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Punch

Punch may refer to a variety of concepts, including in combat, a mixed beverage, or the British satirical magazine Punch, or The London Charivari. Other uses include entertainment (such as ), tools, places, people, and more. For detailed information, see the sections below on primary meanings, entertainment and media, tools and devices, places, people, and other uses.

Primary meanings

Combat strike

A punch in combat is defined as a striking blow delivered with a closed fist, primarily using the knuckles of the second and third fingers to impact the opponent's head or torso. This technique emphasizes precision and power transfer through the arm, distinguishing it from or other forms of percussion in . The historical roots of punching trace back to ancient combat sports, notably the Greek , introduced at the in 648 BCE as a brutal fusion of and wrestling that permitted punches alongside grappling holds. In pankration, fighters used bare fists to deliver strikes without weight classes or time limits, often resulting in severe injuries until its discontinuation in 393 CE. Modern punching techniques evolved through formalized boxing rules, particularly the established in 1867, which mandated glove use, three-minute rounds, and prohibitions on wrestling to emphasize clean striking exchanges. Biomechanically, a punch generates through a kinetic chain beginning with to initiate , followed by extension for , and alignment to ensure rigid and maximal energy transfer. This sequence allows the body to contribute to the strike's effective mass, which can reach 30 kg or more in straight punches, amplifying beyond strength alone. In , peak punch forces typically range from 3,000 to 4,400 N (approximately 675 to 990 pounds-), varying by and level, with boxers achieving higher values through optimized and up to 9 m/s. Common types of punches include the jab, a quick straight lead-hand strike extended from the position to measure , disrupt rhythm, or set up combinations. The follows as a rear-hand straight punch, powered by full body rotation for greater force, often targeting the opponent's chin or body to capitalize on openings. Hooks involve a semi-circular arc from either hand, with the lead hook aiming at the side of the head for concussive effect and the rear hook delivering lateral power from close range. Uppercuts drive upward from below, using knee bend and explosive extension to strike the chin or , effective in clinch scenarios or against dipping opponents. Punches in combat carry significant injury risks, including acute concussions from head impacts that disrupt function, hand fractures such as boxer's fractures in the metacarpals, and chronic conditions like (), a degenerative disease linked to repetitive trauma, with studies estimating prevalence in 15–40% of retired professional boxers. manifests through accumulation, leading to cognitive decline, mood disorders, and , with studies confirming its prevalence in boxers exposed to thousands of punches over careers. Concussion rates in professional bouts reach 21-33%, often from hooks and uppercuts that cause rotational acceleration. Culturally, punches form a cornerstone of like , where linear strikes such as oi-zuki emphasize speed and penetration for , training hip-driven power to target vital points. In (MMA), punches are a dominant part of striking exchanges in stand-up phases and account for many fight-ending knockouts, such as via rear straights and hooks in UFC events. This efficacy underscores punches' role in controlling range and inflicting decisive damage across combat disciplines.

Beverage

Punch as a beverage originated in 17th-century , where British sailors and traders of the encountered a mixed drink made with five key ingredients: , water, , , and spices or . The name "punch" derives from the word "," meaning five, reflecting this foundational recipe that combined local (a distilled spirit) with imported and regional elements. Introduced to around the 1630s through returning members, the drink quickly gained popularity among the British elite and spread across and the colonies as a refreshing communal beverage. The classic , a staple of the beverage's evolution, follows a memorable proportion : "one of sour, two of sweet, three of strong, four of weak." Here, "sour" refers to citrus like or juice, "sweet" to syrup, "strong" to or another , and "weak" to water, , or diluted juice, ensuring balance in large-batch preparations. This formula, documented in 17th- and 18th-century British recipe books, allowed for scalability and adaptation based on available ingredients, making it ideal for social gatherings. Non-alcoholic versions of punch emerged prominently in the , driven by the in the United States and Europe, which sought alternatives to boozy libations at public events. These fruit punches typically blended juices such as , , and with water or soda, often sweetened and chilled, becoming a staple for children and adults alike by the mid-1800s. Their vibrant colors and refreshing profiles mirrored alcoholic counterparts while promoting sobriety, with recipes appearing in household guides and church socials. Among alcoholic variants, dates to 1732, created at Philadelphia's Schuylkill Fishing Company (also known as the State in Schuylkill), a where members enjoyed a potent mix of , , peach brandy, , and sugar. Renowned for its strength—reputedly leaving unable to mount his horse after indulgence—this punch solidified early American colonial . , a Jamaican -based creation, gained fame in the early , particularly the 1920s, with recipes featuring dark , , , and bitters, evoking the island's tropical plantations. Its jingle-like instructions ("a of , a squeeze of ," etc.) popularized it in speakeasies and resorts during . Traditionally prepared in large punch bowls to serve crowds, the beverage is stirred thoroughly and ladled into cups or glasses, often garnished with fruit slices or for aroma. This communal method fosters social interaction, with bowls crafted from silver, , or in historical settings. Modern adaptations extend punch influences to individual cocktails, such as the , which incorporates punch-style elements like pineapple juice, lime, and multiple spirits in a shaken format. Punch holds a significant cultural role in holidays and events worldwide, symbolizing festivity and shared enjoyment. Christmas punch, often spiced with cloves, , and or , warms gatherings in and , tracing back to 19th-century holiday traditions. In Brazil, the Caju Amigo—made with and cashew apple juice (caju), often with lime and sugar—adapts punch elements for summer celebrations, highlighting local fruits in a vibrant drink. These global variations underscore punch's enduring appeal as a versatile, inclusive beverage across cultures.

Entertainment and media

Puppetry and characters

Mr. Punch, the central figure in traditional puppetry, traces his origins to the 16th-century commedia dell'arte character , a hunchbacked known for his hooked nose, rasping voice, and irreverent humor. This archetype was adapted into English glove puppetry by the performer Pietro Gimonde, also known as Signor Bologna, who introduced the character around 1662. The earliest documented performance in England occurred on May 9, 1662, in , , as recorded by diarist , who described seeing "an puppet play" featuring Punch. By the late 17th century, Punch had evolved from marionette shows to more portable glove puppet formats, solidifying his role as a symbol of anarchic rebellion against authority. Punch and Judy shows are episodic glove puppet performances characterized by slapstick violence and domestic satire, typically staged in small, portable street booths by a solo puppeteer known as the "Professor." The narrative revolves around Mr. Punch's chaotic exploits, including quarrels with his wife Judy (originally named Joan until the early 19th century), the accidental killing of their Baby, confrontations with the Doctor who fails to revive victims, the Policeman, the Crocodile who steals the Baby or sausages, and ultimately the Devil, whom Punch defeats in a resurrection motif symbolizing triumph over death. The Professor manipulates all characters from behind a proscenium while using a swazzle—a small reed instrument placed in the mouth—to produce Punch's distinctive squeaky, rasping voice, enabling rapid dialogue and sound effects like slaps and cudgel blows. The earliest known script, capturing a performance by the Italian puppeteer Piccini, was transcribed in 1827 by journalist John Payne Collier and published in 1828 as The Tragical Comedy or Comical Tragedy of Punch and Judy, standardizing the plot while allowing regional improvisations. These shows emphasize themes of social commentary through Punch's humpbacked, hook-nosed figure, who embodies everyman's defiance of marital, legal, and supernatural constraints in a cycle of destruction and revival. The tradition flourished in Victorian England, becoming a staple of street entertainment and seaside resorts after the 1871 August Bank Holiday Act expanded leisure travel via railways, drawing crowds to performances that blended adult satire with family appeal. Exported through colonialism and migration, Punch and Judy reached and the by the mid-18th century, with early American shows documented in in 1742 and in 1850, often adapting the format for local audiences while retaining core elements. In , the tradition influenced later , including the trickster dynamics and humorous antics seen in mid-20th-century television programs like . Modern revivals persist at festivals such as the annual May Fayre and Puppet Festival, established in 1976 to commemorate Punch's "birthday," where over a dozen professors perform for diverse crowds, preserving the anarchic humor amid debates over its portrayal of violence. Today, more than 100 active performers maintain the craft through organizations like the Punch and Judy Fellowship (founded 1980) and College of Professors (1985), ensuring its role as a living emblem of folk theater.

Publications

Punch magazine, a British weekly publication focused on humor and satire, was established on July 17, 1841, by writer Henry Mayhew and wood-engraver Ebenezer Landells, with Mark Lemon serving as co-editor alongside Mayhew. Subtitled The London Charivari after a Parisian satirical periodical, it quickly gained popularity for its witty commentary on social and political issues, achieving a circulation that surpassed 100,000 copies weekly by around 1910 and peaking at approximately 175,000 to 184,000 in the late 1940s. The magazine's content blended sharp essays, literary pieces, and illustrated cartoons, often drawing inspiration from the Punch and Judy puppetry tradition for its character archetypes and comedic style. Notable contributors included cartoonist , who joined in 1850 and created iconic political satires, later renowned for illustrating Lewis Carroll's . Associated with Charles Dickens's circle, the publication featured essays from writers like and occasional pieces linked to Dickens himself, emphasizing Victorian societal critiques. Complementing its weekly issues, Punch's Pocket Book served as an annual almanac from the 1840s onward, incorporating calendars, diaries, cash accounts, and hand-colored illustrations for practical and humorous use. International editions and imitators extended Punch's influence across the . In , Melbourne Punch launched in 1855 as a satirical weekly, running until 1925 and adapting local political humor. New saw publications like Punch, or the Wellington Charivari in the late 1860s and Taranaki Punch from 1860, both mimicking the original's format for colonial commentary. In , Awadh Punch (also known as Avadh Punch), founded in 1877 in , evolved into a nationalist satirical outlet by the 1930s, using cartoons to critique British colonial rule and social norms until its closure in 1936. Other notable publications bearing the name included an magazine titled Punch, which operated from the late but saw renewed activity in the , though it lacked the longevity of its counterpart and ceased by the mid-20th century. The original Punch faced declining readership from the onward, exacerbated by competition from and shifting media landscapes, leading to its print closure on April 8, 1992, after annual losses exceeding £1 million. It briefly revived in print from 1996 to 2002 under new ownership before transitioning to an online archive. Punch's legacy endures in the tradition of political cartooning, shaping global satirical journalism with its emphasis on visual wit and social critique. Archives of the magazine are preserved at the , with digital scans of issues from 1841 to 1992 accessible through platforms like Gale's Punch Historical Archive since the 2010s, enabling scholarly access to over 200,000 pages of historical content.

Films and television

Punch-Drunk Love is a 2002 American romantic comedy-drama film written and directed by , starring as Barry Egan, a socially awkward and emotionally volatile owner of a novelty business who navigates rage, romance, and a scam. The film explores themes of , through , and bursts of violence, earning critical acclaim for Sandler's dramatic performance and Anderson's stylized direction. It grossed $17.8 million domestically and $6.8 million internationally, totaling $24.6 million worldwide, reflecting modest commercial success despite its arthouse appeal. The , a 1963 directed by Jeremy Summers, features as Wally , a seaside frustrated by his social-climbing wife and local snobbery, blending humor with satirical commentary on class and conformity. The story culminates in Wally's chaotic rebellion against town officials, highlighting motifs of everyday absurdity and marital tension in post-war . No direct television adaptations of the film were produced, though Hancock's earlier radio and TV work influenced its comedic style. Punch, a 2014 South Korean television drama series broadcast on , follows prosecutor Park Jung-hwan (played by ), who, upon learning of his , embarks on a quest for by targeting within his own ranks, weaving themes of moral ambiguity, violence in power struggles, and personal atonement. Spanning 17 episodes, the series delves into the cutthroat world of legal investigations rather than literal , emphasizing psychological "punches" against systemic . It achieved high ratings in , averaging over 10% viewership, and was praised for its tense plotting and ensemble performances. In 2022, the film , directed by Welby Ings, portrays 17-year-old boxer Jim (Jordan Oosterhof) training for a pivotal match while grappling with his sexuality and a forbidden relationship with a peer, incorporating themes of physical violence, identity, and liberation in a rural setting. Featuring as a domineering coach, the coming-of-age drama highlights redemption through self-acceptance and earned a 79% approval rating on for its emotional depth and queer representation. Adaptations of have appeared in animated shorts, such as the 1951 cartoon "Punch and ," where the sailor engages in a judo-inspired brawl parodying violence, reflecting 1930s influences on comedic fight sequences without direct ties in that era. featuring "punch"-themed competitions emerged in the 2020s, including fitness challenge shows like those inspired by gyms, though no major series titled "" exists; instead, the term evokes simulations of combat training. Common motifs across these works include physical or metaphorical punches symbolizing conflict resolution, from the humorous chaos in to the redemptive arcs in Punch and , often underscored by soundtracks blending tension and whimsy, such as Jon Brion's score for the latter. As of 2025, no verified series adaptation of Punch-Out!! has been announced, though biopics continue to explore similar themes of triumph and downfall.

Music

In classical music, one of the most significant works related to "Punch" is the opera Punch and Judy, composed by with libretto by Stephen Pruslin. Premiered at the on June 8, 1968, this one-act opera reinterprets the traditional English show, blending ritualistic elements with themes of violence, obsession, and tragedy in a stylised, non-linear . The score's angular rhythms and dissonant orchestration reflect Birtwistle's modernist style, drawing on serial techniques while evoking the chaotic energy of the source material. In , songs incorporating "punch" frequently appear in and , often symbolizing confrontation, power, or surprise, with lyrics that explore aggression or resilience. For instance, Phish's "Punch You in the Eye," first debuted live in 1986 and released on their 1992 A Picture of Nectar, features playful yet intense lyrics about a pirate's vengeful quest, becoming a staple in the band's improvisational live performances. Similarly, ' ska-punk track "The Punch Line" from their 2002 A Jackknife to a Swan uses the metaphor of jokes and comebacks to address life's ironies and endurance. In , Jackboy's "Pack a Punch" from the 2020 self-titled Jackboy employs the term to convey forceful street narratives and bravado, aligning with the genre's emphasis on lyrical . A prominent example from soundtracks is JAM Project's "THE HERO!! Ikareru Kobushi ni Honō o Tsuke ro," the opening theme for the 2015 One Punch Man anime series, blending with anthemic choruses about heroic strength and one-strike victories. Released as a single on November 25, 2015, the track's high-energy arrangement and motivational lyrics captured the series' satirical take on tropes, achieving widespread popularity in global communities. Albums titled Punch also exist within and scenes, such as the self-titled debut by the Oakland-based band Punch in 2009, featuring raw, thrash-influenced tracks on themes of defiance and social friction. Culturally, these works often tie "punch" to in beverage-inspired contexts or direct physicality, but , the predominantly evokes combative energy, as seen in Victorian-era satirical influences on operettas like those by , which echoed Punch magazine's humorous critiques of society.

Other works

In literature, short stories and humorous sketches from the 19th-century British magazine Punch, or the London Charivari have been compiled into various anthologies, capturing satirical vignettes on , politics, and daily life. These collections, such as the multi-volume sets published in the late 1800s, feature witty anecdotes and illustrated tales that exemplify the era's punchline-driven humor. A notable modern example is the 2021 memoir Punch Me Up to the Gods by Brian Broome, which explores themes of , , and through a semi-autobiographical set in 1980s . Digital media has embraced the "punch" motif in diverse formats, including the website Punch, founded in 2013 by Talia Baiocchi and Sean Kenyon as an independent platform dedicated to cocktails, drink recipes, and drinking culture. Acquired by Vox Media in 2021, it expanded to include in-depth articles on beverage history and nightlife trends, earning James Beard Awards for its content. In gaming, Nintendo's Punch-Out!! series, originating with the 1984 arcade version, simulates boxing matches against quirky opponents and has influenced sports titles for decades. Recent fan-driven adaptations, such as the 2024 3dSenVR mod, have introduced virtual reality controls to the NES classic Mike Tyson's Punch-Out!!, allowing motion-based gameplay in immersive 3D environments as of early 2025 updates. In and , Punch! (2005) by Rie Takada is a romance series serialized in Sho-Comi magazine, following teenager Elle Nagahara as she navigates an arranged betrothal to a amid her family's legacy. The story blends humor, action, and romance across seven volumes, emphasizing themes of personal growth and unexpected love. Webcomics often incorporate "punchline" humor through sequential gags, as analyzed in studies of platforms like or SMBC, where visual setups culminate in textual twists for comedic effect. Artistic representations of "Punch" extend to 19th-century caricatures of Mr. Punch, the satirical puppet character, depicted in illustrated collections like John Leech's Pictures of Life and Character (1887), which feature exaggerated, woodcut-style portraits critiquing social norms. These works, produced for the magazine, influenced later sculptural interpretations, such as George Segal's bronze Punch (1982), a life-sized figure evoking the character's combative persona. In the 2020s, installations have explored combat themes tied to "punch," including murals in urban centers that symbolize resistance and physical confrontation, though specific attributions remain tied to anonymous collectives. The 2025 symposium "Pictorial Punch – Treasures from the Archive," held at the on November 7, highlights the evolution of Punch magazine's visual through treasures from its , including manuscripts, cartoons, and displays from its 1841 founding onward.

Tools and devices

Handheld tools

Handheld punches are compact, manually operated tools designed to create precise holes or impressions in various materials, primarily through hand-applied force. These tools, often portable and lightweight, have been essential in offices, workshops, and crafting since the late , enabling tasks from document organization to leatherworking without requiring power sources. They typically feature sharp metal dies or points that or pierce materials, with mechanisms to collect and ensure user safety. The paper , a staple office tool, was patented in 1886 by German inventor Friedrich Soennecken as the "Papierlocher für Sammelmappen" (paper for files), initially featuring two holes spaced for early ring binders. An improved single-hole version with a spring-loaded mechanism to collect clippings was patented in 1885 by American inventor Benjamin Smith, enhancing efficiency by containing punched paper chads. In the United States, the three-hole configuration—measuring 0.25 inches (6.4 mm) in diameter with centers 4.25 inches (108 mm) apart—became the standard for letter-sized binders by the early , facilitating secure filing in three-ring systems. Leather punches, used for creating holes in belts, shoes, and other goods, trace their origins to ancient cobbling practices, with evidence of organized punch sets dating back over 39,000 years, such as a perforated board from Canyars, , likely used for consistent hole-making in hide processing. Modern versions include rotary or plier-style designs with interchangeable hollow bits, standardized in sizes 0 through 6 (corresponding to diameters from approximately 2.4 mm to 4.8 mm), allowing users to select precise fits for stitching or hardware installation. These tools, forged from tempered , enable clean cuts in tough materials like and fabric, evolving from rudimentary implements to durable metal sets employed in traditional trades. The punch, a pointed piercing tool, has prehistoric roots, with bone awls used as early as 50,000 years ago during the era for perforating hides and wood, as evidenced by archaeological finds from sites. Post-1800s developments introduced ergonomic wooden or handles to reduce hand during prolonged use, transforming the simple shaft into a more comfortable instrument for and marking. Distinct from hollow punches, awls create slits or starter holes rather than full removals, making them ideal for saddlery, , and tasks requiring thread passage. Handheld punches operate by applying force through hand pressure on levers or handles, or via hammer strikes on drive punches, generating shear forces up to several hundred pounds depending on material thickness. Modern designs incorporate safety features such as blade guards and non-slip grips to prevent accidental cuts, aligning with OSHA standards under 29 CFR 1910.242, which mandate tools be maintained in safe condition and employers provide like gloves and eye shields to mitigate hazards from flying or pinch points. Typically constructed with blades or points for durability and sharpness, handheld punches often pair these with plastic or rubberized bodies for lightweight handling and dampening. In crafting applications, specialized variants like punches—featuring shaped dies for borders, hearts, or stars—allow hobbyists to embellish paper projects, with brands like producing ergonomic models since the late for precise, repetitive cuts in cardstock and .

Industrial equipment

A punch press is a powered designed for high-volume metal stamping and forming operations, utilizing a reciprocating to drive a punch through sheet material against a die. Mechanical and hydraulic variants emerged in the late , with early adoption in manufacturing around 1890, enabling efficient production of precise components from . These presses are rated by , the maximum force they can exert, typically ranging from 20 tons for smaller parts to 500 tons or more for heavy-duty automotive applications like body panels and chassis components. Turret punch presses, introduced in the mid-20th century with CNC controls becoming standard by the 1960s, feature a rotating turret holding multiple tools for automated tool changes, ideal for sheet metal fabrication involving varied hole sizes and shapes. Common operations include piercing (creating holes), forming (bending or drawing material), and embossing (raising designs), with modern models achieving cycle times under 1 second per stroke to support high-speed production lines. Unlike manual handheld tools, these systems automate repetitive tasks for scalability in manufacturing environments. Safety features are integral, including fixed guards, light curtains, and two-hand controls to prevent access to the point of , aligned with ISO 16092-1 standards for press safety. Regulations were spurred by frequent accidents, such as amputations from unguarded es in the mid-20th century, leading to OSHA's 1910.217 standard in 1971, which mandates presence-sensing devices and brake monitoring for mechanical power es. In applications, punch presses produce circuit board enclosures in electronics manufacturing and rivet holes in components, ensuring tight tolerances for lightweight structures. By 2025, advancements incorporate for optimized operations, such as real-time and adaptive force control to minimize and enhance in dynamic settings.

Specialized punches

The punch is a employed in to create a small indentation at the intended starting point for , ensuring the remains centered and does not slip on hard surfaces. It features a conical tip, typically at a 90-degree angle, attached to a robust shank that is struck with a to produce the dimple. This design, in common use since the , facilitates accurate hole placement in materials like and has become a staple in and fabrication trades. The punch, also referred to as a nail set, is a precision tool used in to nail heads flush with or below the wood surface, enabling seamless finishing without visible fasteners. It consists of a slender shaft with a cupped tip matching the nail head's contour, available in graduated sizes to accommodate various nail gauges—for instance, a 1/32-inch tip for small finish nails and a 3/32-inch tip for larger 16d common nails, which measure about 8-gauge in diameter. By driving nails below the surface, it prevents snags during painting or staining while minimizing wood splitting. Ticket punches are specialized hand tools designed to validate tickets by cutting distinctive irregular shapes, such as stars, triangles, or letters, which deter reuse and identify the validating authority. Originating in the among railroad , each operator received a unique punch pattern to personalize validations and combat , a refined through patents in the 1880s and 1890s that enhanced durability and ease of use. These devices, often made of with spring-loaded mechanisms, were essential for and event ticketing until digital alternatives emerged. Modern variations of ticket punches include automatic models that integrate electronic components for validation, transitioning from mechanical cutting to scanner-based systems prevalent since the early in . In veterinary applications, ear tag punches function as plier-style applicators that simultaneously pierce an animal's ear and secure identification tags, commonly used for like and sheep to track health and ownership records. These tools feature case-hardened steel cutters for clean, infection-resistant punctures and are constructed from lightweight alloys for repeated field use. Specialized punches in contexts demand exceptional , with manufacturing tolerances as tight as ±0.01 mm to ensure consistent hole diameters and alignments in high-stakes assembly processes. Carbide-tipped variants, for example, maintain this accuracy in pilot punching operations, where even minor deviations could compromise component fit in or automotive parts. Such tolerances are achieved through advanced grinding and quality controls in production.

Places

Geographical locations

The term "punch bowl" in geography often refers to crater-like depressions or bowl-shaped landforms resembling the vessel used for serving punch, typically formed through erosional, volcanic, or karst processes. These natural features are found worldwide and are valued for their unique geology and ecological significance. One prominent example is the Devil's Punchbowl in Surrey, England, a large hollow of dry sandy heath approximately 1 kilometer in diameter, formed over thousands of years by wind and water erosion of the soft sandstones from the Hythe Formation. This site, part of the Hindhead Commons, has been a popular hiking destination since the 19th century, attracting visitors for its panoramic views from nearby Gibbet Hill and its role as a Site of Special Scientific Interest supporting heathland biodiversity. It draws thousands of visitors annually, contributing to the Surrey Hills' status as one of England's most frequented natural areas with over 30 million day visitors to the broader region each year. As of 2025, the site continues to be managed by the National Trust with emphasis on biodiversity conservation. In the United States, Punch Bowl Falls is a scenic in the National Scenic Area, , where Eagle Creek plunges 35 feet (11 meters) into a circular basin carved from cliffs, creating a punchbowl-like pool. Named for its distinctive shape—evoking a ladle dipping into a bowl—the falls were documented in early 20th-century photographs and became accessible via the Eagle Creek Trail, constructed around 1915 using to blast paths along sheer cliffs. The surrounding and formations enhance its appeal as a spot, though access requires navigating narrow trails and occasional closures due to landslides. The in , , exemplifies volcanic origins, formed approximately 400,000 years ago during the Honolulu Volcanic Series as a cone from explosive eruptions ejecting hot ash and fragments. This bowl-shaped depression, about 0.5 kilometers wide and 60 meters deep, served as a reservation during , housing bunkers and before being repurposed as the National Memorial Cemetery of the Pacific in 1949. Its steep walls and central location preserve native flora amid urban surroundings. In , the Punchbowl Reserve near , features a natural amphitheater-like basin with a seasonal dropping 4-5 meters along the Kings Meadows Rivulet into a , surrounded by and native gardens. Adjacent to the Big Punchbowl Reserve, a 12.57-hectare protected by the Tasmanian Land Conservancy, the area supports diverse including refuge for shorebirds, seabirds, waterfowl, and estuarine , lying next to the Moulting Lagoon Ramsar of international importance. These sites highlight fluvial and erosional influences in their formation, fostering such as rhododendron displays in spring and habitats for local wildlife. Overall, punch bowl landforms often originate from glacial scouring, volcanic explosions, or prolonged water erosion, creating enclosed basins that trap moisture and promote unique ecosystems like wetlands with high . Tourism at these sites emphasizes low-impact and observation, with examples like the Devil's Punchbowl drawing eco-tourists for their blend of geological drama and .

Settlements and buildings

Poonch, also spelled Punch, is a historic town serving as the administrative headquarters of Poonch district in the Indian of . Situated at the of the Poonch and Belar rivers in the , the town has roots dating back to ancient times and was once a semi-autonomous under the rulers before British colonial integration in the 19th century. As of 2025 estimates, the municipal council area has a of approximately 38,000, with the surrounding district encompassing rural heritage sites, agricultural lands, and forested hills that support a mix of rearing and subsistence farming. The town's economy relies on , drawing visitors to its strategic location near the and sites like the Poonch Fort, a 18th-century structure overlooking the river valley. In the , Punch refers to a small settlement and historic estate on the northern coast of in the U.S. Virgin Islands, part of the former . Established during the 18th-century colonial era as a sugar plantation, Estate Punch exemplified the island's , where enslaved Africans from labored under Danish rule to produce sugar, , and other exports tied to the transatlantic trade. The estate's operations contributed to the region's production, with early punches—mixed drinks of , citrus, sugar, water, and spices—emerging as a sailor's remedy against and a staple of colonial social life at such sites, as documented in 17th- and 18th-century maritime records. Today, with a population under 50, the area preserves rural heritage through remnants of stone windmills and boiling houses, supporting limited eco-tourism amid the island's Northside Quarter. Several historic buildings in England bear the name Punch Bowl Inn, reflecting 17th- and 18th-century coaching traditions along trade routes. The Punch Bowl Inn in Low Row, Yorkshire Dales, dates to 1638, as inscribed on its lintel, and served as a stopover for travelers in the Swaledale valley, offering ale and lodging amid the region's lead mining and sheep farming economy. Similarly, the Punch Bowl Inn in Hurst Green, Lancashire—originally built in the 1720s as cottages and a barn, later extended in the 19th century—gained notoriety for alleged visits by highwayman Dick Turpin in 1738, inspiring literary tales of roguish exploits in works like Harrison Ainsworth's Rookwood (1834). These inns, often featuring open hearths and timber beams, continue to operate as pubs and guesthouses, bolstering local tourism with their preserved architecture and ties to England's rural past.

People

Real individuals

John Punch (fl. 1640) was an African indentured servant in the colony who became the first documented person enslaved for life under English colonial law in . In July 1640, Punch fled his master Hugh Gwyn along with two European indentured servants, Victor, a Dutchman, and James Gregory, a Scotsman; upon recapture, the General Court of sentenced Punch to serve Gwyn or his assigns for the rest of his natural life, while the European runaways received extended terms of four years each, establishing a racial distinction in punishment that foreshadowed statutory . This case marked a pivotal legal for perpetual servitude based on race, influencing subsequent laws that codified chattel for Africans in the colonies. Jerry Punch (born August 20, 1953) is an American physician and former sports broadcaster renowned for his long tenure at , where he served as a commentator for , , and from 1984 to 2020. Holding a from School of Medicine, Punch combined his expertise with broadcasting, notably reporting from and events, including high-profile incidents like the 1988 Miller High Life 400 crash. His career highlights include covering over 30 Daytona 500s and contributing to ESPN's coverage, including a return to part-time sideline reporting in 2019–2020, earning him recognition as one of the network's longest-serving on-air personalities. Lucy Punch (born December 30, 1977) is an English actress known for her comedic roles in film and television. Raised in , , she trained with the and studied history at before launching her career with appearances in British series like The New Statesman (1998) and (2000). Punch gained international acclaim for supporting roles in films such as (2004), (2007), and (2011), and she won an Angel Film Award for her performance in (2010). Her television work includes starring as Gwen Franklin in the Disney+ series (2022) and recurring roles in (2015–2016). More recently, she appeared in the 2024 film Nuked and is set to reprise her role as Amanda in the 2025 spin-off series Amandaland, alongside roles in the upcoming 2025 films Jingle Bell Heist and I'm Beginning to See the Light. Monkey Punch (born Kazuhiko Katō, May 26, 1937 – April 11, 2019) was a and writer best known for creating the Lupin III franchise, a popular series featuring the Arsène III. Adopting the pen name "Monkey Punch" in 1967 to evoke a sense of mischief and impact, he serialized the manga in Weekly from 1967 to 1969, spawning numerous adaptations, films, and merchandise that have influenced global pop culture. His work blended action, humor, and eroticism, selling over 20 million copies worldwide and establishing him as a key figure in . After retiring from Lupin III in the 1970s, he continued creating other series like Playboy Cop until health issues in later years. George "Punch" Imlach (October 15, 1918 – December 1, 1987) was a Canadian ice hockey coach, administrator, and player, most famous for leading the Toronto Maple Leafs to four Stanley Cup championships in the 1960s as head coach and general manager. Nicknamed "Punch" for his aggressive style, Imlach began his coaching career in junior leagues before joining the Maple Leafs organization in 1958, where he built a dynasty by acquiring veterans like Johnny Bower and Red Kelly. His tenure included controversial decisions, such as trading Frank Mahovlich, but solidified his legacy in the NHL Hall of Fame (inducted 1984 as a builder). After leaving Toronto in 1969, he coached the Buffalo Sabres until 1982. Harold W. "Punch" Moulton II is a retired U.S. Air Force who served as Director of Operations (J-3) for U.S. European Command from 2009 to 2011, overseeing military operations across Europe, Africa, and the . A command pilot with over 3,500 flight hours, primarily in the F-15 Eagle, Moulton held key positions including commander of the 53rd Fighter Wing at and vice director for operations on the Joint Staff. After retiring in 2012, he joined Stellar Solutions as an advisor, leveraging his experience in and joint operations.

Fictional characters

In literature and media, fictional characters named "Punch" frequently embody themes of overwhelming strength or dark humor, often serving as protagonists or antagonists whose abilities or personalities drive central conflicts. Saitama, the titular protagonist of the Japanese webcomic One-Punch Man created by ONE and first published online in 2009, is a bald, unassuming superhero whose three years of rigorous training granted him the ability to defeat any adversary with a single punch. This unparalleled power leaves him perpetually bored, as he struggles to find challenges worthy of his strength, leading to satirical explorations of heroism and invincibility in a world overrun by monsters and villains. The webcomic's popularity exploded, amassing over 10 million views by 2012, prompting a professional manga remake illustrated by Yusuke Murata, serialized in Weekly Young Jump starting in 2012. The series has seen significant adaptations, including an produced by for its first in 2015, followed by J.C. Staff's second in 2019 and third in 2025, which have amplified its global reach. As of September 2025, the had over 35 million copies in circulation worldwide, establishing it as one of the best-selling series in Shueisha's catalog. Saitama's demeanor and effortless victories have fueled widespread cultural impact, including a proliferation of memes and since the early that parody superhero tropes and everyday ennui. Another prominent example is Punchline (real name Alexis Kaye), a introduced in DC Comics' Batman #89 in March 2020, written by . As the Joker's new right-hand operative and a deliberate to , Punchline is portrayed as a calculating, sadistic figure who idolizes the without the emotional volatility of her predecessor, emphasizing cold precision in her criminal schemes. Her debut marked a key addition to Batman's during the "" storyline, where she leads assaults on while clashing with heroes like Batman and . Punchline's name evokes violent humor, aligning with themes of destructive in her role as an emerging threat in ongoing DC narratives.

Other uses

Numismatics and manufacturing

In numismatics, a refers to the upper die, typically made of , used to impress designs onto blanks. This tool has been integral to production since ancient times, with evidence of its use in the for striking silver . For instance, a denarius issued in 46 BCE by mint official Titus Carisius depicts minting tools including a punch, , , and on its reverse, illustrating the manual striking process employed at the time. The traditional minting process involved placing a heated metal blank on a fixed lower die (anvil) and positioning the punch die above it, then striking the punch with a to transfer the design under pressure. This method, known as hammering, was labor-intensive and produced coins with variable quality depending on the force applied. By the late 18th and early 19th centuries, the process evolved with the introduction of steam-powered presses, which automated and standardized striking; installed the first steam-driven coin presses at his Soho Mint in 1788, and the U.S. Mint adopted steam power for rollers and cutting presses by 1816, significantly increasing production efficiency. In modern minting, punches and dies are precision-engineered using computer (CNC) milling machines to engrave intricate designs from digital models derived from sculptures or artwork. At facilities like the , CNC processes reduce the time required to cut a to 15-20 hours and a die to 25-30 hours, achieving tolerances as tight as ±0.001 inches to ensure consistent details. These components withstand millions of strikes before replacement, maintaining the integrity of designs on circulating . Beyond , punches play a key role in manufacturing processes like , where they form dies to shape metal components under high pressure. In automotive production, for example, custom forging punches made from hardened create precise dies for parts such as crankshafts or , ensuring dimensional accuracy and strength in high-volume output. Historical artifacts, including iron punches and dies from the and Byzantine eras used in production, survive in collections at institutions like the , providing insight into ancient minting techniques.

Typography and printing

In typography, a punch refers to a hardened steel tool meticulously hand-engraved with the negative image of a letterform or glyph, used to strike impressions into softer copper matrices for casting metal type. This technique, essential to movable type printing, emerged in Europe by the mid-15th century, building on Johannes Gutenberg's innovations around 1450 but refined through specialized punch-cutting practices that allowed for precise, reusable type production. The process parallels striking in numismatics but focused on alphabetic and graphic elements for textual reproduction rather than currency. The creation of a typographic punch begins with the punchcutter using gravers and files to carve the letterform in relief on the shank's end, often under magnification to achieve fine serifs and curves. Once engraved, the punch is hardened by heating and quenching, then hammered into a blank to form a —a recessed mirroring the letter. Molten (an of lead, tin, and ) is poured into this matrix to cast individual sorts, which are assembled into lines and pages for . Prominent punchcutters, such as the French artisan , elevated this craft in the 1530s by producing elegant and italic fonts that set standards for and refinement, working independently as a type founder in . Punch-cutting evolved from purely manual methods to mechanical aids in the late , with American typefounder Benton inventing a pantographic engraving machine around that traced enlarged patterns to cut precise punches and matrices at reduced scale. This innovation drastically increased production efficiency, enabling the mass manufacture of fonts for newspapers and books during the industrial era. By the 1970s, the shift to and digital composition largely supplanted punches, though the technique persisted in specialized foundries. The use of punches revolutionized printing by facilitating the scalable of uniform type, underpinning the dissemination of knowledge through books and periodicals from the onward. Notable surviving examples include the Baskerville punches, a collection of over 2,700 steel tools cut in the 1750s by English printer , now preserved at the and studied for their transitional serif design that influenced modern . In 2025, amid a broader resurgence of artisanal crafts, using recast punches experiences renewed interest, with exhibitions like "Carved & Crafted: The Art of Letterpress" at the LSU Museum of Art highlighting handmade type's tactile appeal in contemporary design.

Heliophysics

PUNCH (Polarimeter to Unify the Corona and Heliosphere) is a NASA Small Explorer mission designed to study the Sun's corona and heliosphere in three dimensions using the polarization of sunlight. The mission employs four microsatellite imagers to observe how coronal structures evolve into the solar wind, providing measurements of solar eruptions and ambient plasma flows.

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