Cameron Boyce
Cameron Mica Boyce (May 28, 1999 – July 6, 2019) was an American actor and philanthropist recognized for his child acting roles in films and television, particularly within Disney productions.[1][2] Born and raised in Los Angeles, California, Boyce debuted professionally at age nine in the horror film Mirrors (2008) and the thriller Eagle Eye (2008), followed by a recurring role on the soap opera General Hospital: Night Shift that same year.[1][2] He gained prominence portraying Luke Ross, one of the titular character's charges, in the Disney Channel sitcom Jessie from 2011 to 2015, and Carlos, the son of Cruella de Vil, in the Descendants musical fantasy films starting in 2015, including sequels in 2017 and 2019.[2][3] Boyce also appeared in comedy films such as Grown Ups (2010) and its 2013 sequel alongside Adam Sandler, and voiced characters in animated series like Jake and the Never Land Pirates.[3][4] Beyond acting, he established the Cameron Boyce Foundation to support individuals facing epilepsy and other challenges, reflecting his commitment to humanitarian causes.[5] Boyce died at age 20 in his sleep from sudden unexpected death in epilepsy (SUDEP), a complication of his long-diagnosed epilepsy, as confirmed by the Los Angeles County Department of Medical Examiner-Coroner.[6][7]Early Life and Family Background
Childhood in Los Angeles
Cameron Boyce was born on May 28, 1999, in Los Angeles, California, to Victor Boyce, of African-American and Afro-Caribbean descent, and Libby Boyce, an Ashkenazi Jewish woman whose family roots trace to Hungary, Russia, Lithuania, and Germany.[8][9] He grew up in the Los Angeles area alongside his parents and younger sister in a household shaped by his parents' distinct cultural backgrounds, fostering an environment of blended family traditions and direct exposure to multicultural dynamics inherent to the city's diverse population.[10][9] From an early age, Boyce developed a passion for dance, training in styles such as breakdancing, hip-hop, modern, jazz, tap, and ballet, with breakdancing as his favorite; he even formed a breakdance crew called X Mob with friends, reflecting the creative outlets available in Los Angeles' vibrant urban performing arts scene.[11][10] This interest originated in preschool and local dance studios, predating any professional pursuits, and was nurtured through consistent practice that emphasized physical discipline and group collaboration.[11] The family's support for these activities underscored a dynamic of encouragement within the home, aligning with the self-directed energy typical of young performers in Los Angeles' accessible community-based arts programs.[10]Ethnic Heritage and Upbringing
Cameron Boyce's ethnic heritage encompassed African-Caribbean, African-American, and Ashkenazi Jewish ancestry, reflecting a multicultural identity that he credited with fostering his commitment to inclusivity. His father, Victor Boyce, is of African-Caribbean and African-American descent, with Boyce's paternal grandfather originating from the Caribbean region. His mother, Libby Boyce, is Ashkenazi Jewish, contributing to his awareness of multiracial Jewish experiences amid broader societal challenges.[12][13] This background played a causal role in shaping Boyce's worldview, emphasizing resilience drawn from family histories of overcoming adversity. On his paternal side, his grandmother Jo Ann Allen Boyce was one of the "Clinton Twelve," the group of twelve African-American students who desegregated Clinton High School in Clinton, Tennessee, on August 29, 1956, following the U.S. Supreme Court's Brown v. Board of Education decision two years prior; the students faced harassment, threats, and violence, yet persisted in advancing civil rights integration. Boyce often referenced such ancestral examples as sources of strength, noting in a 2019 interview that his African-American and Jewish roots provided "plenty of ancestors and family members that I can look to for strength, and more importantly, for a sense of responsibility."[14][15][16] Boyce's upbringing in a Los Angeles household integrated these heritages, instilling values of perseverance and advocacy without reliance on material privilege, as he highlighted family narratives over Hollywood proximity in forming his grounded perspective on social justice. He expressed this influence through public advocacy for diverse representation, attributing his sense of duty to the intertwined legacies of racial and ethnic endurance on both sides of his family.[9][11]Personal Life and Health
Relationships and Interests
Boyce shared a close relationship with his parents, Victor and Libby Boyce, who played a key role in supporting his career while emphasizing normalcy amid early fame.[17] He also maintained strong bonds with his younger sister, Maya Boyce, an aspiring actor herself; she described idolizing him and recalled their time together as filled with ordinary, enjoyable activities before his death.[18][19] His romantic life remained largely private, with no confirmed long-term public relationships; while rumors linked him briefly to individuals like Brenna D'Amico and Sophie Reynolds, such connections were short-lived and not extensively documented.[20] Boyce prioritized platonic friendships, particularly within entertainment circles, forming deep, non-romantic ties with co-stars such as Dove Cameron, whom friends described as platonic soulmates, and Peyton List, with whom he shared a sibling-like rapport from shared projects.[21][22] He also roomed briefly with close friend Sophie Reynolds and actor Karan Brar in May 2019, underscoring his preference for supportive, low-key companionship over high-profile dating.[23] Outside acting, Boyce pursued hobbies that provided respite from professional demands, including basketball, which he called a true passion allowing for everyday normalcy.[24][25] He enjoyed video gaming, often playing on his Xbox 360, and expressed interest in adventure activities like skydiving, alongside simpler pleasures such as coffee-flavored ice cream.[26][27]Epilepsy Diagnosis and Prior Management
Cameron Boyce experienced his first seizure at age 16, around 2015 given his birth year of 1999.[28][29] Formal diagnosis of epilepsy followed his second seizure, aligning with clinical criteria requiring at least two unprovoked seizures to distinguish from isolated events.[29] Epilepsy, at its core, arises from abnormal, excessive neuronal activity in the brain, manifesting as recurrent seizures due to disrupted electrical signaling among networks of neurons.[30] Prior to 2019, Boyce had only five documented seizures in total, suggesting effective control relative to the disorder's potential for frequent episodes.[28][31] Management involved anti-seizure medications, which suppress hyperexcitable brain circuits in most patients to reduce seizure frequency, alongside routine medical oversight by neurologists.[32] His family emphasized ongoing care and monitoring, with subsequent seizures occurring nocturnally while asleep.[33] Despite such interventions, epilepsy carries inherent risks even when seizures are infrequent, as unpredictable disruptions can trigger autonomic instability—impairing cardiorespiratory functions like breathing and heart rhythm—particularly during unsupervised nocturnal seizures, a scenario linked to elevated incidence of adverse outcomes.[34][35] Family statements underscored that the condition remained a managed aspect of his health rather than a defining limitation.[36]Acting Career
Initial Roles and Child Acting Beginnings (2008–2012)
Cameron Boyce entered professional acting in 2008 at age nine, securing his feature film debut as Michael "Mikey" Carson, the young son of Kiefer Sutherland's character, in the supernatural horror film Mirrors. That same year, he appeared as Sam Holloman in the action thriller Eagle Eye, directed by Steven Spielberg's cousin D.J. Caruso, marking early exposure to high-profile productions. On television, Boyce took a recurring role as Michael "Stone" Cates Jr. in seven episodes of the second season of General Hospital: Night Shift, a soap opera spin-off, which aired during the summer of 2008.[37] These initial credits followed prior commercial work, including advertisements for brands like Kraft Macaroni and Cheese, but represented his transition to scripted roles in a highly competitive child acting landscape requiring auditions and agent representation.[38] Boyce's early efforts also included a featured appearance in the 2008 music video for Panic! at the Disco's "That Green Gentleman (Things Have Changed)," further diversifying his portfolio as a performer.[4] By 2010, he landed a more prominent film role as Keithie Feder, the precocious youngest son of Adam Sandler's Lenny Feder, in the ensemble comedy Grown Ups, which grossed over $271 million worldwide and highlighted Boyce's ability to deliver comedic timing alongside established stars like Sandler, Kevin James, and Chris Rock.[39] This part, involving scenes of family dynamics and humor, built on his prior experiences without yielding major awards, as child actors navigated industry regulations on work hours—limited to nine per day under California Coogan laws—and relied on parental oversight for welfare on set.[40] Throughout 2008–2012, Boyce accumulated additional minor television spots, such as a presenting role at the 7th Annual TV Land Awards in 2009 and voice work in animated projects, demonstrating persistence amid the era's emphasis on versatile young talent for pilots and supporting parts.[41] These foundational roles, secured through consistent auditions in Los Angeles, laid the groundwork for his career without propelling him to stardom, reflecting the incremental nature of breakthroughs for child performers in an oversaturated market.[42]Disney Breakthrough and Television Success (2012–2015)
Boyce secured a breakthrough role as Luke Ross, the mischievous and street-smart middle brother in the Ross family, in the Disney Channel sitcom Jessie, which premiered on September 30, 2011, and concluded on October 16, 2015, after four seasons and 98 episodes.[43] The series followed a small-town Texas girl working as a nanny for a wealthy New York family, with Boyce's character often driving comedic plots through pranks and sibling rivalries.[4] Its debut episode attracted 4.6 million viewers, reflecting Disney Channel's strong hold on youth demographics at the time.[44] From 2012 to 2014, Boyce demonstrated versatility in animation by voicing the lead character Jake, a young pirate captain embarking on Never Land adventures, in seasons 2 and 3 of Disney Junior's Jake and the Never Land Pirates.[45] [46] In 2014, he reprised his Jessie persona as Luke Ross in a guest voice appearance on Disney XD's Ultimate Spider-Man, integrating live-action familiarity into superhero-themed animation.[47] These roles across Disney's live-action and animated platforms during 2012–2015 built Boyce's early fanbase among children, leveraging the network's ecosystem of interconnected programming to sustain visibility and appeal without venturing into feature films.[4] The extended run of Jessie provided consistent exposure, amassing over 100 hours of on-screen time that entrenched his image as a relatable child performer in family-oriented comedy.[43]Franchise Roles and Maturing Projects (2015–2019)
Boyce portrayed Carlos de Vil, the son of Cruella de Vil, in the Disney Channel Original Movie Descendants, which premiered on July 31, 2015.[48] The film combined elements of musical performance, action sequences, and teen drama, following the offspring of Disney villains navigating life in Auradon.[48] He reprised the role in Descendants 2, released on July 21, 2017, where Carlos contributed to group musical numbers and dance routines, including tutorials for songs like "Ways to Be Wicked."[49][50] Boyce returned as Carlos in Descendants 3, filmed prior to his death and aired on August 2, 2019, emphasizing character growth amid escalating conflicts between villain descendants and Auradon royals.[51] In parallel, Boyce led the Disney XD comedy series Gamer's Guide to Pretty Much Everything as Conor, a professional teenage video gamer adapting to high school life after an injury ends his gaming career.[52] The show premiered on July 22, 2015, and ran for two seasons comprising 37 episodes until February 15, 2017.[52][53] This role demonstrated his comedic timing and ability to anchor a series focused on gaming culture, friendship, and adolescent challenges, extending his presence beyond the Disney Channel musical format.[52] Boyce diversified into voice acting during this period, voicing Shocker (Herman Schultz) in the Marvel animated series Spider-Man episode "Osborn Academy," which aired on August 26, 2017.[54] The character depicted a young inventor turning to crime via technological enhancements, highlighting Boyce's vocal range in action-oriented animation outside his primary live-action franchises.[54] He also continued voicing Jake in select episodes of Jake and the Never Land Pirates through 2015, contributing to the adventure series' pirate-themed narratives.[55] These projects reflected efforts to broaden his portfolio amid Disney commitments, though opportunities for non-franchise live-action roles remained limited by his established child-star image.[47]Posthumous Releases and Completed Works
Boyce completed principal photography for Descendants 3 prior to his death, enabling the Disney Channel musical fantasy film to premiere on August 2, 2019, with his performance as Carlos de Vil intact.[56] The production utilized all pre-recorded footage without alterations or reshoots, adhering to standard industry protocols for completed assets.[57] In Runt (2020), Boyce portrayed the lead role of Cal, a high school student enduring bullying who plots revenge with peers, in a drama-thriller directed by William Coakley. Filming concluded before July 2019, and the film received a U.S. video-on-demand release on October 19, 2021, via 1091 Pictures, relying solely on existing takes to showcase Boyce's transition to edgier, character-driven material distinct from his Disney roles.[58][57] Boyce's appearance as Simon in the Amazon Prime Video series Paradise City (2021), a musical drama centered on a rock band with occult ties, represented his last onscreen role, with the first season debuting on March 25, 2021. Production had wrapped filming in advance, allowing editors to integrate his pre-recorded scenes as originally intended, fulfilling contractual commitments without generating new content.[59][57] He also featured as Julian Spitzer in the HBO miniseries Mrs. Fletcher (2019), a comedy-drama about personal reinvention, which streamed its full season starting October 27, 2019, using solely his completed footage.[57] These releases collectively illustrate post-production practices where studios prioritize archival material to honor performers' prior work, avoiding synthetic recreations amid ongoing debates over digital ethics in unfinished projects.[58]Philanthropy and Activism
Supported Causes and Public Advocacy
Boyce participated in multiple iterations of the United Way of Greater Los Angeles's HomeWalk, an annual event aimed at raising funds and awareness to address homelessness in the region, including the 2016 walk on November 5, the 2017 event on November 18, and the 12th annual HomeWalk opening ceremony on May 11, 2019.[60][61][62] His engagement stemmed from his Los Angeles roots, where he witnessed local challenges firsthand, motivating direct community involvement over broader systemic critiques.[63] In response to gun violence, Boyce joined the March for Our Lives demonstration on March 24, 2018, in Washington, D.C., supporting calls for measures like enhanced background checks and restrictions on certain firearms, framed as responses to incidents such as the Parkland school shooting.[13] He launched the Wielding Peace social media campaign, which urged participants—including celebrities and survivors—to share images symbolizing peace in place of weapons, aiming to foster cultural shifts through personal expression rather than policy mandates alone.[64] While these efforts highlighted Boyce's focus on awareness and individual action, empirical reviews of similar gun control proposals indicate limited causal effects on overall homicide rates, with data emphasizing enforcement gaps and non-legal factors like criminal intent as primary drivers.[65] Boyce's advocacy extended to youth empowerment, where he promoted initiatives encouraging young people to drive social change through personal responsibility and creative outlets, such as photography and public speaking, independent of institutional frameworks.[66] This approach aligned with his broader humanitarian ethos, prioritizing actionable steps by individuals over reliance on external narratives.Establishment of the Cameron Boyce Foundation
The Cameron Boyce Foundation was established in July 2019 by Boyce's parents, Victor and Libby Boyce, days after his death on July 6 from a seizure related to epilepsy.[67][68] The nonprofit operates as a 501(c)(3) organization structured to allocate grants and resources toward epilepsy research, arts programs for underserved youth, and initiatives for sustainable social change.[69][10] Its core activities include funding medical research to prevent sudden unexpected death in epilepsy (SUDEP), with partnerships formed alongside the Epilepsy Foundation to launch the “K(NO)W SUDEP NOW” awareness campaign on November 13, 2019, and a collaboration with CURE Epilepsy resulting in a $250,000 research grant awarded to Dr. David Auerbach in 2022 for SUDEP mechanism studies.[70][71] In arts access, the foundation has directed grants to organizations like Inner City Arts, enabling creative outlets for underprivileged youth as alternatives to violence.[67] Sustainable efforts encompass support for global water access projects, building on prior family-backed wells in Swaziland funded through the Thirst Project.[10] Financial support derives from individual donations, fan-driven fundraisers, and tributes by entertainment industry figures, including proceeds from Descendants cast campaigns that benefited the foundation.[72][73] Specific grants disbursed include a $100,000 allocation for epilepsy initiatives announced in November 2020.[67] The foundation maintains transparency in grant outcomes through public reporting on funded projects' progress in epilepsy prevention and youth development.[74]Death
Circumstances and Immediate Aftermath
Cameron Boyce died on July 6, 2019, at age 20, while asleep at his family's home in North Hollywood, Los Angeles. His family found him unresponsive that morning and stated that a seizure had occurred during the night.[7] In an initial statement released the following day, the family described the loss as devastating, attributing it to an ongoing medical condition for which Boyce had been receiving treatment, and requested privacy amid their grief.[75] The timing amplified the tragedy, as Boyce's death came less than a month before the August 2, 2019, premiere of Descendants 3, his final Disney project as Carlos de Vil. Disney Channel promptly canceled the planned red carpet event on July 11, redirecting support to the Thirst Project, a nonprofit Boyce had championed for providing clean water access.[76] News outlets emphasized the abruptness of the event given Boyce's youth and public history of managing his health condition through medication and advocacy.[77] Immediate tributes from peers underscored the widespread shock, with co-stars like Dove Cameron and industry figures such as Adam Sandler expressing profound sorrow over the loss of a talented young actor known for his kindness and humor.[78]Medical Cause: Sudden Unexpected Death in Epilepsy (SUDEP)
The Los Angeles County Department of Medical Examiner-Coroner officially ruled Cameron Boyce's death on July 6, 2019, as natural, resulting from sudden unexpected death in epilepsy (SUDEP), with a seizure during sleep precipitating cardiorespiratory arrest.[6] Autopsy examination revealed no evidence of external trauma, intoxication, or structural abnormalities beyond those consistent with epileptic pathophysiology, confirming the event's attribution to seizure-induced physiological failure rather than extraneous causes.[79] SUDEP entails abrupt cessation of cardiorespiratory function in epilepsy patients, most commonly post-generalized tonic-clonic seizure, where ictal or postictal disruptions lead to central apnea, hypoventilation, or bradyarrhythmias via autonomic dysregulation and brainstem-mediated suppression of arousal mechanisms.[80] In nocturnal cases like Boyce's, unwitnessed seizures heighten vulnerability, as prolonged postictal respiratory depression or laryngospasm can evade immediate intervention, culminating in hypoxia and circulatory collapse without regaining vital functions.[81] Empirical data from postmortem analyses underscore that such failures occur independently of antiepileptic drug levels, as Boyce's toxicology indicated therapeutic levetiracetam presence yet failed to avert the terminal event.[79] Annual SUDEP incidence approximates 1.2 per 1,000 patient-years in adult epilepsy cohorts, with elevated rates (up to 9.3 per 1,000) among those with frequent uncontrolled convulsions, though population-based studies report lower figures around 0.35 per 1,000 due to underdiagnosis in milder cases.[82] Risk persists despite optimized pharmacotherapy and seizure freedom in daytime, as nocturnal monitoring technologies—such as wearable detectors—exhibit detection sensitivities below 80% for subtle ictal onsets, underscoring inherent unpredictability even in ostensibly controlled epilepsy.[82] Causal analyses refute assumptions of negligible peril in treated patients, revealing that generalized seizures, irrespective of prior management efficacy, independently double SUDEP odds through direct neurocardiac and respiratory decoupling.30158-2/fulltext)Legacy
Impact on Entertainment Industry
Boyce's role as Carlos de Vil in Disney's Descendants franchise exemplified the network's teen-oriented model, driving substantial viewership and digital engagement that underscored the viability of villain-redeemed narratives for youth audiences. The 2015 premiere of Descendants generated strong initial metrics, with subsequent entries like Descendants 2 in 2017 attracting 13 million viewers across six networks during its debut weekend.[83] The sequel also set Disney Channel records for social media interaction, accumulating 174.1 million video views and 14.6 million tweets.[84] By integrating acting with musical performances, Boyce's contributions helped normalize hybrid talents in youth media, where actors routinely doubled as singers and dancers, a trend evident in the franchise's overall 15 billion audio and video streams as of 2024.[85] However, Boyce's career trajectory highlighted persistent challenges in child acting, including typecasting that confined performers to archetypal youthful roles and curtailed opportunities for substantive character development. In interviews, Boyce noted the difficulty of escaping Disney-associated stereotypes, which often pigeonholed young actors into repetitive personas amid an industry where child stars frequently experience career attrition—data from entertainment analyses indicate that only about 20-30% successfully transition to adult roles due to limited range exposure and market saturation.[86] His early successes in films like Grown Ups (2010) and Eagle Eye (2008) demonstrated comedic and dramatic potential, yet subsequent projects largely reinforced familial or ensemble dynamics suited to adolescent viewers, reflecting broader structural incentives for studios to prioritize safe, marketable formulas over riskier depth. Posthumous releases of Boyce's work, such as Runt in October 2021, raised questions about production ethics, including the completion of unfinished footage and posthumous crediting practices. A co-star in the film initiated a copyright dispute, arguing the project was released in an incomplete state that compromised its integrity and sought removal from credits, illustrating tensions between commercial imperatives and respect for a deceased actor's intended contributions.[87] These incidents prompted industry discussions on contractual safeguards for incomplete works, though no widespread policy shifts ensued by 2023. Overall, Boyce's metrics—spanning high-engagement franchises and pre-2019 fan interactions via platforms like Instagram, where his content routinely achieved double-digit engagement rates—affirmed his role in elevating Disney's digital youth ecosystem, even as systemic typecasting constraints limited long-term diversification.[88]Contributions to Epilepsy Awareness and Broader Influence
Following Boyce's death on July 6, 2019, from sudden unexpected death in epilepsy (SUDEP), public discourse on epilepsy risks intensified, with initiatives such as the "K(NO)W SUDEP NOW" campaign launched by the Epilepsy Foundation and the Cameron Boyce Foundation on November 13, 2019, aimed at educating about SUDEP's occurrence during or after seizures, often unwitnessed.[89] This effort highlighted SUDEP's estimated incidence of about 1 in 1,000 epilepsy patients annually, prompting broader conversations on modifiable risk factors like unsupervised sleep and frequent generalized tonic-clonic seizures (GTCS).[74] Such awareness drives have emphasized practical steps, including family education on seizure journaling and trigger identification to enhance vigilance, though no large-scale studies directly attribute post-2019 shifts in these behaviors to Boyce's case.[5] The Cameron Boyce Foundation's grants have directly advanced SUDEP research, including a $250,000 award in 2022 to Dr. David Auerbach for investigating cardiac biomarkers and developing a comprehensive SUDEP risk assessment tool using established analytical methods.[71] Earlier, the foundation supported the inaugural Taking Flight Award to Dr. Cristina Reschke in 2020 for related epilepsy studies.[90] These targeted funds address gaps in understanding SUDEP's cardiorespiratory mechanisms, rooted in epilepsy's neurological disruptions, amid chronically low overall NIH epilepsy funding—rising only 5% since 2008 compared to higher rates for other neurological conditions.[91] While such research fosters preventive strategies like GTCS reduction via timely surgical referrals in lesional epilepsy, evidence for broad impacts on diagnosis rates or monitoring adoption remains anecdotal, with preventive efficacy unproven beyond seizure control.[92] Broader societal effects include destigmatizing epilepsy discussions, as Boyce's case drew attention to SUDEP's underrecognition prior to 2019, encouraging clinician-patient talks on risks without proven cures for the underlying condition.[93] Media coverage, while amplifying vigilance, has occasionally overstated preventability, potentially heightening anxiety over neurological root causes like seizure-induced apnea or cardiac arrest that persist despite management; critiques note this risks diverting from evidence-based focus on reducing GTCS frequency rather than eradicating epilepsy.[94] Empirical data on post-2019 upticks in family monitoring protocols or funding reallocations tied to these efforts is sparse, underscoring that awareness gains, though valuable, must prioritize causal mechanisms over unsubstantiated optimism.[95]Professional Credits
Film Roles
Boyce began his film career with supporting roles in genre pictures. He portrayed Michael "Mikey" Carson in the supernatural horror film Mirrors (2008), directed by Alexandre Aja.[96] That same year, he played Sam Holloman in the action thriller Eagle Eye, directed by D.J. Caruso.[97] In 2010, Boyce appeared as Keithie Feder, the youngest son of Adam Sandler's character, in the ensemble comedy Grown Ups, directed by Dennis Dugan; the film grossed $271 million worldwide.[98] He reprised the role in the sequel Grown Ups 2 (2013), again directed by Dugan, which earned $247 million globally.[98] Boyce also starred as Hunter in the children's adventure comedy Judy Moody and the Not Bummer Summer (2011), directed by John J. Schultz. Marking a shift to protagonist roles, Boyce played Carlos de Vil, the inventive son of Cruella de Vil, across the Descendants trilogy: Descendants (2015), Descendants 2 (2017), and Descendants 3 (2019), all directed by Kenny Ortega.[48] Boyce's final film appearance was in the leading role of Cal, a bullied teenager seeking revenge, in the independent drama Runt (2020), directed by William Coakley and released posthumously.[99]Television Appearances
Cameron Boyce began his television career with a recurring role as Michael "Stone" Cates Jr. in the Soapnet spin-off series General Hospital: Night Shift, which aired from July 12, 2007, to December 9, 2008.[40]
His early guest spots on Disney Channel included portraying a featured dancer known as "Little Highlighter" in Shake It Up in 2011 and an impostor version of Gabe Duncan in Good Luck Charlie that same year.[40] Boyce achieved breakout success as Luke Ross, the street-smart eldest adopted son of the Ross family, in the Disney Channel sitcom Jessie, which premiered on September 30, 2011, and ran for four seasons until October 16, 2015, with Boyce appearing in all 98 episodes.[100] The series followed a young nanny managing the chaotic lives of the wealthy Ross children in New York City.[100] Concurrently, from 2012 to 2014, he provided the voice for the adventurous pirate captain Jake in seasons 2 and 3 of the Disney Junior animated series Jake and the Never Land Pirates, contributing to 36 episodes.[101] In 2014, Boyce guest-voiced his Jessie character Luke Ross in the "Halloween Night" episode of Disney XD's Ultimate Spider-Man.[40] He later reprised Luke Ross in two episodes of the Jessie spin-off Bunk'd in 2016: "Luke's Back," aired March 18, and "Luke Out Below," aired June 24.[102][103] That year, he also appeared as the abused teen patient Brody in the "Love Hurts" episode of CBS's medical drama Code Black.[104] Boyce starred as Conor, a former pro gamer sidelined by injury and navigating high school, in the lead role of Disney XD's Gamer's Guide to Pretty Much Everything, which aired from July 28, 2015, to February 15, 2017, across two seasons.[52][105] Additional guest roles included Krahl in an episode of Disney Channel's Liv and Maddie in 2015.[106] One of his final projects was playing Zach, the college freshman son, in the HBO miniseries Mrs. Fletcher, which premiered October 27, 2019, spanning five episodes.[107]