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Running Man

Running Man (Korean: 런닝맨) is a South Korean reality-variety television series that premiered on July 11, 2010, on (SBS), featuring a regular cast of celebrities competing in missions, games, and races across various locations to secure prizes while facing elimination through signature elements like name-tag ripping. The show's format emphasizes physical challenges, strategic gameplay, and comedic interactions among fixed members such as MC , strongman , actress , and comedians and Ji Suk-jin, with periodic guest appearances by other stars enhancing variety. Over 775 episodes as of 2025, it has sustained high viewer engagement through evolving themes, from landmark races to themed role-plays, establishing itself as a benchmark for hybrid reality-competition programming in Asia. Its global reach expanded via streaming services, amassing dedicated international fandoms drawn to the unscripted humor and team dynamics. Running Man's endurance reflects effective adaptation to cast changes—such as the 2021 departures of and amid health and scheduling shifts—while preserving core appeal through consistent production quality and cultural relevance in Korean entertainment. Despite occasional dips in domestic sentiment amid broader competition, it retains strong brand metrics and continues airing weekly, underscoring its role in popularizing mission-based formats worldwide.

Literature

The Running Man (1982 novella)

The Running Man is a dystopian by , published under the in May 1982 by Books, an imprint of . The story is set in a crumbling in the year 2025, amid economic collapse, widespread pollution, and escalating global violence, where the Games Network dominates through sadistic programs that exploit contestants' desperation for and . Ben Richards, a 21-year-old from the impoverished Co-Op City in , volunteers for the flagship show The Running Man after his infant daughter contracts a severe respiratory illness from toxic air, which his wife cannot treat without funds; unable to secure legitimate work due to the regime's controls, Richards undergoes brutal aptitude tests and is selected as the first "everyman" contestant rather than a prepped criminal. Once broadcast begins, Richards receives a 12-hour head start to evade capture anywhere in the world, earning $100 per hour alive plus escalating viewer-subsidized bounties that fund professional "Hunters" dispatched to kill him; for 30 days guarantees a massive fortune, but public tips and Network surveillance make escape improbable. King composed the rapidly as part of his Bachman output, which allowed him to test market reception without risking his established name's commercial expectations; it followed Roadwork (1981) as the fourth Bachman title, with King later revealing the in 1985 after bookstore clerk Steve Brown identified stylistic overlaps. Included in the 1985 omnibus alongside (1977), (1979), and Roadwork, the collection sold over a million copies and solidified the Bachman works' status before King discontinued Rage amid associations. At 219 pages in its first edition, The Running Man eschews supernatural elements for gritty , drawing on King's observations of economic stagnation and media to depict Richards' flight through seedy motels, hijacked planes, and rigged broadcasts, where he broadcasts counter-propaganda from hidden studios to challenge the Network's narrative. Thematically, the work indicts corporate-media collusion in perpetuating , portraying game shows as mechanisms for the elite to profit from the underclass's agony while distracting from systemic failures like healthcare and environmental ruin; Richards embodies causal desperation, his choices stemming from untreated rather than moral failing, highlighting how normalizes against the vulnerable. Critics have noted its prescience, with the 2025 setting now coinciding with real-world debates on surveillance and reality TV , though some analyses emphasize King's unvarnished view of human expendability under authoritarian over ideological framing. has been strong among King's oeuvre, averaging 3.9 out of 5 stars from over 156,000 ratings, praised for taut pacing and bite despite its pulp origins.

Film adaptations of the novella

The Running Man (1987 film)

The Running Man is a 1987 American dystopian directed by in his feature directorial debut. Loosely adapted from the 1982 novella of the same name by (published under the pseudonym ), the screenplay by significantly alters the source material, transforming King's grim tale of economic desperation and nationwide flight into a more formulaic action narrative centered on gladiatorial combat within a framework. The film stars as Ben Richards, a former police helicopter pilot framed for massacring civilians during a food riot; after imprisonment, he is coerced into participating in the titular lethal television program hosted by the sadistic Damon Killian (Richard Dawson). Supporting roles include María Conchita Alonso as Richards' underground contact Amber Mendez, Yaphet Kotto as his prison ally William Laughlin, and a roster of professional wrestlers and athletes portraying the game's professional hunters, such as Erland van Lidth as Dynamo, George McFarland as Buzzsaw, and Jesse Ventura as Captain Freedom. The plot unfolds in a totalitarian future of 2017–2019, where the Games Network dominates media with violent spectacles to distract from , including and resource scarcity. Framed for refusing orders to fire on starving civilians, Richards endures three years of brutal incarceration before Killian recruits him for The Running Man, promising freedom if he survives 30 days evading broadcast hunters in a vast game zone; failure means death, with kills dramatized for ratings via fabricated narratives. Unlike King's novella, where protagonist Ben Richards participates in a bounty-hunt show that devolves into a desperate cross-country evasion without hunters or an organized rebellion, the film introduces cartoonish characters—each with signature weapons and gimmicks—and a resistance led by figures like Laughlin and underground broadcaster Mic (Dweezil Zappa), enabling Richards to hijack broadcasts and expose the network's lies. This shift emphasizes Schwarzenegger's physicality in one-on-one confrontations, culminating in a stadium showdown, rather than the book's focus on psychological endurance, public complicity in , and a bombing finale that kills thousands to protest systemic inequality. Production began after producer George Linder optioned King's novella, with initial development under before acquired it amid financial turmoil; Glaser was hired post- (1986), and de Souza's script drew from his work on (1985) to suit Schwarzenegger's action-hero persona. Filming occurred primarily in , utilizing practical sets for the game zone—including a derelict and soundstages simulating the network headquarters—and incorporated early for holographic effects, though most action relied on stunts and pyrotechnics. The budget totaled $27 million, reflecting mid-1980s escalation in effects-driven spectacles, with composer delivering a synth-heavy score evoking (1984) but tailored to dystopian tension. Schwarzenegger, post-Predator (1987), headlined to capitalize on his rising draw, while Dawson's casting as Killian leveraged his real-life charisma from for satirical bite. Released on November 13, 1987, by in 1,692 theaters, the film debuted with $8.1 million, trailing but achieving a domestic gross of $38.1 million against its cost, yielding modest profitability after international earnings. Critical reception was mixed, with a 65% approval on aggregating 49 reviews; awarded 2.5 stars, praising the "energetic" cast of tough-guy archetypes but critiquing the formulaic script and underdeveloped satire on . Detractors noted its divergence from King's bleak, commentary-driven —omitting the book's emphasis on warfare and viewer for crowd-pleasing kills—while proponents highlighted its prescient critique of reality TV , later gaining cult status for quotable lines like ", here's the countdown!" and influencing works on weaponized entertainment. The film holds a 6.6/10 user rating on from over 180,000 votes, reflecting enduring appeal among action enthusiasts despite initial underperformance relative to Schwarzenegger's contemporaries like (1987).

The Running Man (2025 film)

The Running Man is a dystopian action thriller film directed by , who co-wrote the screenplay with , adapting Stephen King's 1982 of the same name. The story follows Ben Richards, a desperate man who enters a deadly in a near-future society, where contestants known as "Runners" must evade professional assassins for 30 days to win freedom and prize money, while the program entertains a surveillance-obsessed . Unlike the 1987 starring , which deviated significantly into satirical , this version adheres more closely to King's original premise of a broadcast execution disguised as , emphasizing themes of and economic desperation. Glen Powell stars as Ben Richards, with supporting roles filled by Emilia Jones, Lee Pace as the show's host Evan McCone, Katy O'Brian as Laughlin, Josh Brolin as producer Dan Killian, William H. Macy, Michael Cera, Daniel Ezra, Jayme Lawson, and Colman Domingo. Production was handled by , with Simon Kinberg, Nira Park, and Edgar Wright serving as producers. Filming occurred primarily in , , beginning in early 2024, incorporating practical effects and Wright's signature kinetic editing style to heighten the chase sequences. The project secured Stephen King's personal endorsement, which Powell cited as essential for authenticity in portraying the protagonist's moral dilemma. The film is scheduled for theatrical release in the on November 12, 2025, followed by the on November 14, 2025. Trailers released in July and October 2025 highlight high-stakes pursuits across global locations, underscoring the novella's critique of totalitarian media control without the 1987 version's exaggerated celebrity hunter archetypes. As of October 2025, no major controversies or production delays have been reported, positioning it as a timely exploration of television's extremes amid ongoing debates over and ethics.

Television

Running Man (South Korean variety show)

Running Man is a South Korean reality-variety television program produced by (). The show premiered on July 11, 2010, airing weekly on Sundays as part of the programming block. It features a regular cast of South Korean celebrities who undertake missions, games, and challenges at diverse locations, blending physical comedy, strategy, and competition to determine winners who receive prizes or avoid penalties. A signature element is the name-tag ripping game, where participants attempt to eliminate opponents by tearing off adhesive name tags attached to their backs, often within time limits or team-based scenarios. The original cast consisted of host , alongside Ji Suk-jin, , , Gary (Kang Ji-hyun), and , with joining as a regular from episode 7 after initial guest appearances. Gary departed after episode 346 in October 2016 to prioritize his music career with the hip-hop duo . In 2017, and were added as new members to refresh the lineup. exited in May 2021 following episode 560, citing ongoing rehabilitation from multiple injuries sustained during filming that impaired his ability to participate fully. left in October 2023 to focus on acting projects, marking another cast transition. As of 2025, the core members include , Ji Suk-jin, , , , and , with recent episodes incorporating newer additions like Ji Ye-eun for specific dynamics. Episodes typically follow a structured format: an opening segment introduces the theme and guests (often idols or actors), followed by preliminary games or quizzes to assign roles, teams, or hints. The main segment escalates to high-stakes challenges, frequently culminating in the name-tag elimination race, where strategic alliances, betrayals, and physical pursuits determine survivors. Filming occurs on location across or internationally, emphasizing improvisation and cast chemistry over scripted dialogue, though production cues guide mission directions. By October 2025, the series has exceeded 750 episodes, maintaining its position as one of 's longest-running variety programs. The program achieved peak domestic viewership of 21.9% for episode 133 in 2012, reflecting its early dominance in the variety genre amid the Hallyu wave. Ratings have since fluctuated, dipping to lows of 2.8% in multiple years including 2017 and 2023, attributed to cast changes, format evolutions, and competition from streaming platforms. Internationally, it garnered significant acclaim, winning fan-voted honors like the 2017 bolstered by votes from 139 countries. In 2024, it received the Best Program award at the , underscoring sustained industry recognition despite domestic rating challenges. The show's global reach has promoted Korean culture, tourism sites featured in episodes, and language learning through accessible humor and repetitive catchphrases.

Other television productions

The Chinese adaptation, titled Keep Running (previously Hurry Up, Brother), debuted on October 10, 2014, on as a game-variety program where regular hosts and celebrity guests undertake missions at various landmarks to determine winners in competitive races. The format closely mirrors the original South Korean series, emphasizing physical challenges, name-tag elimination games, and collaborative tasks, and has produced multiple seasons with evolving casts including actors like Li Chen and . An earlier iteration under the name Run Brothers was noted in 2013, though the primary broadcast run solidified from 2014 onward. Vietnam's version, Running Man Vietnam (known locally as Chạy Ngay Đi), launched in 2018 through co-production with , airing on HTV7 with seasonal formats that refresh casts and producers periodically. Season 3 premiered on October 4, 2025, featuring episodes structured around hunts and family-themed missions, quickly topping ratings in its debut week among variety shows. In the , began broadcasting in 2022 on , adapting the core elements of celebrity-led races, penalty games, and landmark-based challenges with a local cast including actors like and . The series divides content into chapters, such as "Operation Pinoy Running Man" in Season 1, incorporating Filipino cultural twists while retaining the emphasis on evasion, teamwork, and humorous forfeits. An adaptation was confirmed for in late 2019, targeting a mid-2020 premiere on major networks and streaming platforms as the third such franchise outside , though subsequent broadcast details remain limited in public records.

Other media and cultural impact

Video games

The Running Man (1989) is a loosely adapted from the 1987 starring . Developed by Emerald Software and published by Grandslam Entertainments, it was released for 8-bit and 16-bit home computers including the , Commodore 64, Amiga, and Atari ST. Players control protagonist Ben Richards, an ex-cop framed for and forced into the dystopian "The Running Man," where the objective is to survive by combating waves of enemies and specialized "stalkers" across multi-stage levels mimicking the film's broadcast spectacle. Gameplay emphasizes side-scrolling action with melee combat, weapon pickups, and boss fights against film-inspired antagonists like Buzzsaw and , though it deviates from the movie's plot by focusing on linear arena battles rather than evasion or television elements. Controls adapt to each platform's input, with the and ST versions featuring improved graphics and smoother animations compared to 8-bit ports. The title received mixed contemporary coverage for its faithful thematic nod to the source material but was critiqued for repetitive mechanics and technical limitations on lower-end hardware. No official video games have been produced based on Stephen King's original 1982 novella or the South Korean variety show of the same name, though the latter has featured video game-themed episodes and casual play sessions without licensed adaptations. Unofficial or conceptually similar titles, such as modern endless runners evoking dystopian chases, occasionally reference the franchise informally but lack direct ties or licensing.

Challenges and viral phenomena

The Running Man program centers its episodes around competitive challenges that blend strategy, physical exertion, and humor, typically structured as team-based missions or individual races set in urban or thematic locations. Signature elements include pursuits, puzzle-solving tasks, and mechanics where alliances shift dynamically, often culminating in high-stakes eliminations. These formats emphasize quick thinking and endurance, with cast members leveraging personal strengths—such as Kim Jong-kook's athletic prowess in restraint holds or Yoo Jae-suk's evasion tactics—to outmaneuver opponents. The most iconic challenge, name-tag ripping, debuted in early episodes and involves participants defending a Velcro-backed name tag on their torso while attempting to tear off others', simulating a pursuit-and-capture dynamic. Introduced as a simple elimination mechanic, it evolved into elaborate battles, with reinforced tags and protective vests added over time to mitigate injuries from aggressive tackles. By , producers scaled back its frequency due to repetition, physical risks like strains and bruises, and cast member fatigue, though it remains a fan-favorite for its raw intensity. Notable instances include one-on-one duels, such as Gary's rare defeat of in a 2014 episode, which highlighted underdog triumphs and drew acclaim for authentic competition. These challenges have spawned viral phenomena through clip compilations and fan engagements on digital platforms. Intense name-tag sequences and comedic failures, like endless mutual rips between and in 2019, accumulate millions of views on , fueling memes that exaggerate cast archetypes—such as Haha's dramatic pleas or Song Ji-hyo's "ace" unpredictability. Fan recreations proliferate globally, with amateur groups staging urban chases and tag rips at events or online, adapting rules for while preserving the chaos. Recent examples include a September 2025 where two Malaysian joined a game, their enthusiastic participation and cultural exchange moments amassing widespread shares on and news outlets, underscoring the show's cross-border draw. Such content amplifies Running Man's role in Hallyu dissemination, inspiring parody formats in local media and sustaining a dedicated online community despite domestic rating dips.

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