A Great Chaos
A Great Chaos is the third studio album by American rapper Ken Carson, released on October 13, 2023, through Opium and Interscope Records.[1][2] The project features 18 tracks, primarily produced by collaborators including Starboy, Outtatown, F1LTHY, and Lucian, with guest appearances from Destroy Lonely on "Singapore", "Paranoid", and "Like This" (with Lil Uzi Vert).[3][2] It debuted and peaked at number 11 on the US Billboard 200 chart, marking Carson's highest-charting release at the time, and has been certified gold by the RIAA.[4][5] Marking a significant evolution in Carson's sound, A Great Chaos delves into the rage rap subgenre with cybernetic, hard-edged beats that blend Atlanta trap influences and hedonistic energy.[6] Themes of personal turmoil, excess, and emotional vulnerability recur throughout, as heard in introspective cuts like "Fighting My Demons" and "Paranoid", contrasted by high-energy anthems such as "Jennifer's Body" and "Lose It".[6][2] The album's production emphasizes distorted synths, aggressive percussion, and layered vocals, showcasing Carson's expanded range beyond his earlier, more uniform efforts on Project X (2021) and X (2022).[7][6] Critically, A Great Chaos received widespread acclaim for its cohesive sequencing and innovative approach to rage aesthetics, earning a 7.8 out of 10 from Pitchfork, which hailed it as a "creative breakthrough" and included it among the 100 best albums of the 2020s so far.[6][8] Reviewers noted its fun, engaging listening experience and Carson's ability to infuse Opium's signature chaos with richer, more detailed sonic elements, though some critiqued occasional lyrical repetition.[6] A deluxe edition was released on July 5, 2024, adding seven bonus tracks.[9]Background and development
Conception and songwriting
The album A Great Chaos was conceived amid Ken Carson's experiences on tour, where he drew inspiration from the high-energy chaos of his lifestyle, including moments of hedonism and personal turmoil.[10] Carson described the project as an expression of his daily energy and emotional battles, stating, "I was just expressing a lot of energy, a lot of it. That’s usually how I make music so it went along with how my life was going."[10] Songwriting for the album emphasized themes of chaos, tumultuous relationships, and self-destructive tendencies, reflecting Carson's inner conflicts and the excesses of fame. Tracks explored vulnerability in love, addiction, and betrayal, often portraying relationships as fleeting and materialistic, while self-destruction manifested through references to loneliness and emotional demons.[11][3] Carson wrote lyrics primarily through freestyling, punching in lines directly over beats rather than pre-writing, allowing for spontaneous captures of his mindset.[12] Much of the writing occurred during late-night sessions in hotel rooms while on tour, a process Carson found grounding and solitary, as he worked while others slept to maintain focus.[10] He noted, "I work whilst everyone is asleep so I feel like I’m the only person working in my mind," which contributed to the album's raw, introspective edge.[10] Early demos highlighted influences from Playboi Carti’s experimental, rule-breaking approach at the Opium label, which encouraged Carson's unbound creativity, alongside broader Atlanta rap roots.[12] Pre-production collaborations began with producers like F1lthy, who helped shape the glitchy, rage-infused sound through distorted beats and high-energy production.[3] Carson recalled the intuitive process: "With songs like that I just hear the beat, and then I just magically already know what I want."[12]Recording and production
Recording for A Great Chaos began in late 2022 at Ken Carson's home studio in Atlanta, with sessions extending into 2023 as Carson balanced studio work with touring commitments.[12] He often recorded vocals late at night, either in hotel rooms or makeshift setups on the road, adopting a freestyle "punching in" approach without written lyrics to capture spontaneous energy.[10] The album was completed by August 2023, ahead of its October release, allowing time for final clearances and mixing.[12] Over a dozen producers contributed to the project, drawing from Atlanta's trap scene and international talent, including F1lthy (Richard Ortiz), TM88, Lil 88 (Jalan Lowe), Starboy (Anton Mendo), bart how (Bart van Hoewijk), and members of the Neilaworld collective like Lucian (Stefan Cismiglu).[12][6] The production emphasized a maximalist style, featuring heavy 808 basslines, glitchy synths, and tumbling keyboard patterns to create a chaotic, high-energy sound suited for live performances at upper BPM ranges around 160.[6] Key techniques included layered glitch effects in beat construction and horror-inspired samples, evident in tracks like "Jennifer's Body" with its cybernetic start-stop rhythms and thematic nods to supernatural elements.[6] Auto-Tune was heavily utilized to enhance Carson's vocal inflections and stunts, adding to the album's distorted, otherworldly texture.[6] Carson handled primary vocals throughout, with no major personnel changes disrupting the core creative team. Engineering was led by Benjamin Lidsky, who managed recording on multiple tracks and mixing on several others, alongside Corey Moon for additional recording duties.[13] This collaborative yet focused process resulted in an 18-track album that flipped traditional Atlanta rap production into a more experimental, rage-infused direction.[6]Composition and themes
Musical style and influences
A Great Chaos is primarily classified as rage rap, a subgenre of hip-hop characterized by aggressive, high-energy deliveries and distorted, abrasive production, incorporating elements of trap through rolling 808 basslines and hi-hat patterns, as well as glitch-like manipulations in its beats.[6][14] The album's sonic palette features maximalist arrangements with blown-out soundscapes, heavy bass frequencies that dominate the mix, and cybernetic synth elements including tumbling keys and organ glissandos, creating an otherworldly and anarchic atmosphere designed for intense listening experiences.[6][15] Vocals are heavily processed with Auto-Tune and pitch-shifting effects, ranging from numbed, low-pitched flows reminiscent of Future to higher-pitched, melodic hooks, often layered with ad-libs for a chaotic, immersive texture.[15][6] The album draws significant influences from Playboi Carti's energetic, vampiric style and the experimental Atlanta rap production pioneered in works like Whole Lotta Red, which recontextualizes trap with punk and rock edges, including live guitar riffs and overdriven elements.[6][14] Young Thug's vocal inflections and melodic innovation also shape Carson's delivery, blending hedonistic bravado with glitchy electronic experimentation, while broader nods to 2000s trap figures like Gucci Mane and Future inform the trap foundations.[6] Additional genre fusions pull from hyperpop, grunge, and heavy metal, evident in the moshing-ready, genre-amalgamating beats that evoke a sense of joyful unholy chaos.[15] Thematically, the sound design amplifies motifs of hedonism and personal turmoil through aggressive, disorienting arrangements that mirror chaos and inner demons, contrasting with Carson's prior releases by heightening the intensity and restlessness across its 18 tracks.[6][14] The standard edition runs for a total of 46:46, delivering a concise yet relentless barrage of sound.[16]Individual tracks
"Green Room" (3:08) opens the album with themes of transitioning from poverty to wealth and the isolation that accompanies success. Ken Carson reflects on betrayal by those around him and the superficiality of relationships in fame, with key lyrical motifs including "How I went from broke to rich?" and references to luxury brands like Balenciaga and Adidas. The track features a booming bassline produced by F1LTHY, evoking the anticipation of a pre-performance space that mirrors Carson's rise.[17] "Jennifer's Body" (2:38) employs glitchy, Auto-Tuned vocals over a cybernetic beat that starts, stops, and restarts, creating a sense of chaotic energy. Drawing from the 2009 horror film of the same name, the song explores toxic, seductive relationships through motifs of a "boy eater" and distrust, as in "Two things I ain't ever seen: a U-Haul truck in front of a funeral home." Produced by KP Beatz and Lucian, it highlights Carson's gleeful embrace of disorder with lines boasting about diamonds and independence.[18][6] "Fighting My Demons" (2:30) delves into introspective themes of mental health struggles and addiction, structured as a two-part track with a bass-heavy instrumental that builds tension. Key lyrics address self-destructive behavior and inner conflicts, such as battling personal vices amid success. The song's heavy 808s and synth layers underscore the emotional turmoil, marking a vulnerable moment in Carson's catalog.[19] "Singapore" (2:31), featuring Destroy Lonely, adopts an icy duet style with a descending snare roll reminiscent of Lex Luger productions. Themes center on global excess and bravado, with motifs of international travel and luxury, transitioning seamlessly into the album's high-energy sequence. The collaboration amplifies the track's trap-infused rage elements through shared verses on opulence and detachment.[6] "Lose It" (2:20) captures a late-2000s Gucci Mane-inspired vibe with blown-out production, focusing on hedonistic release and losing control in party settings. Lyrical motifs emphasize wild nights and substance-fueled abandon, contributing to the album's moshpit-ready flow without deeper introspection.[6] "Hardcore" (2:04) features a bludgeoning beat and repetitive structure, where Carson reconfigures just four words into varied textures, echoing Future's experimental style from his WIZRD era. Themes revolve around intense, unyielding energy and aggression, with the minimalism highlighting raw vocal delivery over pounding bass.[6] "Me N My Kup" (3:54) showcases tumbling keys and an organ glissando in an epic production that flips traditional Atlanta trap for a monstrous, generational sound. The track's themes include camaraderie with indulgences—symbolized by "kup" as lean—and boastful resilience, with extended runtime allowing for layered synth builds.[6] "It's Over" (1:35) serves as a brief, sampling interlude drawing from Carson's earlier "Freestyle 3," emphasizing finality in relationships and cycles of chaos. Its short structure and sparse arrangement provide a pivotal breather, with motifs of closure amid ongoing turmoil.[3] "Succubus" (2:29) continues the album's chaotic energy with dark, seductive themes inspired by mythical temptresses, blending rage rap with horror elements over distorted beats. "Paranoid" (2:07), featuring Destroy Lonely, addresses paranoia from fame and trust issues, with heavy bass underscoring anxious delivery. Motifs include surveillance fears and isolation, building on the duo's collaborative chemistry for a tense, atmospheric vibe.[3] "Pots" (2:09) explores excess and street life through trap motifs, with references to substance use and success, maintaining the album's hedonistic tone. "Like This" (3:12), featuring Lil Uzi Vert and Destroy Lonely, highlights party anthems and triumphant excess through explosive verses. Themes of success and hedonism dominate, with the extended runtime accommodating guest flows over chaotic, festival-ready production. "Overtime" (1:46) delivers short, intense bars on relentless hustle and fame's demands, with aggressive production emphasizing perseverance. "Vampire Hour" (2:34) evokes nocturnal excess with dark, pulsating beats, thematizing late-night vices and predatory energy. Motifs of blood-sucking metaphors tie into vampiric imagery, aligning with the album's horror-tinged chaos. "Nightcore" (3:07) experiments with sped-up, high-energy flows over glitchy synths, focusing on nightlife and euphoria. "Nightcore 2" (3:02) builds on the previous with similar hyperactive production, reinforcing themes of endless partying and detachment. "Rockstar Lifestyle" (3:12) embodies the highs of celebrity through upbeat synths, focusing on non-stop indulgence and fame's allure. Key lyrics celebrate the chaotic perks of stardom, providing anthemic relief amid darker tracks.[2] "I Need U" (2:28) incorporates emotional rage elements through fast-paced production, exploring dependency in relationships and unrequited love. Key motifs include vulnerability on "dark days" contrasted with boasts of wealth like Rick Owens fits, blending intimacy with bravado.[20] The 2024 deluxe edition extends the original with seven additional tracks, including "Loading" and "Toxic," which further amplify the rage aesthetic through bonus explorations of excess and relational strain, but maintain focus on the core chaotic motifs.[21]Release and promotion
Announcement and singles
On June 2, 2023, Ken Carson announced the title of his third studio album, A Great Chaos, and an initial release date of July 17, 2023, via Twitter (now X). An early version of the tracklist was shared on June 25, 2023.[3] This announcement built on the momentum from his rising profile in the Opium collective, following the release of his debut project Project X in 2021 and subsequent works that solidified his place in the rage rap scene.[22] The album was ultimately delayed and issued in its standard edition on October 13, 2023, through Opium and Interscope Records.[23] The lead single, "i need u," arrived on February 14, 2023, serving as an early indicator of the album's chaotic, introspective energy and marking Carson's first major release of the year.[20] Over a year later, amid ongoing buzz from the standard edition, "overseas" emerged as the second single on April 11, 2024, previewing the expanded sound of the forthcoming deluxe version with its high-energy production and themes of excess and travel.[24][25] On July 5, 2024, Carson announced and released the deluxe edition of A Great Chaos, expanding the original 18-track project with seven additional songs, including "more chaos", "leather jacket", and "Like This" featuring Lil Uzi Vert and Destroy Lonely, which further amplified the album's aggressive, futuristic aesthetic.[26][9] This rollout capitalized on the initial edition's reception, providing fans with fresh material that extended the project's narrative of personal turmoil and triumph.[27]Marketing and tour
The marketing campaign for A Great Chaos centered on amplifying the album's chaotic and youthful energy, leveraging social media teasers and the Opium label's distinctive branding to engage fans in the rage rap scene.[23] Promotional efforts included graffiti tags in Los Angeles and visual aesthetics inspired by death metal bands, LiveLeak footage, and designer Rick Owens, creating a sense of underground urgency ahead of the October 13, 2023, release. The album's cover art presents abstract chaotic visuals through a low-resolution, glitch-distorted close-up of Ken Carson smiling faintly against a muted gray background, designed to evoke the raw, disruptive rage aesthetic central to the project.[3] Following the album's release, Ken Carson headlined the Chaos Tour from July 8, 2024, to November 2024, covering major cities across the United States and Europe, including stops in Orlando, London, and Berlin.[28] Setlists during the tour heavily featured tracks from A Great Chaos, such as "Hardcore," "Lose It," and "Jennifer's Body," alongside select earlier material to showcase the album's live energy.[29] Additional promotion encompassed music videos for key singles, notably "Jennifer's Body," which incorporated horror themes drawing from the 2009 cult film of the same name, directed by Oliver Shore, Nick Spiders, and Kevin von Puttkammer.[30] Merchandise tie-ins were integrated into the rollout, with official items like album-themed t-shirts, hoodies, and vinyl editions available through Ken Carson's store, often bundled with tour dates to extend fan engagement.[31]Reception
Critical response
A Great Chaos received generally positive reviews from music critics, who praised its innovative production and Ken Carson's energetic delivery within the rage rap subgenre.[6][32][33] AllMusic awarded the album 4 out of 5 stars, highlighting its glitchy maximalism and describing it as a significant step up from Carson's prior work, with a fun and engaging balance despite tenuous elements.[33] Pitchfork gave it a 7.8 out of 10, commending the creative breakthrough in Atlanta rap production that channels hedonistic tendencies into joyously chaotic energy, though critiquing occasional uninspired lyrics and basic angst.[6] HipHopDX rated it 3.9 out of 5, appreciating the improved pacing, compelling language, and bone-rattling impact that passes the litmus test for rage music, while noting the rigid production sometimes obscures lyrical humanity and leads to listener fatigue over time.[32] Similarly, German outlet laut.de assigned it 4 out of 5 points, lauding the coherent aesthetic drawn from internet horror and moshpit energy, but pointing out limitations in MC talent, minimal wordplay, and a muddy, overly loud sound.[34] Critics frequently highlighted tracks like "Jennifer's Body" for its cybernetic beats and infectious hooks, and "Fighting My Demons" for its exciting cadences and spooky production.[6][32] Overall, the album was viewed as Carson's strongest to date, solidifying his arrival in the mainstream rap scene through evolved rage elements and charismatic presence.[33][6][32]Commercial performance
A Great Chaos debuted at number 11 on the US Billboard 200 chart in its first week of release on October 13, 2023, marking Ken Carson's highest chart entry to date and surpassing his previous album X, which peaked at number 115.[4] The project earned 48,500 album-equivalent units during that debut week, establishing it as the highest first-week performance for any Opium Records artist aside from Playboi Carti at the time.[35] The album was certified gold by the RIAA in the United States on September 18, 2024, for 500,000 units.[36] A deluxe edition followed on July 5, 2024, adding seven tracks including a collaboration with Lil Uzi Vert and Destroy Lonely on "Like This".[21] The album's commercial success was further propelled by robust streaming numbers on platforms such as Spotify, where the deluxe version has surpassed 1.78 billion total streams as of November 2025, largely driven by standout singles including "Jennifer's Body" and "Fighting My Demons."[37]Credits
Track listing
The standard edition of A Great Chaos, released on October 13, 2023, features 18 tracks with a total runtime of 46:46.[38]| No. | Title | Featuring | Duration |
|---|---|---|---|
| 1 | Green Room | 3:08 | |
| 2 | Jennifer's Body | 2:38 | |
| 3 | Fighting My Demons | 2:30 | |
| 4 | Singapore | Destroy Lonely | 2:31 |
| 5 | Lose It | 2:20 | |
| 6 | Hardcore | 2:04 | |
| 7 | Me N My Kup | 3:54 | |
| 8 | It’s Over | 1:35 | |
| 9 | Succubus | 2:29 | |
| 10 | Paranoid | Destroy Lonely | 2:07 |
| 11 | Pots | 2:09 | |
| 12 | Like This | Lil Uzi Vert & Destroy Lonely | 3:12 |
| 13 | Overtime | 1:46 | |
| 14 | Vampire Hour | 2:34 | |
| 15 | Nightcore | 3:07 | |
| 16 | Nightcore 2 | 3:02 | |
| 17 | Rockstar Lifestyle | 3:12 | |
| 18 | I Need U | 2:28 |
| No. | Title | Featuring | Duration |
|---|---|---|---|
| 19 | Loading | 3:06 | |
| 20 | More Chaos | 2:21 | |
| 21 | Toxic | 2:45 | |
| 22 | Leather Jacket | 2:37 | |
| 23 | Mewtwo | 2:08 | |
| 24 | SS | 3:04 | |
| 25 | Overseas | 2:21 |
Personnel
Ken Carson provides lead vocals on all tracks of the album.[3] The production team consists of more than a dozen contributors, including F1lthy (on tracks such as "Succubus" and "Jennifer's Body"), TM88 (on "Fighting My Demons"), Bart How (on multiple tracks including "Fighting My Demons"), AM (on tracks such as "Nightcore" and "Succubus"), Lucian (on tracks including "i need u," "Nightcore," "Lose It," and "Green Room"), Clif Shayne (on tracks such as "Overtime," "Mewtwo," and "Loading"), Lil88 (on tracks including "Hardcore" and "Fighting My Demons"), Star Boy (on tracks such as "Vampire Hour" and "Fighting My Demons"), Outtatown (on tracks such as "Vampire Hour" and "Fighting My Demons"), Nick Spiders (on tracks such as "Nightcore" and "Fighting My Demons"), Perto (on "Like This"), MaxFlames (on "Singapore"), Gab3 and Legion (on "Paranoid"), KP Beatz (on "i need u"), Bhristo (on "Vampire Hour"), Lukrative (on "Green Room"), Einthismf (on "Hardcore"), Skai (on "Rockstar Lifestyle"), and LBW (on "Fighting My Demons").[13][39][3] Guest appearances include Destroy Lonely on "Singapore", "Paranoid", and "Like This" (with Lil Uzi Vert); and Lil Uzi Vert on "Like This". No other primary additional musicians are credited.[3] Engineering duties were handled primarily by Corey Moon (on tracks including "Paranoid," "Vampire Hour," "Rockstar Lifestyle," "Like This," "Mewtwo," and others) and Benjamin Lidsky (on tracks including "i need u," "Nightcore," "Lose It," "Hardcore," "Green Room," "Overtime," and mixing for several others). Mixing was led by Roark Bailey (on tracks including "i need u," "Paranoid," "Nightcore," "Lose It," "Hardcore," "Vampire Hour," "Green Room") and Benjamin Lidsky (on tracks including "Overtime," "Rockstar Lifestyle," "Like This," "Mewtwo").[13][39] A&R support included Brandon Brown (on select tracks such as "Vampire Hour"), Monique Teclemariam (as coordinator on tracks including "i need u," "Paranoid," "Nightcore," "Lose It," "Hardcore," "Vampire Hour," and "Green Room"), Marissa Wickliffe (administrative A&R on later tracks), and Ela Talu (coordinator on later tracks). The album was mastered at Interscope Records facilities by various engineers.[13][39]Chart performance and certifications
Weekly charts
A Great Chaos debuted on several international weekly album charts following its October 13, 2023, release, with its strongest performance in the United States. The album entered the Billboard 200 at number 11, marking Ken Carson's highest charting position there to date, and has remained on the chart for over 60 weeks as of November 2025, including renewed activity after the deluxe edition's release in July 2024.[4] It spent one week in the top 15 but did not enter the top 10, and peaked at number 4 on the US Top R&B/Hip-Hop Albums chart. In Canada, it peaked at number 18 on the Billboard Canadian Albums chart, charting for at least four weeks.[40] The album saw more modest placements elsewhere, reflecting its growing international appeal within the hip-hop and rage genres. It reached number 43 on the UK Albums Chart for one week. In continental Europe, peaks included number 13 in Switzerland (four weeks), number 15 in Poland (one week), and number 155 in France (one week). The deluxe edition, adding seven tracks and featuring collaborations, provided a streaming boost that extended its presence on charts like the Billboard 200.[4]| Chart (2023–2025) | Peak position | Weeks charted |
|---|---|---|
| Australian Hitseekers Albums (ARIA) | 4 | 1 |
| US Top R&B/Hip-Hop Albums (Billboard) | 4 | — |
| US Billboard 200 | 11 | 60+ |
| Swiss Albums (Schweizer Hitparade) | 13 | 4 |
| Polish Albums (ZPAV) | 15 | 1 |
| New Zealand Albums (RMNZ) | 21 | 2 |
| Canadian Albums (Billboard) | 18 | 4 |
| UK Albums (OCC) | 43 | 1 |
| German Albums (Offizielle Top 100) | 45 | 1 |
| French Albums (SNEP) | 155 | 1 |
Year-end charts
The album's performance improved notably in 2024, reaching number 134 on the US Billboard 200 year-end chart, bolstered by the release of a deluxe edition in July 2024 that added seven bonus tracks and reignited interest, alongside Ken Carson's supporting tour that drove additional streams and sales. It also reached number 47 on the US Top R&B/Hip-Hop Albums year-end chart for 2024.[41]| Year | Chart | Position |
|---|---|---|
| 2024 | US Billboard 200 | 134 |
| 2024 | US Top R&B/Hip-Hop Albums (Billboard) | 47 |
Certifications
The album A Great Chaos by Ken Carson has received certifications in North America, reflecting its commercial success through combined shipments and streaming equivalents. In the United States, it was certified Platinum by the Recording Industry Association of America (RIAA) on August 28, 2025, denoting 1,000,000 units.[42] In Canada, Music Canada awarded it Gold certification in October 2024 for 40,000 units.[43] As of November 2025, no certifications have been issued outside North America by major industry bodies such as the British Phonographic Industry. Worldwide, the album has accumulated equivalent sales of 1.3 million units as of April 2025, including contributions from the deluxe edition released in 2024, which boosted streaming metrics and led to certification upgrades.[44]| Country | Certifying Body | Certification | Units | Date |
|---|---|---|---|---|
| Canada | Music Canada | Gold | 40,000 | October 2024 |
| United States | RIAA | Platinum | 1,000,000 | August 28, 2025 |