloor appeal. This remix adds melodic flourishes that elevate the track's accessibility, making it suitable for high-energy sets, as evidenced by its use as an opener in Weatherall's Boiler Room performance at DGTL Amsterdam in April 2024.[90][91][92]Similarly, "The Knife (Bubble Love Remix)" reimagines the downtempo original as a radical 160 BPM jungle-infused roller, incorporating brighter melodies and vocals sampled from Weatherall's earlier track "The Daisy" to infuse a sense of urgency and hedonistic drive. Recorded live during a Newcastle, UK, set, this version contrasts the source material's subdued lo-fi elements with vibrant, high-tempo percussion and synth accents, highlighting Bubble Love's spontaneous production ethos.[90][93][42]
Discography as Bubble Love
Studio albums
Bubble Love's self-titled debut studio album, Bubble Love, was released on December 6, 2024, via the artist's own imprint Scarlet Tiger.[44] The 10-track record runs for approximately 40 minutes and marks the full-length debut under the Bubble Love alias.[94]The album features an uplifting electronic sound characterized by soaring synths, elastic melodies, and playful integrations of house, disco, RnB, electronica, and rap elements, diverging from the lo-fi house roots of prior work.[94] Tracks like "Double Caper," with its mid-tempo disco-adjacent instrumentation, and "Hate," driven by warped synths and potent basslines, exemplify the brighter, more vibrant production approach.[94] Themes of joy, creative freedom, and individuality permeate the project, presented as an impulsive, unrestrained exploration that prioritizes intuitive creation over constraints.[94][43]Production under the Bubble Love alias emphasizes high-energy, club-oriented dynamics, bridging live performance vigor with late-night DJ sets through seamless genre transitions and nostalgic vocal samples.[89] This results in a fresher, more accessible melodic palette compared to the sepia-toned gauziness of earlier releases.[5]Critics praised Bubble Love as a fresh departure, highlighting its brain-tickling innovation and party-starting fun, with Clash awarding it 8/10 for its full-spectrum individuality.[94]The Guardian noted its entertaining pivot to contemporary alternative dance, though questioning the alias's long-term identity.[5] This 2024 release represented a pivotal shift in the artist's career toward more direct, frenetic expression.[95]
Singles
"Double Caper / Hate" was released as a double single on October 25, 2024, via Scarlet Tiger.[96] The tracks previewed the self-titled album with upbeat house and electronic elements."Push Me" was released as a standalone single on November 21, 2024, via Scarlet Tiger.[97] The track offers a glimpse into the album's energetic style, featuring driving rhythms and melodic hooks.Under the Bubble Love alias, Ross from Friends released "Lying in the Sand" as a standalone single on April 11, 2025, via Scarlet Tiger Records, distributed by LG105.[98][99] The track features a vocal-driven structure layered over synth elements, evoking classic house influences with a sunny, funky vibe that highlights euphoric electronic pop sensibilities.[100][101]Accompanying the release, an official music video was premiered on YouTube, showcasing visual motifs aligned with the single's summery, reflective themes.[102] As of its debut, the single garnered initial streams across platforms, with the clip alone accumulating thousands of plays on SoundCloud shortly after launch, underscoring its role in promoting Bubble Love's evolving sound beyond the 2024 self-titled album.[103]No additional singles under Bubble Love were released between May and November 17, 2025, positioning "Lying in the Sand" as the project's primary 2025 output and a teaser for potential future material with its emphasis on danceable, high-energy electronic pop.[100]
Remixes
Under the Bubble Love alias, Ross from Friends (Felix Clary Weatherall) produced remixes of his own tracks from the self-titled album, emphasizing a shift toward more energetic, club-oriented interpretations. These reworks were released as a standalone EP on July 2, 2024, via Brainfeeder, serving as promotional extras tied to the album's rollout.[88][89]"Love Divide (Bubble Love Remix)" transforms the original's lo-fi, introspective vibe into an uplifting peak-time track, retaining its emotional depth while introducing a driving four-to-the-floor beat at 132 BPM and brighter synth layers for enhanced dancefloor appeal. This remix adds melodic flourishes that elevate the track's accessibility, making it suitable for high-energy sets, as evidenced by its use as an opener in Weatherall's Boiler Room performance at DGTL Amsterdam in April 2024.[90][91][92]Similarly, "The Knife (Bubble Love Remix)" reimagines the downtempo original as a radical 160 BPM jungle-infused roller, incorporating brighter melodies and vocals sampled from Weatherall's earlier track "The Daisy" to infuse a sense of urgency and hedonistic drive. Recorded live during a Newcastle, UK, set, this version contrasts the source material's subdued lo-fi elements with vibrant, high-tempo percussion and synth accents, highlighting Bubble Love's spontaneous production ethos.[90][93][42]No additional remixes of external artists were released under the Bubble Love alias in 2025, with Weatherall focusing instead on original outputs like the single "Lying In The Sand."[104]