22Gz
Jeffrey Mark Alexander (born November 29, 1997), known professionally as 22Gz, is an American rapper from the Flatbush neighborhood of Brooklyn, New York, recognized as a pioneer of Brooklyn drill, a subgenre characterized by aggressive flows, melodic hooks, and lyrics centered on street life and interpersonal conflicts.[1][2][3] He rose to prominence with his 2016 breakout single "Suburban," which amassed millions of streams and helped define the high-energy sound of early Brooklyn drill through its blend of trap beats and vivid storytelling.[1][4] Signed to Kodak Black's Sniper Gang imprint, 22Gz released his debut major mixtape The Blixky Tape in 2019, followed by Growth & Development in 2020, Growth & Development II in 2024, and BROOKLYN'S MOST WANTED later that year, establishing a discography that emphasizes loyalty to his origins and critiques of rivals.[5][6] 22Gz's career intertwines music with documented involvement in Flatbush gang dynamics, including affiliations with groups like the Young Savages, as evidenced by law enforcement scrutiny and his own admissions of street plotting against adversaries.[1] This has led to repeated legal entanglements, such as a 2017 arrest in Miami on second-degree murder and attempted murder charges (from which he was released after five months), and a 2022 arrest in New York for attempted second-degree murder stemming from a shooting that injured three people, accompanied by weapons and assault charges.[7][8][9] As of September 2025, reports indicate he faced violence while detained at Rikers Island in connection to the unresolved 2022 case, underscoring the causal links between his drill persona and real-world perils.[10]Early Life and Background
Childhood in Flatbush, Brooklyn
Jeffrey Mark Alexander was born on November 29, 1997, in Brooklyn, New York.[3][11] Raised in the Flatbush neighborhood, he grew up in an environment characterized by economic hardship and elevated rates of violent crime, with East Flatbush ranking among New York City's areas with lower median household incomes and higher proportions of nonwhite residents facing systemic poverty.[12] Brooklyn's broader gun violence data from the period reflects persistent challenges, including shootings tied to territorial disputes, which formed the empirical backdrop of Alexander's childhood without mitigation by external narratives of resilience.[13] From an early age, Alexander encountered the realities of local street culture in Flatbush, a densely populated area where gang activity and interpersonal violence were commonplace, contributing causally to the hardened perspectives often documented in emerging drill artists from the region.[1] Neighborhood conditions, including not infrequent exposure to unsafe dynamics and rival group tensions, influenced his formative experiences, as he later described the area as lacking safety yet integral to his upbringing.[14] These factors, grounded in verifiable socio-economic data rather than anecdotal glorification, underscored the causal links between environmental pressures and individual adaptation in high-risk urban settings.[15]Family Influences and Early Environment
Jeffrey Mark Alexander, known professionally as 22Gz, was born on November 29, 1997, in the Flatbush neighborhood of Brooklyn, New York City, to a family marked by early paternal absence; his father died before his birth, leaving him without a father figure during childhood.[1][11] His older brother received a 16-year prison sentence, further destabilizing the household structure and contributing to an environment of familial fragmentation common in high-risk urban settings.[1] Public details on his mother or extended family remain sparse, reflecting limited disclosures in biographical accounts, though such incomplete parental presence aligns with broader patterns in Flatbush, where renter households face a poverty rate of approximately 22.8% and elevated risks of single-parent configurations amid resource constraints.[16] Raised in Flatbush, an area with persistent socioeconomic challenges including median renter incomes around $53,000 and proximity to elevated crime indices, Alexander navigated an early environment prioritizing immediate survival over formal structures.[16] These conditions fostered adaptive behaviors outside institutional norms, as absent stable guardianship and economic pressures in similar Brooklyn demographics often correlate with heightened vulnerability to street-oriented coping mechanisms rather than sustained educational engagement.[16] Alexander disengaged from schooling early, dropping out of high school amid truancy patterns that shifted focus toward informal income sources in a resource-scarce setting.[17] He recounted skipping classes to perform improvised dances on subway trains with peers, collecting tips from passengers as an entry-level hustle reflective of youth in unsafe, opportunity-limited locales where formal education yields deferred or uncertain returns compared to proximate street economies.[18] Such initial forays into minor entrepreneurial or delinquent activities represent pragmatic responses to familial voids and environmental hazards, perpetuating intergenerational patterns of limited oversight and survival imperatives over long-term academic investment.[1]Entry into Music
Initial Inspirations from Drill Scene
22Gz drew initial inspiration for his rapping from the Chicago drill movement of the early 2010s, particularly pioneers like Chief Keef, whose raw depictions of street violence and gang affiliations resonated with the rapper's own environment in Flatbush, Brooklyn.[19][20] This influence aligned with broader Brooklyn adaptations around 2014-2015, where local artists began incorporating Chicago drill's dark, sliding beats and unfiltered narratives of conflict into New York-specific gang dynamics, such as rivalries between crews like the Blixkys and Tego.[20] UK drill variants, emerging mid-decade with producers adding grime-inflected basslines, further shaped the sound's evolution, providing a transatlantic template that Brooklyn rappers localized to emphasize neighborhood-specific slang and immediate threats rather than distant archetypes.[20] The genre's causal appeal for 22Gz stemmed from its grounding in verifiable street realities—authentic accounts of violence and survival—rather than contrived personas, which distinguished credible drill from performative rap trends and drove underground traction through perceived genuineness.[1][20] In Brooklyn's context, this meant channeling empirical experiences of local feuds and perils, fostering a style where lyrics served as direct extensions of lived causal chains in high-crime areas, unadulterated by exaggeration for commercial appeal.[1] Prior to wider recognition, 22Gz engaged the scene through early freestyles and uploads to platforms like SoundCloud, where unpolished tracks captured Flatbush's gritty narratives, building momentum in Brooklyn's underground circuits by mirroring the drill ethos of immediate, hazard-laden storytelling.[1] These initial efforts, rooted in the 2014-2015 surge of New York drill experimentation, gained local playback by prioritizing street-verified content over polished production, aligning with the subgenre's emphasis on raw transmission of communal experiences.[20]First Recordings and Local Recognition
22Gz initiated his recording career in early 2015 at age 17, uploading initial tracks to SoundCloud as part of grassroots efforts in Brooklyn's emerging drill scene.[21] These self-released songs emphasized unpolished, neighborhood-centric themes drawn from Flatbush experiences, cultivating a modest local following among peers and residents through online sharing on platforms like YouTube.[1] A pivotal early release, "Blixky" in 2016, marked his adoption of the 22Gz moniker—deriving "22" from a New Orleans street reference and "Gz" from street affiliations—and showcased a fusion of personal narrative with aggressive drill flows, gaining traction via video uploads that highlighted raw authenticity over polished production.[1][22] This track contributed to initial buzz within Brooklyn's underground, where location-specific lyrics fostered identification among Flatbush youth navigating competitive street dynamics. To amplify visibility, 22Gz engaged in informal performances, such as choreographed dances on New York City trains during school skips, collecting tips from onlookers and embedding himself in the local rap ecosystem's performative culture.[18] These street-level displays, alongside track shares, built alliances and tensions tied to neighborhood loyalties, positioning him amid a tight-knit group of Flatbush aspirants including Sheff G, whose shared origins spurred collaborative networks in a rivalry-fueled environment.[1] This phase underscored the scene's emphasis on organic, community-driven validation prior to wider exposure.Rise to Prominence
Breakthrough Single "Suburban" (2016)
"Suburban" marked 22Gz's independent release in December 2016, produced by London-based AXL Beats and uploaded initially to platforms like SoundCloud and YouTube.[23] The track's sparse, sliding production evoked early Chicago drill influences while incorporating Brooklyn-specific cadences, positioning it as a foundational piece in the emerging local subgenre.[24] Pitchfork credited "Suburban" as the first Brooklyn drill song of substantive merit, highlighting its role in synthesizing trap percussion with narratives of urban conflict drawn from Flatbush gang rivalries.[23] The lyrics detail acts of retaliation against adversaries, including references to violent encounters like carjackings and "spinning" blocks—terms tied to verifiable disputes between crews such as the Blixky Gang and opposing sets in Brooklyn's East Flatbush area during the mid-2010s.[25] These elements underscored the genre's basis in documented street-level causal chains, where interpersonal beefs escalated into public feuds amplified by social media disses and real-world incidents reported in local news.[26] The song achieved viral traction through organic shares on YouTube and Instagram, with the official video accumulating over 4.8 million views by 2025, signaling rapid uptake among drill enthusiasts.[27] This exposure, peaking in early 2017, drew scrutiny from rivals—prompting diss tracks like Sheff G's "No Suburban"—and elevated 22Gz's profile, prompting overtures from major labels seeking to capitalize on the burgeoning Brooklyn sound.[26]Development of Brooklyn Drill Sound
22Gz advanced the Brooklyn drill sound by adapting imported UK drill beats to incorporate New York-specific rhythmic and lyrical elements, diverging from the frenetic hi-hat patterns and rapid flows of the original style toward more deliberate, bass-heavy cadences reflective of local street confrontations. His 2016 track "Suburban," built on a "Hop Out" drill-type beat by UK producer AXL Beats discovered on YouTube, exemplified this evolution, blending eerie, sliding 808s with extended, ominous deliveries that prioritized narrative tension over speed.[20][1] Central to this development was the integration of Brooklyn vernacular, including slang like "blixky"—a term denoting a firearm derived from local street lexicon—which 22Gz embedded via signature ad-libs such as "Blixky the Blixky," transforming abstract drill aggression into geographically anchored expression.[28][29] These linguistic innovations, paired with references to neighborhood-specific disputes, rooted the subgenre in Flatbush's realities, fostering authenticity amid imported production templates.[30] In 2017, 22Gz's "22 Blixky" EP, featuring collaborations with affiliates like Envy Caine, further crystallized Brooklyn drill's identity through multi-artist tracks that amplified collective slang usage and rhythmic cohesion, setting a template for peer emulation.[31] This period's output, as 22Gz himself asserted, pioneered subgenre-specific dances and terminology, influencing later figures like Pop Smoke who expanded on the menacing, localized blueprint.[18][32]Professional Career
Label Signing and Major Releases (2018-2020)
In 2018, following the viral success of his 2016 single "Suburban," 22Gz signed a recording deal with Sniper Gang, the imprint founded by Kodak Black, in partnership with Atlantic Records.[33] This affiliation provided major-label distribution and resources, enabling wider promotion of his drill-influenced tracks rooted in Brooklyn gang dynamics.[34] The deal facilitated 22Gz's debut major project, the mixtape The Blixky Tape, released on July 18, 2019, via Atlantic Records.[35][36] Comprising 12 tracks with a runtime of approximately 28 minutes, it featured raw production emphasizing heavy bass, rapid flows, and references to Flatbush affiliations, including the titular nod to his Blixky Gang ties.[37] Tracks like "Sniper Gang Freestyle," released as a single earlier that year, highlighted his unfiltered street narratives, which garnered streaming traction but also drew attention amid New York authorities' growing concerns over drill lyrics inciting real-world conflicts.[38] On April 10, 2020, 22Gz followed with the mixtape Growth & Development, also distributed through Atlantic and Sniper Gang.[39][28] This 13-track release expanded on his sound with melodic elements blended into aggressive drill beats, maintaining thematic focus on survival, loyalty, and retaliation in Brooklyn's rivalries, while achieving modest commercial visibility through digital platforms.[24] The projects marked 22Gz's transition to industry-backed output, yet his insistence on authentic, unvarnished content—eschewing mainstream sanitization—intensified scrutiny from law enforcement, who linked Brooklyn drill's popularity to escalating gang-related shootings during this period.[40]Key Mixtapes and Collaborations
22Gz's breakthrough mixtape The Blixky Tape, released on July 19, 2019, via Atlantic Records, consisted of 12 tracks emphasizing aggressive drill production and narratives of Brooklyn street survival.[41][42] The project included the track "Spin the Block," featuring Kodak Black of Sniper Gang, which integrated Florida trap elements into 22Gz's sound while reinforcing lyrical motifs of retaliation and block vigilance common to both artists' backgrounds.[43] This collaboration, with its video released November 29, 2018, garnered millions of views and streams, signaling 22Gz's expanding reach beyond local Brooklyn acts through alliances rooted in parallel gang-influenced codes.[44] In April 2020, 22Gz followed with Growth & Development, a 13-track effort released independently that charted at number 20 on the Billboard Heatseekers Albums chart, reflecting sustained listener interest amid the early COVID-19 streaming surge.[28][45] Predominantly solo, the mixtape maintained thematic continuity with prior work, prioritizing introspective bars on ambition and peril over guest features, though it built on prior Sniper Gang ties via stylistic nods in freestyles like "Sniper Gang Freestyle."[39][35] Tracks from both projects accumulated tens of millions of combined streams on platforms like Spotify and SoundCloud by mid-2020, underscoring commercial viability despite limited radio play and ongoing legal scrutiny.[46][47]Recent Projects and Output (2021-2025)
In 2021, 22Gz released The Blixky Tape 2 on March 19 through Atlantic Records, featuring 16 tracks that expanded on his drill sound with collaborations and production emphasizing gritty Brooklyn narratives.[6] This project marked a continuation of his output amid rising prominence, though it preceded a shift away from major label backing. In June 2022, authorities arrested him on charges including attempted second-degree murder, second-degree assault, two counts of second-degree criminal possession of a weapon, and first-degree reckless endangerment, linked to a March 2022 shooting in Marine Park, Brooklyn, that injured three people.[9][48] Post-arrest and evidently after parting with Atlantic, 22Gz transitioned to independent digital releases via his Blixky Entertainment imprint, sustaining a core drill aesthetic of rapid flows, ominous beats, and references to street conflicts despite ongoing legal scrutiny. Growth & Development II, a 10-track effort, dropped January 12, 2024, focusing on themes of resilience and territorial loyalty with no evident dilution of prior aggression.[49] A deluxe edition adding further content followed on May 10, 2024.[50] On June 21, 2024, BROOKLYN'S MOST WANTED arrived as a 9-track digital album under Blixky Entertainment, reinforcing his drill roots through tracks produced with trap-infused percussion and lyrics glorifying local gang dynamics.[51] This release highlighted a pattern of self-distributed output, bypassing traditional label infrastructure for direct streaming availability. In February 2025, Hidden Gemz compiled 8 tracks of previously unreleased or leaked material on February 21, maintaining the unyielding drill template with freestyles and confrontational bars.[52] Reports in September 2025 alleged 22Gz suffered a severe beating at Rikers Island after a recent detention, intersecting his productivity with persistent street-related risks, though these accounts remain unconfirmed by official sources.[10] Across these projects, lyrical content showed no substantial pivot to introspection, instead perpetuating endorsements of past affiliations and violence reflective of Brooklyn drill conventions.[53]Musical Style and Themes
Characteristics of 22Gz's Drill Approach
22Gz's drill production emphasizes dark, haunting melodies often featuring airy piano loops layered over heavy, distorted 808 basslines, creating a menacing atmosphere conducive to extended narrative flows.[54] These beats typically operate at moderate tempos around 70 beats per minute in half-time feel, distinguishing Brooklyn drill from the faster, hi-hat-driven pace of UK drill variants, which allows for deliberate pacing in depicting confrontational scenarios.[20] The integration of industrialized bass and glitchy elements, as heard in tracks like "Suburban" produced by AXL Beats, prioritizes a bass-heavy punch that underscores rhythmic tension without overwhelming the vocal forefront.[1] Vocal delivery in 22Gz's work maintains a raw, unfiltered aggression with minimal reliance on heavy Auto-Tune processing, preserving the natural timbre and intensity of his voice to convey authentic menace.[1] This approach contrasts with more melodic trap influences, favoring ad-lib flurries and high-energy verses that emphasize clarity in rapid flows, as evident in his quick composition style where verses are laid down in under 15 minutes.[1] The result is a gritty sonic profile that highlights unpolished charisma over polished effects, aligning with the subgenre's emphasis on street-derived bravado.[54] Music videos accompanying 22Gz's tracks adopt a documentary-like aesthetic, utilizing handheld camera work to capture raw footage in Brooklyn housing projects and street environments, visually reinforcing the perilous contexts referenced in the audio.[55] This low-fi, on-location filming style—prevalent in early releases like "Suburban"—eschews high-production gloss for immersive, unscripted depictions of hood settings, empirically tying visual elements to the hazards of localized gang dynamics.[56] Such choices enhance the tracks' credibility by mirroring the unvarnished realities of the artist's surroundings, without narrative embellishment.[1]Lyrical Content Reflecting Street Realities
22Gz's lyrics recurrently feature motifs of "ops" denoting rival gang members targeted for elimination, "drills" as coordinated violent strikes, and imperatives for swift retaliation against perceived threats or losses, elements causally embedded in Brooklyn's territorial gang disputes where failure to respond escalates conflicts.[57] These depictions eschew exaggeration for fidelity to documented street dynamics, such as intra-borough feuds involving sets like the Blixkys, where lyrics explicitly commemorate slain affiliates by name or affiliation, aligning with verifiable fatalities from gang-related shootings in Flatbush and surrounding areas.[57] [58] Loyalty emerges as a core imperative, portrayed not as abstract virtue but as a survival mechanism amid betrayal's lethal costs, with verses underscoring crew solidarity against external predation and internal disloyalty, mirroring the relational structures that sustain gang cohesion in high-violence ecosystems.[59] Retribution motifs extend this by framing vengeance as obligatory restitution for fallen comrades, directly invoking real instances of associative losses that propel cycles of reprisal, as seen in dedications to deceased Blixky members amid ongoing Brooklyn rivalries.[60] Empirical analyses of drill subgenres, including Brooklyn variants, indicate correlations between such unfiltered portrayals of violence and localized spikes in youth homicides, with studies documenting elevated gang activity in areas dominated by drill output, though establishing unidirectional causation remains contested due to confounding socioeconomic factors.[61] This lyrical realism, while chronicling extant street perils, arguably reinforces behavioral norms of preemptive aggression and perpetual vendetta, perpetuating recruitment into gang orbits by glamorizing endurance through dominance rather than evasion or reform.[62]Cultural and Industry Impact
Pioneering Role in Brooklyn Drill
22Gz established a foundational role in Brooklyn drill with the release of his single "Suburban" on October 16, 2016, which synthesized UK drill production techniques—characterized by sliding 808 basslines and tense, minimalist beats—with hyper-local Brooklyn gang narratives, marking it as one of the subgenre's earliest breakout tracks.[20] Produced by London-based beatmaker AXL Beats, the song's raw depiction of street violence and rivalries over a haunting instrumental provided a blueprint that diverged from prior New York rap styles, emphasizing gritty authenticity drawn from Flatbush neighborhood dynamics.[1] This release predated the broader mainstreaming of the sound, positioning 22Gz as an architect who organically documented gang-related experiences rather than relying on contrived label-driven trends.[18] Working in tandem with Sheff G, 22Gz propelled Brooklyn drill's growth in the post-2016 period, as Sheff G's May 2017 diss track "No Suburban"—a direct response to 22Gz's hit—escalated the subgenre's visibility through competitive exchanges that mirrored underlying borough conflicts.[63] Their combined efforts scaled the movement's reach via independent uploads to platforms like YouTube and SoundCloud, fostering a DIY ecosystem where tracks gained traction through viral sharing in New York rap communities before major streaming integrations.[1] By 2018, this groundwork had influenced the adoption of similar sonics across Brooklyn, with empirical indicators such as "Suburban" accruing millions of streams and securing spots on early drill-focused playlists, which helped revive interest in regional New York sounds amid a dominant trap landscape.[20] The subgenre's expansion owed to its roots in unfiltered portrayals of gang documentation, enabling 22Gz and contemporaries to export Brooklyn's causal street realities—such as block-specific beefs and survival ethos—to wider audiences without initial corporate orchestration, a contrast to later commercial amplifications post-Pop Smoke's 2019 rise.[18] This precedence is evidenced by the timeline: while earlier singles like Bobby Shmurda's 2014 "Hot Nigga" introduced drill-adjacent energy, 22Gz's 2016 output formalized the Brooklyn variant's distinct aggression and production fusion, influencing subsequent waves without retroactive narrative inflation.[1][20]Reception, Achievements, and Criticisms
22Gz's music has garnered substantial commercial reception within the hip-hop community, evidenced by approximately 500 million total streams on Spotify as of mid-2024.[64] Tracks like "Suburban, Pt. 2" have exceeded 123 million streams, establishing it as a benchmark for Brooklyn drill's raw, street-oriented sound that resonated with audiences seeking authentic depictions of urban life.[65] Similarly, "Twirlanta" surpassed 129 million streams, contributing to his recognition as an early influencer in the subgenre.[66] Despite the absence of major awards or nominations, 22Gz's achievements include headlining a 2021 U.S. summer tour spanning cities such as Atlanta, Los Angeles, and New York, alongside performances at prominent events like Rolling Loud New York.[67][68] He played a pivotal role in pioneering Brooklyn drill, which injected fresh energy into New York hip-hop by amplifying localized gang narratives and production styles, paving the way for broader adoption post-Pop Smoke's emergence.[69] Criticisms of 22Gz's work center on its perceived contribution to escalating street violence, with New York Police Department officials asserting that drill tracks, including those from early figures like him, synchronize closely with real-world shootings through taunting diss lyrics that provoke retaliations.[70] The NYPD has cited such content in linking music to incidents, including the 2020 slaying of rapper Nick Blixky amid ongoing feuds amplified in songs.[71] This led to interventions like the removal of Brooklyn drill artists from the 2022 Rolling Loud New York festival, where police warned of heightened violence risks from their performances.[72] Mayor Eric Adams has echoed these concerns, describing drill's social media-fueled disses as factors "contributing to the violence" rather than mere artistic reflection.[73] Law enforcement perspectives highlight drill's societal costs, arguing that claims of "art imitating life" overlook how personalized antagonisms in lyrics incentivize actual harm, as patterns of post-release shootings and gang unit investigations demonstrate a feedback loop beyond passive documentation.[74] While some analyses find no definitive causal tie to overall crime rates, the genre's emphasis on retaliation correlates with spikes in targeted Brooklyn incidents, prompting radio stations to pull violent diss tracks to mitigate escalation.[40][62] These critiques underscore a tension between 22Gz's commercial breakthroughs and the empirical observation that drill's glorification sustains cycles of conflict, imposing broader costs on affected communities.Gang Affiliations and Street Involvement
Association with Blixky Gang
22Gz, whose real name is Jeffrey Alexander, hails from the Flatbush neighborhood of Brooklyn and has openly tied his identity to the Blixky Gang, a subset operating in the area known for its street-level organization. In a February 2018 VladTV interview, he explicitly discussed forming the Blixky Gang, describing it as a small, pre-existing crew unaffiliated with external claims to the name by other artists like Tekashi 6ix9ine, emphasizing its roots in local dynamics rather than commercial invention.[14] This admission aligns with his stage name addition of "Gz," which he attributed to personal affiliations in a 2020 Complex interview, signaling a deliberate incorporation of group identity into his public persona.[1] The term "Blixky" originates from Brooklyn slang for a handgun, often shortened from "blicky," a nod to the armament central to the survival codes of such groups.[75] 22Gz's music reinforces these ties through repeated invocations, as in his 2020 track "Blixky Gang Freestyle," where lyrics chant "Blixky da Blixky" amid references to shooters and defensive posturing, embedding gang lexicon into drill's raw aesthetic.[76] His 2019 mixtape The Blixky Tape further cements this, framing the project around the group's ethos and positioning his output as an unfiltered extension of Flatbush's block realities.[1] These elements collectively illustrate Blixky's function as a structural anchor for 22Gz's drill authenticity, where gang involvement provides the experiential basis for lyrics chronicling vigilance and loyalty, distinct from performative posturing seen in less grounded rap narratives. Empirical patterns in his discography, such as sequels like The Blixky Tape 2 in 2021, demonstrate sustained alignment with these codes, prioritizing street-sourced credibility over broader commercialization.[77]Connections to Brooklyn Gang Conflicts
22Gz's ties to the Blixky gang, based in Brooklyn's Flatbush neighborhood, embed him in territorial disputes with rival factions, including the Woo alliance and associated crews, fueling a cycle of public disses and retaliatory actions. These conflicts, prominent in the Brooklyn drill ecosystem, often escalate through music that documents and provokes violence, with tracks naming specific opponents correlating to subsequent shootings in the area.[78][40] For instance, early rivalries with Sheff G, another Flatbush rapper aligned with opposing sets, produced diss tracks in 2017 that highlighted gang divisions, setting a template for how lyrical confrontations amplify street tensions.[78] Post-2018, these dynamics intensified, with Blixky-linked incidents reflecting broader Brooklyn gang warfare, including the May 10, 2020, fatal shooting of affiliate Nick Blixky in Flatbush amid ongoing crew rivalries.[79] Similarly, Nas Blixky, another Blixky member, survived a headshot in a context tied to intra- and inter-gang beefs involving disses from rivals like 26AR, who referenced 22Gz in discussions of the feud.[80][81] Authorities have noted that such drill outputs, including 22Gz's graphic depictions of violence, function as extensions of conflict, empirically preceding spikes in targeted attacks as rivals respond in kind.[48][40] In neighborhoods marked by chronic under-policing and eroded social trust, gangs like Blixky emerge as informal defense networks against external threats, yet their zero-sum rivalries—exacerbated by public naming in songs—sustain a feedback loop of preemptive strikes and vendettas, independent of individual artists' intentions.[48] This pattern mirrors causal mechanisms in high-crime urban enclaves, where cultural outputs like drill not only chronicle but catalyze persistent violence, as evidenced by New York officials' efforts to curb diss tracks linked to real-world harm.[40][82]Personal Incidents and Violence
Experiences as a Victim of Shootings and Attacks
22Gz's immersion in Brooklyn's volatile drill and gang landscape has positioned him amid cycles of retaliatory violence, where participants routinely face threats as potential victims in ambushes tied to interpersonal and factional beefs. Unlike some peers who have publicly detailed surviving gunshot wounds—such as Nas Blixky, shot in the head and leg in January 2022 but who recovered to continue rapping—no verified reports confirm 22Gz sustaining injuries from shootings or street attacks prior to his 2022 arrest.[73] This absence of documentation does not negate the inherent bidirectional risks, as drill artists' rising visibility often correlates with heightened targeting, per patterns observed in New York rap conflicts where disses escalate to real-world attempts.[1] Such exposures underscore the precariousness of 22Gz's environment, where threats manifest through indirect channels like social media taunts and surveillance of movements, amplifying vulnerability without always culminating in reported injuries. His ability to sustain a career amid these pressures mirrors survivors in the genre, who frequently rebound from near-misses or unreported incidents to channel experiences into lyrical content reflecting street perils. Unverified social media claims occasionally surface alleging attempts on his safety, but lack corroboration from police or medical records, highlighting challenges in verifying transient urban violence.[10]Causal Links Between Lifestyle and Incidents
22Gz's immersion in Brooklyn's gang culture, characterized by explicit public disses against rival sets in his music and social media, created direct incentives for retaliatory violence, as opponents interpreted these provocations as challenges requiring forceful response to maintain street credibility. In the drill subgenre, where artists like 22Gz chronicle ongoing feuds—such as those between Blixky and opposing groups like Woo or 94z—timelines of incidents often align with the release of diss-oriented content, escalating verbal conflicts into armed ambushes.[70][62] This pattern reflects a causal mechanism rooted in subcultural norms: public naming of adversaries amplifies personal stakes, drawing coordinated attacks from decentralized networks motivated by revenge or deterrence, rather than abstract "industry pressures."[40] His habitual carrying of firearms, ostensibly for defense amid perceived constant threats, further intensified risks by transforming potential disputes into shootouts, as empirical observations in high-conflict urban environments show armed individuals face heightened lethality in confrontations due to rapid escalation.[83] Street-developed hypervigilance—manifested in evasive maneuvers and preemptive awareness—contributed to his survival through repeated attempts, yet this adaptive paranoia underscores the probabilistic toll of such a lifestyle: repeated exposure to gunfire correlates with chronic injuries, surgical interventions, and diminished long-term mobility.[84] Even post-arrest, these choices perpetuated vulnerability, as evidenced by the 2025 Rikers Island assault attributed to inter-gang animosities spilling into incarceration, where affiliations signal targets irrespective of location.[10] Outcomes like restricted freedom and health degradation arise not from external curses but from endorsing predatory hierarchies that prioritize dominance over rivals, yielding predictable cycles of predation and counter-predation without external mitigation.[85]Legal Issues
Early Arrests and Minor Charges
In May 2017, Jeffrey Alexander, performing as 22Gz, was arrested in Miami Beach, Florida, in connection with a fatal shooting arising from a parking spot dispute outside a nightclub.[8][86] The incident on May 28, 2017, resulted in two deaths, including a 27-year-old man, and Alexander faced charges of second-degree murder with a deadly weapon and second-degree attempted murder with a deadly weapon.[87][8] Alexander was detained for approximately five months pending trial.[7] Prosecutors dropped all charges on December 30, 2017, citing insufficient evidence to proceed.[88][9] No prior juvenile or minor misdemeanor arrests for weapons, drugs, or disorderly conduct appear in public records, though such offenses are common among youth in Brooklyn drill music circles according to NYPD statistics on adolescent crime patterns. This early encounter, resolved without conviction, preceded 22Gz's rising prominence in the drill scene but highlighted risks associated with his environment.2022 Attempted Murder Arrest and Trial
On March 6, 2022, a shooting took place inside a party hall in Marine Park, Brooklyn, injuring three people: a 31-year-old man who was shot in the leg, a woman shot in the arm, and another woman shot in the buttocks.[9] [78] Prosecutors alleged that Jeffrey Alexander, professionally known as 22Gz, fired the shots while targeting a specific individual inside Club Freeze Cafe & Lounge, with the other victims struck as bystanders.[89] [90] One of the victims identified Alexander as the shooter.[7] Alexander, then 24, was arrested on June 12, 2022, by Port Authority police at John F. Kennedy International Airport as he deplaned from a flight returning from a performance in Atlanta.[78] [48] A grand jury indicted him the following day on a seven-count indictment, charging him with second-degree attempted murder, second-degree assault, two counts of second-degree criminal possession of a weapon, and first- and second-degree reckless endangerment.[78] [91] Bail was set at $500,000, which Alexander posted, leading to his release pending further proceedings.[92] His initial court appearance occurred shortly after arrest, with a subsequent date scheduled for July 19, 2022.[7] The case drew attention amid ongoing debates in Brooklyn courts over the admissibility of gang affiliation evidence and rap lyrics in drill-related violence prosecutions, though specific pretrial motions in Alexander's matter were not publicly detailed at the time.[93] This incident aligned with empirical patterns observed in forensic analyses of Brooklyn shootings involving drill artists, where ballistic matches and witness identifications frequently link perpetrators to targeted hits amid gang conflicts.[7]Sentencing, Imprisonment, and Prison Incidents (2025)
In September 2025, Jeffrey Mark Alexander, known professionally as 22Gz, was sentenced to serve time at Rikers Island Correctional Facility in connection with attempted murder charges originating from a 2022 shooting incident in Brooklyn, where he was accused of involvement in injuring three individuals.[94] The sentencing followed his ongoing legal proceedings from the June 2022 arrest, though details on whether it resulted from a guilty plea or trial conviction remain unspecified in available reports.[7] He was reportedly transferred to Rikers around September 10, 2025.[95] Upon intake at Rikers, unverified social media and hip-hop news reports alleged that 22Gz suffered a severe beating, purportedly at the hands of rival gang members, including claims of his "flag" (symbolizing gang affiliation) being taken and a physical assault occurring on his first day.[10] These accounts, circulating on platforms like Instagram, YouTube, and TikTok, suggest the attack stemmed from longstanding Brooklyn gang rivalries extending into the facility, such as tensions between his purported affiliations and Bloods-associated inmates like Makk Balla.[96] [97] However, no official confirmation from correctional authorities or law enforcement has substantiated these claims, which align with Rikers' documented pattern of high violence rates, including gang-related assaults, but lack independent verification.[10] The imprisonment has prompted discussions of potential appeals, given the severity of the charges and 22Gz's prior releases, such as the project Hidden Gems, which predated his lockup and continued to garner attention amid his legal challenges.[94] As of October 2025, no updates on appeal filings or sentence modifications have been reported, leaving his release timeline uncertain pending further judicial review.[95]Discography
Mixtapes and Albums
22Gz's debut major-label mixtape, The Blixky Tape, was released on July 19, 2019, via Atlantic Records and featured 12 tracks emphasizing Brooklyn drill production and street narratives.[42][33] His follow-up, Growth & Development, arrived on April 10, 2020, also under Atlantic Records, with 13 tracks including collaborations that showcased a shift toward more structured beats while maintaining raw lyricism; it reached the top 20 on the Billboard Heatseekers Albums chart.[39][28] The Blixky Tape 2, released March 19, 2021, on Atlantic Records, expanded to 14 tracks and similarly peaked in the top 20 on the Heatseekers chart, incorporating denser features and refined mixing indicative of label investment in production quality.[98][28] After parting ways with Atlantic, 22Gz independently issued Growth & Development II on January 12, 2024, through Blixky Entertainment, comprising 10 tracks that revisited earlier themes with updated flows but without major chart impact.[99][100] Subsequent independent efforts included BROOKLYN'S MOST WANTED on June 21, 2024, via Blixky Entertainment, a shorter project of around 8 tracks focused on local rivalries and drill aggression.[51][101] Hidden Gemz, released February 21, 2025, under Blixky Entertainment in association with BetterVibesOnly, compiled 6 unreleased tracks into a 22-minute set, prioritizing vault material over new recordings.[52][102] These later releases reflect a return to self-managed output, with sales data from platforms like SoundScan indicating modest streaming volumes compared to Atlantic-era peaks.[28]Extended Plays
22Gz's output of extended plays remains limited, comprising shorter projects that facilitated rapid releases amid ongoing legal issues and street conflicts, contrasting with his more expansive mixtapes. These EPs typically feature 4-6 tracks, emphasizing drill-infused gangsta rap with concise, high-energy deliveries suited to digital streaming platforms.[103]| Title | Release Date | Label/Distributor | Tracks | Duration |
|---|---|---|---|---|
| Year of the Blixky | December 9, 2022 | Atlantic Records / X5 | 6 | 15 min |
| Love, 22 | February 17, 2023 | Warner Music Group / X5 | 4 | 9 min |