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Thief of Time

Thief of Time is a fantasy novel by British author Terry Pratchett, published in 2001 as the 26th installment in his Discworld series and the fifth and final book focused on the character Death.^[1]^[2] The story centers on the efforts of the Auditors of Reality, ethereal beings who seek to halt the unpredictable flow of time by commissioning a young clockmaker named Jeremy Clockson to build the world's first perfectly accurate clock, which threatens to freeze time entirely on the Discworld.^[1] In the narrative, time is portrayed as a vital resource managed by the Monks of History at the ancient temple of Oi Dong, who use Procrastinators—devices that store and manipulate time—to ensure the continuity of events.^[1] The plot follows an unlikely alliance: Lu-Tze, a seasoned monk and sweeper; his apprentice Lobsang Ludd, who is revealed to be the human half of the personification of Time;^[3] and Susan Sto Helit, Death's granddaughter and a schoolteacher with supernatural abilities, as they race to thwart the clock's completion and prevent universal stagnation.^[1] Pratchett weaves philosophical humor into explorations of humanity, history, and the essence of time, incorporating elements like yetis, martial arts, and the Auditors assuming human forms, including one as the chocolate-obsessed Lady LeJean.^[1] The novel draws its title from the proverb "procrastination is the thief of time," reflecting its themes of temporal discipline and the chaos of unstructured existence.^[1] Originally published by Doubleday in the UK and HarperCollins in the US, Thief of Time received praise for its inventive premise and satirical take on quantum mechanics, martial arts tropes, and Eastern philosophy, solidifying Pratchett's reputation for blending wit with profound insights.^[2]^[1]

Publication History

Initial Publication

Thief of Time was initially published in hardcover by Doubleday in the United Kingdom on 3 May 2001, with the ISBN 0-385-60188-3.^[4]^[5] In the United States, HarperCollins released the hardcover edition on 24 April 2001, assigned the ISBN 0-06-019956-3.^[6] The cover artwork for both editions was created by the renowned fantasy illustrator Josh Kirby, whose vibrant and detailed style defined early Discworld covers; this marked his final such contribution, as Kirby passed away on 6 October 2001.^[7] The UK hardcover was priced at £16.99. As the 26th novel in Terry Pratchett's Discworld series and the fifth installment in the Death sub-series, Thief of Time continued the author's tradition of blending humor, philosophy, and fantasy within the established universe.^[4]

Editions and Translations

Following its initial release, Thief of Time was issued in paperback format by Corgi Books in the United Kingdom in 2002, featuring 430 pages and an ISBN of 978-0-552-14840-5.^[8] In the United States, HarperTorch published a mass-market paperback edition the same year, comprising 357 pages with an ISBN of 978-0-06-103132-8.^[8] The novel has been adapted into several audiobook formats, enhancing its accessibility through audio narration. An abridged edition narrated by Tony Robinson was released by Corgi Audio in 2001 on cassette and later CD, running approximately 3 hours and 53 minutes.^[9] Another key audiobook, narrated by Stephen Briggs, appeared in 2007 from Corgi Audio as a 9-CD set, lasting about 11 hours and capturing the Discworld's humorous tone through Briggs's versatile voice work.^[10] These audio versions, produced by reputable publishers like ISIS Audio Books in 2002, have contributed to the book's enduring popularity among listeners.^[8] Thief of Time has been translated into over 30 languages worldwide, aligning with the Discworld series' broad international appeal, which spans more than 37 languages overall. Notable examples include the German edition Der Zeitdieb, published in hardcover by Manhattan Books in 2002 with 379 pages and an ISBN of 978-3-442-54528-1, translated by Claudia Schmaling.^[8] The French translation, titled Procrastination, was released in paperback by L'Atalante in 2005, featuring 416 pages and an ISBN of 978-2-84172-313-1, rendered by Patrick Dusoulier.^[8] Other translations encompass Dutch (De dief van tijd, Uitgeverij M, 2003), Hungarian (Időtolvaj, Delta Vision Kft., 2012), and many more, facilitating global readership.^[8] Special editions post-2001 include collector's versions that highlight the book's status within the Discworld canon. The Collector's Library Edition, published by Penguin Books in 2022, offers a hardcover format with embossed elements and sealed with Pratchett's coat of arms, priced at £14.99 and spanning 432 pages.^[11] Additionally, a 2017 hardcover reissue by Doubleday UK, with 336 pages and ISBN 978-0-85752-503-1, serves as a commemorative printing for enthusiasts.^[8] An illustrated graphic novel adaptation is slated for release in April 2026 by Transworld, featuring artwork by Rachael Stott, expanding the story's visual interpretations.^[12] These variants underscore the novel's lasting bibliographic evolution.

Development

Writing Process

Terry Pratchett completed the manuscript for Thief of Time around 2000–2001, aligning with his established routine of producing one Discworld novel annually during this period of his career.^[13]^[14] Pratchett's approach to writing involved developing core plot elements early, often building the narrative around a central conceit like the glass clock that drives the story in Thief of Time.^[15] He described his process as starting with the main idea and layering in a "scaffolding story" to support it, allowing the plot to unfold organically while maintaining focus on the primary theme.^[15] In a 2011 interview, Pratchett revealed how the character Ronnie Soak emerged as a deliberate chaotic element during development; he initially chose the name randomly, but upon realizing it spelled "kaos" backward, he intentionally positioned Soak as the Fifth Horseman of the Apocalypse to introduce unpredictability into the narrative.^[16] This moment exemplified Pratchett's method of allowing serendipitous discoveries to shape character roles and thematic depth. Pratchett collaborated closely with his literary agent, Colin Smythe, throughout the Discworld series, including during the preparation of Thief of Time, where Smythe handled negotiations and provided professional guidance on manuscript refinement.^[14] The final hardcover edition spanned approximately 320 pages, reflecting Pratchett's concise yet expansive style honed across two decades of Discworld writing.^[2]

Inspirations and Influences

Pratchett drew inspiration for the novel's central concept of a clock that could halt time from an article he read about a genuine glass clock constructed in Germany, featuring only one metal component and capable of shattering in slow motion. This idea evolved into the narrative's perfect clock, which threatens to freeze the universe by imposing absolute regularity on time.^[17] The author's longstanding fascination with horology, rooted in his early exposure to scientific and historical curiosities during his journalism career, further shaped the story's emphasis on clockmaking as a metaphor for human attempts to control the uncontrollable. Pratchett's interest in precise mechanisms reflected his broader curiosity about how technology intersects with philosophy, influencing the character of Jeremy Clockson as a brilliant but isolated horologist.^[16] Elements of Eastern philosophy, particularly Tibetan Buddhism and Taoism, profoundly influenced the depiction of the History Monks, who maintain the flow of time through disciplined intervention. The order's founder, Wen the Eternally Surprised, echoes Taoist principles of harmony with the universe, while the monks' practices of mindfulness and temporal redistribution parallel Buddhist concepts of impermanence and karma. Lu-Tze, the sweeper monk, is explicitly modeled on Lao Tzu, the ancient Chinese philosopher and founder of Taoism, incorporating proverbs from the Tao Te Ching into his worldview and bonsai mountain as a symbol of scaled-down cosmic balance.^[18] Pratchett incorporated ideas from chaos theory to explore time's inherent unpredictability, portraying it as a dynamic system susceptible to small perturbations rather than a linear progression. In the novel, chaos manifests as the fifth Horseman, embodying disorder as an essential counterforce to rigid structure, directly inspired by Pratchett's view of chaos as "the oldest" disruptive element in existence. Quantum mechanics also informed the themes, with concepts like superposition and the observer effect reflected in the "quantum cosmic tick"—the universe's smallest measurable time unit—and the Auditors' futile attempts to impose certainty on probabilistic reality. These scientific influences stemmed from Pratchett's collaborations with mathematicians Ian Stewart and biologist Jack Cohen on The Science of Discworld series, where they unpacked quantum and chaotic principles through Discworld analogies.^[16]^[19] The novel parodies martial arts films through the History Monks' combat styles, exaggerating tropes of superhuman speed and philosophical training from classic kung fu stories and wuxia cinema. Lu-Tze's unassuming yet effective fighting draws from the archetype of the humble master, while apprentice Lobsang's abilities evoke wire-fu acrobatics. Time-travel tropes are similarly lampooned, particularly the 1999 film The Matrix, with Lobsang's "time-slicing" mirroring bullet-time sequences where perception slows to dissect moments, used here to navigate temporal fractures rather than evade threats.^[20] Thief of Time builds on the established family of Death from earlier Discworld novels, particularly Soul Music (1994), where Susan Sto Helit emerges as his granddaughter with inherited powers over life and death. This continuity allows Pratchett to expand Susan's role as a bridge between mortal and metaphysical realms, integrating her into the time-management crisis without reintroducing foundational elements.

Narrative Elements

Plot Summary

In Thief of Time, the Auditors of Reality, ethereal entities seeking perfect order, enlist the aid of gifted clockmaker Jeremy Clockson in Ankh-Morpork to construct an exquisite glass clock capable of halting time entirely.^[21] This plan threatens the fabric of existence, prompting intervention from the History Monks of the remote Oi Dong monastery in the Ramtops, where seasoned sweeper Lu-Tze trains his apprentice Lobsang Ludd to thwart the scheme, while Death dispatches his granddaughter Susan Sto Helit to safeguard the world's temporal flow.^[21]^[22] The narrative unfolds through alternating perspectives, juxtaposing the precise, clockwork world of Jeremy and the Auditors with the more fluid, human elements involving Susan, Lu-Tze, and Lobsang, gradually building tension across these realms toward a climactic confrontation centered on the Auditors' ambitions.^[21] Key settings include the bustling streets of Ankh-Morpork, the disciplined mountaintop monastery in the Ramtops, and abstract domains such as the embryonic space surrounding the unfinished Glass Clock, which embodies the perilous intersection of order and chaos.^[21] Central plot devices highlight themes of disruption and humanity: chocolate emerges as an unpredictable, indulgent force that introduces chaos into the Auditors' rigid calculations, while the human propensity for procrastination serves as an unwitting defense mechanism against the clock's completion.^[21] The story progresses to a resolution where the flow of time is ultimately restored, with lasting repercussions for the key participants and the balance between order and unpredictability.^[21]

Characters

Susan Sto Helit is the granddaughter of Death, daughter of Mort and Ysabell, and possesses inherited supernatural abilities such as walking through walls and existing slightly outside of time, granting her a degree of immortality.^[23] In Thief of Time, she serves as a schoolteacher at a private academy, where her practical and sensible nature allows her to manage children effectively through unconventional means, positioning her as the emotional core of the narrative with her calm demeanor amid crises.^[23] Physically, she is described as attractive yet skinny, with white hair streaked black that shifts with her mood, and she initially resists acknowledging her otherworldly heritage despite her poised, mature presence.^[23] Jeremy Clockson is an introverted genius clockmaker raised by the Guild of Clockmakers in Ankh-Morpork after being left on their doorstep as an infant, exhibiting an obsessive precision in his craft and a spartan, isolated lifestyle with minimal social connections.^[24] As the temporal double of Lobsang Ludd and son of Time and Wen the Eternally Surprised, he demonstrates an intuitive grasp of time's flow without the ability to manipulate it, making him ideally suited for constructing highly accurate timepieces.^[24] His role involves being commissioned to create a central artifact that measures time with universal rhythm, reflecting his dedicated and solitary personality.^[24] Lu-Tze is an elderly sweeper at the Oi Dong Monastery in the Ramtops, appearing as a harmless, hunched, bald man of generic foreign aspect who is potentially over 800 years old and skilled in the martial art of Déjà Fu, which draws on paradoxical wisdom and the ability to "reload" previous moments in life.^[25] As a senior operative among the History Monks, he embodies quiet authority and is respected for his unassuming yet effective methods, often guided by the practical philosophy of The Way of Mrs. Cosmopilite.^[25] In the story, he mentors a young apprentice, leveraging his extensive experience in maintaining historical continuity.^[25] Lobsang Ludd, originally named Newgate Ludd, is a young apprentice raised in the Thieves' Guild after being abandoned as a baby, blending human agility with the innate potential of his half-anthropomorphic heritage as the son of Time and Wen, appearing in his early twenties with exceptional speed and thieving prowess.^[3] Trained by the History Monks, he represents untapped discovery and growth, serving as Lu-Tze's apprentice in efforts to preserve temporal balance.^[3] His counterpart, Jeremy, highlights Lobsang's more dynamic and exploratory traits in contrast to the clockmaker's precision.^[3] Lady Myria LeJean, also known as Unity, is an Auditor of Reality who assumes a human form modeled after a portrait by Leonard of Quirm, initially presenting as a flawless, wealthy woman with long black hair but gradually grappling with the complexities of embodiment, including newfound appreciation for human experiences like art and emotion.^[26] Her name evokes the Auditors' collective nature, and she struggles with the disorienting aspects of individuality, marking her as a figure caught between cosmic detachment and personal sentience.^[26] In the narrative, she interacts closely with Jeremy Clockson, overseeing his work on a pivotal time-measuring device.^[26] Among the supporting figures, Death is the anthropomorphic personification who collects souls with a deep, resonant voice and a compassionate fascination for humanity, riding his white horse Binky and collaborating with his granddaughter Susan while maintaining the cycle of life through a network of nodal points.^[27] Wen the Eternally Surprised, a bald, perpetually astonished monk-philosopher and legendary founder of the History Monks, is the immortal husband of Time and author of scrolls on temporal philosophy, serving as the father to Lobsang and Jeremy.^[28] Ronnie Soak, alias Kaos, is the fifth Horseman of the Apocralypse who departed the group early, now living as an unassuming milkman delivering dairy products with a name that playfully inverts his chaotic essence, embodying disorganized potential.^[29]

Themes and Analysis

Central Themes

In Thief of Time, time is depicted as a fragile and malleable construct rather than an immutable linear force, actively maintained by the Monks of History to avert stagnation and ensure the continuity of events. This guardianship emphasizes time's vulnerability to disruption, positioning it as a dynamic resource that underpins existence on the Discworld. The glass clock, engineered by the Auditors of Reality, symbolizes human (and cosmic) hubris in seeking to dominate this construct, as its creation aims to freeze time indefinitely, thereby unraveling the natural progression of life.^[30]^[31] Central to the narrative is the opposition between chaos and order, embodied in the Auditors' relentless pursuit of absolute perfection and uniformity, which directly conflicts with the unpredictable vitality of human (and Discworld) existence. The Auditors view chaos as a threat to their bureaucratic efficiency, exemplified by their encounter with chocolate, which they identify as a chaotic "fifth force" capable of eroding their emotionless control through its association with indulgence and individuality. In contrast, the Yo Valley serves as a timeless sanctuary, a secluded realm where temporal order is preserved in isolation from external chaos, highlighting the novel's motif of balanced seclusion amid broader turmoil.^[31]^[32]^[30] The novel portrays human procrastination and free will as vital counterforces to rigid control, essential for fostering progress and creativity against the Auditors' deterministic worldview. Procrastination, reflected in the Procrastinators' deliberate delays, allows space for serendipity and personal agency, preventing the stagnation that absolute order would impose. This theme underscores free will's role in driving evolution and resistance, as characters exercise choice to disrupt the Auditors' plans and affirm life's inherent messiness.^[30]^[31] Thief of Time weaves an interconnectedness of myth and reality by integrating Discworld folklore—such as the Auditors and History Monks—with probing questions on existence, suggesting that mythical elements shape tangible outcomes in the world's fabric. This blending illustrates how legends and beliefs actively influence reality, reinforcing the novel's motifs of temporal and existential interdependence.^[33]

Philosophical Elements

In Thief of Time, the character of Death embodies existential questions about mortality, serving as a guardian of life's delicate balance rather than a destroyer. Death does not cause demise but arrives to usher souls onward, underscoring the inevitability of death as a fundamental aspect of existence that prevents stagnation and allows renewal. This portrayal aligns with Terry Pratchett's personal philosophy, where he described Death as a compassionate figure who "does not kill you" but facilitates the transition, emphasizing that mortality imparts meaning and urgency to human endeavors. Pratchett's views, shaped by his advocacy for dignified dying amid his battle with Alzheimer's, highlight death's role in affirming life's value through its finitude.^[34]^[35] The novel critiques determinism through the Auditors of Reality, bureaucratic entities who embody absolute order and seek to impose a rigid, unchanging universe free from life's unpredictability. Representing a mechanistic worldview, the Auditors plot to halt time itself via a perfect clock, viewing human chaos—marked by free will and imperfection—as a flaw to eradicate. This deterministic impulse is challenged by the inherent "quantum-like" disorder in human behavior, which Pratchett uses to affirm chaos's necessity for creativity and individuality, drawing parallels to philosophical debates on fate versus agency. The Auditors' failure illustrates how enforced order undermines existence, echoing Pratchett's humanistic rejection of impersonal control.^[35]^[18] Pratchett contrasts Eastern and Western conceptions of time, with the History Monks—modeled on Tibetan Buddhist traditions—embodying a cyclical view where time flows in eternal loops, maintained through disciplined intervention to ensure continuity. This opposes the linear, progressive Western perspective, often tied to technological precision like clockmaking, which the Auditors exploit to fracture temporality. Lu-Tze, the sweeper monk, navigates time non-linearly, guided by paradoxical wisdom akin to Taoist principles, highlighting how cyclical time fosters harmony over conquest. Pratchett, influenced by Eastern philosophies in his satirical lens, uses this to explore time not as a commodity but as a fluid, interconnected force.^[17]^[18] The ethics of intervention form a core dilemma, as Susan Sto Helit and Lu-Tze manipulate events to thwart the Auditors, prompting questions about the morality of altering history for broader salvation. Their actions—bending rules to avert universal stasis—raise tensions between consequentialist greater good and deontological constraints, with Death's subtle guidance affirming targeted interference when it preserves life's diversity. Pratchett's humanism permeates this, portraying imperfection and simple joys, such as the Auditors' downfall through the sensory allure of chocolate, as essential to human vitality. Named Humanist of the Year in 2013 for championing rational compassion, Pratchett underscores that embracing flaws and pleasures sustains existence against sterile perfection.^[35]^[36]

Reception and Legacy

Critical Reception

Upon its release in 2001, Thief of Time received generally positive reviews from critics, who praised its blend of humor, philosophical depth, and inventive take on time management in the Discworld universe. Sam Jordison, writing for The Guardian in 2016, described the story as "as complicated, daft, hilarious and satisfying as vintage PG Wodehouse," highlighting its wise silliness and hopeful message about human learning.^[37] Steven H. Silver, in a 2001 review for the SF Site, lauded Pratchett's masterful parody of action films, particularly through the dynamic between Lu-Tze and Lobsang, which mocks martial arts tropes while exploring fresh Discworld perspectives.^[38] Contemporary coverage emphasized the novel's philosophical layers. Publishers Weekly called it an "appealing installment" that tackles religion, time, and kung-fu references with Pratchett's characteristic wit, noting its engaging ensemble of characters like Death and Susan Sto Helit working to avert catastrophe.^[39] Similarly, a 2001 Locus recommendation by Carolyn Cushman praised its send-up of philosophy and martial arts movies, with monks plotting to halt time, and singled out a "brilliant development" redefining "death by chocolate."^[40] Some critiques were mixed, pointing to a denser tone compared to lighter Discworld entries. John Grant, reviewing for Infinity Plus in 2001, observed that the book features "fewer moments of uproarious humour than most of Pratchett's books," with jokes taking a darker, more satirical edge, and critiqued the plot for lacking urgency, as events unfold arbitrarily without strong emotional pull.^[41] Despite such notes, the overall consensus appreciated the novel's wit and originality in conceptualizing time, though it was seen as more intellectually layered than Pratchett's earlier, more uproariously comedic works. Fans showed particularly strong appreciation for the Death family storyline, contributing to its enduring popularity among readers, even as some professional reviews highlighted structural unevenness.^[42]

Awards and Recognition

Thief of Time was shortlisted for the 2002 Locus Award for Best Fantasy Novel, recognizing its place among leading fantasy works of that year.^[43] In the BBC's 2003 Big Read survey, which sought to identify the United Kingdom's best-loved novels based on public votes from over 750,000 participants, the book achieved a ranking of 152nd overall.^[44] While Thief of Time itself was not nominated for a Hugo Award, it forms part of Terry Pratchett's Discworld series, multiple installments of which have received nominations in the Best Novel category from the World Science Fiction Society.^[45] Posthumously, following Pratchett's death in 2015, Thief of Time has garnered recognition in retrospective fan-voted rankings of the top Discworld novels, such as on Ranker, where it consistently places among the higher-voted entries.^[46] The novel contributed to the broader success of the Discworld series, with Pratchett's books having sold over 100 million copies worldwide as of 2022.^[47]

References

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$$17.99 In stock Store nearbyThief of Time, the 26th Discworld novel, finds the master farceur at the top of his considerable form. The novel begins when the Auditors, a superhuman race of ...
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The Discworld novels can be read in any order but Thief of Time is the fifth book in the Death series. Featured characters. Death · Susan Sto ...
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Author: Terry Pratchett ; Title: Thief of Time ; Publisher: Doubleday ; Date: 2001 (Hardback) ; ISBN: 0 385 60188 3 (Hardback).
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Thief of Time ; Book 26 of 41. Discworld ; Print length. 336 pages ; Language. English ; Publisher. Harper ; Publication date. April 24, 2001.
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picture. Publication: Thief of TimePublication Record # 650285; Author: Terry Pratchett; Date: date unknown; ISBN: 0-385-60188-3 [978-0-385-60188-7]; Publisher: ...
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Thief of Time, 2022-10-27, Terry Pratchett · Penguin Audio ; Thief of Time, 2025-03-11, Terry Pratchett · Harper, 978-0-06-339334-9.
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spoken vocals: Stephen Briggs ( British writer and audiobook reader ). partial recording of: Thief of Time ( novel ). writer: Terry Pratchett.
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10–20 day delivery 60-day returnsThief of Time - Collector's Library Edition. Thief of Time – Collector's Library Edition. Hardback £14.99. View more. Add to cart. Thief of Time (Paperback) ...
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Jul 3, 2016 · According to Wikipedia, Terry Pratchett started writing The Colour of Magic (The first Discworld novel) in 1983 in order to "have fun with some ...What is the definitive reading order for Terry Pratchett's Discworld ...In what order should I read Pratchett's Discworld novels? - QuoraMore results from www.quora.comMissing: timeline | Show results with:timeline
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Oct 14, 2011 · In typically ebullient fashion, Thief of Time also contains a sprinkling of yetis, a clock which will stop time and the Monks of History, whose ...
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Jeremy Clockson is the temporal double of Lobsang Ludd, and son of Time and Wen the Eternally Surprised. He appears in Thief of Time.
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Oct 5, 2022 · In Thief of Time, Lu-Tze is identified by Kaos as one of his "Creatures". Lu-Tze's appearance is that of a hunched, harmless old man. He is ...
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### Summary of Wen the Eternally Surprised in *Thief of Time*
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Finally, Thief of Time deserves, for the purposes of this study, a similar treatment to the two novels that immediately precede it, but for different reasons.
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### Summary of Philosophical Elements in Thief of Time and Discworld
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THIEF OF TIME by Terry Pratchett
### Summary of Publishers Weekly Review of *Thief of Time* by Terry Pratchett
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In April 2003 the BBC's Big Read began the search for the nation's best ... Thief Of Time, Terry Pratchett 153. The Fifth Elephant, Terry Pratchett 154 ...
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fantasy novel — 5th place. 2002: The Last Hero (by TP; illustrated by Paul Kidby) ...
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