Destroy Lonely
Destroy Lonely, born Bobby Wardell Sandimanie III on July 30, 2001, in Atlanta, Georgia, is an American rapper, singer, and songwriter signed to Playboi Carti's Opium label under Interscope Records.[1][2] As the son of rapper I-20, a former member of Ludacris' Disturbing tha Peace crew, he began releasing music on SoundCloud in late 2015 while still a teenager, initially focusing on production before transitioning to rapping.[2][3] His breakthrough came with the 2019 single "Bane," which gained viral traction on TikTok in 2021, leading to his signing with Opium in early 2021 after catching the attention of Playboi Carti through tracks like "Oh Yeah."[3] Destroy Lonely's style draws from trap, rage rap, and emo influences, often featuring speedy flows, auto-tuned melodies, and themes of luxury, heartbreak, and street life, earning him comparisons to labelmates like Ken Carson and a role in the broader "new wave" Atlanta sound.[4][3] Early projects such as the mixtapes Darkhorse (2019), Underworld (2020), and ᐸ/3 (Broken Hearts) (2020) built his underground following, but mainstream recognition arrived with the 2022 mixtape No Stylist, which peaked at number 91 on the Billboard 200 and featured the hit single "NOSTYLIST" with over 10 million streams on SoundCloud.[3][5] His debut studio album, If Looks Could Kill (May 5, 2023), debuted at number 18 on the Billboard 200, selling 29,000 units in its first week and solidifying his presence with tracks like the title single and collaborations within the Opium collective.[6] In 2024, Destroy Lonely released his sophomore studio album Love Lasts Forever on August 30, executive produced by frequent collaborator Lil 88, which debuted at number 10 on the Billboard 200 and explored introspective themes amid his rising profile.[7][3][8] By 2025, he continued his momentum with the mixtape ᐸ/3³ (Broken Hearts 3) on September 19, a sequel to his 2020 project that peaked at number 64 on the Billboard 200 and maintained his signature blend of emotional vulnerability and high-energy production.[9][10] Throughout his career, he has amassed millions of streams, over 2 million Instagram followers as of November 2025, and teased joint projects like an untitled collaborative mixtape with Ken Carson, positioning him as a key figure in contemporary hip-hop's rage subgenre.[2][11][12]Biography
Early life
Destroy Lonely, whose real name is Bobby Wardell Sandimanie III, was born on July 30, 2001, in Atlanta, Georgia.[13][14] He grew up in the city's dynamic hip-hop environment, which shaped his early exposure to music and creative expression.[15] At around age 14, in 2015, Sandimanie began seriously pursuing music by experimenting with basic production on a home computer, marking the start of his self-taught journey in the craft.[16] During high school, he gained access to a recording studio on campus, where he frequently skipped classes to learn recording and mixing techniques hands-on.[16] It was there, around 2015–2016, that he formed his first key musical connections, meeting classmates and frequent collaborators Texaco Cam and Nezzus, who would produce many of his initial tracks and help him build a foundation in Atlanta's emerging rap scene.[15][17] Sandimanie's education was unconventional; he was homeschooled during his pre-teen years and the final two years of high school, allowing more flexibility to focus on developing his production skills independently rather than through formal channels.[3]Family and personal background
Destroy Lonely was born Bobby Wardell Sandimanie III on July 30, 2001, in Atlanta, Georgia, to the rapper I-20 (real name Bobby Sandimanie), a former member of Ludacris' Disturbing tha Peace label whose career in hip-hop profoundly influenced his son's early exposure to the music industry.[18] Growing up in this environment, Destroy Lonely developed an initial fascination with rapping, often observing his father's professional endeavors.[4] Of African American heritage and Liberian descent, he was raised in a blended family structure that includes two younger half-sisters and one older half-brother, fostering a dynamic household centered on creativity and resilience in Atlanta's vibrant cultural scene.[13][19] Beyond music, Destroy Lonely pursues interests in fashion experimentation, personally curating outfits from luxury brands like Rick Owens, Givenchy, and Marc Jacobs to reflect his evolving aesthetic without relying on a stylist. He also incorporates manifestation practices into his daily life, a belief system rooted in lessons from his mother and grandmother that emphasizes visualizing success to achieve it, as he has shared: "if you believe it, you can do it."[20][4] Destroy Lonely maintains a private stance on his romantic life, sharing limited details publicly, though he confirmed his relationship with model Shannade Clermont in early 2025, noting their connection despite her twin sister often sparking lighthearted mix-up rumors.[21]Career
2015–2020: Formative years and label signing
Destroy Lonely began his music career in 2015 at the age of 14, recording his initial tracks in a studio at his high school in Atlanta, Georgia.[22] Inspired by local trap pioneers like Young Thug and Future, he experimented with melodic flows and atmospheric production, uploading early demos to SoundCloud to build a grassroots following in the city's underground scene.[22] During this period, he met producers Texaco and Nezzus at school, who became key collaborators on his nascent projects, helping refine his sound amid independent efforts without major label support.[16] By 2018, Destroy Lonely transitioned toward more structured releases, starting with the collaborative extended play NezzusDestroyed alongside Nezzus, released on February 4.[23] The seven-track project, self-released via Addicted To Money Entertainment, highlighted his emerging narcotized delivery and double-time cadences over plugg-influenced beats, marking his first notable entry into Atlanta's trap ecosystem. In 2019, he shifted to solo work with his debut mixtape Darkhorse on March 12, an eight-song effort featuring collaborations with producers like AltoSGP and Chris Surreal, which garnered modest underground attention for its raw, introspective trap vibes.[24] The single "Bane," released on July 30, gained early buzz. Additional self-released EPs such as Sometimes U Lose (April 26) and Forever, ILY (August 23) followed, emphasizing themes of isolation and ambition while he hustled independently, performing at local venues and networking within Atlanta's rap circles to sustain momentum without commercial breakthroughs.[25] In 2020, Destroy Lonely's output intensified, starting with the mixtape Underworld on March 6, further developing his atmospheric trap sound. This was followed by the mixtape </3 (pronounced "Broken Hearts") on September 25 and its deluxe expansion </3² on October 31, both self-released and comprising over 15 tracks of hazy, emotive trap. Singles like "Oh Yeah," released on October 31 with its music video on December 16, gained traction in Atlanta's scene, with the track's music video amplifying his buzz through viral SoundCloud streams and social media shares. These releases caught the ear of Playboi Carti, leading to Destroy Lonely's signing to Carti's Opium imprint under Interscope Records in early 2021, providing crucial mentorship and resources after years of grassroots grinding.[22]2021–2022: Mixtape breakthrough
In 2021, Destroy Lonely solidified his underground presence with the release of the EP XO on January 7, self-released via digital platforms including SoundCloud and Spotify.[26] The five-track project, featuring highlights like "tokyoto" and "vampire hour," showcased his melodic trap sound over atmospheric beats produced by collaborators such as Clayco and Loesoe.[26] It achieved initial streaming success, amassing plays on SoundCloud that helped cultivate a dedicated fanbase within Atlanta's emerging rap scene and marking his transition from local releases to broader digital reach.[27] The following year, Destroy Lonely experienced a significant breakout with the mixtape No Stylist, surprise-released on August 12, 2022, through Playboi Carti's Opium imprint in partnership with Interscope Records.[28] The 19-track effort debuted and peaked at number 91 on the Billboard 200, representing his first entry on the chart and signaling a shift from underground buzz to mainstream visibility.[29] Key singles like "NOSTYLIST" drove much of its momentum, going viral on TikTok with millions of video uses and streams, while the Ken Carson feature on "President" underscored his ties to the Opium collective.[30] Production from Cxdy, Lil 88, and TM88 emphasized glitchy, rage-influenced beats that defined the project's hypnotic energy.[25] Destroy Lonely's deepening involvement with the Opium collective during this period included contributions to label compilations and collaborative projects alongside Playboi Carti and Ken Carson, amplifying his exposure within the group's ecosystem.[31] Media coverage highlighted his enigmatic "aura" and fashion-forward image in early profiles, with viral social media moments—particularly around No Stylist's rollout—further propelling his rise and establishing him as a key figure in contemporary trap.[20]2023–2025: Major releases and commercial success
In 2023, Destroy Lonely released his debut studio album, If Looks Could Kill, on May 5 through Opium and Interscope Records.[32] The project, featuring 21 tracks with production emphasizing dark, atmospheric trap beats and emo rap influences, debuted at number 18 on the Billboard 200 chart, marking his highest-charting release at the time.[29] The lead single, "if looks could kill," released on March 3, showcased his signature style blending fashion references, violence, and self-image over moody synths, garnering attention for its viral appeal within the underground rap scene.[6] Critics praised the album's production for its ambitious scope but noted its 80-minute length as occasionally overlong and repetitive, with Pitchfork highlighting "tantalizing glimpses" of potential amid haphazard execution, while HipHopDX credited the beats for carrying the effort despite tedious elements.[33][34] Building on this momentum, Destroy Lonely issued his second studio album, Love Lasts Forever, on August 30, 2024, via the same labels.[35] The 21-track effort explored themes of love, loss, and resilience, delving into emotional highs and lows through introspective lyrics and melodic flows.[36] Key collaborations included Lil Uzi Vert on "LOVE HURTS" and labelmate Ken Carson on multiple cuts like "money & sex," enhancing the project's chemistry and Opium collective synergy.[7][37] Commercially, it outperformed its predecessor, debuting at number 10 on the Billboard 200 with 37,500 equivalent album units and topping the Top Rap Albums and Top R&B/Hip-Hop Albums charts.[29] By 2025, Destroy Lonely maintained his prolific output with the mixtape ᐸ/3³ (Broken Hearts 3), released on September 19 as the third installment in his early Broken Hearts series.[9] The 18-track project, featuring Ken Carson, reverted to high-energy rage elements with experimental production, including distorted synths and aggressive tempos that echoed his formative underground sound. It debuted at number 64 on the Billboard 200, earning 15,000 equivalent album units in its first week.[38] Preceded by the single "Jumanji" on September 11, which amassed nearly 1 million views shortly after its video premiere, the tape highlighted tracks like "aint hard," produced by Bugz Ronin and others, emphasizing raw, unfiltered bravado.[39][40] Later that month, on September 28, he surprise-dropped the Untitled X Tape, a five-track EP with songs like "Rose Gold Ice," shared exclusively on social media and SoundCloud to sustain fan engagement.[41][42] Throughout 2025, Destroy Lonely appeared at major festivals, including a full set at Summer Smash in Chicago, reinforcing his live draw within the rap ecosystem.[43] Amid this activity, he faced fan backlash in July following an incident at Romania's Beach, Please! festival, where a 15-year-old attendee was severely injured after being encouraged to stage-dive, prompting criticism over performer responsibility.[44] No major awards nominations materialized, but his output fueled discourse on his evolution from mixtape roots to commercial viability. Ongoing Opium label efforts included teases of a 2026 collaborative tape with Ken Carson, positioning the duo as key figures in the collective's future.[12]Artistry
Musical style and influences
Destroy Lonely's music is primarily rooted in trap, incorporating elements of the rage subgenre, which features auto-tuned vocals, heavy 808 basslines, and synth-heavy, atmospheric beats that create an intense, high-energy sound.[45] His delivery often employs a throaty, melodic Auto-Tune style over layered electronic production, blending aggression with ethereal vibes to evoke a sense of immersion and mood.[19] This approach draws from Atlanta's trap heritage while pushing into experimental territory with distorted bass and dynamic instrumentals.[19] His influences include Playboi Carti, whose vocal delivery and energetic performance style have shaped Lonely's cadence and stage presence, as well as broader Atlanta trap pioneers like Young Thug, contributing to his trap foundation.[19] Additionally, he draws inspiration from Michael Jackson's autonomy in artistry and performance, admiring the pop icon's control over his creative output.[46] Lonely also pulls from diverse genres such as rock, house, and electronic music, citing vocalists like Chino Moreno and Hayley Williams for their emotional intensity, which informs his synthy, high-energy tracks.[4] Lonely's sound has evolved from early mixtapes with cloud rap leanings—characterized by hazy, atmospheric production—to a more polished, melodic rage aesthetic evident in albums like If Looks Could Kill (2023), where glitchy, immersive beats incorporate emo and pop-punk elements for a euphoric, cohesive feel.[47] This progression continued with Love Lasts Forever (2024) and further refined in the 2025 mixtape ᐸ/3³ (Broken Hearts 3), which returns to his early roots with bolder, hypnotic bass-heavy production while maintaining emotional vulnerability and high-energy rage elements.[47][9] This reflects a refinement of his raw, vibe-driven style into denser, layered arrangements.[19] Key collaborators have significantly impacted his production, including frequent Opium labelmate Ken Carson, with whom he shares intense, synergistic features that amplify the rage energy.[4] Producers like Clayco, who helmed much of If Looks Could Kill, contribute grinding guitar strums and uplifting synths that enhance Lonely's Auto-Tuned drawl, while BNYX provides booming 808s and atmospheric layers on tracks like "Nostalgia."[47] FNZ has also shaped specific cuts, such as "Cadillac," adding to the electronic edge.[48] Lyrically, Lonely explores themes of wealth and materialism alongside isolation—the "lonely" motif central to his persona—often juxtaposing opulence with emotional voids and personal struggles.[49] Tracks delve into relationships marked by pain and addiction, as well as aura and mystique, emphasizing manifestation, ambition, and existential angst to convey a sense of detached introspection.[50][51]Fashion and public image
Destroy Lonely has cultivated a distinctive "no stylist" aesthetic since the release of his 2022 mixtape No Stylist, personally curating his wardrobe to emphasize autonomy and individuality. He has repeatedly stated that he rejects the use of stylists, declaring, "I don’t believe in stylists. I dress myself 25/8," and selects his own outfits for photoshoots, performances, and public appearances using personal collections.[52] This approach underscores his hands-on control over his visual presentation, ensuring it aligns with his artistic vision rather than external trends.[53] His style centers on luxury streetwear with punk and gothic influences, prominently featuring brands like Rick Owens for items such as leather boots, fur boots, and pants, alongside Chrome Hearts accessories that add a signature edge.[52] These choices reflect a blend of high fashion and urban grit, often seen in oversized silhouettes, silver jewelry, and custom pieces that mirror his evolving musical eras—from grungy layers for If Looks Could Kill (2023) to more vibrant, rambunctious elements for Love Lasts Forever (2024).[53] Destroy Lonely's fashion has evolved from casual, video game-inspired streetwear in his early years—drawing from influences like Grand Theft Auto—to sophisticated high-fashion moments, including front-row appearances at Paris Fashion Week, such as Rick Owens' Spring/Summer 2026 menswear show in June 2025, and walking the runway at Vetements' Spring/Summer 2025 show in September 2024.[52][54][55] Central to his public image is an enigmatic, aura-focused persona that prioritizes mystery and self-determination, inspired by Michael Jackson's mastery over his artistry and independence.[46] In discussions, he has elaborated on manifestation as a guiding principle in his career and the concept of "aura" as an intangible personal energy, while emphasizing autonomy to avoid being fully understood by the public.[20] This mystique, cultivated through Opium's scarcity tactics like limited appearances, creates a hypnotic allure during rare live shows and builds intense fan devotion.[56] On social media, platforms like Instagram (over 2 million followers, with only 11 posts as of November 2025) and Twitter, he shares subtle teases of outfits, music snippets, and visuals, deliberately avoiding overexposure to sustain his elusive vibe.[11][57] As a key figure in the Opium collective, Destroy Lonely's style has profoundly influenced fans, trendsetting the label's visual identity of all-black punk, heavy metal, and vampire-esque aesthetics that blend fitted tanks, baggy pants, silver studs, and anime motifs.[58] His 2020 leaked single "If Looks Could Kill" ignited this spread on social media, fostering a cult-like community where fans adopt the look for self-expression amid cultural conformity.[58] Through personal curation and Opium's cultural imprint, his fashion reinforces themes of isolation in his music, positioning him as a style icon who shapes generational trends.[53]Discography
Studio albums
Destroy Lonely's debut studio album, If Looks Could Kill, was released on May 5, 2023, through Opium and Interscope Records.[6] The project features 26 tracks and is characterized by its trap and rage influences, with production contributions from artists including Cxdy, F1lthy, and Clayco.[6] It debuted at number 18 on the US Billboard 200 chart, earning 29,000 album-equivalent units in its first week.[59] His sophomore studio album, Love Lasts Forever, followed on August 30, 2024, also via Opium and Interscope.[7] Executive produced by Lil 88, the 21-track release incorporates emotional ballads and introspective themes, highlighted by tracks like "FOREVER" and guest appearances from Ken Carson and Lil Uzi Vert.[7] It debuted at number 10 on the Billboard 200, with 37,500 equivalent units in its opening week, and topped both the Top R&B/Hip-Hop Albums and Top Rap Albums charts.[8]Mixtapes
Destroy Lonely's mixtapes represent a foundational phase of his career, where he honed his signature trap-infused sound through independent releases that garnered underground attention and paved the way for his affiliation with Playboi Carti's Opium label. Beginning in the late 2010s, these projects were self-released via digital platforms, allowing him to experiment with plugg and cloud rap aesthetics while building a dedicated fanbase in Atlanta's rap scene.[1] His early mixtapes from 2018 to 2020, distributed independently through labels like Addicted To Money and Forever Alive Records, showcased raw production and themes of luxury and introspection. The debut mixtape, Darkhorse, arrived on March 12, 2019, comprising 8 tracks that introduced his melodic flow over hazy beats, marking his initial foray into recording under the Destroy Lonely moniker.[24] This was followed by Underworld on March 6, 2020, an 8-track effort self-released digitally, which drew inspiration from gothic imagery and further solidified his experimental edge with collaborations from producers like Clayco.[60] The third project, </3 (pronounced "Broken Hearts"), released September 25, 2020, featured 10 tracks and generated initial buzz within emerging rap circles, including early interest from the Opium collective, thanks to standout cuts like "Pop Shit" that highlighted his auto-tuned delivery. Transitioning into label support, Destroy Lonely's breakthrough mixtape No Stylist dropped on August 12, 2022, via Opium and Interscope Records, consisting of 19 tracks with minimal features, including one from labelmate Ken Carson.[61] The project debuted at number 91 on the Billboard 200, driven by viral singles like the title track "NOSTYLIST," which amassed millions of streams and propelled his mainstream visibility. Its success underscored his evolution, blending high-fashion references with rage-influenced production, and it became a commercial turning point, exceeding 8.5 million Spotify streams in its first week.[62] In 2025, Destroy Lonely continued his mixtape series with </3³ (Broken Hearts 3) on September 19, a 19-track sequel to his earlier Broken Hearts projects, released through Opium, featuring Ken Carson and emphasizing emotional vulnerability amid opulent beats.[63] It debuted at number 64 on the Billboard 200 with 15,000 equivalent album units in its first week, including 5.2 million first-day Spotify streams, reflecting sustained fan engagement post his major album releases. Later that year, on September 28, he surprise-dropped Untitled X Tape, a 5-track offering shared initially via social media before wider digital availability, serving as a quick-hit extension of his prolific output with loose, atmospheric vibes.[41]| Mixtape Title | Release Date | Tracks | Label | Notable Metrics |
|---|---|---|---|---|
| Darkhorse | March 12, 2019 | 8 | Self-released (Addicted To Money / Forever Alive) | Independent debut; built early SoundCloud following[24] |
| Underworld | March 6, 2020 | 8 | Self-released | Underground acclaim for plugg style[60] |
| </3 (Broken Hearts) | September 25, 2020 | 10 | Self-released | Generated Opium label interest |
| No Stylist | August 12, 2022 | 19 | Opium / Interscope | #91 Billboard 200; 8.5M first-week Spotify streams[62] |
| </3³ (Broken Hearts 3) | September 19, 2025 | 19 | Opium / Interscope | #64 Billboard 200; 15K first-week units; 5.2M first-day Spotify streams[63] |
| Untitled X Tape | September 28, 2025 | 5 | Self-released (initially via social) | Surprise digital drop; extended 2025 momentum[41] |
Extended plays
Destroy Lonely's extended plays encompass a series of early SoundCloud-era releases and later projects under his Opium label affiliation, often blending trap, plugg, and cloud rap elements with introspective lyrics and atmospheric production. These EPs, typically shorter than his mixtapes at 5-7 tracks, served as platforms for experimentation and collaborations within Atlanta's underground scene. Notable among them are solo efforts that highlight his evolving vocal style and collaborative works that showcase label synergies. His debut EP, Lonely's Flexed Up Slow Jams, was self-released on May 28, 2016, marking his initial foray into music with a now-lost collection of tracks distributed via streaming platforms. Destroy followed on August 9, 2017, a 5-track self-released effort. Envy arrived in November 2017, a 4-track self-released project. In 2018, he issued the collaborative EP NezzusDestroyed with frequent partner Nezzus on February 4, a 7-track project on Addicted To Money Entertainment featuring "Global" and a guest spot from Lil Candy Paint, which introduced his narcotized flow to a wider audience.[64] Murder, another early self-released EP from 2018, further explored his raw sound. Transitioning to solo work, Sometimes U Lose arrived on April 26, 2019, a 5-track EP produced by artists like Marshie and Flexiko, including standout cuts "Ya Dig Freestyle" and "M.I.S." that emphasized his melodic trap delivery. Later that year, Forever, ILY. dropped on August 23, 2019, a concise 6-track release blending plugg influences with emotional undertones in tracks like the title song. In 2020, Addicted to Money followed on August 7, a 5-song EP with "4am" and "Motion" showcasing his growing affinity for hazy, vampiric aesthetics. LORD, a 4-track EP, was also released that year on September 25, self-released. That same year saw the collaborative Top Floor Vampires with vamp leek on November 30, a 6-track EP on independent distribution that fused their styles in songs like "Vamp Life," highlighting early Opium-adjacent vibes before his official signing. Post-signing in 2021, the solo EP XO was released on July 19, a 5-track project rated highly for its trap-pop fusion, featuring "By the Pound" and earning acclaim as one of his strongest early label efforts. Most recently, See U Soon </3 emerged on June 5, 2025, via SoundCloud under Opium/Interscope, a 5-track set with the Ken Carson-assisted "SRTBBL" standing out for its high-energy collaboration and signaling his continued label momentum.Singles
Destroy Lonely has released several singles both as a lead artist and as a featured performer, with some achieving notable commercial success on Billboard charts and RIAA certifications. His lead singles often serve as promotional tracks for his mixtapes and albums, while featured appearances frequently involve collaborations with fellow Opium label artists.Lead singles
- "NOSTYLIST" was released in 2022 as the title track and lead single from the mixtape No Stylist, marking an early breakthrough that garnered significant streaming attention and was later certified Gold by the RIAA on May 24, 2024, for 500,000 units.[65]
- "if looks could kill" served as the lead single for his 2023 debut studio album If Looks Could Kill, peaking at number 102 on the US Billboard Hot 100 (equivalent to number 2 on the Bubbling Under Hot 100 chart) and certified Gold by the RIAA on August 27, 2024.[66][65]
- "Jumanji" was issued in September 2025 as the lead single for the mixtape * </3³ * (also known as Broken Hearts 3), receiving positive initial reception with over 7 million Spotify streams by late 2025 but has not yet charted on major Billboard singles charts.[67]