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Voice frequency

Voice frequency encompasses the spectrum of audio frequencies generated by the human vocal apparatus during speech and vocalization, characterized by a fundamental frequency that determines pitch and harmonics that contribute to timbre and intelligibility.^[1] The typical fundamental frequency for adult males ranges from 85 Hz to 180 Hz, while for adult females it spans 165 Hz to 255 Hz, with children's voices higher at 250 Hz to 400 Hz on average.^[1]^[2] These fundamentals are accompanied by overtones and formants, extending the full speech spectrum up to approximately 8 kHz for optimal intelligibility, though vocalizations can produce energy beyond 20 kHz in high-frequency components.^[3]^[4] In telecommunications and audio engineering, voice frequency (VF) specifically refers to the standardized band of audio frequencies allocated for efficient speech transmission, typically from 300 Hz to 3400 Hz, which captures the essential elements of voice while minimizing bandwidth requirements.^[5] This narrowband range ensures clear conveyance of phonetic information, such as consonants and vowels, but excludes lower bass tones below 300 Hz and higher sibilants above 3400 Hz, as defined in international standards like those from the ITU.^[6]^[7] Modern advancements, such as wideband audio, extend this to 50 Hz to 7000 Hz or more to enhance naturalness and reduce listener fatigue.^[8] Key aspects of voice frequency include its role in speech intelligibility, where the 2 kHz to 5 kHz range is particularly critical for distinguishing consonants, and its applications in fields like telephony, broadcasting, and speech synthesis.^[9] Variations in voice frequency also arise from physiological factors, such as age, gender, and emotional state, influencing everything from acoustic analysis in forensics to design of microphones and hearing aids.^[2]^[10] Understanding these frequencies is fundamental to technologies that process or reproduce human voice, ensuring effective communication across diverse contexts.

Fundamentals

Definition and Scope

Voice frequency refers to the band of audio frequencies generated by human vocalization, typically spanning 80 Hz to 14,000 Hz, which includes fundamental tones and overtones critical for producing intelligible speech.^[11] This range captures the essential spectral components of voiced sounds, such as those from the vibration of vocal folds combined with resonances in the vocal tract.^[12] The fundamental frequency within this band represents the base pitch component, varying by speaker but generally falling between 80 Hz and 450 Hz for typical speech.^[13] In scope, voice frequencies are distinct from those in music or other auditory signals, as they prioritize linguistic conveyance over melodic or harmonic complexity; speech relies on a narrower effective bandwidth for phoneme recognition, whereas music exploits broader spectral extents for timbre and emotional expression.^[14] Perceptually, this band is vital for achieving clarity and naturalness in transmission systems, where fidelity to these frequencies enhances comprehension and reduces listener fatigue in applications like broadcasting or conferencing.^[9] The concept of voice frequency emerged in 19th-century acoustics through pioneering analyses of sound harmonics, notably Hermann von Helmholtz's 1863 work On the Sensations of Tone, which dissected the composite nature of vowel sounds via their formant structures.^[15] Modern standardization advanced in the 20th century with telephony, where Bell Laboratories determined that a 300-3,400 Hz band sufficiently preserved speech intelligibility while optimizing bandwidth efficiency for early telephone networks.^[16]

Physiological Production

The physiological production of voice frequencies involves coordinated interactions within the human vocal tract, starting with the larynx where the vocal folds generate the primary sound source for voiced sounds through vibration. The larynx, positioned atop the trachea, houses the vocal folds—paired bands of mucosal tissue stretched across the glottis—that vibrate when air from the lungs passes through, creating an initial acoustic signal. Above the larynx, the pharynx serves as a resonating chamber, while the mouth and nasal cavities further amplify and filter the sound, contributing to the overall timbre and quality of the voice. This anatomical arrangement enables the transformation of pulmonary airflow into audible vibrations and resonances essential for speech.^[17]^[18]^[13] The mechanics of vocal fold vibration rely on subglottal air pressure from the lungs to drive a self-sustained oscillatory cycle, producing periodic waveforms that form the basis of voiced phonation. As air flows upward, it causes the vocal folds to separate and then collide rapidly due to elastic recoil and the Bernoulli effect, where decreasing pressure facilitates closure; this repeated opening and closing traps and releases air pulses, generating a buzzy sound source. The rate of this vibration determines the fundamental frequency, with muscular adjustments in the larynx controlling tension and length to modulate the process. Lung-driven pressure not only initiates but sustains this vibration, ensuring efficient energy transfer for sustained voicing.^[17]^[19]^[13] In contrast, unvoiced sounds such as fricatives and plosives arise from airflow turbulence without engaging vocal fold vibration, relying instead on constrictions or interruptions in the vocal tract. Fricatives, like those in "s" or "f," result from air forced through narrow apertures, creating turbulent noise from friction against tract surfaces. Plosives, such as "p" or "t," involve building pressure behind a complete closure in the tract—often at the lips, tongue, or glottis—followed by a sudden release that produces a burst of turbulent sound. These mechanisms generate aperiodic noise spectra distinct from the harmonic structure of voiced sounds, essential for consonant articulation in speech.^[20]^[13]^[21] Articulation further refines voice frequencies by dynamically shaping the vocal tract, influencing resonance through movements of the tongue, lips, and jaw. The tongue positions to alter cavity sizes within the mouth and pharynx, while lip rounding or spreading adjusts the outlet configuration, and jaw opening modifies overall tract volume; nasal involvement occurs when the velum lowers to couple the nasal cavity. These adjustments create varying resonant peaks that emphasize certain harmonics in the sound spectrum, enabling the differentiation of vowels and consonants. Such precise control ensures the voiced or unvoiced source is molded into intelligible speech patterns.^[19]^[17]^[18]

Acoustic Properties

Fundamental Frequency

The fundamental frequency, denoted as f_0, represents the lowest frequency component in the acoustic spectrum of voiced speech, arising from the periodic vibration of the vocal folds during phonation. This vibration rate, measured in hertz (Hz), directly determines the perceived pitch of the voice, with higher rates producing higher pitches. The temporal period T of each vocal fold cycle is given by the equation

T = \frac{1}{f_0},

where T is expressed in seconds, establishing a fundamental relationship between frequency and the duration of vibration cycles.^[22] Typical f_0 ranges vary by age and gender due to differences in vocal fold length, mass, and tension. In adult males, f_0 generally falls between 85 and 180 Hz, reflecting longer and thicker vocal folds that vibrate more slowly. Adult females exhibit higher ranges of 165 to 255 Hz, attributable to shorter, thinner vocal folds, while children produce even higher f_0 values, often reaching 250 to 400 Hz, as their vocal folds are smaller and more elastic. These ranges can shift slightly across populations but provide a baseline for normal voice production.^[2]^[23]^[24] Several physiological and psychological factors influence f_0. Age-related changes include a gradual decline in f_0 after puberty for males due to hormonal effects on vocal fold growth, while females often experience slight decreases post-menopause due to hormonal changes. Gender differences stem primarily from anatomical variations, with males averaging lower f_0 values. Emotional states also modulate f_0; for instance, excitement or arousal elevates pitch through increased subglottal pressure and laryngeal muscle tension. Health conditions, such as vocal fold pathologies or neurological disorders, can alter f_0 stability or range, often leading to deviations from normative values.^[2]^[25] In spoken language, f_0 plays a crucial role in prosody and intonation, enabling speakers to convey grammatical structure, emphasis, and affective nuances. Rising f_0 contours often signal questions or surprise, while falling patterns indicate statements or finality, thus disambiguating meaning beyond lexical content. The voiced speech spectrum includes harmonics at integer multiples of f_0, which together shape the overall timbre.^[26]

Formants and Harmonics

In human voice production, harmonics are the integer multiples of the fundamental frequency f_0, such as $2f_0 and $3f_0, which collectively form the harmonic series and contribute to the periodic structure of voiced sounds. The frequency of the nth harmonic is given by the equation f_n = n \cdot f_0, where n is a positive integer, establishing the evenly spaced overtones that arise from the vibration of the vocal folds.^[27] This series provides the foundational spectral components upon which the vocal tract imposes its filtering effects. Formants represent the resonant frequencies of the vocal tract, acting as peaks in the spectral envelope that selectively amplify certain harmonics to shape the quality of speech sounds.^[28] Typically, the first formant (F1) for vowels falls around 500 Hz on average, while the second formant (F2) ranges from approximately 1000 to 2000 Hz, depending on articulatory configurations like tongue position and lip rounding.^[29] These resonances enhance specific harmonics within their frequency bands, creating the distinctive timbre of vowels by boosting energy at those points while attenuating others, as described in the source-filter model of speech production.^[30] The distinction between vowels and consonants is acoustically marked by formants for the former and transient bursts for the latter; formants primarily define steady-state vowel qualities, such as the low F1 of high vowels like /i/ (around 270-300 Hz), whereas consonants feature rapid, noise-like bursts and formant transitions during articulation.^[31]^[32] The envelope of the harmonic series, modulated by formant positions, ultimately determines the unique timbre of an individual's voice, distinguishing it from others even at similar pitches by the relative amplitudes and distribution of these overtones.^[33]

Spectral Variations

Bandwidth and Range

The spectrum of natural human speech typically spans from approximately 80 Hz to 8-10 kHz for significant energy, with harmonics potentially extending beyond 14 kHz in wideband contexts, providing the bandwidth necessary for high intelligibility and naturalness.^[34] While the lowest frequencies around 80 Hz contribute to the resonance of voiced sounds like vowels, the upper end captures transient high-frequency details essential for phonetic distinction.^[35] In contrast, the core bandwidth of 300 to 3400 Hz transmits the majority of intelligible content with minimal loss, as this band encompasses key spectral components for consonant and vowel recognition.^[36] High-frequency elements, such as sibilants (e.g., /s/ sounds), concentrate energy between 5 and 10 kHz, enhancing clarity and sharpness in speech perception by delineating fricative articulations. These components, along with lower voiced fundamentals, form the envelope of the voice spectrum, where perceptual implications arise from how the ear processes the overall distribution. Formants critical for vowel perception reside primarily within the mid-range of this bandwidth. The human auditory system's sensitivity, illustrated by the Fletcher-Munson equal-loudness contours, peaks in the 2 to 5 kHz region—aligning closely with speech's dominant energy—to prioritize mid-frequencies for effective loudness and detail perception.^[37] In practical transmission scenarios, capturing the full 80 Hz to 14 kHz range is often unnecessary due to bandwidth constraints; systems like early telephony restricted signals to 300-3400 Hz to optimize efficiency over limited channels, as this narrower band preserves essential intelligibility without the overhead of higher frequencies.^[38] This limitation sacrifices some natural timbre and high-end crispness but maintains functional communication, highlighting how perceptual priorities guide bandwidth allocation in real-world applications.

Differences by Demographics

Voice frequency characteristics, particularly the fundamental frequency (f0) and formant frequencies, exhibit notable variations across demographic groups due to differences in vocal tract anatomy and physiology. The fundamental frequency serves as the primary varying element in these distinctions, influencing perceived pitch and timbre. Ethnic variations also exist, with studies indicating subtle differences in f0 and formants across racial groups, such as slightly higher averages in some Asian populations compared to Caucasian.^[39] Gender differences arise primarily from anatomical variations in the larynx and vocal tract. Males typically possess a larger larynx and longer vocal folds, resulting in a lower average f0 of approximately 85-180 Hz compared to females' higher range of 165-255 Hz.^[40] This leads to males producing lower formant frequencies overall, contributing to a deeper vocal timbre, while females exhibit higher formants and a brighter, more resonant quality due to shorter vocal tracts.^[41] These patterns are evident in phonetic studies, where formant spacing in males is closer, reflecting the proportional scaling of vocal tract length.^[42] Age-related changes further modulate voice frequency profiles across the lifespan. Infants exhibit f0 around 400-500 Hz, which decreases to 250-400 Hz in young children as the vocal tract develops, accompanied by elevated formant frequencies and relatively narrower spectral bandwidth due to the smaller size.^[43] As individuals reach adulthood, f0 stabilizes around 120 Hz for males and 220 Hz for females, with formants settling into adult norms.^[44] In the elderly, vocal fold atrophy and reduced elasticity can lower f0 slightly, particularly in males, while formants may shift due to changes in laryngeal tension and respiratory support.^[45] Beyond gender and age, other demographic factors influence voice frequency subtly. Regional accents can cause minor shifts in formant frequencies, as vowel articulation varies by dialect; for instance, British Isles accents show distinct f1 and f2 patterns for monophthongs compared to standard American English.^[46] Pathological conditions like muscle tension dysphonia alter these characteristics, often destabilizing f0 and elevating formant bandwidths, which reduces spectral clarity.^[47] Seminal phonetics research provides statistical benchmarks for these variations, such as the Peterson-Barney norms derived from vowel productions by 76 speakers (33 men, 28 women, 15 children). These data reveal systematic formant differences: for the vowel /i/, adult males average f1 at 270 Hz and f2 at 2290 Hz, females at 310 Hz and 2790 Hz, and children at 370 Hz and 3200 Hz, illustrating how demographic factors scale the acoustic space.

Practical Applications

Telephony Standards

In early analog telephony, the Bell System established the standard voice frequency band of 300 to 3400 Hz in the 1920s to ensure sufficient intelligibility for speech communication while conserving channel bandwidth in long-distance transmission systems.^[48] This range excludes frequencies below 300 Hz, which primarily convey breath noise and plosive bursts with minimal contribution to consonant recognition, and above 3400 Hz, where sibilant and fricative details reside but require disproportionate bandwidth for marginal gains in understanding.^[49] These limits, rooted in the natural speech bandwidth of approximately 100 to 8000 Hz, prioritized economical multiplexing of multiple calls over copper lines. Modern narrowband codecs adhere to this legacy band for compatibility. The ITU-T G.711 standard, using pulse code modulation at 64 kbps with 8 kHz sampling, processes signals within 300 to 3400 Hz to maintain interoperability across global public switched telephone networks.^[50] However, this restriction degrades quality by attenuating nasal resonances below 300 Hz and high-frequency sibilants above 3400 Hz, resulting in muffled articulation and reduced speaker distinguishability compared to full-bandwidth speech. Wideband extensions address these shortcomings for enhanced naturalness. The ITU-T G.722 codec, employing sub-band adaptive differential pulse code modulation at 48 to 64 kbps with 16 kHz sampling, extends the range to 50 to 7000 Hz, preserving low-frequency nasals and high-frequency transients for clearer, more lifelike voice reproduction in HD telephony applications.^[51] This broader bandwidth improves perceived quality without excessive data rates, benefiting video conferencing and VoIP systems.^[52] More recent codecs, such as the Opus codec standardized by IETF in 2012, support super-wideband audio up to 20 kHz for even higher fidelity in modern internet-based communications as of 2025.^[53] Global mobile networks exhibit variations while aligning with core telephony norms. The GSM full-rate codec, operating at 13 kbps using regular pulse excitation with long-term prediction, confines its frequency response to 300 to 3400 Hz to integrate seamlessly with existing infrastructure and ensure consistent intelligibility across 2G networks.^[54] Subsequent enhancements like the GSM enhanced full-rate codec refine this band for better noise robustness but retain the narrowband limits for backward compatibility.^[55]

Audio and Speech Processing

In audio and speech processing, recording practices for voice signals prioritize sampling rates that adequately capture the human voice frequency range, typically 85–255 Hz for fundamental frequency and up to 8 kHz for harmonics and formants, to avoid aliasing while minimizing data storage. For telephony applications, an 8 kHz sampling rate suffices to cover the essential bandwidth up to 4 kHz, as dictated by the Nyquist theorem, ensuring sufficient fidelity for intelligible communication. In contrast, studio recordings employ higher rates like 44.1 kHz to preserve the full audible spectrum up to 20 kHz, including subtle harmonic details for high-quality audio production. To mitigate noise interference, recordings often incorporate filtering techniques such as low-pass filters to attenuate frequencies above 8–10 kHz, where environmental noise predominates without contributing to voice content, and high-pass filters to eliminate low-frequency rumble below 80–100 Hz. Speech synthesis technologies leverage voice frequencies to generate realistic output through methods that model or replicate acoustic properties. Formant synthesis, as implemented in the Klatt synthesizer, explicitly models the fundamental frequency (f0) and formant peaks—resonant frequencies around 500–3000 Hz—to simulate vocal tract shaping and produce intelligible speech from parametric rules. This approach allows precise control over spectral envelopes but can sound synthetic due to idealized frequency trajectories. Concatenative synthesis, on the other hand, preserves natural voice frequencies by selecting and splicing pre-recorded speech units, such as diphones or syllables, from a donor voice database, ensuring authentic prosody and timbre while minimizing artifacts through signal processing at concatenation points. In automatic speech recognition (ASR) systems, feature extraction techniques like mel-frequency cepstral coefficients (MFCCs) are central to handling voice frequencies, as they compress the spectral envelope to emphasize formant structures in the 0–8 kHz range, mimicking human auditory perception via mel-scale warping. MFCCs derive from the discrete cosine transform of log-mel filterbank energies, capturing variations in formant locations that distinguish phonemes. However, frequency variations across accents pose significant challenges, as shifts in formant frequencies—such as elevated F1 and F2 in non-native English accents—can degrade recognition accuracy on standard models trained on neutral speech, necessitating accent-adaptive training or normalization. Enhancement techniques in speech processing address degraded signals by targeting voice frequency bands to improve clarity, particularly in noisy environments. Equalization methods boost key mid-frequency ranges, such as 2–5 kHz where consonant formants reside, to enhance intelligibility without amplifying noise, often using parametric EQ filters tailored to the signal's spectral profile. These approaches, combined with spectral subtraction, can improve signal-to-noise ratios in real-world scenarios, drawing on telephony's 300–3400 Hz baseline for efficient processing. As of 2025, neural network-based methods, such as deep learning models for speech enhancement, have become prominent for further gains in noisy conditions.^[56]

Analysis Methods

Measurement Techniques

Voice frequency measurements begin with capturing the acoustic waveform of speech using microphones, which convert sound pressure variations into electrical signals for digital recording. High-quality recordings require microphones with a flat frequency response across the human audible range of 20 Hz to 20 kHz to ensure accurate representation of voice components without distortion or attenuation. Calibration of these microphones, typically following standards such as IEC 61094, involves applying known sound pressure levels (e.g., 94 dB at 1 kHz) in a controlled coupler to verify sensitivity and frequency response, minimizing errors in subsequent analysis. Measurements are ideally conducted in acoustically controlled environments, such as sound-treated rooms with low ambient noise, to reduce interference from reflections or external sounds. In the time domain, fundamental frequency (f₀) is estimated by analyzing the periodicity of the waveform, often through pitch detection algorithms like autocorrelation, which computes the similarity of a signal with delayed versions of itself to identify repeating cycles corresponding to vocal fold vibrations. A prominent example is the YIN algorithm, which refines autocorrelation by incorporating a difference function and normalization steps to achieve low error rates (around 1% in voiced segments) and handle noisy or high-pitched speech effectively. These methods target the f₀ as the primary periodicity, with harmonics appearing as integer multiples in the signal. Frequency-domain techniques transform the time-domain waveform into a spectrum using the Fast Fourier Transform (FFT), revealing peaks that correspond to the fundamental frequency, harmonics, and formants. The Short-Time Fourier Transform (STFT), an extension of FFT applied to overlapping short windows (e.g., 20-50 ms), generates spectrograms that visualize time-varying frequency content, allowing formant tracking as dark bands representing vocal tract resonances. Automated formant estimation from these spectra involves fitting models to the spectral envelope, constraining peaks to typical frequency ranges (e.g., F1: 300-800 Hz, F2: 800-2500 Hz) to identify and quantify voice quality. Common protocols for voice frequency analysis among phoneticians involve software like Praat, which supports workflows starting with loading a recorded sound file, applying autocorrelation-based pitch extraction (via "To Pitch" commands with user-defined time steps and frequency ceilings), and generating formant objects using linear predictive coding to track up to five formants per frame. For eliciting speech samples, standardized tasks such as reading passages (e.g., "The Rainbow Passage") or sustaining vowels minimize variability, with recordings taken at fixed microphone distances (e.g., 30 cm) across multiple sessions to capture representative f₀ and formant distributions. These steps ensure reproducible quantification of voice frequencies for research and clinical purposes.

Spectral Analysis Tools

Hardware tools play a crucial role in the spectral examination of voice frequencies, providing direct visualization and measurement of signal components. Spectrum analyzers, frequently equipped with Fast Fourier Transform (FFT) capabilities and integrated into oscilloscopes, generate real-time frequency plots that display amplitude versus frequency, allowing researchers to identify harmonics, formants, and overall spectral envelope in voice signals. These instruments are particularly valuable for capturing dynamic changes in voice production, such as during phonation, by processing audio inputs to reveal frequency distributions up to several kilohertz.^[57] Electroglottographs (EGG) offer a complementary hardware approach by non-invasively monitoring vocal fold vibrations through electrodes placed on the neck, measuring changes in electrical impedance as the folds contact and separate. This technique isolates the glottal source spectrum, independent of supraglottal acoustics, enabling precise analysis of vibration patterns and their frequency content, which correlates with fundamental frequency extraction in voiced speech. EGG signals typically show periodic waveforms whose spectra highlight the primary excitation frequencies of the voice. Software solutions enhance accessibility and precision in spectral analysis of voice frequencies. Praat, an open-source phonetics toolkit, excels in formant extraction using linear predictive coding (LPC) algorithms to estimate vocal tract resonances from speech spectrograms, while also supporting spectral slicing and pitch contour plotting for comprehensive voice examination. Its plugins, such as the Vocal Toolkit, automate advanced processing for harmonic-to-noise ratios and perturbation measures. Similarly, MATLAB's Signal Processing Toolbox and the specialized VOICEBOX extension provide functions for harmonic analysis, including harmonic ratio calculations that quantify the periodicity in voice spectra by comparing harmonic energy to total signal energy. These tools process digitized voice data to model frequency components, aiding in both research and clinical applications.^[58]^[59] Advanced metrics further refine spectral insights into voice characteristics. Cepstral analysis derives pitch information by applying the inverse Fourier transform to the logarithm of the signal's magnitude spectrum, producing a cepstrum where low-quefrency peaks indicate the fundamental period of voiced speech, robust even in noisy conditions. This method separates source and filter contributions, facilitating accurate detection of voice pitch frequencies around 100-300 Hz for adults. The long-term average spectrum (LTAS) computes the averaged energy distribution across prolonged speech samples, creating stable voice profiles that emphasize spectral tilt and dominant frequency bands, useful for assessing timbre and speaker normalization. LTAS typically reveals a downward slope in higher frequencies due to glottal and formant filtering effects.^[60] Validation of spectral analysis tools often aligns with established standards to ensure reliability in voice frequency measurements. The ANSI/ASA S3.5-1997 (R2020) standard outlines methods for the Speech Intelligibility Index (SII), which weights spectral components of speech based on their contribution to intelligibility, using long-term average spectra to evaluate audibility in the 200-8000 Hz range critical for voice perception. Outputs from spectrum analyzers, Praat, and MATLAB are benchmarked against this framework to confirm accuracy in capturing voice frequency distributions relevant to audiometry and speech processing.^[61]

Machine Learning-Based Analysis

Recent advancements as of 2025 have introduced machine learning and deep learning methods for voice frequency analysis, offering improved robustness to noise and real-time capabilities. Neural network-based pitch detection algorithms, such as CREPE (Convolutional Representation for Pitch Estimation), utilize convolutional neural networks trained on large datasets to estimate fundamental frequency with high accuracy, achieving sub-semitone errors in diverse audio conditions including music and speech. Similarly, probabilistic YIN (pYIN) integrates Bayesian inference with traditional YIN to provide pitch distributions rather than point estimates, enhancing reliability in ambiguous cases. For formant and spectral analysis, deep learning models like WaveNet or transformer-based architectures extract features from raw waveforms, bypassing explicit spectrogram computation and enabling end-to-end voice characterization. These tools, implemented in libraries such as TensorFlow or PyTorch, are increasingly used in clinical diagnostics, speech synthesis, and forensic applications, complementing classical methods with data-driven precision.^[62]^[63]^[64]

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May 10, 2025 · Changes in voice production occur throughout the life span, often in a nonlinear way and differently for male and female individuals.
[45]
Formant frequencies of vowels in 13 accents of the British Isles
Mar 15, 2010 · This study is a formant-based investigation of the vowels of male speakers in 13 accents of the British Isles.
[46]
Formant analysis in dysphonic patients and automatic Arabic digit ...
May 30, 2011 · The results of this study revealed that the current ASR technique is not a reliable tool in recognizing the speech of dysphonic patients.
[47]
[PDF] Internet Telephony - Columbia CS
telephone frequency range of about 300 to 3,400 Hz. Typically, 20 to 50 ms ... Bell System Technical Journal, 41(4):1455–1473, July 1962. Ed Miller ...
[48]
Hearing Voices in High Frequencies: Cell Phone Secrets
Oct 21, 2014 · Specifically, cell phones don't transmit very low-frequency sounds (below about 300 Hz) or high-frequency sounds (above about 3,400 Hz).Missing: band excluding
[49]
G.711 : Pulse code modulation (PCM) of voice frequencies
### Summary of G.711 Frequency Range/Bandwidth for Voice Frequencies
[50]
G.722 : 7 kHz audio-coding within 64 kbit/s
### Summary of G.722 Wideband Codec Frequency Range/Bandwidth
[51]
ITU-T G.711.1 (G.711 wideband extension) | NTT Technical Review
711 is limited to the range from 300 Hz to 3.4 kHz, it has enough quality to handle conversations, but it loses the clearness and naturalness of human voices ...
[52]
[PDF] 3GPP Enhanced Voice Services (EVS) codec - Nokia
The actual bandwidths in use may be somewhat narrower. For example, the bandwidth is typically 300–3400 Hz for NB audio. Super wideband (SWB). Fullband (FB).
[53]
[PDF] GSM Codec - CIS
In public telephone networks only the frequencies between 300 – 3400 Hz are transferred. ... GSM codec. 5.1. Full-rate codec. The GSM system uses Linear ...
[54]
New Spectrum Analyzer for Speech Analysis - AIP Publishing
A new spectrum analyzer, mainly for speech sounds, is described, featuring high accuracy and a high degree of flexibility. The signal to be analyzed is ...
[55]
harmonicRatio - Harmonic ratio - MATLAB - MathWorks
The harmonic ratio indicates the ratio of energy in the harmonic portion of audio to the total energy of the audio.
[56]
VOICEBOX: Speech Processing Toolbox for MATLAB
VOICEBOX is a speech processing toolbox consists of MATLAB routines that are maintained by and mostly written by Mike Brookes, Department of Electrical & ...
[57]
Long-term average spectrum (LTAS) analysis of sex- and gender ...
Jul 11, 2009 · Long-term average spectrum (LTAS) analysis offers representative information on voice timbre providing spectral information averaged over time.Missing: profiles | Show results with:profiles