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Tilly Birds

Tilly Birds is a three-member Thai band formed in in 2010 by Anuroth Ketlekha (Third) and Nutdanai Chuchat (Billy), later joined by Thuwanon Tantiwattanaworakul (Milo). The band, under Gene Lab Records, draws from diverse musical backgrounds to create an undefinable sound characterized by introspective and eclectic . With over 1.9 million monthly listeners on , Tilly Birds has built a strong following through hits such as "Same Page?" (คิด(แต่ไม่)ถึง), "Just Being Friendly," and "Never A Waste Of Time." Notable achievements include winning Band of the Year at the Men of the Year awards and Best Producer of the Year at the 2022 Guitar Mag Awards for "Until Then" (ถ้าเราเจอกันอีก).

History

Formation and early years

Tilly Birds was founded in 2010 in , , by Anuroth Ketlekha (Third) and guitarist Nutdanai Chuchat () during their high school years as an project. The band's name originated as a portmanteau combining elements from the founders' names along with later member . Initially a duo, the lineup expanded to include Thuwanon Tantiwattanaworakul (), as well as temporary members Bookies and Babe, who departed prior to the band's major label signing. In its formative phase, Tilly Birds focused on developing an sound influenced by the members' diverse musical backgrounds, performing locally and honing their craft without formal label support. The group released its debut digital single, the English-language track "," on November 1, 2014, marking their initial entry into recording and distribution as an independent act. This period emphasized experimentation across genres, laying the groundwork for their later stylistic evolution while building a audience in Thailand's indie scene.

Signing with Gene Lab and initial releases

In 2018, Tilly Birds participated in the television competition Band Lab, organized by to identify and sign emerging artists to its new imprint, Gene Lab. The band's performances, including original compositions such as "จากกันด้วยดี" (translated as "Parting Amicably"), showcased their style and secured their contract with the label later that year. This marked a transition from their prior independent status, during which they had self-released material since forming around 2010–2011. Their initial output under Gene Lab began with the digital single "จากกันด้วยดี" in September 2018, which originated from the Band Lab series and emphasized themes of amicable separation through introspective lyrics and melodic guitar work. Subsequent singles, including "Who I Am" released as a pre-release track on August 15, 2020, built anticipation for their first studio album. These early releases focused on emotional, relationship-driven narratives, aligning with the band's evolving sound of pop-rock infused with Thai lyrical sensibilities. The culmination of this phase arrived with the major-label debut album ผู้เดียว (Poo Diew, or "Alone"), released on September 3, 2020, featuring 10 tracks led by singles like "คิด(แต่ไม่)ถึง" (Same Page?). The album, produced under Gene Lab, achieved commercial visibility in Thailand by blending indie aesthetics with polished production, marking Tilly Birds' entry into mainstream distribution via GMM Grammy's network.

2019–2020: Commercial breakthrough

In 2019, Tilly Birds continued building momentum under Gene Lab Records by releasing a series of digital singles, including "Broken" (อภัย), "Status" (แค่สถานะ), "The One", "ineednoone", and "Bangkok Winter". These tracks showcased the band's evolving alternative rock sound, blending introspective lyrics with melodic hooks, and began attracting broader attention within Thailand's indie music scene. The pivotal commercial breakthrough arrived in with the release of "Same Page?" (คิด(แต่ไม่)ถึง) on , which captured widespread appeal through its themes of unrequited longing and relatable emotional depth. The single rapidly climbed to on , , and Cat Radio charts, surpassing the band's own expectations and establishing them as a dominant force in Thai . By year's end, it ranked as 's top-streamed song on and amassed hundreds of millions of streams across platforms, solidifying Tilly Birds' rising popularity. This success propelled the band toward their debut studio album, Phu Diao (ผู้เดียว, also known as The One), released on , 2020, which incorporated earlier singles and new material reflecting personal introspection and relational dynamics. The album's release, distributed through Gene Lab under , earned Tilly Birds the Popular Band award at the Siamrath Online Awards 2020, marking their transition from niche indie act to mainstream contenders.

2021–2023: Album releases and domestic success

Tilly Birds released their second studio album, It's Gonna Be OK, on November 25, 2021, marking a continuation of their alternative rock sound with tracks blending pop elements and introspective lyrics. The album contributed to their rising prominence in Thailand, with the single "Until Then (ถ้าเราเจอกันอีก)" topping the Billboard Hits of the World Thailand chart in early 2022. Their streaming performance placed them fifth among top bands in Thailand for 2021. In recognition of their 2021 achievements, the band secured five awards at the TOTY Music Awards 2021, including categories for song of the year and artist accolades, and won Best Asian Artist () at the 2021 . Building on this momentum, they issued a deluxe edition of It's Gonna Be OK on November 25, 2022, incorporating additional tracks, alongside singles such as "Can't Have It All (ตัวเลือกตัวรอ)" released on October 25, 2022, and "Thank You for Breaking Up (ขอบคุณที่เลิกกัน)". In 2022, they received the Guitar Mag Award for Best Producer of the Year for "Until Then". The period culminated in 2023 with their first major solo , "It's Gonna Be Tilly Birds," held on July 1 at SHOW DC HALL in , which drew significant attendance and led to the release of a live album of the same name on December 26, 2023, featuring revised and live of hits like "I'm Not Boring, You're Just Bored" and "Bangkok Winter". This event underscored their domestic consolidation, with continued high streaming and performance metrics affirming their status as a leading Thai rock act.

2024–present: International expansions and recent works

In 2024, Tilly Birds pursued international expansion through English-language releases and performances beyond . The band released the single "White Pills" in April, an English track addressing moving on from past relationships, as part of efforts to broaden their global appeal. On July 7, 2024, they performed a in , marking a return visit and fulfilling prior commitments to regional fans. Later that year, on October 1, they issued "Retro-39," their second fully English single, described as a nostalgic alt-pop track aimed at attracting international listeners through streaming platforms. Into 2025, the band continued this trajectory with cross-border collaborations and additional releases. In September, they partnered with Filipino band for "Heaven," a celebrating and marking a milestone in their global outreach, produced during joint songwriting sessions in earlier in the process. Other 2025 singles included "Never A Waste Of Time" and the Thai-language "ล้มแชมป์ (Only You Can)," alongside announcements of their third studio , TB3. Tour dates extended to multiple Asian venues, including shows in and various Thai cities through December 2025, with performances at festivals like NAC IT LOUD in . These activities built on prior teases of a full English , shifting focus toward multilingual content to sustain momentum outside domestic markets.

Band members

Current lineup

The current lineup of Tilly Birds comprises three members: Anuroth Ketlekha (stage name Third), who serves as ; Nutdanai Chuchat (Billy), handling guitars and keyboards; and Thuwanon Tantiwattanaworakul (Milo), on and backing vocals. This trio has remained consistent through the band's international collaborations and releases as of 2025, including the September 2025 single "" with .

Former members and changes

Tilly Birds initially formed as a five-piece band in 2010, with core founders Anuroth "Third" Ketlekha (vocals) and Nutdanai "Billy" Chuchat (guitar), later joined by Thuwanon "Milo" Tantiwatthanaworakul (drums), along with Bookies and Bannawit "Babe" Srisunt. Bookies departed the group in 2017 prior to a major performance event, reducing the lineup temporarily, while Babe exited during the subsequent show run amid the band's growing activity. These changes transitioned Tilly Birds to its current trio configuration, emphasizing the remaining members' roles in songwriting, recording, and core instrumentation. For live performances, the trio has consistently augmented with supporting musicians, including guitarist Pariyapas Usaha and bassist Athitat Sornpaisarn, though these are not formal band members. Little public information exists regarding the precise reasons for Bookies' and Babe's departures, with band statements and profiles focusing instead on the enduring collaboration among Third, Billy, and Milo post-2018 label signing.

Musical style and influences

Core elements and evolution

Tilly Birds' core musical style centers on , characterized by genre-blending that incorporates subgenres of rock, pop, , , and , creating a versatile and experimental sound. This approach draws from influences such as for raw energy, for psychedelic layers, and artists like and for rhythmic and soulful integrations, resulting in tracks that fuse driving guitar riffs with melodic hooks and electronic textures. The band's sound remains largely undefined, prioritizing distinctive character over rigid categorization, as noted by the members themselves after more than ten years. The evolution of their style began with independent English-language singles in the early , emphasizing straightforward during their formative phase as a Bangkok-based . Following their signing with Gene Lab Records, their 2019 major-label debut album Poo Diew (ผู้เดียว) expanded into a broader spectrum, serving as a showcase of stylistic experimentation across and pop elements to reflect their full musical range. Subsequent releases, such as the 2021 album It's Gonna Be OK, refined this by remastering earlier hits alongside new material, deepening electronic and pop integrations while maintaining foundations. By 2022–2024, Tilly Birds shifted toward lighter, nostalgic alt-pop infusions, evident in singles like "White Pills" (heavier rock-leaning) transitioning to upbeat tracks such as "Retro-39," which evokes – vibes through pop and grooves blended with modern flair. This progression reflects intentional adaptation to audience feedback and creative exploration, allowing heavier rock phases to coexist with more accessible, retro-inspired productions without abandoning their core ethos.

Key influences and comparisons

Tilly Birds' musical influences span , , and contemporary production, reflecting the varied backgrounds of its members. Lead guitarist Billy Chuchat has cited music as a foundational influence shaping the band's energetic edge, while vocalist Anuroth "Third" Ketlekha draws from soul and R&B traditions, including artists like , , and . Drummer Pharit "Milo" Prachayapruttivut incorporates elements from , Thai pop, , and metal, contributing to the group's rhythmic versatility and genre-blending approach. Collectively, the band merges these personal influences with broader rock icons such as and , integrating their melodic structures and theatrical flair into modern , funk, and 1980s synth-pop aesthetics. This synthesis is evident in tracks like "Retro-39," where sharp synth lines, punchy beats, and grungy guitar riffs evoke nostalgic vibes alongside emotive vocals and layered production for a danceable yet introspective sound. Chuchat's production work further draws from electronic innovators like , Kevin Parker of , , and , infusing the band's base with polished, genre-fluid textures. The band's style—rooted in with pop, , British rock, and Thai music infusions—positions it as a bridge between Western traditions and Southeast Asian pop sensibilities, evolving from early English-language experiments to Thai-dominant releases that prioritize mainstream accessibility without diluting experimental breadth. This eclectic fusion has garnered recognition, such as their 2021 album It's Gonna Be OK earning Best Asian Artist at the Asian Music Awards and a spot on NME's 25 Best Asian Albums of 2021, highlighting parallels to regional acts that similarly hybridize global rock with local flavors.

Political activism

Public stances and protest involvement

During the 2020–2021 Thai pro-democracy protests, Tilly Birds publicly aligned with the through performances and statements at major music events. At the Big Mountain Music Festival 11 on , 2020, the band performed onstage amid widespread artist expressions of solidarity, including symbols and chants, which preceded the festival's abrupt shutdown the next day—officially cited as a precaution but attributed by observers to the political content. Similar support was voiced at Cat Expo 7 earlier that year, where the band "called out" in favor of the protests, reportedly gaining rather than losing fan and commercial support afterward. These actions positioned Tilly Birds among Thai artists leveraging platforms to amplify calls for democratic s amid crackdowns, though the band avoided explicit endorsements in favor of symbolic gestures. No further direct participation or detailed public stances on specific issues like have been documented from the group.

Achievements and impacts

Tilly Birds' public endorsements of Thailand's 2020–2021 pro-democracy s, including vocal support at major music events like Cat Expo 7 and Big Mountain Music Festival, helped elevate the movement's visibility within the entertainment industry and among younger audiences. These statements by the band prompted calls for other influencers to express , fostering a broader wave of celebrity engagement on platforms during the protests. Lead vocalist Anuroth "Third" Ketlekha's direct participation in the Free Youth-organized protest at Bangkok's on July 18, 2021, underscored the band's alignment with demands for constitutional reform and reduced military influence in . This involvement, combined with the band's self-described role as representatives of their generation, contributed to mobilizing fans through music and public persona, as evidenced by discussions in analyses of Twitter's role in amplifying narratives. The band's had ripple effects in cultural spaces, where expressions of support at festivals drew attention and paralleled broader celebrity-backed efforts that protesters viewed as vital for sustaining momentum against government suppression. Despite no direct causal links to outcomes, their actions reinforced music's function as a platform for , influencing fan discourse and encouraging peer accountability among artists.

Criticisms and backlash

Terd Anuroj Ketlekha, 's , publicly raised the —a symbol associated with Thailand's pro-democracy protests—in August 2021, condemning police use of and against unarmed civilians during clashes at the Din Daeng intersection on August 10. He described the incident as terrifying, emphasizing that protesters lacked weapons while authorities acted "like robots without humanity," and shared personal involvement in aiding affected individuals with water. This stance drew online criticism on , with some users accusing the band of politicizing their platform and exacerbating divisions amid Thailand's polarized political climate. In December 2021, the band's collaboration with singer Gam Wichayanee on the song "Rong Kham Khampang" ignited backlash due to their divergent political affiliations, with Gam perceived as more aligned with views. Observers noted Terd's visible discomfort during the reveal of Gam as a mystery collaborator, fueling debates over whether artists with opposing ideologies should share stages, and prompting accusations that such pairings undermined professional boundaries or forced insincere unity. Terd later expressed positive remarks on Gam's to diffuse tensions, but the episode highlighted criticisms that the band's alienated segments of their audience and complicated industry relationships. Critics from conservative or royalist-leaning communities have occasionally labeled the band's support as overly provocative, arguing it risks invoking lèse-majesté sensitivities in a context where such expressions have led to legal repercussions for other figures. However, band members have stated that their public calls for democratic reform at events like Cat Expo 7 and Big Mountain Music Festival 11 in 2020 resulted in no commercial backlash, instead yielding increased fan engagement and opportunities. This resilience underscores a divide in reception, where progressive supporters praise their courage while detractors view it as naive interference in .

Controversies

Stamp Apiwat dispute

In January 2025, singer-songwriter Stamp Apiwat Euengnong publicly alleged during a Wednesday Song concert that he and his wife had endured harassment and threats, including lese majeste accusations, from a "couple" over a prolonged period, leading to his absence from public activities for nearly two years while pursuing legal action; he claimed to have won a civil lawsuit against them, securing compensation of approximately 1 million baht. One member of the accused couple, identified as Gap Jirapat, served as a sound engineer for Tilly Birds, prompting Stamp to reportedly request the band's termination of Gap's employment. On January 18, 2025, Tilly Birds released a statement confirming their familiarity with Gap but declining to intervene, asserting that the conflict constituted a private matter between adults unrelated to professional performance or band operations; they explicitly refused to fire the employee, emphasizing a policy of neutrality in personal disputes while denying any endorsement of harassment or privacy violations. The band reiterated that Gap's role involved standard technical duties with no impact on their work ethic or output. The controversy intensified as posted evidence on , including documents and chat logs disputing the harassment narrative and alleging aggressive confrontations by Stamp's wife at a venue, though these posts were later deleted; this countered Stamp's portrayal by suggesting mutual escalation rooted in relational betrayal rather than one-sided victimization. On January 20, 2025, Stamp issued a reversal, admitting to an extramarital affair with a named Jam—whom he confirmed as the "other party" in the dispute—and cheating on his wife, which he described as the origin of the familial conflict that inadvertently ensnared Tilly Birds; he apologized directly to the band, its members (including Tert, , and ), and staff for the prolonged distress and public misunderstanding. Tilly Birds faced online backlash from some of Stamp's supporters for perceived insensitivity in retaining , but the band's fanbase mobilized in defense, arguing to dismiss an employee over unverified personal allegations upheld fairness and separation of private and professional spheres. No formal legal action ensued against the band, and the incident highlighted tensions in Thailand's over interpersonal scandals spilling into professional networks, with Tilly Birds maintaining their stance against involvement in adultery-related litigation.

Other public disputes

In July 2025, Tilly Birds' Anuroth "Third" Ketlekha drew public criticism for a social media post detailing his mother's stage 4 treatment. He recounted an incident where she choked on medication, suffered , received CPR from medical staff, but sustained from oxygen deprivation, leading to her ICU admission. The account was perceived as questioning the efficacy of the healthcare response, prompting backlash from netizens who accused him of unfairly implicating medical professionals' competence. Third issued a apology shortly thereafter, acknowledging inaccuracies in his description—such as misattributing certain actions to nurses—and expressing sincere regret for the unintended harm to medical personnel's reputation. He emphasized his emotional distress amid the family crisis but committed to more careful communication to avoid similar issues. The episode highlighted tensions between personal storytelling on and professional sensitivities in healthcare narratives, though it did not escalate to formal complaints or legal action.

Discography

Studio albums

Tilly Birds has released two studio albums under Gene Lab Records. Their debut full-length album, ผู้เดียว (translated as ), came out on September 3, 2020, and contains 13 tracks exploring themes of and relationships, including lead single "คิด(แต่ไม่)ถึง (Same Page?)" which preceded the album's release. The follow-up, It's Gonna Be OK, arrived on November 25, 2021, with 8 tracks emphasizing and emotional recovery, highlighted by singles like "ลู่วิ่ง (Can't Keep Up)". A deluxe edition of It's Gonna Be OK expanded the original with additional content and was issued on November 25, 2022.

Extended plays

Tilly Birds released their self-titled debut , Tilly Birds, independently on May 7, 2017. The EP consists of five tracks, including "เขาเป็นใคร" (3:04), "ฉันไม่ใช่ (คนที่ใช่)" (3:16), "เรื่องดีๆ" (4:25), "เพื่อ" (4:00), and "คนที่มีความหมาย" (3:35). These songs marked the band's early sound, with themes of relationships and introspection, building on their prior independent singles. On April 6, 2018, the band issued Tilly Birds (Acoustic Version), a repackaged acoustic rendition of their debut EP. This five-track release features stripped-down versions of the original songs: "เขาเป็นใคร - Acoustic Version" (3:23), "ฉันไม่ใช่ (คนที่ใช่) - Acoustic Version" (3:32), "เรื่องดีๆ - Acoustic Version" (4:42), "เพื่อ - Acoustic Version" (3:35), and "คนที่มีความหมาย - Acoustic Version" (3:15). The acoustic EP emphasized the band's melodic core and vocal harmonies, released independently via streaming platforms. No further extended plays have been released by Tilly Birds as of October 2025, with subsequent output focusing on full-length albums and singles.

Singles as lead artist

Tilly Birds debuted as lead artist with the English-language single "Heart in a Cage" on November 1, 2014. Subsequent digital singles include "จากกันด้วยดี (Ordinary)" in 2018, which marked an early Thai-language release emphasizing elements. In 2019, they issued "ฤดูหนาว (Bangkok Winter)" on December 18, featuring PAAM. The 2020 single "คิด(แต่ไม่)ถึง (Same Page?)" achieved significant streaming success, peaking prominently on Thai charts. More recent releases encompass "Retro-39" and "White Pills" in 2024, followed by 2025 singles such as "Never A Waste Of Time," "Heaven" (collaborating with ), and "ล้มแชมป์ (Only You Can)" with POLYCAT on January 14.

Collaborations and features

Tilly Birds have engaged in several musical collaborations, primarily with Thai artists and extending to regional acts, resulting in joint singles that blend their pop-rock style with diverse influences. These include features on other artists' tracks and co-led releases. In 2019, they released "ฤดูหนาว (Bangkok Winter)" as their digital single featuring vocalist PAAM (PAM ANSHISA), which explores themes of fleeting romance akin to Thailand's brief winter season, on December 17. On June 18, 2020, Tilly Birds appeared as featured artists on F.HERO's "จำเก่ง (Slipped Your Mind)", a hip-hop-infused track produced by and Cocktail, addressing memory and unrequited attachment in relationships. Their April 28, 2021, single "เพื่อนเล่น ไม่เล่นเพื่อน (Just Being Friendly)" featured Thai rapper , delving into the tension between platonic and romantic boundaries, and garnered significant streams in the Thai music scene. More recently, on September 25, 2025, they collaborated with Filipino folk-pop band Ben&Ben on the English-language single "Heaven", co-written across borders and emphasizing serendipitous connections, marking their first major international feature.

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