Fact-checked by Grok 2 weeks ago

Sound intensity

Sound intensity refers to the power carried by a wave per unit area perpendicular to the direction of propagation, typically measured in watts per square meter (W/m²). It represents the time-averaged rate at which acoustic flows through a surface, distinguishing it from instantaneous power and providing a key measure of a sound's strength in physical terms. To accommodate the vast range of sound powers perceivable by humans—spanning over 12 orders of magnitude—a known as the sound level is used, expressed in decibels (). The formula for this level is \beta = 10 \log_{10} (I / I_0), where I is the sound and I_0 = 10^{-12} W/m² is the reference corresponding to the threshold of human hearing at 1 kHz. This scale compresses the , making it practical for applications in acoustics and . In human perception, sound intensity correlates with loudness, though the relationship is nonlinear and frequency-dependent; for instance, the ear is most sensitive around 2–5 kHz, requiring higher intensities at extreme frequencies to achieve equivalent perceived volume. The audible range extends from 0 dB (barely audible whisper) to about 120 dB (threshold of pain), with intensities from $10^{-12} W/m² to roughly 1 W/m². Exposure to levels above 85 dB for prolonged periods, such as 8 hours at 90 dB, risks permanent hearing damage due to mechanical stress on the inner ear. Sound intensity thus plays a critical role in fields like audiology, noise control, and audio design to ensure safe and effective sound environments.

Basic Concepts

Definition

Sound intensity is defined as the amount of flowing per unit time through a unit area perpendicular to the direction of wave , representing the time-averaged per unit area carried by the wave. This quantity, often called acoustic intensity, measures the rate of energy transfer across a surface in the direction of , distinguishing it as a density rather than a total or localized measure. It differs conceptually from sound pressure, which quantifies the local oscillatory force per unit area exerted by the sound wave on a surface, and from , which denotes the total rate of acoustic energy output from a source regardless of the area over which it is distributed. Sound pressure captures instantaneous variations at a point, while is source-intrinsic and independent of distance or medium geometry; intensity, by contrast, integrates energy flow over an area, providing a measure of how the wave's propagates through space. The concept of sound intensity emerged from 19th-century wave physics, building on foundational ideas of acoustic energy transmission in Lord Rayleigh's "The Theory of Sound," first published in 1877, which analyzed sound waves as energy-carrying disturbances in elastic media. For example, in air under standard conditions, the threshold of human hearing occurs at an intensity of approximately $10^{-12} W/m², while exposure to about 1 W/m² produces painful sensations, illustrating the vast of perceivable sound intensities.

Units

The SI unit of sound intensity is the watt per square meter (W/m²), equivalent to the joule per second per square meter (J/s·m²), representing the average power per unit area carried by sound waves perpendicular to the direction of propagation. This unit quantifies the energy flux density of acoustic waves in a medium. The dimensional formula of sound intensity is [ \mathrm{M} \, \mathrm{T}^{-3} ], derived from its definition as (energy per time) divided by area, emphasizing its role as a measure of flow rate per unit area. While sound intensity is primarily expressed in SI units, historical and specialized acoustic contexts have employed non-SI measures such as the for perceived levels (now largely obsolete) and conversions involving rayls (kg/m²·s) for specific acoustic impedance, which relates pressure to but is distinct from intensity itself. Standardization of sound intensity is governed by the (ISO), with ISO 9614 specifying engineering methods for measuring levels via intensity in controlled environments, ensuring consistency in acoustical assessments. A key reference value is the intensity I_0 = 10^{-12} W/m², defined as the threshold of human hearing at 1 kHz, used to normalize measurements relative to auditory sensitivity. In practice, sound intensities span a wide dynamic range, from barely audible to painfully loud, as illustrated in the following table of approximate values for common sources (measured at typical distances, such as 1 m from the source):
Sound SourceApproximate Intensity (W/m²)
Threshold of hearing$10^{-12}
Quiet whisper$10^{-10}
Normal conversation$10^{-6}
Rock concert$10^{-1}
Threshold of pain$1$
These values highlight the variation in human perception, where a 10-fold increase in corresponds to a perceptible change in .

Mathematical Formulation

Intensity Expression

Sound in a propagating represents the time-averaged through a area perpendicular to the direction of . For a plane progressive wave in a medium, the I is derived from the instantaneous , which is the product of the acoustic p and the v in the direction of . The time-averaged is thus I = \langle p v \rangle, where the angle brackets denote averaging over one of the wave. In a progressive plane wave, the pressure and particle velocity are in phase, and the characteristic acoustic impedance Z = \rho c relates them such that v = p / (\rho c), with \rho as the density of the medium and c as the . For a sinusoidal wave, using root-mean-square (RMS) values p_{\text{rms}} = p_0 / \sqrt{2} (where p_0 is the amplitude), the averaged intensity simplifies to I = \frac{p_{\text{rms}}^2}{\rho c}. This expression holds under the assumptions of a linear, isotropic medium with no viscous or thermal absorption, and is typically valid in the far field where approximations apply. An equivalent form expresses intensity in terms of the displacement amplitude \xi (maximum particle displacement from equilibrium). For a sinusoidal plane wave, the particle velocity amplitude is v_0 = \omega \xi, where \omega = 2\pi f is the angular frequency. Substituting into the pressure-velocity relation yields the pressure amplitude p_0 = \rho c \omega \xi, and thus the RMS intensity becomes I = \frac{1}{2} \rho \omega^2 \xi^2 c. This formulation highlights the quadratic dependence on frequency and amplitude, emphasizing how higher frequencies contribute to greater energy transport at fixed displacement. In air at 20°C, where the density \rho \approx 1.2 \, \text{kg/m}^3 and the c \approx 343 \, \text{m/s}, the \rho c \approx 411 \, \text{N·s/m}^3. This yields the approximate relation I \approx \frac{p^2}{411} in W/m² when p is in , providing a practical constant for calculations in standard atmospheric conditions.

Inverse Square Law

The governs the variation of with from a in a free field, stating that the intensity I is inversely proportional to the square of the radial r from the source, or I \propto 1/r^2. This geometric effect arises solely from the spreading of sound waves, without considering or other mechanisms. The derivation follows from : the total acoustic power P emitted by an isotropic spreads uniformly over the surface of a of r, whose area is $4\pi r^2. Thus, the intensity at r is given by I = \frac{P}{4\pi r^2}, where I has units of power per unit area (W/m²) and P is in watts. This relationship demonstrates that doubling the distance quarters the intensity, as the power is diluted over four times the surface area. The law applies under ideal free-field conditions, such as in an anechoic chamber, where there are no reflections or boundaries to interfere with wave propagation, and in the far field where r \gg \lambda (with \lambda the sound wavelength), ensuring spherical wavefronts and negligible near-field complexities. It assumes no atmospheric absorption or scattering, focusing purely on geometric dilution. Limitations occur near the source in the near field, where reactive effects and non-spherical wave behavior dominate, invalidating the $1/r^2 approximation, or in enclosed spaces with reflections, such as reverberant rooms, where sound energy accumulates diffusely rather than decaying geometrically. Studies in 19th-century acoustics, including Wallace Clement Sabine's work on reverberation, underscored these deviations in practical environments like concert halls. For instance, for a 1 W isotropic source, the intensity at 1 m is I \approx 0.08 W/m², dropping to $0.02 W/m² at 2 m—a factor-of-four reduction illustrating the law's scale in free-field scenarios.

Intensity Level

Logarithmic Scaling

The human perceives changes in sound logarithmically rather than linearly, meaning that equal ratios of differences are perceived as equal increments in . This perceptual principle, known as the Weber-Fechner law, posits that the sensation of is proportional to the logarithm of the physical , emphasizing relative changes over absolute ones. The vast of human hearing, spanning approximately 12 orders of magnitude from the threshold of hearing at about $10^{-12} W/m² to the around 1 W/m², renders linear scales impractical for representing auditory intensities without compressing the data excessively. Logarithmic scaling addresses this by transforming the wide range into a more manageable scale, where each 10-fold increase in intensity corresponds to a fixed increment, facilitating both perceptual alignment and practical measurement. The general form of this scaling for sound intensity level L is given by L = 10 \log_{10} \left( \frac{I}{I_0} \right), where I is the sound intensity and I_0 is a reference intensity. This base-10 logarithm, multiplied by 10, defines the scale commonly used in acoustics. The logarithmic approach for s originated in the at Bell Laboratories, where engineers adapted it from to quantify power ratios in acoustic contexts, providing a standardized way to handle exponential variations. It was later formalized in international standards, such as IEC 61672, which specifies the use of this scaling for sound level measurements in electroacoustical devices. In contrast to the base-10 logarithm employed in , some areas of utilize the natural logarithm (base e) for similar ratio-based scaling, known as the , particularly in analyzing transmission lines and filter responses where mathematical convenience with exponentials is prioritized.

Decibel Formula

The sound intensity level L_I, expressed in (), quantifies the intensity I of a relative to a reference intensity I_0 = 10^{-12} W/m², using the formula L_I = 10 \log_{10} \left( \frac{I}{I_0} \right). This reference value corresponds to the approximate threshold of human hearing for a pure tone at 1 kHz in a free field. For plane progressive sound waves in air, the intensity relates to the root-mean-square sound pressure p by I = \frac{p^2}{\rho c}, where \rho is the density of the medium (approximately 1.2 kg/m³ for air at standard conditions) and c is the speed of sound (approximately 343 m/s, yielding \rho c \approx 400 N·s/m³). Consequently, the sound intensity level equals the sound pressure level L_p under these conditions, as the reference values are chosen such that I_0 = \frac{p_0^2}{\rho c} with p_0 = 20 μPa. The sound power level L_W, for a source emitting acoustic power W, is defined analogously as L_W = 10 \log_{10} \left( \frac{W}{W_0} \right), where W_0 = 10^{-12} is the reference power. The at a distance from the source relates to W via the surface area over which the power is distributed, such as in the for point sources. At 0 dB, the equals I_0, representing the hearing threshold at 1 kHz; at 120 dB, the is approximately 1 W/m², near the threshold of pain for continuous exposure to a 1 kHz . While the basic formula applies to unweighted intensity, extensions incorporate frequency weighting (e.g., A- or C-weighting scales) to approximate , resulting in levels like dB(A) for environmental assessments, though these are typically applied to measurements given the equivalence for plane waves.

Measurement

Direct Methods

Direct methods for measuring sound intensity rely on specialized probes that capture both acoustic and to determine the power flux directly. The core principle involves computing the intensity as the real part of the product of p and the complex conjugate of v^*, expressed as I = \mathrm{Re}\{ p v^* \}. This approach allows for vectorial measurement of flow, providing directional information essential for near-field analysis. The predominant instrument for this purpose is the two-microphone intensity probe, developed in the 1970s by J. Y. Chung using cross-spectral techniques to estimate from the pressure difference between two closely spaced, phase-matched microphones. This probe configuration enables the calculation of without significant errors from phase mismatch between the sensors. To ensure accurate response in free-field conditions, correction factors are applied to account for the microphones' and environmental interactions, such as reflections or diffractions around the probe assembly. In practice, measurements are conducted either at discrete points on a surface enclosing the sound source or by scanning the probe continuously over the surface to integrate the normal component of . The probe is oriented to the measurement surface, with acquired via a dual-channel analyzer that processes the signals in . Precision procedures achieve an accuracy of ±1 within the frequency range of 50 Hz to 5000 Hz, provided the phase difference across the microphone spacer exceeds the instrument's phase mismatch by a of at least five. These methods find key applications in near-field diagnostics, where intensity mapping reveals energy flow patterns around complex sources, and in sound source localization, by tracing intensity vectors to pinpoint dominant noise contributors. The precision scanning technique is formalized in ISO 9614-3, which specifies procedures for determining sound power levels with controlled uncertainty in various acoustic environments. A primary limitation is the need for phase-matched microphones, as even small mismatches can introduce errors below 500 Hz, necessitating on-site for optimal performance. Additionally, the probes are sensitive to noise, which can distort pressure readings and velocity estimates, restricting their use in environments with significant or wind.

Indirect Methods

Indirect methods for determining sound intensity rely on deriving it from measurable quantities such as or total , offering practical alternatives to direct flux measurements in standard acoustics laboratories. These techniques assume specific field conditions, like or diffuse , and are favored for their use of conventional instruments, enabling broader accessibility while maintaining sufficient precision for many applications. A primary indirect approach estimates intensity from measurements, particularly valid for progressive . The time-averaged intensity I is calculated as I = \frac{p^2}{\rho c}, where p is the root-mean-square , \rho is the air density, and c is the ./Book:University_Physics_I-Mechanics_Sound_Oscillations_and_Waves(OpenStax)/17:_Sound/17.04:_Sound_Intensity) levels are obtained using calibrated sound level meters, which convert acoustic signals to electrical outputs proportional to pressure. In reverberation rooms, where the sound field is diffuse with incident from multiple directions, the relation adjusts to I = \frac{p^2}{4 \rho c} to reflect the isotropic distribution. This method simplifies intensity estimation in controlled environments but requires validation of the field type to minimize errors from deviations like standing . Sound power-based methods provide another indirect pathway by integrating intensity over an enclosing surface around the source. Total sound power W is first determined using international standards: ISO 3741 for reverberation test rooms, where multiple sound pressure level readings are averaged across the space, and the power is computed from the room's reverberation time, volume, and absorption characteristics; or ISO 3744 for anechoic and hemi-anechoic rooms, relying on pressure measurements on a virtual surface enveloping the source under free-field conditions. The local intensity is then I = \frac{W}{A}, with A as the surface area, allowing reconstruction of intensity variations. These procedures ensure standardized results for noise source evaluation, such as in machinery testing. For spatial visualization, sound intensity holography employs arrays to capture data over a near the source. Techniques like near-field acoustical (NAH) process the array signals via spatial Fourier transforms to back-propagate the field, generating or maps of intensity vectors that highlight emission hotspots and propagation directions. Arrays with dozens to hundreds of elements enable high-resolution imaging for complex sources, such as automotive components or industrial equipment. Calibration ensures traceability and reliability in indirect methods, with microphones and level meters verified against primary acoustic standards at facilities like the National Institute of Standards and Technology (NIST) or Physikalisch-Technische Bundesanstalt (PTB). These institutions provide reference calibrations in pistonphones or anechoic chambers, achieving uncertainties under 0.2 up to several kHz. Key error sources include surface reflections altering the pressure field and mismatches in assumed , which can introduce errors or overestimation in non-ideal rooms. Due to their reliance on straightforward pressure instrumentation and established protocols, indirect methods prevail in routine acoustics work, offering accuracies of ±2 for frequencies exceeding 100 Hz where phase coherence holds.

References

  1. [1]
    Sound Intensity - HyperPhysics Concepts
    Sound intensity is defined as the sound power per unit area. The usual context is the measurement of sound intensity in the air at a listener's location.
  2. [2]
    [PDF] INTENSITY OF SOUND - Rutgers Physics
    Sound intensity is the power per square meter, measured in watts per meter, and is the energy passing through a unit area in one second.
  3. [3]
    17.3 Sound Intensity – General Physics Using Calculus I
    Sound intensity is the power per unit area of a sound wave, related to the change in pressure squared, and is the time-averaged value of power.
  4. [4]
    17.3 Sound Intensity and Sound Level – College Physics chapters 1 ...
    Sound intensity varies by a factor of 10 12 from threshold to a sound that causes damage in seconds. You are unaware of this tremendous range in sound intensity ...
  5. [5]
    Decibels - HyperPhysics
    Decibels provide a relative measure of sound intensity. The unit is based on powers of 10 to give a manageable range of numbers to encompass the wide range of ...
  6. [6]
    [PDF] the pressure amplitude of a sound wave
    For a 1000 Hz tone, the smallest sound intensity that the human ear can detect is about 1x10-12W/m2. This intensity is called the threshold of hearing. On ...
  7. [7]
    17.6 Hearing – College Physics - University of Iowa Pressbooks
    For example, a sound at 10,000 Hz must have an intensity level of 30 dB to seem as loud as a 20 dB sound at 1000 Hz. Sounds above 120 phons are painful as well ...<|control11|><|separator|>
  8. [8]
    Sound - Physics
    Mar 15, 1999 · A more convenient way to measure the loudness of sound is in decibels (dB); in decibels, the range of human hearing goes from 0 dB to 120 dB.
  9. [9]
    Physics Demonstrations - Sound
    As a general rule, prolonged exposure to sound levels above 85 dB will cause slight hearing loss and above 90 dB will result in mild to moderate loss.
  10. [10]
    OSHA Technical Manual (OTM) - Section III: Chapter 5
    On the decibel scale, the threshold of pain occurs at 140 dB. This range of 0 dB to 140 dB is not the entire range of sound, but is the range relevant to human ...
  11. [11]
    Sound intensity | Decibels, Waveforms & Pressure - Britannica
    Oct 31, 2025 · Sound intensity, amount of energy flowing per unit time through a unit area that is perpendicular to the direction in which the sound waves are travelling.
  12. [12]
    3. Sound Intensity and Pressure | Basic Acoustics
    Sound intensity is the amount of sound energy passing through an area per second, while sound pressure is the force applied by moving molecules per unit area.
  13. [13]
    What is Sound Power and Sound Pressure? | HBK
    Sound power is the total airborne sound energy radiated by a sound source per unit of time. Sound pressure, on the other hand, is the result of sound sources ...
  14. [14]
    The Theory of Sound - Cambridge University Press & Assessment
    Bringing together contemporary research and his own experiments, Rayleigh clearly describes the origins and transmission of sound waves through different media.
  15. [15]
    [PDF] The pre-history of 20th century acoustics: the legacy of Lord Rayleigh
    Jan 20, 2024 · Rayleigh's two-volume work “The Theory of Sound” was the crowning glory of 19th century acoustics, and it set the agenda for everything that ...
  16. [16]
    Sound Intensity, Power and Pressure Levels
    The SI-unit for Sound Intensity is W/m2. The Sound Intensity Level can be ... Calculate sound pressure, sound intensity and sound attenuation. Noise ...
  17. [17]
    14.2 Sound Intensity and Sound Level - Physics | OpenStax
    Mar 26, 2020 · The unit called decibel (dB) is used to indicate that this ratio is multiplied by 10. The sound intensity level is not the same as sound ...
  18. [18]
    [Solved] The dimensional formula of intensity of sound is - Testbook
    Mar 21, 2021 · The dimensional formula of sound intensity is [M1 L0 T-3]. Sound intensity is the amount of sound energy passing a unit area per unit time.
  19. [19]
    Intensity Formula - GeeksforGeeks
    Feb 15, 2022 · Question 2: What is the Dimension of Intensity? Answer: Dimensional formula of Intensity is [M1L0T-3].
  20. [20]
    Phon | Sound Level, Decibel & Acoustics - Britannica
    A unit of loudness, called the phon, has been established. The number of phons of any given sound is equal to the number of decibels of a pure 1,000-hertz tone ...
  21. [21]
    ISO 9614-2:1996 - Acoustics — Determination of sound power ...
    In stockSpecifies a method for measuring the component of sound intensity normal to a measurement surface which is chosen so as to enclose the noise source(s).
  22. [22]
    Sound Intensity - The Engineering ToolBox
    I = sound intensity (W/m2). P = sound power through surface area (W). A ... Iref = 10-12 - reference sound intensity - the threshold of hearing (W/m2).
  23. [23]
  24. [24]
    [PDF] Chapter 13: Acoustics - MIT OpenCourseWare
    Mar 13, 2011 · These equations quickly yield the group and phase velocities of sound waves, the acoustic impedance of media, and an acoustic Poynting theorem.
  25. [25]
    sound pressure sound intensity characteristic acoustic impedance ...
    Sound intensity and sound pressure, p, in a plane wave are related through the equation: I = p² / (ρ0 × c) in Watt/m², ρ0 × c = Z0 as characteristic acoustic ...Missing: derivation | Show results with:derivation
  26. [26]
    None
    ### Summary of Sound Intensity Formula and Derivation
  27. [27]
    Air Density, Specific Weight, and Thermal Expansion Coefficients at ...
    V = volume (m3). ρ = density (kg/m3). Example - Mass of Air at Temperature 20 oC. From the table above - the density of air is 1.205 kg/m3 at 20 oC. The mass ...
  28. [28]
    Speed of sound in air temperature barometric pressure calculator ...
    At 20°C is ρ20 = 1.204 kg/m3, Z20 = 413 N·s/m3, and c20 = 343 m/s. At 25°C is ... A temperature of 819.45°C will double the speed of sound to 662.6 m/s.
  29. [29]
    Inverse Square Law for Sound - HyperPhysics
    Sound from a point source obeys the inverse square law. It's intensity in decibels can be calculated by comparing the intensity to the threshold of hearing. At ...
  30. [30]
    4. Inverse Square Law | Basic Acoustics
    The inverse square law states that as you double the distance from a sound source, the sound intensity decreases by 6 dB.
  31. [31]
    A Unified Theory of Psychophysical Laws in Auditory Intensity ...
    Integrating this equation, namely ΔL = ΔI/I, he produced what is known as Fechner's law: loudness is a logarithmic function of sound intensity (L = log I).
  32. [32]
    Why do we perceive logarithmically? - Varshney - 2013 - Significance
    Feb 15, 2013 · ... Fechner developed what is now called the Weber–Fechner law. It states that perceived intensity P is logarithmic to the stimulus intensity S ...
  33. [33]
    Hearing | Physics - Lumen Learning
    The lowest audible intensity or threshold is about 10−12 W/m2 or 0 dB. Sounds as much as 1012 more intense can be briefly tolerated. Very few measuring devices ...
  34. [34]
    5 • The World Through Sound: Decibels - Acoustics Today
    The decibel was first invented by Bell Laboratories in the 1920's. Originally used to measure power loss in telecommunication systems, this unit was valuable ...
  35. [35]
    What is a Neper & Conversion to dB Chart - Electronics Notes
    The Neper is a logarithmic scale based on natural logarithms to base e: find out what the Neper is & the conversion between Nepers & dB, formulas & chart.
  36. [36]
    [PDF] ISO-131-1979.pdf - iTeh Standards
    Nov 1, 1979 · 3.4 Sound intensity level. The sound intensity level, LI, expressed in decibels, of a sound or noise is given by the formula : I. 10 lg -. IO.
  37. [37]
    [PDF] Sound pressure to sound intensity and vice versa (formulas)
    Here are the equations (formulas) for the often desired direct conversion of sound pressure to sound intensity and vice versa. Sound pressure p. 1 Pa ≡ 0.0025 W ...
  38. [38]
    Sound Intensity - an overview | ScienceDirect Topics
    Thus at the hearing threshold, the value is 0 dB, and at the pain threshold it is between 120 and 130 dB. The inverse square law can be expressed in decibels by ...<|control11|><|separator|>
  39. [39]
    A comparison of two different sound intensity measurement principles
    Sep 1, 2005 · The dominating method of measuring sound intensity in air is based on the combination of two pressure microphones.
  40. [40]
    [PDF] Sound Intensity (br0476) - Brüel & Kjær
    Free field propagation is character- ized by a 6 dB drop in sound pressure level and intensity level (in the direction of sound propagation) each time the.<|control11|><|separator|>
  41. [41]
    Free-field correction of the two microphones of a sound intensity ...
    Free-field correction of the two microphones of a sound intensity probe with 0.5 in. microphones separated by a 12 mm spacer for axial plane wave incidence.—, ...
  42. [42]
    ISO 9614-3:2002(en), Acoustics — Determination of sound power ...
    This part of ISO 9614 specifies methods of determining the sound power levels of sources, within specific ranges of uncertainty, under test conditions.
  43. [43]
    [PDF] THE FUNDAMENTALS OF SOUND INTENSITY MEASUREMENT
    The relationship between sound power and sound pressure is similar . What we hear is sound pressure but it is caused by the sound power emitted from the source ...
  44. [44]
    ISO 9614-3:2002 Acoustics — Determination of sound power levels ...
    ISO 9614-3:2002 specifies a method for measuring the component of sound intensity normal to a measurement surface which is chosen so as to enclose the sound ...
  45. [45]
    Sound Intensity - SIEMENS Community
    Feb 20, 2020 · Directionality is critical when measuring with a sound intensity probe. The probe measures the pressure difference between two microphones.
  46. [46]
    [PDF] 5 Sound Intensity Measurements - Microflown
    In this paragraph it is explained how the two possible (pp and pu) intensity probes operate and what properties influence the accuracy of performance. pp probe.
  47. [47]
    ISO 3741:2010 - Acoustics — Determination of sound power levels ...
    In stockISO 3741:2010 is applicable to noise sources with a volume not greater than 2 % of the volume of the reverberation test room. For a source with a volume greater ...
  48. [48]
    [PDF] Calibration of Pressure and Gradient Microphones
    Calibration is necessary for accurately measuring potentially hazardous noise, as well as desired acoustical signals.
  49. [49]
    1.63 Sound Measuring Technology - PTB.de
    Now a procedure for the calibration of microphones in the ultrasound range up to 100 kHz has been developed at PTB. With this procedure, reference standards and ...
  50. [50]
    How Precise is Measuring Sound Power by Sound Intensity?
    Oct 27, 2025 · Generally, you execute the ISO 9614 methods in free-field conditions over a reflective surface like the floor. This setup implies that sound ...