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Shatarupa

Shatarupa (Sanskrit: Śatarūpā, literally "she of a hundred forms") is a prominent figure in Hindu mythology, revered as the first woman created by the creator god Brahma to facilitate the propagation of life on earth.^[1] As the consort of Svayambhuva Manu, the first man, she forms the archetypal human couple from whom all humanity descends, with their progeny establishing the foundational lineages of sages, kings, and ordinary people across the three worlds.^[2] In the Brahma Purana, Brahma creates Manu and Shatarupa from his own body, dividing it into male and female forms, thereby initiating the process of human reproduction through their union.^[2] Together, they beget two sons—Priyavrata, who later rules over the continents, and Uttanapada, father of the devoted Dhruva—and three daughters—Ākūti, Devahūti, and Prasūti—who marry prominent sages such as Ruci, Kardama, and Dakṣa, further expanding divine and human genealogies.^[2] This familial structure underscores Shatarupa's role as the archetypal mother (Adi Mata), embodying fertility, dharma, and the continuity of creation, with humanity collectively termed Manava (children of Manu) in recognition of their origins.^[2] Shatarupa's name derives from her legendary ability to assume a hundred beautiful forms, a motif appearing in texts like the Matsya Purana, where her exquisite beauty captivates Brahma, prompting him to pursue her ardently; in response, she transforms repeatedly to elude his gaze, an episode that also leads to the god growing additional heads before divine intervention curbs his infatuation.^[2] In some traditions, such as the Devi Bhagavata Purana and Shiva Purana, she emerges as a Yogini who performs intense austerities before attaining her queenship beside Manu, highlighting her ascetic prowess alongside her creative essence.^[1] Occasionally identified with goddesses like Sarasvati or Savitri due to shared attributes of knowledge and multiplicity, Shatarupa symbolizes the feminine principle (Shakti) integral to cosmic balance, influencing later Puranic narratives on gender, progeny, and divine hierarchy.^[2]

Name and Etymology

Derivation of the Name

The name Shatarupa is derived from the Sanskrit compound śatarūpā, where śata signifies "hundred" and rūpā denotes "form," "shape," or "beauty," collectively translating to "she of a hundred forms" or "hundred-shaped."^[1] This etymology underscores her conceptual role in embodying multiplicity and diversity within the creative process associated with Brahma. The term originates in post-Vedic nomenclature, emerging prominently in Puranic literature composed between approximately 300 and 1000 CE, where it emphasizes Shatarupa's representation of varied facets of femininity and generative potential.^[3] Unlike earlier Vedic texts, which lack references to this figure, the Puranas integrate the name into broader cosmological narratives, evolving it as a symbol of comprehensive form and aesthetic multiplicity in mythological discourse.^[4] In these contexts, the name's historical development reflects a shift toward more elaborate personifications of creation, with "Shatarupa" first attested in Smriti texts such as the Manusmriti (verse 1.32), and elaborated in later Puranic works like the Bhagavata Purana, highlighting her as an archetype of infinite variety tied to the origins of existence.^[5]^[6]

Alternative Epithets and Associations

Shatarupa is referred to by several variant names in Hindu scriptures, including Sātarūpā and Śatarūpā, which reflect phonetic and orthographic differences in Sanskrit texts.^[1] She is also described as the archetypal female figure, often denoted by the epithet "Svayambhuva's consort," emphasizing her role as the wife of the progenitor Svayambhuva Manu in the cosmic order. Additional epithets such as Tapasvinī, meaning "the ascetic woman," appear in descriptions of her origin and attributes.^[1] In certain Puranic traditions, Shatarupa is associated with other goddesses, particularly Sarasvati, Savitri, Gayatri, and Brahmani, portraying her as embodying multiple aspects of divine femininity. According to the Matsya Purana, she is identified with these figures, stating that Shatarupa is also referred to as Savitri, Gayatri, Sarasvati, or Brahmani, due to her emergence from Brahma's body and her multifaceted role in creation.^[7] The text further links her to Sandhya, the goddess of twilight, in some accounts of primordial manifestation.^[1] These associations highlight her as Brahma's daughter and consort in early narratives, blending her identity with Sarasvati as the embodiment of knowledge and speech. While Shatarupa maintains a distinct identity as the first woman in texts like the Vishnu Purana and Shiva Purana, later interpretations sometimes merge her with Sarasvati or Savitri, reflecting evolving theological views on female divinity. For instance, the Shiva Purana connects her to Sarasvati and Savitri as celestial forms, yet distinguishes her primary role as Manu's partner. Such mergers underscore textual variations, where Shatarupa symbolizes the primordial feminine principle without fully supplanting associated deities.^[1]

Mythological Origins

Creation by Brahma

In Hindu cosmology, Shatarupa emerges as the first woman created by Brahma to facilitate the continuation of creation after the initial formation of the universe. According to the Brahma Purana, Brahma gave birth to Svayambhuva Manu as the first man and Shatarupa as the first woman from his own body, thereby initiating the human lineage to populate the world.^[2] This act underscores her role in the cosmic process of srishti (creation), where she embodies the feminine principle of prakriti (nature), complementing the masculine purusha to enable procreation and multiplicity of forms. In some traditions, such as the Matsya Purana, she is identified with Sarasvati.^[1] The Bhagavata Purana describes a similar process, wherein Brahma, contemplating the need for expanded progeny, split his body into two parts, the male part becoming Manu and the female part manifesting as Shatarupa as a beautiful woman of diverse aspects, symbolizing abundance and fertility essential for cosmic balance.^[8] Her name, meaning "she of a hundred forms," reflects this multiplicity, highlighting her as the archetypal embodiment of beauty and the generative force in creation.^[8] Upon her emergence, Brahma became immediately enamored with her divine allure, recognizing her vital contribution to the unfolding of life.^[2] This foundational creation sets the stage for Shatarupa's union with Manu, through which the progenitors of humanity arise.^[8]

The Pursuit and Intervention Myth

In the mythological narrative, Brahma, having created Shatarupa as the first woman to aid in cosmic population, became overwhelmed by desire upon beholding her beauty and began pursuing her relentlessly.^[1] To gaze upon her from every direction as she moved to avoid him, Brahma sprouted four heads, one facing each cardinal point.^[9] When Shatarupa ascended skyward in an attempt to escape his gaze, Brahma generated a fifth head atop the others to continue staring at her.^[10] Desperate to evade his advances, Shatarupa assumed various forms, including animals, with Brahma pursuing her by taking corresponding shapes, symbolizing the uncontrollable nature of lust that disrupts the order of creation.^[11] The chase exemplified Brahma's deviation from dharma, prioritizing personal desire over his role as impartial creator.^[11] The pursuit culminated in divine intervention when Lord Shiva, manifesting as Rudra, appeared in a fierce form and severed Brahma's fifth head with his trident, admonishing him for his improper conduct toward his own creation.^[12] This act, detailed in the Shiva Purana and echoed in the Bhagavata Purana, not only humbled Brahma but also imposed a curse limiting his worship, underscoring the moral tension between creative impulse and ethical restraint in Hindu cosmology.^[13] The episode serves as an allegory for the perils of unchecked passion, emphasizing dharma's supremacy in maintaining cosmic balance.^[14]

Role in Cosmic Creation

Union with Svayambhuva Manu

In Hindu cosmology, Brahma created Svayambhuva Manu as the first man from his mind and Shatarupa as the first woman, directing them to unite for the propagation of the human species and the multiplication of creation.^[15] This directive arose from Brahma's observation that the initial population of sages was insufficient for the world's sustenance, prompting him to generate these complementary forms to initiate generational increase through their partnership.^[16] The union of Svayambhuva Manu and Shatarupa is depicted as a foundational sexual congress that embodies the transition from divine, mind-born entities to the biological origins of humanity, as detailed in the Bhagavata Purana. In this narrative, their coupling directly addresses the cosmic need for progeny, establishing the mechanism by which the earth would be peopled during the first manvantara, or era ruled by Manu.^[17] Similarly, the Vayu Purana describes them as the male and female halves emerging from a primordial division, who subsequently married to fulfill Brahma's command for species propagation.^[18] This partnership positions Svayambhuva Manu and Shatarupa as archetypal figures akin to the primordial couple in other traditions, symbolizing the onset of human society and dharma within the divine order.^[19] Their union holds profound cosmic significance, marking the shift from Brahma's direct creative acts to the sustained, reproductive cycle that sustains life across kalpas, thereby embedding human lineage into the eternal rhythm of srishti (creation) and pralaya (dissolution).^[15]

Progenitor of Human Lineage

In Hindu cosmology, Shatarupa, alongside her consort Svayambhuva Manu, serves as the archetypal mother of humanity, with their progeny regarded as the origin of manushya (humans) in the current cycle of creation. Their offspring are described as the foundational population that multiplied to fill the earth, establishing the human race known as manava (children of Manu). This narrative underscores Shatarupa's pivotal role in the demographic expansion of humankind from a singular divine pair to a diverse populace.^[8] Through her progeny, Shatarupa contributes to sustaining dharma (cosmic law and righteousness) within the Puranic timelines, particularly during the first Manvantara (era of Manu), where the expansion of human lineage ensures the continuity of moral order and ritual practices across cyclical creations.^[8]

Family and Descendants

Immediate Consort and Offspring

Shatarupa's immediate consort was Svayambhuva Manu, the first human progenitor created by Brahma to populate the earth.^[20] Together, they formed the foundational couple in Hindu cosmology, tasked with generating the initial human lineage.^[20] Their union produced two sons and three daughters, as detailed in the Bhagavata Purana. The sons were Priyavrata, who later became a prominent ruler dividing the earth's surface into seven continents (dvipas) and assigning them to his own sons to ensure orderly habitation,^[21] and Uttanapada, renowned as the father of the devoted child sage Dhruva, whose austerities earned him the position of the pole star. The daughters included Akuti, who was married to the sage Ruchi Prajapati; Devahuti, wed to the sage Kardama and mother of the sage Kapila, founder of Sankhya philosophy; and Prasuti, given in marriage to Daksha Prajapati and mother of Sati, the consort of Shiva. These offspring played pivotal roles in expanding the cosmic family tree, underscoring Shatarupa's position as the archetypal mother of humanity.^[22]

Broader Genealogical Impact

The descendants of Shatarupa and Svayambhuva Manu played a pivotal role in populating the seven dvīpas, or continents, of the earthly realm as described in Hindu cosmology. Priyavrata, one of their sons, is credited with dividing the globe into these seven regions—Jambū, Plakṣa, Śālmali, Kuśa, Krauñca, Śāka, and Puṣkara—through the tracks of his chariot wheels, each encircled by distinct oceans, thereby establishing the foundational geographic and societal structure for human habitation.^[21] His progeny, including sons like Āgnīdhra who ruled Jambūdvīpa, extended this lineage to govern vast territories, ensuring the orderly settlement and cultivation of these lands.^[21] Within this framework, the lineage produced early kings who shaped regional identities, such as Bharata, the son of Ṛṣabha (a descendant of Priyavrata through Nabhi and Āgnīdhra), after whom the central landmass of Jambūdvīpa, known as Bhāratavarṣa, is named. This naming underscores the enduring territorial legacy, linking Shatarupa's progeny to the cultural and political foundations of the Indian subcontinent.^[23] Shatarupa's lineage further connected to divine figures through her daughter Prasūti, who married Dakṣa Prajāpati and bore Satī, the consort of Lord Śiva; Satī's reincarnation as Pārvatī reinforced these sacred unions, integrating human origins with divine narratives in Puranic lore.^[24] This interconnection influenced concepts of kula, or familial lineage, by exemplifying the transmission of dharma across generations, with her descendants—sages, kings, and demigods—facilitating the dissemination of Vedic rituals, knowledge, and societal norms throughout the cosmos.^[25] Through such progeny, Shatarupa's heritage became integral to the perpetuation of Vedic culture, emphasizing continuity in cosmology and human society.^[26]

Accounts in Hindu Scriptures

Puranic Narratives

In the Bhagavata Purana (Book 3, Chapter 12), Shatarupa emerges as the female counterpart when Brahma divides his body into male and female forms, with the male becoming Svayambhuva Manu and Shatarupa serving as his queen.^[8] Their union leads to the procreation of progeny to populate the world, including two sons, Priyavrata and Uttanapada, and three daughters, Akuti, Devahuti, and Prasuti, who are married to sages Ruci, Kardama, and Daksha, respectively, thereby initiating human multiplication.^[8] The Brahma Purana provides a detailed account of Shatarupa's creation from Brahma's body alongside Svayambhuva Manu, declaring her the first woman and the archetypal mother of humanity, from whom all humans (manava) descend through their lineage. Variants of the pursuit myth appear in the Matsya Purana and Shiva Purana, where Brahma, enamored by Shatarupa's beauty upon her creation, pursues her relentlessly; she evades him by changing forms (such as a cow or bird), prompting Brahma to grow additional heads to gaze upon her, until Shiva intervenes, severing Brahma's fifth head and cursing him for his lust, thereby establishing moral boundaries in creation.^[27]^[28] These narratives exhibit chronological inconsistencies across the Puranas, composed between approximately 250–500 CE for the Matsya Purana, 500–1000 CE for the Bhagavata and Brahma Puranas, and up to the 10th–11th centuries CE for the Shiva Purana, reflecting evolving theological emphases over centuries.^[29]^[3]

References in Other Texts

In the Manusmriti, Shatarupa plays an implicit yet foundational role in the laws of creation and progeny, as the consort of Svayambhuva Manu from whom humanity descends through their offspring, including sons Priyavrata and Uttanapada. The text details samskaras such as garbhadhana (conception rites on auspicious nights to ensure male progeny) and pumsavana (fetal rituals in the third month), emphasizing regulated procreation to maintain dharma and varna purity, reflecting Shatarupa's archetypal position as the progenitor of human lineage.^[30] The Shanti Parva of the Mahabharata contains genealogical references to Svayambhuva Manu as the primordial progenitor of humanity, portraying him as the originator of human society and ethical order within the cosmic framework discussed by Bhishma. These accounts highlight his role as essential to the propagation of dharma across generations, integrating creation myths with teachings on governance and moral conduct. While Shatarupa is not directly named in the Rigveda, its hymns to creation offer conceptual parallels to her as a primal feminine archetype, akin to Aditi, the boundless mother invoked in Mandala 1 as the source of gods, freedom, and infinite existence (e.g., RV 1.89.10, where Aditi nurtures all beings without bounds). This Vedic motif of a generative mother figure prefigures later elaborations of Shatarupa's role in cosmic origination. In later texts like the Devi Bhagavata Purana, Shatarupa is depicted as an aspect of the supreme Devi, embodying Prakriti's creative energy as Manu's consort and manifesting in forms such as Sachi or Rohini to sustain divine and human lineages. This portrayal elevates her from a mere progenitor to a facet of the all-encompassing Goddess, integral to the Shakta theological framework.^[31]

Iconography and Symbolism

Artistic Depictions

Shatarupa's visual representations in traditional Hindu art are rare and typically not standalone, as she lacks a standardized iconography in temple sculptures or reliefs due to her narrative role in creation myths rather than as an object of worship. She is occasionally depicted alongside Brahma or Svayambhuva Manu in scenes illustrating cosmic origins. For example, an 18th-century Pahari painting attributed to the artist Manaku shows Varaha (Vishnu's boar avatar) appearing before Brahma, Manu, and Shatarupa.^[32] Iconographic elements in such depictions may include lotus motifs symbolizing purity and divine emergence, often integrated into broader creation panels. In contemporary art, Shatarupa appears in illustrated books and comics that popularize Hindu stories. For instance, Amar Chitra Katha publications such as "Stories of Creation" and "Dasha Avatar" include her in narratives of creation and human origins.^[33]^[34]

Symbolic Interpretations

In Hindu mythology, Shatarupa is associated with the feminine creative energy and the process of creation. Her name, meaning "she of a hundred forms," reflects the multifaceted nature of this energy, which contributes to the diversity of life forms. She is created from prakriti, embodying the material aspect of existence.^[35] The narrative of Brahma's pursuit of Shatarupa highlights themes of desire and creation. In some interpretations, Shatarupa represents prakriti, the dynamic feminine principle, while Brahma embodies aspects of purusha, the conscious principle, illustrating their interplay in cosmic evolution. The emergence of Brahma's fifth head during the pursuit symbolizes imbalance caused by unchecked desire, requiring divine intervention for harmony.^[36] Shatarupa's transformations during the pursuit symbolize the origins of biodiversity through interaction between soul and matter.^[37]

Cultural and Comparative Significance

Parallels in Other Mythologies

Shatarupa, as the first woman created by the divine in Hindu mythology, bears notable resemblances to Eve in Abrahamic traditions, where both figures emerge as foundational partners to the first man, facilitating the proliferation of humanity from a singular divine act of creation. In the Genesis account, Eve is formed from Adam's rib by God, embodying the origin of human lineage and companionship, much like Shatarupa's union with Manu or Swayambhuva, which initiates human descent.^[38] This parallel underscores shared themes of gendered complementarity in cosmogonic narratives, with etymological echoes reinforcing the motif: Eve derives from "Chavvah," meaning "life," while Shatarupa, also called "Tanu," signifies "preserving life."^[38] Scholarly analyses highlight parallels in such creation stories across Torah and Hindu texts, emphasizing universal archetypes of primordial womanhood.^[39] In Greek mythology, Shatarupa's portrayal as a divinely crafted beauty pursued by Brahma shares themes with Pandora, the first woman molded by Hephaestus under Zeus's directive. Pandora, endowed with gifts from the gods, introduces woes into the world through her actions.^[40] Comparative studies of global first-woman myths position such figures as embodiments of beauty tied to divine agency.^[41] Indigenous American traditions feature earth mother figures, such as the Navajo Changing Woman or Iroquois Sky Woman, who symbolize procreation and multiplicity akin to Shatarupa's generative role in populating the earth. These archetypes represent fertility and the earth's life-giving abundance, paralleling Shatarupa's emergence as a multifaceted progenitor.^[41] Such motifs emphasize harmony with nature's reproductive cycles, aligning with broader mythological patterns of feminine origins in sustaining cosmic multiplicity.

Modern and Scholarly Interpretations

Feminist scholars have analyzed the myth of Brahma's pursuit of Shatarupa as a metaphor for patriarchal control, where the creator's obsessive desire for his own female creation illustrates the imposition of male authority over the feminine principle in Hindu cosmogony. This interpretation critiques how such stories embed patriarchal dynamics, evolving from Vedic notions of gender complementarity—where Shatarupa and Manu emerge as twin flames symbolizing mutual interdependence—to later texts that accentuate female subordination.^[42] In modern Indian media, Shatarupa features in mythological television serials like Vishnu Puran (2000–2002), depicted as the first woman who, alongside Manu, explores a nascent world, falls in love, and embodies human origins amid nature's bounty.^[43] Such portrayals extend her narrative into popular culture, often romanticizing the creation motif.

References

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Shatarupa, Śatarūpā, Śatarūpa, Sātarūpa, Shata-rupa: 11 definitions
Nov 19, 2022 · Śatarūpā (शतरूपा) refers to the female (nārī) form of Brahmā after he split his body into two forms (dvirūpa), according to the Śivapurāṇa 2.1.16.
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None
Below is a merged summary of Shatarupa in the Brahma Purana, consolidating all the information from the provided segments into a comprehensive response. To retain as much detail as possible, I will use a structured table format in CSV style for key details (Creation, Marriage, Children, Role in Creation), followed by additional notes, quotes, and useful URLs. This approach ensures a dense, organized representation of the data while avoiding redundancy and preserving all unique information.
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The Puranas are a class of literary texts, all written in Sanskrit verse, whose composition dates from the 4thcentury BCE to about 1000 A.D. The word “Purana”…
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Aug 20, 2024 · These references to the Puranic literature occurring in the works dating from the later Vedic period to the seventh century of the Christian ...
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[PDF] srimad bhagavatam
Aug 22, 2018 · ... Bhagavata Purana is made up of ten sections. The first is called ... Shatarupa. These two produced five children: Three were daughters ...
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Shatarupa is also referred to as Savitri, Gayatri, Sarasvati or Brahmani. Since she had been born from Brahma's body, she was like Brahma's daughter. In fact,.Missing: English Sandhya
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CHAPTER TWELVE
### Summary of Brahma's Creation of Shatarupa and Related Events (Bhagavata Purana, Canto 3, Chapter 12)
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Shatarupa: Significance and symbolism
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two sons, Priyavrata and Uttānapāda, and three daughters, Ākūti, Devahūti ...Missing: Srimad Bhagavatam Shatarupa
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Mahārāja Priyavrata, the husband of Queen Barhiṣmatī, gave sovereignty over these islands to his respective sons, namely Āgnīdhra, Idhmajihva, Yajñabāhu, ...
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Genealogical Table of the Daughters of Manu - Vedabase
Text 1: Śrī Maitreya said: Svāyambhuva Manu begot three daughters in his wife, Śatarūpā, and their names were Ākūti, Devahūti and Prasūti.
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None
Below is a merged summary of all segments related to Shatarupa, her role in creation, laws of progeny, and implicit references in the context of the *Essence of Manu Smriti*. To retain all information in a dense and organized manner, I will use a table in CSV format for key details, followed by a narrative summary that integrates additional context and implicit references. The table will focus on page references, direct mentions, roles, laws, and implicit connections, while the narrative will provide a cohesive overview and additional details not suitable for tabular form.
[29]
The Mahabharata, Book 12: Santi Parva Index | Sacred Texts Archive
The Santi Parva is a huge interpolation in the Mahabharata, in the genre known as 'wisdom literature.' The narrative progression is placed on hold almost from ...
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The Essence of Puranas – Devi Bhagavata Purana -3
Jan 15, 2013 · ... Satarupa of Manu, Sachi of Indra, Arundhati of Vasishtha ... Devi and on the North Eastern side are Ganesha and Pushti Devi. The ...<|separator|>
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The Lotus and The Swan - Devdutt Pattanaik
Sep 1, 2005 · The story goes: Brahma was so enamoured by Shatarupa, goddess of material existence, that he sprouted five heads to look upon her at all times.
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https://archive.org/stream/ack-bhagawat-the-krishna-avatar/ack%20stories%20of%20creation_djvu.txt
[34]
Mythical Evolution - Devdutt Pattanaik
Feb 5, 2015 · The upanishads state that Prajapati, or the soul, chased a goddess called Shatarupa, or matter, she-of-myriad-forms. She took the form of ...
[35]
Chapter Fifteen: Maya-Shakti (The Psycho-Physical Aspect ...
These twin principles are called Purusha, Brahman, Shiva on the one hand and Prakriti, Maya, and Maya-Shakti on the other by the Samkhya Mayavada Vedanta and ...
[36]
[PDF] Possible Origins of the Abrahamic and Hindu Religions in the Indus ...
Aug 4, 2021 · The parallels in the cultures, crops raised, color of the people, the arts and crafts and other cultural practices have not been examined and ...
[37]
(PDF) Torah-Hindu Parallels in the Narratives of Five Persons
Brahma subsequently created a woman named Shatarupa who accepted Swayambhu as her husband (Vayu Purana 10:8, 11). Shatarupa gave birth to daughter Prasuti ...
[38]
Eve, Pandora and Plato: How Greek Myth Shaped the First Christian ...
Oct 29, 2021 · The character of Eve in the Christian bible was heavily influenced by the myth of Pandora as well as Plato's philosophy.Missing: Shatarupa | Show results with:Shatarupa
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(PDF) A Comparative Study of 'Genesis' Stories Across Cultures
Mar 28, 2024 · This comparative study not only highlights the rich diversity of human thought and spirituality but also underscores the common threads that bind us across ...
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[PDF] The Navajo Creation Story and Modern Tribal Justice
Changing Woman is also called “Earth Mother” because she created the earth and the sky.19 Both the earth and the sky represent continuous life and ...
[41]
The Creation Myths of the North American Indians - jstor
(Sky-father and Earth-mother). The World-parents type (i. e. the Sky-father and the Earth-mother) is limited in North America to southern California, Arizona ...Missing: Hindu | Show results with:Hindu
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[PDF] 17.02.02: Comonalities of Creation Myths - University of Delaware
Unlike the Native American creation myths, some of the Hindu creation stories ... Native Americans have always respected “Mother Earth.” “They have always strived.Missing: scholarly | Show results with:scholarly
[43]
Śiva The Erotic Ascetic Asc (Z-Library)
Summary of each segment:
[44]
[PDF] Exploring Women's Roles from Vedic to Modern Times: A Feminist ...
The first man and woman created by Brahma were Swayambhuva Manu and Shatarupa, respectively. Therefore, a man and a woman are twin flames of the same light ...
[45]
Hindu Mythology: As Parts of Self - - Taproot Therapy Collective
Oct 8, 2024 · Jung's concept of the anima and animus—the inner feminine and masculine aspects within individuals—parallels the idea of recognizing and ...Missing: analysis | Show results with:analysis
[46]
Vishnu Puran (TV Series 2000–2002) - Episode list - IMDb
Manu and Shatarupa gather plants and animals, deciding to save everything rather than having the pride to think they know what is valuable and what is not. At ...
[47]
Iconography and Symbolism in Indian Temple Architecture – IJERT
Sep 28, 2024 · This paper explores the intricate iconographic and symbolic elements present within Indian temple architecture, focusing on how these components expresses ...