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Time Out of Mind

Time Out of Mind may refer to: == Literature == == Music == == Film == == Television ==

Literature

1935 novel

Time Out of Mind is a novel written by Rachel Field, an American author born in 1894 who initially gained prominence for her , including the Newbery Medal-winning Hitty, Her First Hundred Years (1929), before transitioning to adult fiction with this work. Published in 1935 by Macmillan, the novel was awarded the for Most Distinguished Novel in 1936, recognizing its literary merit among contemporary works. The story is narrated by Kate Fernald, a working-class girl whose mother serves as housekeeper at , the estate of a prominent family in 19th-century coastal . Beginning in the , young Kate forms a close bond with the Fortune siblings: the elegant (Rissa) and the frail, musically talented (Nat), amid their domineering father Major Fortune's obsession with maritime legacy. As the family faces economic decline—marked by the ill-fated launch of the ship , business misfortunes, and a suspicious —Kate's devotion to Nat deepens, complicating her engagement to local boatman Jake Bullard. Spanning decades into the early , the narrative follows Nat's pursuit of music in , his troubled marriage, and the erosion of the Fortune estate as traditional sailing yields to modern changes, culminating in themes of enduring and lost grandeur. The novel explores class divisions between the Fortunes' elite status and Kate's humble origins, the sacrifices of familial devotion exemplified by Rissa's protective interventions and Kate's , mental instability through Nat's emotional fragility and the Major's rigid control, and the broader canvas of American maritime history, depicting the shift from wooden to and the socioeconomic impacts on coastal communities. Upon release, the book received praise for its vivid characterizations, romantic depth, and accurate portrayal of Maine's seafaring , with reviewers noting Field's skillful blend of historical detail and emotional resonance. Its legacy endures as Field's breakthrough in adult literature, influencing later adaptations such as the 1947 while highlighting the decline of aristocratic maritime families.

1956 novel

Time Out of Mind is the autobiography of Joan Grant, written under her and detailing her early life experiences with phenomena and recollections of previous incarnations. Published in 1956 by in the as Time Out of Mind and simultaneously by Harper & Brothers in the United States as Far Memory, the book chronicles Grant's childhood in Edwardian up to her late twenties, focusing on her innate abilities of and "far memory"—a term she used for vivid regressions into past lives spanning ancient eras such as and . In the narrative, Grant recounts how these visions and memories shaped her rebellious youth against societal constraints, including encounters with precognitive dreams, healing abilities, and deliberate reliving of prior existences that informed her personal growth and creative output. The work blends personal anecdotes with accounts of , portraying time as fluid and interconnected across lifetimes, often drawing directly from what Grant presented as authentic past-life experiences rather than fictional invention. This autobiographical approach highlights her struggles to integrate these gifts in a skeptical environment, culminating in the writing of her first "far memory" novel, Winged Pharaoh (1937). Central themes include , the development of psychic faculties, and the timeless nature of the , which Grant claimed stemmed from over forty incarnations recalled through far memory. These elements underscore a conceptual fluidity of time, where influence present awareness, appealing to readers interested in esoteric and traditions. Grant's background as an author renowned for historical novels based on such recollections, beginning with Winged Pharaoh, lent credibility to her assertions within mystical circles, though the book's intimate revelations of blending experiential "fact" with interpretive narrative sparked debate. Upon release, Time Out of Mind/Far Memory garnered praise for its engaging prose and inspirational content among and occult enthusiasts, with reviewer in the London Daily Express describing it as "the most touching, most amusing, most astonishing real-life story" she had read. Publishers Weekly noted its "fluent and dramatic" style, suggesting it could captivate even skeptics of extrasensory powers. The controversy arose from its unverified claims of psychic reality, positioning it as a bridge between and speculative that influenced subsequent works in esoteric literature, such as the 1973 book by Jr.

1963 play

Time Out of Mind is a comedic play written by Bridget Boland, an Irish-British playwright and screenwriter known for her works including the 1940 play and screenplays such as Gaslight (1940). The play, also titled The Zodiac in the Establishment, was first published by Evans in in 1963. It premiered that same year at the Playhouse. The unfolds in a research , where an eccentric chemical , played as a shy and enigmatic 600-year-old medieval who discovered the , organizes stock by astrological signs and navigates bureaucratic obstacles and institutional chaos, including a by intelligence officials after rescuing a colleague from a . This setup highlights the inventive pursuits and poetic parallels between modern chemistry and ancient clashing with official protocols, creating a backdrop for humorous mishaps and eccentric interactions. The play features a of six, comprising one woman and five men. Central themes revolve around satire of scientific endeavor, institutional authority, and the tension between individual creativity and societal conformity, portrayed through the absurdities of the research lab environment. Boland's satirical style, as seen in her earlier works, underscores these elements with wit and exaggeration. The play received a revival in 1970 at the Theatre in , , starring in the lead role of the zany scientist, which was noted for its comedic energy and Guinness's performance. Despite limited production runs, it holds a place in theater history as a lighthearted commentary on mid-20th-century scientific and administrative culture.

1973 book

Time Out of Mind is a novel written by John Middleton Murry Jr. under his pseudonym Richard Cowper and published in 1973 by in . The book spans 159 pages and marks one of Cowper's early forays into the genre, following his 1971 novel Domino. Murry Jr., the son of prominent literary critic and stepson of writer , adopted the Cowper pen name to distinguish his from his family's literary legacy. The narrative centers on Laurie Linton, who as a experiences a haunting of a man silently urging him to "KILL MAGOBION!" Decades later, now an agent for the Narcotics Security Agency, Linton teams up with colleague Carol Kennedy to probe a mysterious that induces abilities. Their investigation spirals into a of , visions, and temporal anomalies, revealing a tied to Piers Magobion, a powerful figure in the Ministry of Internal Security, where threads from the past and converge to threaten global stability. The novel explores themes of psychic phenomena, including and , interwoven with elements in a framework set against a near-future backdrop of Cold War-era tensions and totalitarian risks. Cowper employs powers as a to drive the intrigue, focusing on how individual visions can alter historical trajectories and avert dystopian outcomes for and beyond. Upon , Time Out of Mind received mixed reception within circles, praised for its brisk pacing and chilling aspects but critiqued for mechanical handling of psychic tropes and underdeveloped characters. It garnered an average rating of 3.48 out of 5 on from 54 user ratings, with reviewers noting its dated 1970s technology—such as punch-card computers—while appreciating the compact plot and intriguing central mystery. The book contributed to Cowper's growing reputation in the , though it is often seen as less ambitious than his later works like The Twilight of Briareus (1974).

1986 novel

Time Out of Mind is a time-travel thriller novel by American author John R. Maxim, first published in 1986 by Houghton Mifflin. The book blends elements of , , and suspense, spanning the late 19th and 20th centuries. An Avon Books mass-market edition followed in 1999. The plot centers on Jonathan Corbin, a Chicago-based television network executive who relocates to and begins experiencing intrusive visions triggered by snowfall. These visions transport him to the of 1880s , where he inhabits the life of Tilden Beckwith, a wealthy man entangled in , , and . As Corbin restores an old cottage tied to his visions, he uncovers connections to historical figures such as , , and , while grappling with the possibility that his companion, Gwen Leamas, is the reincarnation of Beckwith's treacherous wife. Aided by his uncle, a doctor with deep knowledge of , Corbin investigates whether these are genetic memories or hauntings, racing to prevent repeating a that includes freezing a woman in a snowbank during a . The narrative builds to an ingenious climax involving mistaken identities and secrets, alternating between eras to heighten tension. The novel delves into themes of , the persistence of genetic or ancestral memory, and the tension between destiny and personal agency, questioning whether one can escape the ethical burdens of past actions. It examines how historical and echo through generations, blending romance with dilemmas over altering fate. Upon release, Time Out of Mind received positive attention in the genre for its pacing and immersive historical details. praised it as an "immensely readable yarn" with a ful structure that combines elements and tropes. The New York Times Book Review called it "a compelling ...expertly assembled." The Plain Dealer described it as "vivid, richly detailed, and compelling...a fascinating and hugely rewarding entertainment." commended the "happy time wallpapering the past" but critiqued the excessive detail and "tiresome plotting" that overshadowed the airy premise. The stands alone but shares Maxim's interest in , with no direct sequels, though it appealed to fans of his fast-paced style. John R. Maxim (born 1937) drew from his advertising background—spanning roles at , McCann Erickson, and his own consulting firm—to craft intricate plots. Prior to Time Out of Mind, he published Platforms (1980) and Abel Baker Charlie (1983); later thrillers include (1996), (1997), and (1999), several optioned for film or television.

Music

1980 song

"Time Out of Mind" is a jazz-rock song written by and of , released in November 1980 as the opening track on the band's seventh studio album via . The track was later issued as the album's second single in March 1981, reaching number 22 on the chart. Its production exemplified 's renowned perfectionism, with sessions spanning multiple studios including in , The Village Recorder in , and in , amid personal challenges like Becker's drug addiction. Guitarist contributed a solo after nine hours of takes, while alto saxophonist provided a prominent solo. The present a surreal of and escape, featuring cryptic imagery of time and mind alteration, such as "the water may change to " and references to "," interpreted as allusions to use and . Delivered through Fagen's wry, nasal vocals, the song blends irony and , portraying a protagonist's euphoric yet perilous pursuit of . Musically, "Time Out of Mind" showcases a complex arrangement in the key of E major, with syncopated rhythms driving a funky groove underpinned by intricate chord progressions like ii-V movements (e.g., F♯m7–B7). The instrumentation includes punchy horn sections, rhythmic piano stabs, and a memorable guitar riff, culminating in Sanborn's soaring saxophone solo that adds a layer of jazz sophistication. Critically acclaimed for its polished fusion of jazz, rock, and pop elements, the song has been praised as one of Steely Dan's finest, ranking highly in retrospectives for its catchy melody and lyrical depth. It remains a fan favorite in the band's catalog, influencing later jazz-infused works like the 1989 album.

1989 album

Time Out of Mind is a studio album by American jazz saxophonist , released in 1989 by . The album was recorded in and features Washington as the primary producer, with George Butler serving as and co-producers such as Ronnie Foster contributing to specific tracks like "Jamaica." It blends with R&B and fusion elements, highlighted by Washington's signature soprano and leads across its 10 tracks. The title track, an of Steely Dan's 1980 song, exemplifies this fusion style while sharing jazz-inflected phrasing reminiscent of earlier works. The tracklist includes: "Jamaica" (4:40), "" (3:52), "Sacred Kind of " (5:37, featuring vocals by ), "Brand " (5:18), "Fly Away" (5:27), "Don't Take Your From Me" (4:24), "Time Out of Mind" (5:02), "Split Second (Act II, The Bar Scene)" (4:25), "Nice-N-Easy" (6:00), and "Unspoken " (5:06). These compositions emphasize melodic improvisation over laid-back grooves, fostering themes of relaxation and through warm, evocative moods rather than lyrical narratives about time. The album's polished production creates an atmosphere suited for contemplative listening, bridging traditional with accessible contemporary sounds. Washington collaborated with a large ensemble, incorporating a robust —including trumpets and trombones—for rich textures, alongside a solid of drums, bass, guitars, and keyboards to drive the fusion rhythms. Notable contributors include vocalists like on "Sacred Kind of Love" and session players providing the album's layered, orchestral feel. This collective approach underscores Washington's role in evolving as a collaborative genre. The achieved commercial success, peaking at number one on the Top Contemporary Albums chart in late 1989, while reaching number 60 on the 200. It further established Washington as a cornerstone of adult contemporary , with positive reviews praising its sophisticated blend of accessibility and musical depth.

1997 album

Time Out of Mind is the thirtieth studio album by American , released on September 30, 1997, by . Produced by , the album marked Dylan's return to original material after seven years, featuring a brooding sound characterized by layered, atmospheric production that evoked and influences. The record's creation followed Dylan's health scare in May 1997, when he was hospitalized for , a affecting the heart, adding a layer of urgency to its themes of mortality and existential reflection upon release. It ultimately won three in 1998, including Album of the Year, Best Contemporary Folk Album, and Best Male Rock Vocal Performance for "Cold Irons Bound." Recording sessions for Time Out of Mind spanned from early 1996 to mid-1997 across several locations, beginning with demos at Teatro studio in , in September 1996, before principal work shifted to in , , starting in 1997. Lanois' production emphasized a swampy, reverb-heavy aesthetic, achieved through ambient placements and multi-tracking, which created an immersive, nocturnal mood reflective of Dylan's introspective lyrics. The process was collaborative yet tense, with Dylan drawing from his recovery mindset post-illness, though most tracking occurred beforehand, infusing the sessions with raw emotional depth rooted in traditions. Mixing took place at Teatro Studios, finalizing the album's distinctive sonic texture. The album comprises eleven tracks, including standouts like "Not Dark Yet," a haunting meditation on despair, and "Tryin' to Get to Heaven," a lament invoking spiritual longing. Overarching themes revolve around mortality, fractured love, and existential dread, with songs like "Love Sick" exploring romantic torment and "Highlands" delivering a sprawling, stream-of-consciousness on aging and . Dylan's gravelly vocals, backed by a core band including guitarist and drummer Tony Garnier, underscore the folk-blues heritage, blending personal vulnerability with universal resignation. Upon release, Time Out of Mind was critically acclaimed as a masterpiece, revitalizing Dylan's career and earning widespread praise for its emotional intensity and sonic innovation. It reached number 10 on the and number 10 on the , signaling a late-career resurgence that influenced subsequent works. The album's legacy endures as a pinnacle of Dylan's oeuvre, celebrated for distilling and roots into profound existential art. In , released The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997), a deluxe collection featuring alternate takes, outtakes, and a 2022 remix of the original album by Michael H. Brauer, offering deeper insight into the creative evolution. The set includes early demos and live recordings from , highlighting the album's unfinished fragments and reinforcing its status as a transformative .

Film

1947 film

Time Out of Mind is a 1947 American drama directed by and produced by Universal-International Pictures, with a screenplay by Abem Finkel and Arnold Phillips (as Arnold Lipp) adapted from Rachel Field's 1935 novel of the same name. Set in 19th-century , the story centers on the Fortune family, a wealthy shipping dynasty facing decline, where the heir, Nathaniel "Nat" Fortune, defies his stern father by pursuing a career in music rather than joining the family business, sparking intense family conflict and intrigue. The film stars as the loyal Kate, Robert Hutton as the tormented Nat, and as the resilient Rissa, supported by a cast including as the patriarchal Major Fortune and John Loder in a key role. Cinematographer Maury Gertsman employed black-and-white photography to emphasize dramatic shadows and atmospheric tension, enhancing the gothic mood of the period setting with sweeping shots of stormy seas, grand mansions, and dimly lit interiors. Siodmak's direction, known from noir classics like The Killers (1946), infuses the adaptation with subtle elements, such as psychological depth and fatalistic undertones, though it leans more toward gothic melodrama than strict noir conventions. Key themes include the torment of unfulfilled artistic ambition, the burdens of inheritance and family legacy, and the fatalism inherent in defying societal expectations, all underscored by Miklós Rózsa's evocative score that heightens and familial discord. The story draws from the novel's historical foundation in coastal shipbuilding life, portraying the clash between tradition and personal desire amid economic pressures. Upon release, Time Out of Mind achieved moderate box-office success but was largely overlooked critically, with The New York Times dismissing it as an "empty romantic drama" stripped of the novel's evocative prose. Modern retrospectives praise Siodmak's fluid handling of the material and its atmospheric visuals, viewing it as a solid, if forgotten, woman's picture that blends thriller, melodrama, and noir influences in post-war Hollywood.

2014 film

Time Out of Mind is a 2014 American drama film written and directed by . It premiered at the on September 7, 2014, and received a in the United States on September 11, 2015, distributed by . The film was shot primarily in using long lenses and extended takes, often lasting up to 45 minutes, to capture a sense of immersion and documentary-like authenticity, with the camera positioned remotely to blend the protagonist into urban crowds without drawing attention. This innovative technique allowed for natural interactions with passersby, enhancing the film's portrayal of isolation amid the city's bustle. The centers on (), a homeless man evicted from his makeshift shelter, who navigates the challenges of street life in while attempting to reconnect with his estranged daughter, (). Facing bureaucratic hurdles at intake centers like and battling personal demons, George forms a tentative bond with fellow homeless man Dixon (), who offers companionship amid his struggles. The narrative unfolds through fragmented, observational scenes that emphasize George's disorientation and the dehumanizing effects of poverty, without relying on a conventional structure. The cast includes in the lead role, supported by , , , and in key supporting parts. To achieve greater realism, Moverman incorporated improvised elements, such as a pivotal scene where Gere spontaneously plays , revealing layers of the character's backstory. This approach, combined with the film's handheld and distant cinematography, underscores the authenticity of performances, drawing from Gere's own research into through consultations with advocates and immersion in shelters. The film explores themes of , struggles, and fractured family bonds in contemporary America, portraying the systemic barriers and societal indifference that exacerbate individual . It critiques the of the poor, using George's journey to highlight the emotional toll of estrangement and the fragile hope of reconciliation. These elements serve as , urging viewers to confront the human cost of without overt . Critically, Time Out of Mind garnered praise for Gere's nuanced performance and Bobby Bukowski's cinematography, which effectively conveyed the protagonist's alienation, earning an 80% approval rating on based on 88 reviews. It screened at major festivals including the , where Gere received a career tribute, and the Sarasota Film Festival as an opening night selection. Despite its limited theatrical run, grossing $162,300 domestically, the film found a stronger audience through streaming platforms like and AMC+, where its introspective style resonated with viewers interested in character-driven dramas.

Television

Mannix episode (1970)

"Time Out of Mind" is the third episode of the fourth season of the CBS crime drama series , originally broadcast on October 3, 1970. Directed by and written by , the episode centers on private investigator Joe Mannix navigating a case involving murder and corruption within the industry. In the plot, Mannix searches for Sonny Carter, a former Black heavyweight champion portrayed by , who has gone missing and is the prime suspect in the killing of Larry Starr, a sleazy fight promoter known for fixing bouts and exploiting aspiring fighters. As Mannix investigates, he exposes a scandal of rigged matches and uncovers underlying racial biases that contributed to Carter's career ruin and personal decline. The narrative explores themes of corruption in and the systemic racial injustices faced by African American athletes during the era. The episode features in the lead role as Joe Mannix, alongside series regular as Peggy Fair, with key guest appearances by as Sonny Carter, as Hallie Woods, as Pancho, and as Larry Starr. Supporting cast includes as Lieutenant Art Malcolm. Critically, "Time Out of Mind" holds an IMDb user rating of 7.3 out of 10 based on 112 votes, positioning it as a typical procedural installment that exemplifies the gritty, socially conscious storytelling trends of American television crime dramas. It serves as an early instance of the phrase "Time Out of Mind" appearing in episodic television.

1979 series

Time Out of Mind is a five-part documentary series that aired on in 1979, consisting of 25-minute episodes broadcast weekly at 18:55 from September 17 to October 15. The program was produced by Brenda Horsfield and directed by Frank Ash. It featured in-depth interviews with prominent authors, who discussed their creative processes and speculative visions of the future, positioning the genre as a key literary form for exploring and societal changes. The series' format centered on one author per episode for the first four installments, blending personal interviews with archival footage and clips from adaptations of their works to illustrate their contributions to science fiction's evolution. The opening episode profiled , examining his predictions of and technological advancement. Subsequent episodes covered John Brunner, known for dystopian near-future scenarios; , whose fantastical narratives challenged conventional genre boundaries; and , highlighting her innovative blending of with fantasy elements in stories of human-dragon bonds. The final episode shifted to coverage of SeaCon '79, the 37th World held in , featuring discussions among attendees on the genre's cultural significance and future directions. Central themes included the progression of science fiction from pulp origins to a medium grappling with real-world issues like , , and human augmentation, as articulated by the interviewed authors. Through these conversations, the series underscored technology's dual role in shaping utopian possibilities and dystopian risks, drawing on the writers' experiences to contextualize science fiction's role in public discourse during the late . The series received attention for its educational approach to demystifying for general audiences, with the preserved episodes now serving as archival examples of 's 1970s documentary style, including straightforward interview techniques and period-specific visuals. All five installments have survived and are accessible via official uploads, allowing modern viewers to appreciate their role in documenting the genre's key figures at a pivotal time.

La Femme Nikita episode (2000)

"Time Out of Mind" is the nineteenth episode of the fourth season of the spy thriller series La Femme Nikita, originally aired on August 13, 2000, on the USA Network. Directed by Brad Turner and written by David Ehrman, the episode centers on high-stakes covert operations within a psychiatric facility. In the plot, Section One operative Nikita, portrayed by Peta Wilson, poses as a patient in a Zürich mental hospital to retrieve critical intelligence on an anthrax-based bioweapon from a target patient—the son of the weapon's creator—who is arranging its sale. To enhance her cover, Nikita is administered a psychotic drug that unexpectedly impairs her judgment, inducing hallucinations and blurring the line between her fabricated identity and reality. Her colleague Michael, played by Roy Dupuis, coordinates extraction efforts from outside while navigating Section's internal protocols. Guest stars include Kelly Harms as the manipulative David French and supporting actors depicting hospital staff and patients, such as Alberta Watson as Madeline and Don Francks as Operations. The episode delves into themes of identity deception, as Nikita's assumed persona unravels under duress; psychological manipulation, exemplified by the drug's effects and the facility's controlling environment; and espionage ethics, questioning the moral costs of Section One's ruthless tactics on its agents. These elements heighten the personal stakes for Nikita amid the organization's broader operations. Reception for the episode was generally positive, earning a 7.3 out of 10 rating on from 84 user votes, with praise directed at the sustained tension of the infiltration sequence and its advancement of character arcs within the series' conspiracy-laden narrative. This installment contributes to the overarching plot by revealing manipulations tied to Section One's internal power struggles.

Andromeda episode (2004)

"Time Out of Mind" is the twentieth episode of the fourth season of the Canadian-American television series Andromeda, which aired on May 3, 2004, on the Sci-Fi Channel in the United States. Directed by Allan Harmon and written by Lu Abbott and Stacey Berman-Woodward, the episode continues the series' exploration of universe-building in its post-apocalyptic setting. In the plot, the crew of the Eureka Maru transports three Wayist monks, but two of them—secret agents of the Abyss wearing distinctive medallions—murder the third, a true Collector named Theocrattus (played by Aaron Douglas), who shares a connection to Beka Valentine's past and provides her with a map to the planet Daedalus V before dying. The crew follows the lead to Daedalus V, discovering an intact underground archive guarded by another Collector, Amira, accessible via tri-keys that allow virtual immersion in historical records, including glimpses of Beka's childhood and Theocrattus's time aboard the Maru. As Abyss agent Lisset pursues them to seize a powerful artifact known as the "Voice of Darkness," Beka uncovers a hidden bell within a Clarinthian angel doll, which neutralizes a data net threat and reveals the Collectors' pledge of support against ancient dangers. The episode delves into themes of cults and secretive societies through the antagonistic Abyss agents, hidden histories via the Collectors' vast archive of galactic knowledge, and broader intrigue in the fractured Systems Commonwealth universe, highlighting lingering threats from apocalyptic forces. The main cast includes as Captain Dylan Hunt, as Beka Valentine, as Seamus Harper, as Telemachus Rhade, as Trance Gemini, and as Andromeda/Rommie. Notable guest stars feature Aaron Douglas as the Collector Theocrattus (also known as Wezlow), with additional roles for the Abyss agents and other Collectors emphasizing the episode's focus on cult-like villains. Reception to the episode was mixed, earning a 6.7 out of 10 rating on from 174 user votes, with praise for its expansion of 's lore on hidden threats and artifacts amid the series' later, declining seasons.

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