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Ass Backwards

Ass Backwards is a written by and starring and as lifelong friends Kate and Chloe, who embark on a cross-country from back to their hometown to compete in the children's they infamously lost as preteens. Directed by Chris Nelson in his feature film debut, the movie chronicles their misadventures, including encounters with oddball characters and personal setbacks, as they chase childhood dreams of fame and validation in a satirical take on beauty pageants and female friendship. The film draws loose inspiration from a real-life Raphael and Wilson took after college graduation, which they have described as ill-fated and formative for their comedic partnership. Supporting roles feature a notable ensemble including as a quirky owner, as a pageant organizer, as Chloe's estranged father, and as their successful childhood rival, adding layers of humor through exaggerated archetypes and family dynamics. Premiering at the on January 21, 2013, Ass Backwards received mixed critical reception for its bold, unapologetic humor and the leads' chemistry, though some praised its energy while others critiqued its crassness and uneven pacing. With a runtime of 85 minutes, it was released theatrically in the United States on November 8, 2013, by , and later became available on streaming platforms like . The film's irreverent style highlights themes of ambition, insecurity, and the absurdities of American pop culture, cementing Raphael and Wilson's reputation as sharp comedic voices.

Synopsis and cast

Plot

Kate and Chloe are lifelong best friends who first met as children when they tied for last place in their hometown's Little Miss Hot Pepper beauty pageant, an event that has haunted them into adulthood. Now in their late twenties and living together in a cramped New York City apartment, the pair cling to delusions of grandeur despite their precarious circumstances: Chloe works as a go-go dancer trapped in a glass booth at a seedy nightclub, while Kate peddles her eggs to strangers via Craigslist advertisements. Facing eviction after maxing out their credit cards on a fabricated luxurious lifestyle, they receive an unexpected invitation to the pageant's anniversary celebration back in their Iowa hometown, prompting them to see it as a chance for redemption and to finally claim the crown that eluded them as kids. Determined to prove themselves, and set off on a cross-country in a dilapidated van, but their journey quickly devolves into a series of escalating mishaps fueled by poor and their unshakeable . Armed with a malfunctioning GPS that sends them in the wrong direction, they navigate a gauntlet of bizarre encounters, including a run-in with a roadside bunny that ends in accidental tragedy, an impromptu participation in a raucous strip contest where Chloe's dancing skills are put to humiliating use, and a detour to a women's separatist run by a no-nonsense leader, who challenges their codependent dynamic. Along the way, they cross paths with a washed-up reality TV star () battling addiction, who briefly joins their chaotic adventure, and get entangled in a audition at a that exposes their lack of actual skills but amplifies their comedic desperation. These roadside escapades, marked by moments like belting out tunes to a CD player and a shared, ill-advised attempt at public urination as a symbol of their unfiltered bond, force personal revelations about their stalled lives and the fragility of their friendship, though their self-delusion often turns potential growth into further farce. As they finally arrive in their hometown, reunites with estranged family members, including Chloe's judgmental and Kate's distant relatives, whose lukewarm receptions underscore the years of avoidance and unfulfilled promises. The anniversary pageant becomes the climax, where Kate and Chloe, now adults competing alongside much younger contestants, deliver a disastrously over-the-top , leading to a chaotic confrontation with their childhood rival Laurel (), the original winner who has since achieved modest success as an . In a fit of impulsive , they the pageant from the display during the event's finale, sparking a chase through the venue that highlights their enduring loyalty amid the absurdity. Though they don't officially win, the ordeal catalyzes subtle emotional growth, as the acknowledge their mutual support as the true "prize," escaping with the stolen as a of their ass-backwards path to , ultimately deciding to return to together, unchanged yet unbreakable.

Cast

The film features and as the protagonists Kate Fenner and Chloe West, lifelong best friends attempting to reclaim their childhood dreams. Supporting roles include notable actors portraying key figures in the protagonists' journey, as detailed below:
ActorRoleDescription
Dean MorrisA pageant organizer
Bruce WestChloe's estranged father
LaurelA rival pageant contestant
Brian HickmanKate's love interest
Pageant MCThe emcee of the beauty pageant
Other minor characters, such as family members (e.g., played by and ) and pageant officials (e.g., Paul Scheer as the strip club manager), fill out the ensemble.

Production

Development

Ass Backwards was written by and , who drew inspiration from their longstanding friendship and a disastrous post-college from to that highlighted themes of delusion and co-dependency. evolved to incorporate elements like a subplot, influenced by the reality show , to explore and complex female dynamics in a buddy comedy format reminiscent of and Michele's High School Reunion. Raphael and Wilson, both performers with prior collaboration on , starred in the film as the leads, Kate and , infusing it with authentic chemistry born from their real-life experiences as aspiring entertainers. Principal photography began in the summer of 2010 but was abruptly halted after 20 days due to an investor's financial , resulting in bounced checks to the crew and significant delays. The production faced ongoing funding shortages, leading to legal battles and efforts to secure alternative financing over the next two years. In November 2012, Raphael and Wilson launched a Kickstarter campaign titled "SAVE OUR ASSES!" to revive the project, setting a goal of $50,000 for reshoots and post-production costs. The 30-day drive exceeded its target, raising $53,010 from 424 backers, enabling the completion of principal photography and editing. Executive producer Dori Sperko played a key role in 2012 by providing additional financing to cover the remaining shoot days, supporting the film's low-budget indie structure. Chris Nelson was attached as director for his background in comedic shorts and features, aligning with the film's irreverent, character-driven humor that emphasizes delusional optimism. His selection facilitated a production style that immersed the team in the protagonists' skewed worldview, contributing to the movie's tonal consistency despite the financial hurdles.

Filming

Principal photography for Ass Backwards took place during the summer of 2010, primarily in locations including , Saratoga Springs, Tarrytown, and surrounding areas of the to capture the authenticity of the film's narrative. Specific shoots occurred in early August, with scenes filmed at sites such as 372 Hamilton Street in 's Center Square neighborhood, the basement of the serving as production headquarters, and a behind the Hamilton Street location. The production captured approximately 20 days of footage, focusing on key sequences like the "Camp Sister Spirit" pageant scenes shot on August 10 and 11. Filming abruptly halted in August 2010 after about three-quarters of the movie was complete, due to a key investor defaulting on a $1 million , which froze funding and left numerous local vendors and crew unpaid. This shutdown, which came with only five days of remaining, strained crew morale and led to legal actions, including a by producer against the financier David M. for ; outstanding bills included over $12,000 owed to a catering company and payments to 250 nonunion extras at $40 per day. The pause devastated the cast and crew, as restarts after such interruptions are rare in independent filmmaking. Production resumed in 2012 following the success of a 2012 campaign that raised $53,010 from 424 backers specifically to cover the costs of final shoot days. Additional financing came from Dori Sperko, enabling reshoots in and other locations that summer. These reshoots addressed plot inconsistencies from the halt, incorporated new comedic scenes for enhancement, and required challenges such as re-locating and matching original extras—including pageant girls in identical dresses—via outreach, though one participant had passed away in the interim. wrapped in late 2012, allowing the film to premiere at the in January 2013.

Release

Premiere

Ass Backwards had its world premiere at the Sundance Film Festival on January 21, 2013, in the Park City at Midnight section, a programming slot dedicated to bold, genre-bending independent films including comedies and thrillers. The screening at the Egyptian Theatre in Park City, Utah, introduced the low-budget indie comedy to festival audiences. As a small-scale production focused on a female buddy road trip narrative, it fit the Midnight section's emphasis on edgy, unconventional storytelling without competing for major dramatic awards. Following its Sundance debut, the film screened at , the Los Angeles LGBTQ+ Film Festival, on July 13, 2013, appealing to audiences interested in stories of deep friendship and personal identity exploration through its portrayal of two inseparable women's misadventures. This subsequent festival appearance highlighted the film's themes of co-dependent bonds and self-discovery, resonating within a community that often celebrates narratives centered on relational dynamics and queer-adjacent humor. Despite not securing any awards during its festival run, the screenings sparked distributor interest, culminating in acquisition by shortly before the Outfest event. At Sundance, early promotional activities included post-screening Q&A sessions featuring director Chris Nelson alongside writers and stars and , where they discussed the film's inspirations drawn from their own experiences and its satirical take on beauty pageants and female ambition. These interactions helped build anticipation among attendees, positioning the premiere as a key stepping stone toward broader availability, including eventual video-on-demand distribution.

Distribution

Following its premiere at the , Ass Backwards was acquired by in July 2013 for U.S. distribution rights. The film was released on (VOD) and on September 30, 2013, followed by a limited theatrical run beginning November 8, 2013, in select cities including and . A DVD edition became available on January 28, 2014. Internationally, the film had no wide theatrical release. As of November 2025, it is available for streaming on platforms such as Prime Video in the but is not currently available for streaming , though like DVD remains an option. Marketing efforts included official trailers that highlighted the film's buddy elements, alongside a social media campaign leveraging support from its backers, who had funded the project prior to production.

Critical response

Upon its release, Ass Backwards received mixed to negative reviews from critics, with praise centered on the lead performances but widespread criticism of the and execution. On , the film holds a 27% approval based on 22 reviews, with an average score of 4.3/10. On , it scores 37 out of 100 from 10 critics, indicating "generally unfavorable" reception. Some reviewers highlighted the strong chemistry and comedic timing between stars and . of awarded 2.5 out of 4 stars, noting that their "infectious" interplay and "daffy, breezy" dynamic made the film "way more enjoyable than it ought to be," portraying an authentic friendship with vulnerability beneath the flamboyance. Similarly, Kyle Ryan of praised the duo's "sharpness" in writing and delivery, crediting clever, occasionally dark jokes for overcoming predictable elements. However, many critiques focused on the film's uneven script, crude and derivative humor, and lack of originality. Dennis Harvey of described it as "painfully unfunny," arguing that no amount of comic talent could salvage the absence of decent material, resulting in a vehicle that fails to raise chuckles. Justin Lowe of called it "ill-advised and amateurishly executed," faulting it for running a passable concept into the ground quickly and hitting more misses than laughs in its episodic structure. Common themes across reviews included the contrast between the leads' committed, energetic performances and the weak, arbitrary plotting that undermined the ; several drew comparisons to female buddy films like Romy and Michele's High School Reunion, noting Ass Backwards lacked the polish and cohesion of such predecessors.

Commercial performance

Ass Backwards had a on November 8, 2013, through , with minimal earnings from select screenings, which underscored its primary focus on video-on-demand (VOD) distribution rather than wide theatrical rollout. As an independent , the film did not receive major tracking from traditional sources like , reflecting its niche status and modest cinema footprint. The film launched on and other VOD platforms on September 30, 2013, ahead of its theatrical debut, capitalizing on digital accessibility for broader reach. As of November 2025, it is not available for streaming or rental on major platforms but can be purchased on DVD/Blu-ray, ensuring limited ongoing visibility to without a major push. reception, as measured by user ratings, averages 4.3 out of 10 on based on over 2,600 votes, indicating a polarized but engaged viewer base typical for indie comedies. Over time, Ass Backwards has cultivated a among fans of raunchy buddy comedies, partly due to its showcase of and Casey Wilson's chemistry as writers and performers, which bolstered their profiles in subsequent television projects like Happy Endings and . Its periodic availability on streaming platforms has sustained interest, positioning it as a hidden gem in the genre despite initial commercial constraints.

References

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