Blurryface
Blurryface is the fourth studio album by the American musical duo Twenty One Pilots, released on May 17, 2015, through the record label Fueled by Ramen. The album derives its title from a fictional persona invented by lead vocalist Tyler Joseph to embody his insecurities, doubts, and negative thoughts, which is visually represented in the artwork and performances by black paint on his neck and hands.[1] Featuring a genre-blending sound that incorporates elements of alternative rock, pop, hip-hop, reggae, and electronic music, Blurryface explores themes of mental health struggles, self-doubt, and the pressure to conform.[1] The album consists of 14 tracks, including standout singles "Stressed Out," which peaked at number two on the Billboard Hot 100,[2] and "Ride," which reached number five.[3] Other notable songs include "Tear in My Heart" and "Lane Boy," blending upbeat rhythms with introspective lyrics that address personal turmoil.[1] Produced primarily by Mike Elizondo alongside the band and collaborators such as Ricky Reed, and recorded primarily in Los Angeles, the record marked a significant evolution from their previous album Vessel, expanding their fanbase through viral music videos and dynamic live performances.[4] Commercially, Blurryface debuted at number one on the Billboard 200 chart, becoming the duo's first chart-topping album and earning 147,000 album-equivalent units (including 134,000 pure sales) in its first week. It has since been certified 6× platinum by the RIAA as of 2024,[5] remained on the Billboard 200 for over 350 weeks as of mid-2025, and amassed more than 15 billion streams worldwide, coinciding with its 10th anniversary reissue. Every track has achieved at least gold certification by the RIAA, a rare feat making it the first album in the digital era to accomplish this.[6] The success propelled Twenty One Pilots to global stardom, leading to the extensive Blurryface Tour and influencing their subsequent conceptual storytelling in later works.[7]Development
Background
Following the breakthrough success of their 2013 album Vessel, which propelled Twenty One Pilots to wider recognition and an intensive touring schedule, the duo of Tyler Joseph and Josh Dun experienced significant physical and mental exhaustion. The relentless pace of performances led to Dun suffering muscle fatigue from drumming, while Joseph required medical treatment for vocal strain, highlighting the toll of constant travel and shows. This period of burnout shifted their creative focus toward exploring mental health struggles, as the band sought to address personal vulnerabilities in a more direct manner.[8] During a period of relative downtime in 2014, Joseph developed the "Blurryface" persona as a symbolic embodiment of his deepest insecurities and anxieties, drawing from experiences rooted in puberty and self-doubt. Unlike fictional alter egos in other artists' work, such as Eminem's Slim Shady, Blurryface served as a transparent representation of Joseph's internal conflicts, allowing him to externalize and confront these issues through music. This character became the conceptual core of the album, reflecting a desire to connect authentically with listeners facing similar emotional challenges.[8] The album's origins were influenced by the band's earlier self-released works, including their 2011 EP Regional at Best, which established their genre-blending style of alternative rock, hip-hop, and electronic elements. Joseph and Dun aimed to evolve this foundation by incorporating broader sonic diversity, capturing the eclectic listening habits of their generation without adhering to industry expectations. This approach emphasized creative freedom and genuine expression over commercial formulas.[9] Songwriting for Blurryface began in Joseph's home studio in 2014, where he prioritized raw emotional honesty in crafting lyrics and melodies. Joseph has described this process as intensely personal, stating, "I would rather just die than fake a song," underscoring the album's commitment to unfiltered vulnerability as a means of processing and sharing mental health themes. These initial sessions laid the groundwork for an album that would transform the band's career while resonating deeply with fans.[8]Recording
The recording sessions for Blurryface took place from late 2014 to early 2015 across various studios including Serenity West Recording in Hollywood, Can Am Recorders in Tarzana, Paramount Recording Studios in Hollywood, Sonic Lounge Studios in Grove City, Ohio, and Livingston Studios in London, UK.[10][1] These locations facilitated a focused production phase following initial songwriting efforts conducted primarily on the road during the band's Vessel tour, where Tyler Joseph and Josh Dun utilized the rear lounge of their tour bus as an improvised studio space.[11] A key collaborator was producer Mike Elizondo, whom Joseph contacted due to his established reputation in hip-hop and pop production; Elizondo, a protégé of Dr. Dre known for work with Eminem on albums like The Marshall Mathers LP and pop-leaning projects with artists such as Fiona Apple and Mastodon, handled several tracks including "Stressed Out," "The Judge," and "Polarize."[12] Joseph explained the album's central "Blurryface" character concept to Elizondo during sessions for "Stressed Out," highlighting how the producer's input helped refine the track's introspective tone.[13] Other producers involved were Ricky Reed, Mike Crossey, and Tim Anderson, each contributing to specific songs based on their strengths in pop, indie rock, and electronic elements, respectively.[14] During production, Joseph employed vocal layering techniques to enhance his rap verses, creating dense, rhythmic textures on songs like "Heavydirtysoul" and "Lane Boy," while Dun experimented with live drum recordings to integrate organic percussion alongside electronic beats, aiming to bridge the album's hybrid soundscape.[15] The process presented challenges in balancing these electronic and acoustic components, as the band sought to maintain raw energy amid polished production without losing the intimacy of their live performances.[16] The sessions allowed time for iterative refinements across the 14 tracks.[17]Title and artwork
Title
The title Blurryface originates from frontman Tyler Joseph's conceptualization of an alter ego embodying his personal insecurities, which he first publicly described in early 2015 as a way to personify the internal struggles with self-doubt and societal expectations that permeate the album's themes.[18] Joseph explained that he assigned the name "Blurryface" to these negative attributes during the creative process, viewing them as elusive elements of the self that one constantly battles, often hidden from the outside world.[19] This persona emerged as Joseph grappled with feelings of inadequacy, particularly regarding his creative output and public perception, transforming abstract anxieties into a tangible character to explore vulnerability. The decision to name the album after this character was intentional, aiming to centralize the narrative around personifying these insecurities rather than using more generic working titles like "Blurry Face," which Joseph had initially considered during songwriting and recording sessions in 2014.[18] By adopting Blurryface as the title, the band sought to make the album's exploration of mental health and external pressures more relatable and symbolic, evolving the concept from personal introspection to a broader commentary on universal human experiences.[19] In press materials surrounding the release, Joseph further described Blurryface as an indistinct entity that metaphorically "takes over" during moments of emotional vulnerability, representing the suffocating influence of doubt that can dominate one's thoughts and actions.[20] This characterization underscores the title's role in framing the album as a confrontation with an indistinct yet overpowering force, symbolically represented in the artwork through patterns and motifs.[21]Artwork
The artwork for Blurryface was created by art director Brandon Rike in close collaboration with Tyler Joseph and the Fueled by Ramen label team during early 2015. Drawing from Joseph's conceptualization of Blurryface as a deceptive persona embodying personal insecurities, the design adopted a stark black-and-white palette accented by red to evoke a sense of minimalist unease and internal conflict, reminiscent of horror aesthetics that conceal deeper layers. Rike described the process as an "in-depth, honest, and layered observation of the concepts behind the record," emphasizing versatility for both static packaging and dynamic merchandise applications.[22] The album cover features a black background overlaid with intricate white geometric patterns forming the band's rebranded logo—consisting of a vertical bar intersected by a horizontal line (|-/)—alongside nine circular motifs in red and white. These elements symbolize the multifaceted nature of Blurryface, with the circles interpreted by fans as representations of individual songs or specific fears addressed in the album, though Rike noted they collectively form a "tapestry" reflecting the record's thematic diversity. The red hue, as Rike explained, signifies "passion, violence, and anger," shifting from the band's prior color scheme to underscore the character's antagonistic presence. Photography for promotional elements tied to the artwork was handled by Jabari Jacobs, capturing Joseph's poses that aligned with the visual identity.[22][23][24] Packaging details enhance the symbolic depth, with red accents on the spine, disc, and edges of the jewel case, creating a cohesive visual narrative. The liner notes include a booklet covered in the pattern tapestry, featuring a transparent overlay of the Blurryface figure and die-cut holes aligned with the nine circles, allowing users to "peel back" layers for a tactile experience of revelation and concealment. This interactive element mirrors Joseph's view of Blurryface as something that "draws you in, but only to pull you down," as shared with Rike during development.[22][23] The artwork extends to the Blurryface persona's visual metaphor, where Joseph applies black paint to his hands and neck in promotional photos, music videos, and live performances to depict the character's "takeover." Joseph confirmed this as a symbol of incomplete control, representing how insecurities infiltrate his voice (neck) and creative output (hands), transforming everyday actions into a battle against self-doubt. Fan interpretations often expand on this, viewing the hand imagery as a literal grasp of turmoil, aligning with the album's exploration of emotional vulnerability.[25][26]Release and promotion
Release
Blurryface was released on May 17, 2015, through Fueled by Ramen and Warner Bros. Records.[27] The album followed a digital pre-order campaign announced on March 17, 2015, which generated significant fan interest and led to high demand.[28] Originally scheduled for May 19, the full album became available two days early via digital platforms like iTunes.[29] The album was offered in multiple formats, including standard CD, double LP vinyl, and digital download.[30][31] Regional deluxe editions, such as the Japanese version, included bonus tracks, while a demo of the track "Doubt" was released digitally on April 9, 2025, to commemorate the album's 10th anniversary, alongside a limited-edition merch collection and the Blurryface (10th Anniversary) Vinyl Coffee Table Book.[32][33][34] Initial promotion centered on social media teasers from the band's @blurryface Twitter account, which posted cryptic messages and imagery starting in early 2015 to heighten anticipation.[28] Fueled by Ramen built on the momentum from Twenty One Pilots' previous album Vessel by prioritizing radio airplay for singles, helping to expand the duo's audience ahead of the full release. The lead single "Fairly Local" debuted on radio in March 2015.[35]Singles
The lead single from Blurryface, "Fairly Local", was released on March 17, 2015, and marked Twenty One Pilots' first entry on the Billboard Hot 100, where it peaked at number 78. This track served as an introduction to the album's themes, with the band promoting it through an official music video and initial radio adds on alternative stations to build anticipation ahead of the album's release.[36] Subsequent singles followed a strategic rollout emphasizing radio airplay and digital streaming platforms. "Tear in My Heart" arrived on April 6, 2015, peaking at number 82 on the Billboard Hot 100, supported by targeted adds to pop and alternative radio formats. "Stressed Out", released April 28, 2015, became the album's breakout hit, surging to number 2 on the Billboard Hot 100 through explosive streaming growth on Spotify and YouTube, alongside heavy rotation on mainstream and alternative radio, which propelled it to over 1 billion streams on Spotify by May 2017. "Lane Boy" was issued on May 4, 2015, focusing on alternative rock radio promotion, though it did not enter the Billboard Hot 100, instead topping the Hot Rock Songs chart. "Ride", released September 15, 2015, continued the momentum with pop and adult contemporary radio pushes, reaching number 5 on the Billboard Hot 100 and becoming one of the album's major commercial successes. In 2016, the band issued "Heavydirtysoul" as a promotional single on December 9, with further radio and digital promotion extending into 2018 to sustain album interest, aligning with the tour cycle. By 2018, all Blurryface singles had achieved at least gold certifications from the RIAA, reflecting their enduring streaming and sales impact: "Fairly Local" (Gold), "Tear in My Heart" (Gold), "Stressed Out" (7× Platinum), "Lane Boy" (Platinum), "Ride" (4× Platinum), and "Heavydirtysoul" (Platinum). This milestone underscored the singles' role in driving the album's long-term chart dominance and cultural resonance. As of November 2025, certifications have increased, with "Stressed Out" at 14× Platinum (Diamond), "Ride" at 8× Platinum, and others at multi-platinum levels.[37]Music videos
The music videos for Blurryface visually extended the album's central persona of Blurryface, with Tyler Joseph often applying black paint to his neck and hands to symbolize insecurity and self-doubt, a motif that permeated the visuals alongside themes of mental struggle and identity. These videos, primarily directed by Reel Bear Media—a production company founded by Mark Eshleman, Joseph's brother-in-law—emphasized low-budget creativity and narrative depth, allowing the duo substantial artistic control over direction and storytelling. This approach aligned with the band's ethos of authenticity, contrasting industry norms by prioritizing symbolic, introspective content over high-production spectacle. The lead single "Stressed Out," directed by Reel Bear Media and released on April 27, 2015, depicts Joseph and drummer Josh Dun reenacting nostalgic childhood scenes in a suburban Ohio setting, including a toy car ride through miniature neighborhoods built from household items. The video explores themes of adult anxiety and the longing for simpler times, with Blurryface's influence evident in Joseph's painted hands gripping a ukulele during a backyard performance. It received widespread acclaim for its relatable portrayal of millennial pressures, amassing over 3 billion views on YouTube by January 2025, making it one of the platform's most-watched videos and a key driver of the album's breakthrough success.[38][39][40] "Ride," also directed by Reel Bear Media and premiered on May 12, 2015, features the band performing amid a surreal forest where daylight rapidly cycles to night, evoking the fleeting nature of time and the search for purpose in life's journey. Joseph's vocals, captured in close-ups against the shifting backdrop, underscore the song's existential themes, with the video's minimalist effects highlighting vulnerability over elaborate sets. Critics praised its atmospheric simplicity and emotional resonance, noting how it reinforced Blurryface's introspective core, and it garnered hundreds of millions of views, solidifying the duo's visual style.[41][42] "Lane Boy," released on July 20, 2015, and directed by Reel Bear Media with Joseph co-directing, critiques music industry constraints through a marching band formation of the duo and crew, overlaid with text decrying expectations like "They say, 'Stay in your lane, boy, lane boy'" and references to manufactured success. The video's raw, guerrilla-style filming in Cincinnati streets symbolizes rebellion against genre pigeonholing, aligning with the track's hip-hop-infused defiance. It was lauded for its bold commentary on artistic integrity, earning positive reception for empowering fans to embrace nonconformity and accumulating over 300 million YouTube views.[43][44] The 2017 video for "Heavydirtysoul," directed by Andrew Donoho and released on February 3, 2017, portrays Joseph on a chaotic desert road trip, with the band performing atop a moving vehicle amid hallucinatory sequences of pursuit and escape. This live-action narrative delves into battling inner turmoil, with Blurryface manifesting as a controlling force, culminating in a red-lit confrontation symbolizing self-liberation. Reception highlighted its cinematic energy and thematic depth, viewing it as a capstone to the album's lore, and it has exceeded 180 million views, appreciated for bridging Blurryface's personal battles with broader fan narratives.[45][46]Music and lyrics
Style and composition
Blurryface incorporates a diverse blend of genres, including alternative rock, hip-hop, reggae, electropop, and indie rock elements. Tracks like "Ride" and "Polarize" feature reggae rhythms inspired by dub production, while "Lane Boy" includes hip-hop verses over electronic beats.[47] The album also draws from punk, dance, and pop influences, creating a boundary-dissolving sound that shifts unpredictably between styles across its tracks, such as reggae-lite transitions to pop-punk and EDM.[8][48] Instrumentation emphasizes synthesized beats and heavy bass lines, particularly evident in "Polarize," alongside Josh Dun's dynamic drumming that drives the album's energetic pulse. Tyler Joseph frequently employs piano as a core element, complemented by ukulele in "Stressed Out" for a lighter, folk-inflected texture.[47][8][48] Song structures vary throughout the album, ranging from conventional verse-chorus formats in "Tear in My Heart" to more experimental builds in "Goner," which escalates from subdued verses to an intense, climactic finale.[8] Production techniques feature polished electronic arrangements with layered vocal effects, enhancing the genre shifts and maintaining a high-energy unpredictability within individual tracks.[47]Themes
The album Blurryface centers on the titular character as a personification of the artist's insecurities, embodying self-doubt and internal conflict that hinder personal growth and creativity. Frontman Tyler Joseph described Blurryface as "this character that I came up with that represents a certain level of insecurity," a figure that manifests in lyrics as an antagonistic force demanding attention and control.[20] This motif is prominently explored in tracks like "Heavydirtysoul," where the narrator grapples with a burdened soul amid fears of death and existential pressure, pleading, "Can you save my heavydirtysoul?"—a cry that underscores the weight of unchecked insecurities.[8] Similarly, "Doubt" delves into the paralysis of uncertainty, with Joseph voicing a desperate reliance on an external presence to counter self-sabotage, highlighting Blurryface's role as an ever-present inner critic.[25] Lyrical content throughout Blurryface confronts various mental health struggles, framing them as battles against pervasive emotional turmoil. Anxiety emerges vividly in "Stressed Out," where Joseph reflects on the loss of childhood innocence and the adult pressures that amplify worry, capturing a universal sense of unease about identity and achievement.[25] Tracks like "Polarize" extend this to themes of doubt and division, portraying the effort to align one's fragmented self against Blurryface's divisive influence, as in lines urging a choice between isolation and connection. The album reaches a raw intensity in "Goner," which confronts suicide ideation through a frantic plea for rescue from overwhelming despair, emphasizing the isolation of mental anguish and the need for intervention. Religious and existential undertones infuse the narrative, drawing from Joseph's Christian background to explore faith as a counter to doubt and meaninglessness. In "Message Man," lyrics invoke a divine or moral accountability, warning against superficial judgments while affirming a deeper spiritual purpose, as Joseph has noted his faith shapes his creative output without overt proselytizing.[49] This reflects broader existential questions about purpose and redemption, with Blurryface symbolizing the "fleshly desires" that conflict with spiritual aspirations.[50] The album forms a conceptual arc progressing from confrontation to tentative resolution, using Blurryface as a narrative device to map the psyche's turmoil. Early tracks like "Heavydirtysoul" and "Doubt" initiate direct clashes with insecurity, building tension through raw admissions of vulnerability. Later songs shift toward defiance and hope, as in "Polarize" and "Goner," suggesting a path to overcoming through acknowledgment and external support, a structure Joseph described as storytelling to "better understand... navigating your own psyche."[25] This progression mirrors Joseph's intent to empower listeners facing similar struggles, fostering a mindset of resilience against persistent inner demons.[9]Reception
Critical reception
Blurryface received generally favorable reviews upon its release in 2015, earning a Metacritic score of 80 out of 100 based on five critic reviews.[51] Critics frequently praised the album's emotional depth and genre versatility, highlighting Tyler Joseph's raw exploration of personal insecurities and the duo's blend of hip-hop, rock, reggae, and electronic elements. Alternative Press awarded it 4.5 out of 5 stars, commending how the record ramps up influences and producers while laying bare Joseph's "metric ton of uncertainties and fears." Kerrang! gave it 4 out of 5 stars, appreciating the innovative sound and noting that "you don’t always need guitars to have a good time."[52] Some reviewers offered mixed assessments, criticizing occasional overproduction and repetitiveness in the hip-hop-infused tracks. For instance, one critic described the production as "all over the place," though still acknowledging the duo's daring approach.[51] Another pointed out that the album lacks the sharp edge of the band's prior work Vessel but remains engaging overall.[51] The album's initial reception gained further momentum following the breakout success of lead single "Stressed Out," which propelled Blurryface to widespread commercial and cultural prominence, solidifying its status as a breakthrough for Twenty One Pilots.[53]Accolades
Blurryface and its singles received several notable awards and nominations, particularly from major music industry organizations recognizing their commercial and artistic impact. At the 59th Annual Grammy Awards in 2017, the duo won Best Pop Duo/Group Performance for the single "Stressed Out".[54] They were also nominated in the Best Rock Performance, Best Rock Song, and Best Song Written for Visual Media categories for "Heathens", a track associated with the Blurryface era.[54][55] The album earned the Top Rock Album award at the 2016 Billboard Music Awards, reflecting its dominance on rock charts during its debut year.[56] Additionally, "Stressed Out" was nominated for Top Rock Song at the same ceremony.[57] In 2017, Twenty One Pilots received the Top Rock Artist honor at the Billboard Music Awards.[58] "Ride" was honored with an Award Winning Song accolade at the 2017 BMI Pop Awards for its high performance in airplay and streaming.[59] In 2018, Blurryface became the first album in the digital era to have every one of its tracks certified Gold or higher by the RIAA, with the album itself reaching 3× Platinum status.[60] As of May 2024, the album has been certified 6× Platinum by the RIAA.[17]Commercial performance
Chart performance
Blurryface debuted at number one on the US Billboard 200 chart dated June 6, 2015, earning 147,000 album-equivalent units in its first full week, which included 134,000 in traditional album sales.[35] The album marked Twenty One Pilots' first chart-topping release and demonstrated strong initial fan support, propelled by pre-release buzz from singles like "Fairly Local." It maintained remarkable longevity, logging its 100th consecutive week on the Billboard 200 in April 2017, rising to number 27 that week with 16,000 units.[61] Internationally, Blurryface achieved notable peaks across several key markets, reflecting its global breakthrough. The album entered charts in mid-2015 and benefited from sustained streaming and sales growth in subsequent years.| Chart (2015–2017) | Peak Position | Source |
|---|---|---|
| UK Albums (OCC) | 5 | https://www.officialcharts.com/artist/29091/ |
| Australian Albums (ARIA) | 7 | https://bestsellingalbums.org/album/49504 |
| New Zealand Albums (RMNZ) | 2 | https://charts.nz/showitem.asp?interpret=Twenty+One+Pilots&titel=Blurryface&cat=a |
Sales and certifications
In the United States, Blurryface had sold 1.5 million copies by April 2017. The album reached 4× Platinum certification from the RIAA in September 2022, representing 4 million units including streams and track sales.[61][5][64] Worldwide, the album had sold 6.5 million copies by October 2018.[65] By November 2025, Blurryface had amassed over 8.5 billion streams on Spotify, with every track certified Gold or higher by the RIAA—the first album in the digital era to achieve this milestone.[66][60] Internationally, Blurryface earned 2× Platinum certification from the BPI in the United Kingdom, 5× Platinum from Music Canada, and 2× Platinum from ARIA in Australia.[67][68][65] Post-2018 growth was bolstered by TikTok virality, including a demo version of "Doubt" that surged in popularity in early 2025, leading to its official release and renewed streaming spikes.[69] The album's 10th anniversary reissue in 2025 contributed to further chart re-entries, including #9 on the UK Official Vinyl Albums Chart in July 2025 and #195 on the Billboard 200 in June 2025.[70][71]Live performances
Blurryface Tour
The Blurryface Tour marked American musical duo Twenty One Pilots' inaugural major headlining world tour, undertaken to promote their fourth studio album, Blurryface, released on May 17, 2015. Announced on March 17, 2015, the tour began on May 11, 2015, at ABC2 in Glasgow, Scotland, and encompassed an initial slate of 24 headline dates across Europe and North America, concluding the first leg on October 29, 2015, at The Myth in Saint Paul, Minnesota. Subsequent extensions carried the tour through May 2016, resulting in 149 performances spanning North America, Europe, Oceania, and South America, with venues ranging from intimate clubs like The Deaf Institute in Manchester, England, to large amphitheaters such as Red Rocks Amphitheatre in Morrison, Colorado.[72] Setlists emphasized tracks from Blurryface, prominently featuring songs like "Heavydirtysoul," "Stressed Out," "Ride," "Lane Boy," and "Tear in My Heart," alongside selections from prior albums including "Migraine" and "Guns for Hands" from Vessel. Performances incorporated theatrical staging with large LED screens projecting abstract, thematic visuals aligned with the album's motifs of insecurity and identity, complemented by confetti bursts during upbeat numbers to heighten audience engagement. The production's minimalist yet energetic aesthetic, often involving frontman Tyler Joseph interacting directly with crowds via elevated platforms and dives into the audience, underscored the duo's raw, confessional live style.[73][74] Opening acts varied by leg, with Echosmith supporting the North American dates, adding to the tour's vibrant atmosphere and exposing emerging talent to Twenty One Pilots' expanding fanbase. Sold-out shows at key venues, such as the Hammerstein Ballroom in New York City and the Greek Theatre in Los Angeles, demonstrated the duo's surging demand following Blurryface's breakthrough singles. The tour's rigorous schedule, blending high-stakes arenas with festival appearances like Sasquatch! Music Festival, amplified the album's cultural reach and solidified the band's reputation for immersive, emotionally charged concerts.[72]Emotional Roadshow World Tour
The Emotional Roadshow World Tour served as the primary promotional run for Twenty One Pilots' album Blurryface, commencing on May 31, 2016, at U.S. Bank Arena in Cincinnati, Ohio, and concluding with a series of hometown shows in Columbus, Ohio, on June 25, 2017.[75] Spanning 123 performances across North America, Europe, Oceania, Latin America, and Asia, the tour marked the duo's expansion into larger arena venues following the smaller-scale Blurryface Tour.[76] It generated significant commercial success, grossing $26.8 million in 2016 from 98 reported shows, establishing it as the band's highest-earning outing to date at the time.[77] Building on the theatrical elements of prior performances, the tour featured enhanced staging designed to immerse audiences in the Blurryface narrative, including a massive LED screen displaying high-definition animations depicting the album's titular character's influence.[78] Multi-level setups incorporated a main stage with elevated platforms for keyboards and drums, alongside a satellite stage equipped with disco lights and psychedelic patterns for intimate segments.[78] Pyrotechnics and interactive elements amplified the energy, such as Tyler Joseph's dramatic "disappearance" act into the crowd during transitions, evoking a magic show aesthetic tied to themes of insecurity and self-doubt central to Blurryface.[78] A notable innovation was the use of a large red inflatable hamster ball for "Guns for Hands," symbolizing vulnerability, alongside confetti bursts and crowd-surfing drum solos that blended rock spectacle with personal storytelling.[78] The setlist evolved throughout the tour to emphasize deeper cuts from Blurryface, shifting from initial heavy reliance on singles like "Stressed Out" and "Ride" to more narrative-driven sequences incorporating tracks such as "Doubt" and "Polarize."[79] By mid-tour, "Goner" became a staple finale, performed in 116 shows with extended, cathartic builds that highlighted emotional release, often culminating in Joseph crowd-surfing while singing.[80] Guest appearances added variety, including collaborations with openers like MuteMath on reimagined Blurryface tracks during select North American dates.[81] Covers such as Elvis Presley's "Can't Help Falling in Love" and House of Pain's "Jump Around" were integrated frequently, appearing in over 100 instances to bridge the duo's discography.[80] The tour's closure during the "Tour de Columbus" residency underscored its role in wrapping the Blurryface era, with Joseph delivering onstage speeches reflecting on the album's representation of his mental health struggles, including anxiety and self-doubt personified as the red-wigged character.[82] These final shows, held across five Columbus venues from June 21 to 25, 2017, featured symbolic gestures like intensified Blurryface imagery, signaling narrative resolution and gratitude to fans for supporting the journey through personal vulnerability.[82] The production's scale and intimacy fostered a sense of communal catharsis, solidifying Twenty One Pilots' reputation for blending high-energy rock with introspective themes.[78]Content
Track listing
The standard edition of Blurryface consists of 14 tracks with a total runtime of 52:25.[10] All tracks were written by Tyler Joseph.[83]| No. | Title | Producer(s) | Length |
|---|---|---|---|
| 1 | "Heavydirtysoul" | Ricky Reed | 3:55 |
| 2 | "Stressed Out" | Mike Elizondo | 3:22 |
| 3 | "Ride" | Ricky Reed | 3:35 |
| 4 | "Fairly Local" | Ricky Reed | 3:27 |
| 5 | "Tear in My Heart" | Ricky Reed | 3:09 |
| 6 | "Lane Boy" | Ricky Reed | 4:13 |
| 7 | "The Judge" | Mike Crossey | 4:58 |
| 8 | "Doubt" | Ricky Reed | 3:12 |
| 9 | "Polarize" | Mike Elizondo | 3:47 |
| 10 | "We Don't Believe What's on TV" | Ricky Reed | 2:57 |
| 11 | "Message Man" | Tim Anderson | 4:00 |
| 12 | "Hometown" | Mike Elizondo | 3:55 |
| 13 | "Not Today" | Mike Elizondo | 3:58 |
| 14 | "Goner" | Ricky Reed | 3:57 |