Whitsitt Chapel
Whitsitt Chapel is the ninth studio album by American singer-songwriter Jelly Roll (born Jason DeFord), released on June 2, 2023, through the independent label Bailee & Buddy in partnership with Stoney Creek Records and BMG.[1] The project marks Jelly Roll's debut full-length country album on a major label and consists of 13 tracks produced primarily by Zach Crowell, blending elements of country, rock, and hip-hop.[1][2] Named after Whitsitt Chapel Baptist Church in Antioch, Tennessee, where Jelly Roll was baptized at age 14, the album draws inspiration from his personal journey of redemption following periods of incarceration and addiction.[1][3] It explores themes of faith, vulnerability, and spiritual seeking, with Jelly Roll describing it as an honest form of "worship music" that reflects his imperfect relationship with a higher power.[1] Notable tracks include the lead single "Need a Favor," which became a top-10 hit on the Billboard Hot Country Songs chart, as well as collaborations like "Save Me" with Lainey Wilson, "Unlive" with Yelawolf, and "Behind Bars" featuring Brantley Gilbert and Struggle Jennings.[2][4] Upon release, Whitsitt Chapel debuted at number three on the Billboard 200 with 90,000 equivalent album units in its first week, while topping both the Top Country Albums and Top Rock Albums charts, showcasing its crossover appeal across genres.[5] The album was certified platinum by the RIAA in July 2025. It received positive critical reception for its raw authenticity and Jelly Roll's storytelling, contributing to his rise as a prominent figure in contemporary country music.[6]Background and recording
Development
Whitsitt Chapel is named after Whitsitt Chapel Baptist Church in Antioch, Tennessee, where Jelly Roll, born Jason DeFord, was baptized at age 14 and grew up attending services.[7][8] The album's conception stemmed from Jelly Roll's personal experiences with sin, redemption, spiritual growth, and gratitude, particularly after attending church services with his daughter Bailee, which inspired him to create a conceptual project outlining his religious and spiritual journey.[7][1] This marked a pivotal shift to country music, as Whitsitt Chapel became his first full-length country album, building on his earlier releases like the 2021 project Ballads of the Broken.[7][9] Jelly Roll signed with BBR Music Group and its imprint Stoney Creek Records in 2021 through Bailee & Buddy Management, a partnership that supported the album's development while allowing him to retain creative control.[9][1] Early collaborators were identified to align with the album's themes, including Brantley Gilbert and Struggle Jennings on "Behind Bars," Yelawolf on "Unlive," and Lainey Wilson on "Save Me."[10][11]Recording
The recording of Whitsitt Chapel took place primarily at producer Zach Crowell's home studio in Franklin, a suburb of Nashville, Tennessee, with additional band tracking at engineer Grady Saxman's studio in the area and some vocal sessions in a larger Los Angeles facility.[12] The process spanned late 2022 into early 2023, culminating in a focused one-month completion phase before the album's June 2, 2023 release.[13] Grammy-nominated producer Zach Crowell helmed the majority of the project, drawing on his background in urban and hip-hop production to guide the sessions, while David Ray Stevens co-produced select tracks, including "Save Me."[12][1] Jelly Roll, born Jason DeFord, was deeply involved throughout, participating in writing camps where he co-wrote or solely penned several tracks, and handling vocal tracking with an emphasis on raw, emotive deliveries that bridged his hip-hop roots—characterized by rhythmic flows and beat-driven energy—with country elements like acoustic guitars and pedal steel.[1][12] He maintained significant creative control, including ownership of the masters, allowing for authentic performances that captured personal struggles and redemption without overproduction.[1] Key guest sessions added distinctive flavors: Lainey Wilson recorded her harmonies for the duet "Save Me" during a Nashville session, enhancing the track's gospel-tinged plea with her soulful country timbre, while rapper Yelawolf laid down his verse for "Unlive" in a nod to Jelly Roll's rap origins, blending rapid-fire lyrics over a hybrid beat.[1][14] In post-production, Crowell handled initial mixes for about half the album using Pro Tools setups that preserved a live feel, before veteran mixer Jim Cooley refined them at his Nashville studio to balance dynamics.[12] Mastering was completed by Joe LaPorta at Sterling Sound in New York, ensuring the final product highlighted the seamless integration of live instrumentation—such as drums from Aaron Sterling and guitars from Nathan Keeterle—with electronic synths from keyboards like the Roland Juno-60, creating a textured sound that echoed Jelly Roll's genre transition.[15][12]Music and lyrics
Musical style
Whitsitt Chapel is predominantly a country album that incorporates infusions of hip-hop and rock elements, creating a hybrid sound that reflects Jelly Roll's background in rap music.[16][5] The instrumentation draws heavily from traditional country motifs, including acoustic guitars, banjos, fiddles, and pedal steel guitar, while contemporary production elements blend urban rhythms with rural textures.[16][17] Spanning 13 tracks with a total runtime of 43:26, the album showcases varied tempos and structures, ranging from mid-tempo ballads like "Need a Favor"—which features gospel-inspired layered harmonies from the Fisk University Jubilee Singers—to reflective tracks such as "Church," characterized by melancholic tones.[13][17] Production techniques emphasize Jelly Roll's vocal evolution from his rap origins to a more polished country delivery, with multi-tracked harmonies adding depth to choruses and collaborations incorporating rap verses, as heard in the duet "Behind Bars" with Brantley Gilbert and Struggle Jennings.[18][16] The album's sonic palette is influenced by Southern rock and outlaw country traditions, evident in the raw, narrative-driven energy and guitar-driven soundscapes, marking Jelly Roll's full transition into country while retaining hip-hop's rhythmic pulse.[5][16] This genre fusion not only highlights his personal growth but also ties into broader themes of redemption explored in the lyrics.[18]Lyrical themes
The lyrics of Whitsitt Chapel center on Jelly Roll's personal struggles with faith, portraying a man grappling with doubt and yearning for spiritual solace amid life's chaos. Tracks like "Save Me" exemplify this tension, serving as a raw plea for divine intervention to combat addiction and mental health crises, where the narrator admits to feeling beyond redemption yet clings to prayer as a lifeline. This theme of faith's fragility is woven throughout the album, reflecting Jelly Roll's own journey from youthful baptism to years of waywardness, emphasizing a conflicted relationship with spirituality that seeks resolution through honest supplication.[19][1] Redemption arcs dominate the narrative, exploring personal flaws through confessional accounts of imprisonment and familial bonds tested by past mistakes. In "Behind Bars," the lyrics delve into the isolation of incarceration, contrasting the freedom of the narrator with the ongoing sentences of close friends and family ties strained by criminal histories, ultimately framing these experiences as catalysts for self-forgiveness and renewal. This motif extends across the album, blending vulnerability with Jelly Roll's signature autobiographical candor, occasionally lightened by wry humor in acknowledging human imperfection, to underscore a path from despair to accountability.[20][21] Gratitude emerges as a counterpoint to earlier turmoil, tied to motifs of spiritual awakening inspired by the titular Whitsitt Chapel, the church where Jelly Roll was baptized as a teenager. Songs such as "The Lost" culminate this arc, celebrating the discovery of community among the marginalized—depicted through vivid imagery of backroad rituals and shared hardships—as a form of divine grace and thankfulness for survival. The album's overarching confessional style amplifies these elements, using intimate storytelling to evoke empathy and highlight transformation without shying from the messiness of real-life redemption.[8][22]Release and promotion
Singles
The lead single from Whitsitt Chapel, "Need a Favor", was released on December 9, 2022. It debuted at number 75 on the Billboard Hot Country Songs chart and eventually peaked at number 1 on the Country Airplay chart for four weeks, marking Jelly Roll's second consecutive number-one hit on that ranking. The track was certified 2× Platinum by the RIAA in October 2024, denoting 2 million units consumed in the United States. The official music video, released on January 13, 2023, portrays Jelly Roll in a desperate prayer for his hospitalized daughter, underscoring themes of vulnerability and faith that align with the album's spiritual undertones. "Save Me", featuring Lainey Wilson, served as the second single and was released on May 11, 2023, following its live debut at the 58th Academy of Country Music Awards. The remix version peaked at number 1 on the Country Airplay chart for two weeks and reached number 6 on the Hot Country Songs chart; it also entered the Billboard Hot 100 at number 64. Certified 3× Platinum by the RIAA as of April 2024, the song highlights Jelly Roll's ongoing promotional efforts through high-profile award show performances, including joint appearances with Wilson that amplified its radio and streaming traction ahead of the album's launch.) The third single, "Halfway to Hell", impacted country radio on January 22, 2024. It climbed to number 1 on the Country Airplay chart after 21 weeks, becoming Jelly Roll's fourth leader there and extending his streak of consecutive top hits from the album. Live performances, such as at the 2024 CMT Music Awards where it won Video of the Year, emphasized visuals of personal struggle and redemption, reflecting the track's narrative of moral reckoning and tying into the broader promotional narrative of transformation central to Whitsitt Chapel.[23]Marketing
The pre-release announcement for Whitsitt Chapel occurred on March 16, 2023, when Jelly Roll shared details via social media platforms, including teaser images and a YouTube video promoting preorders for the album.[11][24] Preorders became available immediately through his official store at jellyroll615.com, offering exclusive bundles such as CDs and vinyl editions ahead of the June 2 release date.[25] A dedicated merchandise line was launched to complement the album, featuring vinyl editions in standard and exclusive variants, apparel like T-shirts emblazoned with chapel-inspired motifs drawn from the album's thematic cover art, and limited-edition CDs packaged in collector boxes.[26] These items were sold exclusively through the official Jelly Roll store, emphasizing the album's personal narrative tied to the artist's childhood church in Antioch, Tennessee.[27] The album's promotion extended to live performances through the Backroad Baptism Tour, which ran from July 2023 into 2024 and prominently featured tracks from Whitsitt Chapel in setlists, enhancing the project's visibility among fans during sold-out shows.[28] This tour served as a key tie-in, framing the album as a "backroad tent revival" experience that aligned with its themes of redemption and growth.[22] Digital efforts included placements on curated Spotify and Apple Music playlists, such as Jelly Roll's official Whitsitt Chapel playlist on Spotify, which highlighted tracks like "Need a Favor" and "Save Me."[29] Additionally, media appearances on outlets like Billboard, where Jelly Roll discussed the album's significance in his transition to country music, and CMT, which premiered content tied to the release, further amplified its reach.[1][30]Reception
Critical reception
Whitsitt Chapel received mixed-to-positive reviews from music critics, who generally praised Jelly Roll's authentic portrayal of personal struggles while noting occasional reliance on familiar tropes. AllMusic rated the album 3.5 out of 5 stars, commending its honest storytelling drawn from the artist's life experiences but critiquing some formulaic production choices that occasionally undercut the emotional weight.[31] Several outlets highlighted the album's effective genre fusion and emotional resonance. Maximum Volume Music awarded it 8 out of 10, lauding the seamless blend of country, hip-hop, and rock elements alongside the depth of tracks addressing addiction and redemption, such as "Dancing With The Devil" and "Need A Favor."[32] Holler gave a score of 6.5 out of 10, appreciating the fusion of hip-hop influences with country storytelling and the believable depiction of faith and former addiction in songs like "Church" and "Behind Bars," though some snap beats grew grating over time.[16] Critics commonly appreciated Jelly Roll's vulnerability in tackling themes of faith and addiction, viewing it as a strength that connected with audiences seeking raw narratives. However, others pointed to an over-reliance on redemption arcs and clichéd imagery, such as whiskey-and-Bible motifs, which felt repetitive without deeper exploration. Music Matters Media rated it 2.5 out of 5, arguing that the production often overwhelmed the lyrics' potential for introspection on religion and personal recovery.[33] Taste of Country offered unqualified praise for the album's genuine emotional core and thematic consistency around sin, redemption, and love, emphasizing how Jelly Roll's background as a former convict lent authenticity to his reflections on outcast experiences.[17] On aggregate, Album of the Year compiled a score of 70 out of 100 based on professional reviews, indicating a divide where country enthusiasts embraced the sincerity more than broader critics who sought greater innovation.[34]Accolades
Whitsitt Chapel and its singles garnered significant industry recognition following its release, highlighting Jelly Roll's breakthrough in country music. The album received Grammy nominations in 2024 for Best Country Duo/Group Performance for "Save Me" featuring Lainey Wilson, though it did not secure a win.[35] At the 2023 CMA Awards, Jelly Roll won New Artist of the Year, an honor that credited the transformative impact of Whitsitt Chapel on his career trajectory. Whitsitt Chapel was also celebrated in prominent year-end rankings, appearing on Billboard's list of the 50 Best Albums of 2023 and Rolling Stone's 25 Best Country and Americana Albums of 2023, underscoring its role as a standout country debut.[36][37] Positive critical reception contributed to these industry nods, affirming the album's emotional depth and crossover appeal.[38]Commercial performance
Charts
Whitsitt Chapel debuted at number 3 on the US Billboard 200 chart in the week ending June 8, 2023, earning 90,000 album-equivalent units, marking Jelly Roll's highest-charting album at the time.[2] The album also reached number 2 on the US Top Country Albums chart and number 1 on both the US Top Rock Albums and US Independent Albums charts during its debut week.[2][39] Internationally, the album achieved modest success, peaking at number 22 on the Canadian Albums Chart and number 4 on the UK Country Artists Albums Chart, while debuting at number 48 on the UK Album Downloads Chart.[40] Its performance reflected Jelly Roll's growing crossover appeal beyond the US market. On year-end charts, Whitsitt Chapel placed at number 118 on the 2023 Billboard 200, accumulating 440,000 equivalent units for the year.[41] The album maintained a sustained presence on country-specific charts into 2024, continuing to chart on the US Top Country Albums and UK Country Artists Albums lists well into the following year.[2][42]| Chart (2023) | Peak Position |
|---|---|
| US Billboard 200 | 3 |
| US Top Country Albums | 2 |
| US Independent Albums | 1 |
| US Top Rock Albums | 1 |
| Canadian Albums (Billboard) | 22 |
| UK Album Downloads (OCC) | 48 |
| UK Country Artists Albums (OCC) | 4 |
Certifications
Whitsitt Chapel achieved RIAA Gold certification on October 22, 2024, for 500,000 units sold in the United States, before being upgraded to Platinum on July 22, 2025, denoting 1,000,000 equivalent units.[43][44] This milestone reflects a combination of pure album sales, track equivalent albums (where 10 individual track downloads equal one album unit), and streaming equivalent albums (where 1,500 on-demand audio/video streams equal one unit), with significant contributions from hit singles such as "Need a Favor," which itself earned 2× Platinum status for over 2,000,000 units.[43] As of November 2025, the album has not received any international certifications from bodies such as Music Canada or the BPI, despite robust global streaming performance, including over 700 million plays of the full album on Spotify alone.[45] These streaming figures underscore the project's enduring digital footprint, particularly through track equivalents bolstering the overall unit count. Whitsitt Chapel stands as Jelly Roll's highest-certified album to date, marking his first Platinum project and eclipsing prior Gold certifications for releases like Ballads of the Broken (2021).[43] Its initial strong chart performance further propelled these sales and streaming accumulations, solidifying its commercial breakthrough in country music.[44]Content
Track listing
Whitsitt Chapel is the standard edition of the album, featuring 13 tracks with a total runtime of 43:26.[46] The project explores themes of addiction, faith, and personal redemption, with several tracks containing explicit lyrics.[28]| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Halfway to Hell" | Jason DeFord, Jesse Frasure, Matt Jenkins, Jessie Jo Dillon | Zach Crowell, Jesse Frasure | 2:58 |
| 2. | "Church" | Jason DeFord, Michael Hardy, David Garcia | Zach Crowell, David Garcia | 3:40 |
| 3. | "The Lost" | Jason DeFord, Jesse Frasure, Miranda Lambert | Zach Crowell, Jesse Frasure | 3:20 |
| 4. | "Behind Bars" (featuring Brantley Gilbert and Struggle Jennings) | Jason DeFord, Brantley Gilbert, Michael Whitworth | Brock Berryhill, Andrew Baylis | 2:57 |
| 5. | "Nail Me" | Jason DeFord, Kevin Gruft, Austin Nivarel | Zach Crowell | 2:42 |
| 6. | "Hold On Me" | Jason DeFord, Hillary Lindsey, Alysa Vanderheym, Michael Whitworth | Zach Crowell | 3:06 |
| 7. | "Kill a Man" | Jason DeFord, Riley Thomas, Andrew Baylis, Michael Whitworth | Zach Crowell | 2:57 |
| 8. | "Unlive" (featuring Yelawolf) | Jason DeFord, Ashley McBryde, Andrew Baylis, Zach Crowell, Michael Wayne Atha | Zach Crowell | 3:58 |
| 9. | "Save Me" (featuring Lainey Wilson) | Jason DeFord, David Ray Stevens | Zach Crowell, David Ray Stevens | 4:04 |
| 10. | "She" | Jason DeFord, Austin Nivarel, Kevin Gruft | Kevin Gruft | 3:18 |
| 11. | "Need a Favor" | Jason DeFord, Austin Nivarel, Joe Ragosta, Rob Ragosta | Austin Nivarel | 3:29 |
| 12. | "Dancing with the Devil" | Jason DeFord, Hunter Phelps, Zach Crowell | Zach Crowell | 3:22 |
| 13. | "Hungover in a Church Pew" | Jason DeFord, Hunter Phelps, Zach Crowell | Zach Crowell | 3:35 |