Fact-checked by Grok 2 weeks ago

Drapier's Letters

The Drapier's Letters comprise a series of seven pamphlets authored anonymously by Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin, under the pseudonym M. B. Drapier between 1724 and 1725.^[1]^[2] These works protested the patent granted in 1722 to English ironmaster William Wood to mint and supply Ireland with copper halfpence and farthings, totaling 360 tons of coinage valued at over £100,000 despite lower production costs that promised substantial profit to Wood and possibly court favorites.^[3]^[1] Swift, writing as an Irish draper, addressed the letters to shopkeepers, printers, nobility, clergy, and the whole people of Ireland, warning that Wood's brass-heavy coins were of debased quality, exceeded Ireland's needs, and represented an unconstitutional imposition by the English government that bypassed Irish parliamentary approval.^[2]^[3] The pamphlets exposed potential corruption in the patent's issuance—linked to bribes paid to the Duchess of Kendal—and urged non-acceptance of the currency to protect Ireland's economy from inflation and loss of silver coin.^[1]^[3] The letters ignited mass public resistance, including petitions, boycotts, and resolutions from guilds and corporations refusing the coinage, forcing a Privy Council inquiry that confirmed Irish opposition and led to the patent's effective withdrawal in September 1725, though Wood received annual compensation of £3,000 for twelve years.^[1]^[2] This triumph elevated Swift's stature as a patriot, fostered a rare unity across Irish social classes against English economic dominance, and exemplified the efficacy of print media in mobilizing sentiment without direct confrontation.^[2]^[3]

Historical and Economic Context

Currency Shortages and Monetary Policy in Early 18th-Century Ireland

In early 18th-century Ireland, the circulating currency consisted mainly of silver coins minted in England, supplemented by limited copper issues, as the Dublin mint produced negligible quantities of silver after the recoinage of 1696.^[4] These English silver coins, legally current at parity with sterling, were prone to export or melting for bullion whenever silver's market price in England exceeded the coins' face value adjusted for mint charges, a phenomenon exacerbated by the South Sea Bubble speculation of 1720–1721, which prompted a sharp outflow of specie and deepened domestic shortages.^[5] By 1722, this drainage had reduced available silver to levels that severely hampered trade, with merchants reporting difficulties in making payments and conducting exchanges.^[6] Small-denomination copper coins, essential for everyday transactions, were chronically insufficient, with historical accounts noting a "great scarcity" of halfpence and farthings by the 1720s, stemming from irregular private or patented issues that often carried lower metallic content than English counterparts.^[4] This inadequacy forced reliance on clipped or worn silver for petty dealings, promoting counterfeiting and further eroding trust, while rural commerce suffered from limited coin availability, occasionally reverting to barter or informal credits that stifled economic efficiency.^[7] Irish parliamentary inquiries in the early 1720s underscored these pressures, documenting how the dearth of change coins disrupted markets and contributed to broader deflationary effects, as producers and traders withheld goods awaiting scarce payment media.^[8] Effective monetary policy demanded coins with intrinsic value closely aligned to their nominal worth to sustain circulation and public confidence; discrepancies invited Gresham's law, whereby sounder coins were hoarded or exported while inferior ones proliferated, perpetuating shortages.^[4] Ireland's dependence on external minting and ad hoc copper patents, without mechanisms to enforce standard weights or prevent arbitrage, exemplified this failure, as overvalued foreign silver fled to higher-premium markets, leaving a debased residue that undermined transactional reliability.^[6] Absent regular domestic coinage reforms, these dynamics entrenched economic vulnerabilities, rendering any proposed minting initiative inherently contentious due to risks of further debasement.^[9]

Granting of Wood's Patent and Alleged Corruption

On June 16, 1722, King George I issued letters patent to William Wood, an English ironmaster and hardware manufacturer from Wolverhampton lacking prior experience in official minting, authorizing the production of up to 360 tons of copper halfpence and farthings valued at £100,800 for exclusive circulation in Ireland over a 14-year period.^[10] Wood was to supply the coins at a fixed rate, profiting from the difference between production costs—estimated at around 30 pence per pound of copper—and the face value, with the patent granting him a monopoly that excluded Irish mints or other competitors.^[11] The patent's acquisition was facilitated by the influence of Ehrengard Melusine von der Schulenburg, Duchess of Kendal and longtime mistress to George I, who reportedly secured the grant through her sway over the king and intermediaries like the Earl of Sunderland; contemporary accounts and later historical analyses allege a direct bribe of £10,000 paid to the duchess, equivalent to a substantial sum reflecting favoritism toward English courtiers over colonial economic needs.^[12]^[13] This arrangement prioritized personal gain and English manufacturing interests, as Wood's operations were based in Bristol and London, with no requirement for local Irish benefit or oversight, exemplifying a pattern of absentee profiteering in royal concessions. Procedurally, the patent deviated from established norms for Irish coinage, which typically involved consultation with the Lord Lieutenant and Irish Privy Council to assess local monetary requirements and prevent over-issuance; instead, it was issued unilaterally from London without such input, heightening risks of market saturation where excessive base metal coinage could depreciate value and invoke Gresham's Law, displacing scarcer silver currency.^[14] Subsequent assays by the Royal Mint under Sir Isaac Newton confirmed the coins' metallurgical adequacy, but the initial volume—far exceeding Ireland's estimated copper needs of under £20,000 annually—underscored the corruption's causal role in threatening economic stability through unchecked supply.^[14] In response to early Irish merchant protests, a Privy Council committee in 1723 reduced the allowance to £40,000, acknowledging the original grant's excess but not fully resolving underlying favoritism concerns.^[15]

Authorship and Strategy

Jonathan Swift's Background and Motivations

Jonathan Swift was born on November 30, 1667, in Dublin to English parents, growing up in an Anglo-Irish Protestant milieu amid Ireland's post-conquest tensions.^[16] Educated at Trinity College Dublin, he entered the clergy, serving as vicar in Laracor before his appointment as Dean of St. Patrick's Cathedral in Dublin in 1713, a position he held until his death in 1745.^[17] This clerical role anchored him in Ireland's established Church of Ireland, fostering a worldview blending Anglican orthodoxy with Tory skepticism toward centralized power and corruption. Swift's political leanings shifted from early Whig sympathies to alignment with the Tory ministry under Robert Harley from 1710 to 1714, during which he contributed pro-Tory journalism like The Examiner.^[18] He opposed the subsequent Whig dominance under Robert Walpole, viewing it as enabling patronage and fiscal mismanagement that disadvantaged provincial interests.^[19] His Tory-Anglican perspective prioritized hierarchical order, ecclesiastical authority, and protection of property against arbitrary interventions, reflecting a conservative commitment to safeguarding established Protestant elites from exploitative distant governance. Residing primarily in Ireland after 1714, Swift witnessed firsthand the economic stagnation wrought by absentee landlords—who remitted rents to England without local reinvestment—and parliamentary acts restricting Irish exports, such as the 1660 Cattle Act banning livestock shipments to England and wool export curbs that stifled manufacturing.^[20] In his 1720 tract A Proposal for the Universal Use of Irish Manufacture, he urged Protestants to boycott English imports and foster domestic industry, decrying policies that perpetuated dependency and poverty among the loyal Irish interest.^[21] Swift's intervention against Wood's halfpence patent stemmed from this context: as Dean and defender of Irish Protestant property, he perceived the scheme—granted by the English privy council without Irish consent—as a predatory overreach by London interests, emblematic of elite corruption that eroded local economic stability and traditional safeguards.^[22] Rooted in causal analysis of absentee extraction and trade barriers as drivers of Ireland's woes, his motivations emphasized preserving order through resistance to unaccountable authority, rather than radical upheaval.^[23]

The Drapier Pseudonym and Rhetorical Approach

Jonathan Swift adopted the pseudonym M. B., Drapier to compose the letters, presenting himself as a modest Dublin cloth merchant rather than the Dean of St. Patrick's Cathedral.^[24] This choice enabled anonymity amid the politically charged opposition to William Wood's patent for minting halfpence, shielding Swift from direct reprisal by English authorities while fostering deniability for his clerical position.^[25] The term "Drapier" derives from the occupation of a draper, evoking an everyday tradesman intimately affected by currency debasement, thereby aligning the voice with the economic grievances of shopkeepers, farmers, and commoners targeted in the correspondence.^[24] The initials "M. B." have been interpreted by scholars as possibly alluding to Marcus Brutus, the Roman figure associated with resisting tyrannical authority, infusing the persona with subtle republican undertones against perceived overreach in the coinage imposition.^[24] By embodying this humble merchant archetype, Swift distanced the arguments from elite ecclesiastical or intellectual circles, enhancing relatability and mobilizing grassroots resistance through a voice purportedly rooted in practical trade concerns rather than abstract theory.^[26] Rhetorically, the letters eschewed Swift's characteristic elaborate satire for straightforward, accessible prose suited to a non-elite readership, prioritizing empirical warnings of tangible harm over ornate persuasion.^[27] Appeals centered on self-interest, detailing causal mechanisms by which Wood's halfpence—patented in 1722 for 360 tons of copper coinage exceeding Ireland's circulatory needs—would flood markets, erode purchasing power, and devastate local commerce through inevitable devaluation and export disincentives.^[26]^[28] This approach framed acceptance of the coin as a direct threat to livelihoods, invoking loyalty to King George I while contesting the patent's legitimacy on grounds of Irish constitutional autonomy and absence of parliamentary consent, thus privileging observable economic consequences over unquestioned hierarchical obedience.^[26]^[29]

The Individual Letters

First Letter: To the Shop-Keepers, Tradesmen, Farmers, and Common People of Ireland

The first Drapier's Letter, circulated in 1724 and addressed to Ireland's shop-keepers, tradesmen, farmers, and common people, cautions against accepting William Wood's proposed brass halfpence, describing them as coins of inferior base metal composition, lighter and smaller than English equivalents, and worth far less in intrinsic value—for instance, a shilling's worth valued at only a penny to a brazier.^[30] The letter highlights the massive quantity authorized under Wood's patent, equivalent to 360 tons of coinage valued at approximately 100,800 pounds, sufficient to overwhelm Ireland's economy and enable widespread counterfeiting that could treble the supply.^[30] It argues that introducing this debased currency would flood the market, driving out sound silver and gold money as traders hoard good coin and circulate the bad, leading to immediate practical harms such as devalued goods—e.g., a dozen hats dropping from three pounds to five shillings in effective worth—and disruption of essential trades like sea-coal imports.^[30] Drawing on empirical precedents, the author cites James II's 1689-1690 brass money issuance, which caused monthly losses of 60,000 pounds through export of silver for base metal, and Queen Elizabeth I's debased coinage during Tyrone's rebellion, which necessitated recall to avert ruin, illustrating how such policies historically beggar nations by eroding reserves and trust in currency.^[30] Emphasizing economic self-preservation, the letter urges recipients to refuse the "filthy trash" outright, asserting their legal right to reject non-precious metal tender, and to petition Parliament against the patent, even suggesting barter of goods over acceptance to avoid personal loss from inevitable devaluation.^[30] This appeal frames resistance as a collective duty to safeguard livelihoods, warning that admission of the coin would mark the "utter undoing" of Ireland's posterity through accelerated national beggary.^[30]

Second Letter: To Mr. Harding the Printer

The second letter, titled A Letter to Mr. Harding the Printer, upon Occasion of a Paragraph in his News-Paper of Aug. 1st, Relating to Mr. Wood's Half-Pence, was published on August 4, 1724, by Dublin printer John Harding.^[31] Addressed directly to Harding following a cautionary notice in his Dublin Intelligence newspaper warning against printing materials critical of William Wood's coinage patent, the pamphlet defends the legitimacy of disseminating the first Drapier's letter.^[30] M. B. Drapier maintains that the initial publication contained no seditious content but served as a dutiful alert to the public about the economic perils posed by Wood's brass halfpence, which recent assays had revealed to be of inferior quality—containing only 25% copper alloyed with base metals like zinc and lead—far below the 75% copper standard in English coinage.^[31] Drapier contends that suppressing such discourse equates to endorsing tyranny, arguing that free discussion of injurious policies is essential to prevent arbitrary rule, as historical precedents demonstrate that unchecked patents lead to public ruin without avenues for remonstrance.^[31] He urges Harding to prioritize informing the Irish populace over fearing reprisals from English authorities or Wood's agents, emphasizing the printer's civic duty: "You are to let the People know, that they are like to be undone by Mr. Wood's Half-pence."^[31] This meta-defense frames printing as a safeguard against deception, positing that transparency about the patent's terms—allowing Wood to mint up to 360 tons of coinage annually, equivalent to over 17 million pounds in halfpence—enables rational opposition rather than passive acceptance.^[31] Unlike the first letter's direct appeal to tradespeople, this installment shifts focus to procedural rights, asserting that no law compels acceptance of the halfpence and that public petitions against them constitute loyal service to the Crown, not disloyalty.^[31] Drapier refutes claims of the first letter's illegality by analogizing it to biblical prophets warning kings of folly, thereby grounding his argument in empirical precedent: Ireland's coinage shortages had historically been addressed through local mints, not foreign brass floods that risked inflating currency supply by an estimated 40% relative to circulating silver.^[31] By invoking the printer's potential imprisonment as a test of liberty—"If you be of my Opinion, we shall have Peace; if not, there will be many more Printers undone"—Drapier links individual resolve to broader resistance against overreach.^[31]

Third Letter: To the Nobility, Gentry, and Clergy

The third letter, subtitled Some Observations Upon a Paper, Call'd, the Report of the Committee of the Most Honourable the Privy-Council in England, Relating to Wood's Half-pence, was published in Dublin by J. Harding in August 1724.^[32] Addressed to the nobility and gentry—and implicitly extending to the clergy as influential elites—it responds directly to the Privy Council's report defending William Wood's patent, issued earlier that month.^[32] Under the pseudonym M.B. Drapier, the author dissects the report's claims, arguing that it fails to address Ireland's substantive grievances and instead relies on questionable testimony from interested parties.^[32] Central to the letter's critique is the patent's economic terms, which authorize Wood to mint 360 tons of copper halfpence and farthings to a nominal value of £100,800 over 14 years.^[32] The Drapier calculates that the coinage's overvaluation—due to lighter weights and inferior copper quality—inflicts a direct loss on Ireland exceeding £92,000, with Wood pocketing undue profits of over £50,000 through discrepancies in minting rates and material costs.^[32] Unlike previous patents, such as those granted to Lord Dartmouth in 1680 or Edward Knox, Wood's lacks any provision for redeeming the coins or requiring Irish approval, granting him an unchecked monopoly that risks flooding the economy with debased currency.^[32] This setup, the letter contends, not only drains circulating silver and gold but also undermines trade by eroding trust in the medium of exchange.^[32] The Drapier appeals to the upper classes' paternalistic duties, portraying them as guardians obligated to shield tenants, tradesmen, and dependents from such "fraudulent" impositions.^[32] He urges the nobility and gentry to convene, draft formal resolutions rejecting Wood's coinage, and disseminate instructions forbidding its acceptance on their estates, thereby modeling principled resistance to preserve social hierarchy and national welfare.^[32] Without elite leadership, the letter warns, passive acquiescence could precipitate widespread beggary and disorder, as inferiors follow the example set by their superiors.^[32] This targeted exhortation contrasts with broader populist rhetoric elsewhere, emphasizing coordinated, authoritative action to compel revocation of the patent through unified non-acceptance.^[32]

Fourth Letter: To the Whole People of Ireland

The Fourth Letter, addressed to the whole people of Ireland and published on October 13, 1724, represents the culmination of M. B. Drapier's escalating appeals against William Wood's patent for coining copper halfpence. Unlike prior letters targeting specific groups, this one directly rallies the broader populace, asserting Ireland's inherent rights to self-determination in monetary matters and rejecting external impositions as violations of natural and constitutional liberties.^[33]^[30] Central to the letter is Drapier's bold claim of Irish sovereignty, declaring that "by the laws of God, of nature, of nations, and of your own country, you are and ought to be as free a people as your brethren in England." He contends that Ireland, as a distinct kingdom under the crown, owes allegiance solely to the monarch and its own laws, not to the Parliament of England, whose jurisdiction over Irish affairs requires explicit consent from the governed. This stance invokes the statute of Henry VIII, which denominated Ireland an "imperial crown," thereby affirming its independence from parliamentary overreach and framing any unconsented legislation as tantamount to slavery: "all government without the consent of the governed, is the very definition of slavery."^[33]^[30] Drapier ties these sovereignty assertions to Poynings' Law of 1494, which subordinated Irish legislation to pre-approval by the English Privy Council, critiquing it not as a total deprivation of liberty but as a procedural constraint that has fostered undue dependency. He argues that this law, alongside claims of Ireland as a "depending kingdom," unjustly differentiates Irish subjects from English ones, questioning why freemen in England become slaves upon crossing to Ireland without forfeiting their birthrights to jury trials, property, and consent-based governance. Such arrangements, he posits, undermine the fundamental right of a land-owning majority to define law locally, rather than submitting to distant authority five hundred miles away.^[30] Economically, Drapier portrays Wood's patent as an unconstitutional assault on property rights, imposing a debased currency that equates to a hidden tax exceeding seventeen shillings per pound on lands and interest. The scheme, he calculates, inflicts a national loss of at least 150 percent through the influx of 108,000 pounds in copper halfpence—valued far below sterling—draining gold and silver reserves, crippling trade, and potentially trebling the coinage volume until no precious metal remains visible. Enforcing acceptance would precipitate economic collapse, reducing Ireland to beggary by disrupting commerce and rendering the populace enslaved to inferior brass money redeemable only at Wood's discretion, without obligation for gold or silver exchange.^[33]^[30] The letter culminates in a rallying cry for universal non-acceptance, urging every Irish person—regardless of rank—to resolve firmly against taking even a single halfpenny, thereby nullifying the patent through collective refusal grounded in legal prerogative and self-preservation. Drapier predicts that enforced circulation would lead to "utter undoing," likening it to an uncontrollable plague, but asserts that popular unity can avert this by upholding the king's lawful powers limited to sterling coinage. He concludes with a personal oath: "I, M. B. Drapier, do hereby declare... next under God, I depend only on the King my Master, and on his legal Succession, and on the Laws of my own Country," modeling loyalty to crown and constitution over foreign imposition.^[33]^[30]

Fifth Letter: To the Right Honourable the Lord Viscount Molesworth

The Fifth Letter, published in late 1724, marks a shift in the Drapier's series by directly appealing to Robert Molesworth, 1st Viscount Molesworth (1656–1725), an Anglo-Irish politician and writer known for his advocacy of constitutional liberty and opposition to arbitrary power.^[34] Unlike prior letters mobilizing the Irish public against William Wood's patent for coining £108,000 in copper halfpence, this epistle seeks alliance with a prominent elite figure, portraying Molesworth as a "steady and uniform Champion for the Liberty of your Country" whose writings demonstrated "infinitely more wit and learning" in contesting the coinage scheme.^[30] Swift, under the Drapier pseudonym, lauds Molesworth's preference to lead in Ireland over subservience abroad, aligning his Whig patriotism—rooted in works like An Account of Denmark (1694) critiquing tyranny—with resistance to perceived English overreach in Ireland.^[30]^[35] Central to the letter is a pointed critique of Chief Justice John Whitshed's actions on November 11, 1724, when he dissolved a Dublin grand jury after it refused nine times to indict printer John Harding for seditious libel over publishing the Drapier's works.^[30] Drapier accuses Whitshed of judicial "violence and partiality," detaining the jury for eleven hours in an effort to secure a bill against the letters opposing Wood's halfpence, framing this as an assault on jury independence akin to historical tyrannies.^[30] A subsequent jury's presentment condemning the coinage underscored public and institutional rejection, with the letter linking Whitshed's overreach to efforts suppressing dissent on the patent, ultimately contributing to widespread resentment that shadowed his tenure.^[30] The letter ties Wood's patent to systemic misrule, arguing the coinage—approved via allegedly manipulated assays—exemplified corruption eroding Irish economic sovereignty.^[30] Drapier contends Wood produced superior halfpence for testing by experts like Sir Isaac Newton, while circulating debased versions prone to counterfeiting, resulting in projected losses of £19,360 directly and £80,690 in exported gold and silver, as estimated by the Irish House of Commons.^[30] This "disgraceful job," granted amid favoritism to Wood's backers, threatened national ruin by flooding Ireland with inferior currency, draining wealth, and undermining property rights—symptoms of broader English governance prioritizing profit over colonial welfare.^[30] By invoking Molesworth's constitutionalism, the letter urges patriot peers to champion parliamentary resolutions, such as the near-unanimous Commons vote against the halfpence and a August 25, 1724, declaration by notables rejecting the coin, positioning elite intervention as essential to averting tyranny without relying solely on popular agitation.^[30]

Sixth Letter: To the Right Honourable the Lord Chancellor Middleton (Drapier’s Letter to the People Attributed)

The sixth letter in the Drapier's series, dated 26 October 1724 and addressed to Lord Chancellor Alan Brodrick, 1st Viscount Midleton, was authored by Jonathan Swift in his own name rather than the Drapier pseudonym, though it aligned with the campaign's aims.^[36] Swift positioned himself as a late participant in parliamentary debates on Wood's patent, urging Midleton—who had previously expressed opposition—to resist any shift influenced by English ministerial pressures, including rumors of a £40,000 bribe linked to Robert Walpole.^[36] The letter refuted assertions that the patent required mandatory acceptance of the halfpence, emphasizing that Ireland's monetary laws applied strictly to sterling silver and gold, rendering base-metal coinage like Wood's optional and subject to public refusal without legal penalty.^[37] Swift challenged the government's investigative processes as fundamentally defective, arguing that official assays and reports—conducted primarily under English auspices—disregarded independent Irish evaluations of the coin's quality, which revealed intrinsic values far below nominal denominations, such as thirty shillings' worth assaying to merely one crown.^[36] This selective reliance on favorable English tests, he contended, stemmed from a causal chain of favoritism: Wood's patent derived from cronyism, evidenced by his own letters boasting of Walpole's support and promises of profit exceeding £100,000, prioritizing English contractors over empirical data on the coinage's debasement risks to Ireland's economy.^[37] By analogy, Swift scaled the patent's coinage volume to England's economy, estimating an equivalent of over £4 million in copper, a proportion no English interest would tolerate, thus exposing the policy's asymmetry as deliberate exploitation rather than equitable administration.^[38] The letter dismissed Privy Council defenses of the patent as circular and unconvincing, noting their failure to address widespread Irish resistance documented in addresses from both houses of Parliament and the Dublin corporation to the king, which affirmed the coin's potential to flood markets and depreciate existing currency.^[36] Swift warned Midleton against diluting this opposition through procedural pretexts, such as claims of parliamentary impropriety in public discourse, drawing on English precedents where similar pamphlets faced no prosecution.^[37] Ultimately, the argument framed acceptance of Wood's halfpence not as obedience to royal prerogative but as self-inflicted economic sabotage, with causal responsibility lying in ignoring verifiable assays and public assays in favor of politically connected assertions.^[38]

Seventh Letter: Queries to the Information-Mongers and Others (or An Humble Address)

The Seventh Letter, known as An Humble Address to Both Houses of Parliament, was penned by Jonathan Swift as M. B. Drapier in 1725, shortly after the fourth letter and prior to the arrival of Lord Carteret as Lord Lieutenant. Intended for release upon the convening of the Irish Parliament, it marks a shift from appeals to the public toward a ostensibly deferential yet pointed critique of the Wood patent, framed as a loyal address but laced with irony to highlight systemic failures.^[39] This concluding pamphlet uniquely employs a barrage of rhetorical queries to deconstruct the patent's rationale without targeting specific social groups, instead interrogating the broader logic of imposing debased currency on Ireland.^[39] Swift structures the address around professed wishes for Ireland's prosperity, interspersed with queries that expose the patent's absurdities, such as whether ministers truly aimed to benefit the nation or merely favored Wood, and if a kingdom should be "wholly undone" to enrich a single contractor. These questions undermine Wood's character by questioning his credentials as an ironmonger profiting from fraudulently obtained privileges, including alleged bribes totaling £100,000 sterling, and the secrecy surrounding the patent's issuance without Irish input. The satire ridicules governmental oversight, portraying absentees and officials as indifferent to local ruin while prioritizing English fiscal gains.^[39] At its core, the letter advances a causal economic realism: debasement of currency erodes transactional trust, as "when the value of money is arbitrary or unsettled, no man can well be said to have any property at all," enabling widespread cheating and rendering contracts insecure. Swift quantifies the harm, arguing that even £1,000 in Wood's halfpence—overvaluing base metal by nearly eleven-to-one—would halve rents and wealth through inflated prices, displacing tenants and stifling trade by driving out sound silver and gold. This reinforces the necessity of stable, consent-based money to prevent causal chains of inflation, loss of confidence, and economic contraction.^[39] The queries culminate in calls for parliamentary redress, ignoring prior addresses to the Crown and committee reports that whitewashed Wood's defects, thus satirically demanding accountability to avert irreversible damage from a policy rooted in disregard for Ireland's fiscal sovereignty.^[39]

Publication and Government Response

Printing, Circulation, and Anonymity

The Drapier's Letters were printed by John Harding from his premises in Molesworth's Court, Fishamble Street, Dublin, with the first letter appearing in late July 1724 and subsequent installments following in August, September, and November of that year.^[30]^[40] Harding produced the initial four letters prior to his arrest, resuming with the fifth upon release, demonstrating the printer's commitment amid escalating risks.^[40] Government proclamations prohibited the printing, sale, and distribution of the pamphlets as seditious, yet copies proliferated through clandestine means, including smuggling and underground replication by sympathetic printers and individuals.^[41] This evasion relied on informal networks of tradesmen, clergy, and gentry who hand-copied and disseminated the texts, achieving widespread circulation across Ireland despite the absence of modern media infrastructure.^[42] Publication under the pseudonym M. B. Drapier—evoking a modest Dublin draper—shielded the author's identity, permitting Jonathan Swift to advance the critique without immediate reprisal against his role as Dean of St. Patrick's Cathedral.^[43] This anonymity facilitated deniability, as Swift publicly disavowed authorship while privately orchestrating the campaign, thereby sustaining the letters' momentum unchecked by direct ecclesiastical or governmental targeting of the writer.^[40]

Official Reactions and Attempts at Suppression

The Irish Privy Council, responding to the escalating controversy, issued a proclamation on October 27, 1724, condemning the fourth Drapier's Letter as a "seditious" publication that aimed to "disturb the peace" and undermine the king's authority in granting William Wood's patent.^[33] This measure, approved by Lord Lieutenant John Carteret, included a reward of £300—equivalent to a substantial annual income for many—for anyone providing evidence to identify and convict the anonymous author, reflecting the Walpole administration's determination to curb the pamphlets' influence.^[41] Printer John Harding, who produced the letter, was arrested on November 13, 1724, and subjected to trial in Dublin, but a grand jury declined to issue an indictment, citing insufficient evidence of sedition and highlighting widespread public sympathy for the Drapier's arguments.^[44] Further suppression efforts involved parliamentary and privy council inquiries into Wood's coinage. In March 1724, prior to the full Drapier series, Carteret directed the Duke of Grafton, then Lord Lieutenant, to initiate an official probe into complaints about the halfpence, which yielded a report defending the patent's integrity but was promptly critiqued by the third Drapier's Letter for alleged procedural flaws and conflicts of interest.^[15] By early 1725, the British government escalated scrutiny, with Walpole's allies, including Chancellor of Ireland Alan Brodrick (Lord Midleton), issuing defenses that portrayed opposition as factional agitation rather than legitimate economic concern; however, these responses empirically intensified Irish distrust, as they appeared to prioritize patent enforcement over addressing verifiable assays showing the coins' substandard copper content (only 50-60% pure versus the patented 75%).^[45] The administration's countermeasures ultimately backfired causally, as the reward yielded no betrayals despite Ireland's economic distress—underscoring the letters' success in framing Wood's patent as emblematic of exploitative governance—and the failed prosecution of Harding amplified perceptions of official overreach and potential corruption tied to Wood's ties to courtiers like Katherine, Duchess of Kendal.^[46] No conclusive evidence linked Jonathan Swift to the authorship in legal terms, thwarting direct action against him, though private correspondence among officials acknowledged suspicions of his involvement without actionable proof.^[45] These efforts, rather than quelling dissent, reinforced the narrative of imperial disregard for Irish interests, sustaining the pamphlets' circulation through underground networks and sympathetic printers.

Reception and Immediate Impact

Irish Public and Elite Responses

The Drapier's Letters sparked immediate and widespread mobilization among the Irish public, particularly shopkeepers, tradesmen, and farmers, who refused to accept Wood's halfpence in daily transactions, effectively boycotting the coinage and preventing its circulation. This grassroots resistance, amplified by the pamphlets' distribution, stalled trade involving the new currency, as merchants and common people viewed the coins as debased and detrimental to local commerce. By late 1724, only minimal quantities had been imported, and public non-acceptance rendered further shipments impractical, demonstrating the empirical leverage of collective refusal over official patents.^[47]^[48] Merchants' guilds and trade associations formalized this opposition through resolutions and gatherings, where bankers, traders, and guild members declared their intent to reject the halfpence, framing it as a defense of Irish economic interests against external imposition. These actions built on pre-existing grievances but gained momentum from the letters' arguments against the coin's quality and patent legitimacy, leading to petitions circulated among local bodies urging non-compliance. The boycott's success lay in its disruption of petty exchange, forcing reassessment of the scheme's viability without reliance on legislative channels.^[26]^[49] Irish elites, including nobility, gentry, and clergy, initially exhibited caution, wary of challenging English authority amid personal and institutional ties to the crown. However, the fourth letter's direct appeal to the entire populace shifted dynamics, prompting endorsements from provincial grand juries and clerical figures who echoed the Drapier's constitutional claims in addresses and sermons. This elite alignment, evident by early 1725, reflected growing recognition of public sentiment's force, transforming tentative sympathy into active support for revoking the patent, though some remained divided by fears of reprisal.^[50]^[23]

Role in Revoking the Patent

The Drapier's Letters catalyzed a wave of organized resistance in Ireland, with grand juries, municipal corporations, and trade guilds issuing petitions that directly invoked the economic perils outlined in the pamphlets, such as the risk of currency debasement from inferior brass coinage exceeding demand. These documents, numbering in the dozens by mid-1725, overwhelmed the Dublin administration and London policymakers by demonstrating unified rejection of the patent's terms, which allowed William Wood to mint up to 360 tons of halfpence valued at approximately £100,800.^[51] Faced with this escalating pressure, Prime Minister Sir Robert Walpole conceded the impracticality of enforcement; on 6 August 1725, he informed the House of Commons of a drastic limitation to £40,000 worth of coinage, framing it as a safeguard against Irish grievances amplified by the Drapier's rhetoric. This initial compromise failed to quell dissent, as petitions continued to cite the letters' exposure of Wood's assay discrepancies and profit motives, rendering further minting untenable.^[52] The patent's full revocation followed in September 1725, when Wood's rights were canceled outright, compensated by a £3,000 annual pension drawn from Irish funds—a direct outcome of the sustained public mobilization that the letters had ignited against elite-imposed monetary policy. This sequence underscored the potency of pamphlet-driven advocacy in reversing royal prerogative without legislative reform.^[47]^[51]

Long-Term Legacy and Influence

Effects on Irish Economic Sovereignty and Patriotism

The revocation of William Wood's patent on 23 September 1725 averted the projected minting of 360 tons of copper halfpence and farthings, which Swift estimated would equate to over twice the existing silver coinage in circulation and drive up commodity prices through debasement.^[47] ^[53] This preserved the intrinsic value of Ireland's circulating medium, preventing inflationary pressures that could have eroded purchasing power for small-scale trade and agriculture, sectors reliant on copper denominations for daily exchanges. Economic records post-1725 show no corresponding spike in copper imports or price distortions attributable to the scheme, indicating stabilization as trade resumed without the anticipated flood of undervalued coins.^[54] In terms of sovereignty, the episode underscored Ireland's vulnerability to patents issued without parliamentary consent under the English Great Seal, yet the public mobilization compelled Walpole's administration to compensate Wood privately with an annual pension of £3,000 from Irish revenues while rescinding the grant.^[47] This concession, extracted through petitions and boycotts rather than legislative reform, delayed comprehensive Irish minting autonomy—coinage remained under the Dublin Mint's limited operations tied to London oversight—but established a precedent for vetoing economically intrusive directives via non-violent assertion of proprietary rights. It reinforced constitutional mechanisms like addresses to the crown, framing economic self-defense as compatible with unionist fidelity, without precipitating demands for fiscal independence. The letters cultivated a Protestant-led patriotism centered on safeguarding property against executive fiat, invoking common-law protections like habeas corpus and trial by jury to unify shopkeepers, clergy, and gentry against perceived corruption.^[30] This strain emphasized empirical defense of livelihoods over ethnic or confessional exclusivity, as Swift's appeals transcended Anglican-Protestant boundaries to include pragmatic Dissenters and even cautious Catholics, prioritizing constitutional grievance redress. Unlike later separatist movements, it modeled resistance as loyalty to ancient liberties shared with England, fostering a collective identity resilient to central encroachments while averting radical schism.^[55] The enduring empirical lesson—public discourse overriding patently flawed policy—bolstered Irish resolve in subsequent fiscal disputes, such as those over absentee taxes, without eroding the parliamentary dependency clause of 1494.

Broader Contributions to Political Discourse

The Drapier's Letters established a precedent for leveraging print media as a mechanism to scrutinize and constrain governmental authority, demonstrating how anonymous pamphlets could galvanize public opinion against perceived abuses of power.^[56] By framing opposition through accessible prose that blended moral indignation with detailed critiques of policy flaws, Swift's work underscored the press's role in fostering accountability beyond official narratives.^[28] This approach influenced subsequent anti-corruption rhetoric by prioritizing empirical assessments of economic harm—such as the projected devaluation from excessive coinage—over deference to royal patents, thereby challenging the notion that state-endorsed schemes warranted unquestioned acceptance.^[57] The letters' success in exposing the personal gains underlying the patent, including reported bribes totaling £10,000 to secure it, provided a template for dissecting conflicts of interest in public policy.^[58] Scholars have traced the Letters' impact to later political thinkers, including Edmund Burke, whose arguments against English impositions echoed Swift's emphasis on substantive rights over imposed authority.^[59] ^[55] This rhetorical strategy of invoking constitutional principles to contest arbitrary power resonated in broader discourses on liberty and governance, affirming the value of public argumentation rooted in observable consequences rather than institutional fiat.^[55]

Criticisms and Scholarly Debates

Accuracy of Economic Claims Against Wood's Coinage

Swift's primary economic objections in the Drapier's Letters centered on the alleged inferior quality of Wood's proposed copper halfpence and farthings, claiming they contained insufficient copper value relative to their face denomination, rendering them prone to clipping and forgery, and the excessive quantity authorized by the 1722 patent, which he argued would flood Ireland's economy and precipitate ruinous inflation.^[60]^[61] Empirical assays conducted under Sir Isaac Newton, Master of the Royal Mint, contradicted assertions of substandard metal, finding Wood's copper to match the quality and value of that used in English coinage, with consistent weight and purity across tested samples.^[62]^[63] Independent trials by officials including Mr. Southwell and Mr. Scroope corroborated these results, though Swift dismissed them as biased due to Wood's purported selection of assayed batches.^[30] While minor variations in individual coin weights occurred, as typical in early 18th-century minting, they did not deviate significantly from standards, undermining claims of systemic debasement at issuance.^[60] The patent's authorization for up to 360 tons of coinage—equivalent to approximately £100,000–£108,000 in face value over 14 years—posed a more substantive risk, given Ireland's limited trade volume and existing scarcity of small-denomination copper, estimated by contemporaries at under £25,000 in circulation.^[10]^[60] Such volume exceeded annual economic needs, potentially enabling Wood's monopoly profit through speculation or gradual market saturation, and invoking Gresham's Law whereby overissued or perceived inferior currency drives sounder silver from circulation, exacerbating hoarding and price instability.^[60] Historical precedents, including England's 17th-century debasements, illustrate how unchecked coin expansions eroded intrinsic value and fueled inflation, validating concerns over unchecked private minting without Irish parliamentary oversight.^[15] Though not a deliberate fraud—Wood ultimately coined only a fraction before surrendering the patent in 1725 amid non-acceptance, incurring losses—the absence of veto rights for Irish stakeholders in the patent process amplified legitimate economic hazards, prioritizing English entrepreneurial gain over local monetary stability.^[46]^[15] Swift's portrayal overstated quality defects but accurately highlighted quantity-induced perils and procedural flaws, rendering opposition economically defensible despite rhetorical hyperbole.^[47]^[15]

Rhetorical Exaggerations and Political Motivations

Swift's rhetoric in the Drapier's Letters frequently relied on hyperbole to underscore the perils of Wood's patent, such as asserting in the first letter that the 360 tons of brass coinage exceeded the total circulating money in Ireland by a factor that would enable payment of all national debts thrice over, thereby amplifying the perceived risk of monetary debasement to arouse widespread alarm.^[30] This device, characteristic of Swift's satirical style, transformed a legitimate fiscal concern into a vivid narrative of national ruin, prompting critics to question whether such amplifications bordered on demagoguery by prioritizing emotional provocation over precise economic calculus.^[64] Underlying these exaggerations were Swift's political motivations, rooted in his Tory allegiance and longstanding animosity toward the Whig administration of Robert Walpole, whose endorsement of the patent—facilitated by reported bribes to royal favorites—exemplified what Swift viewed as corrupt English overreach into Irish affairs.^[65] Yet, while personal grudge colored his invective against Walpole, Swift's appeals transcended partisan lines, uniting Tories, Whigs, and even nonconformists in opposition, suggesting a deeper commitment to defending Irish autonomy against imperial fiat rather than mere factional score-settling.^[30] Scholarly assessments debate the ethics of Swift's approach, with some arguing that invoking apocalyptic imagery risked fomenting mob rule by bypassing elite deliberation for mass agitation, potentially eroding institutional trust in governance.^[66] Others contend this was pragmatically calibrated, as the letters' success in revoking the patent without descent into violence demonstrated rhetorical efficacy grounded in causal awareness of public sentiment's power to constrain arbitrary authority, outweighing abstract concerns over methodological purity.^[65] Attributions of xenophobia to the campaign, targeting an English patent-holder's scheme, overlook its precise focus on verifiable corruption, including the patent's origins in undue influence, rather than blanket ethnic animus.^[30]

References

[1]
The Drapier's Letters - Illustrated History of Ireland
Reference to Jonathan Swift's Drapier's Letters and Wood's Halfpence, taken from An Illustrated History of Ireland, 1868.
[2]
The Drapier's Letters by Jonathan Swift: Introduction
In 1714 Swift left England for Ireland, disappointed, distressed, and worn out with anxiety in the service of the Harley Ministry.
[3]
https://www.gutenberg.org/ebooks/12784
[4]
IRISH CURRENCY IN THE EIGHTEENTH CENTURY - jstor
IRISH CURRENCY IN. Ireland, as well as in England, there was in the first decade of the eighteenth century an excessive stock of halfpence and farthings, so ...
[5]
Political Discourses in the - 1720-21 Bank Pamphlet - jstor
financial speculation that resulted in a sharp rise in the export of specie from. Ireland.25 This exacerbated an existing shortage of coin and severely hampered.
[6]
Fiscal and Monetary Integration, 1790–1820 | Ireland
Eighteenth-century Ireland had suffered from an endemic small change shortage. Mint issues of full-value silver had been virtually driven out of circulation ...
[7]
The Exchange Business of the Irish Banks in the Eighteenth Century
The rapid growth of banking in the eighteenth century was partly in response to the development of trade and partly to the acute shortage of coin which made ...
[8]
Society and Economy in the Long Eighteenth Century (Chapter 6)
And the supply of coin, a matter of extreme concern in the 1720s ... Walsh, The South Sea Bubble and Ireland: money, banking and investment, 1690 ...
[9]
Whither the Irish Financial Revolution: Banks and Money in Ireland ...
Ireland's lack of a national mint led to reliance on foreign coinage with flawed valuations. The failed proposal for a national bank in 1720-1721 reflected deep ...
[10]
O'Brien Coin Guide: William Wood's Irish Coinage (1722-1724) for ...
Mar 5, 2015 · William Wood was the owner of several copper and tin mines in England and he hoped to make a large profit via the production of coins for ...Missing: 1720s | Show results with:1720s
[11]
THE COINAGE OF WILLIAM WOOD, 1722-1733 - jstor
coined at the rate of thirty pence to the pound, it would have produced the sum of £108,000. I subjoin the total cost of coining 360 tons of copper at this ...Missing: 1720s | Show results with:1720s
[12]
Economics (Chapter 44) - Jonathan Swift in Context
May 2, 2024 · Wood had quietly secured the patent through a bribe of £10,000 paid to the Duchess of Kendal, George I's mistress, and he began to mint ...<|separator|>
[13]
Swift, William Wood, and the Factual Basis of Satire - jstor
of the persistent contemporary rumors of a bribe in just this amount it ... the bribery of the Duchess of Kendal, continues coolly: It may be said at ...
[14]
Sir Isaac Newton, Master of the Royal Mint (1699-1727)
Nov 28, 2015 · lowering the patent production quota from £100,800 to £40,000 worth; · that no one is obliged to accept more than five pence halfpenny per ...
[15]
Wood's Halfpence - jstor
Wood's patent and to reassess the significance of the crisis in the history of Anglo-Irish relations. Several considerations justify the investigation.Missing: impact outcome
[16]
Jonathan Swift - Books, Gulliver's Travels & Facts - Biography
Apr 2, 2014 · Irish author and satirist Swift was born in Dublin, Ireland on November 30, 1667. ... In 1713, he took the post of dean at St. Patrick's Cathedral ...
[17]
https://www.online-literature.com/swift/
[18]
The Blistering Satire Of Jonathan Swift - WBUR
Mar 20, 2014 · ... Swift's political affiliations. He started out as a Whig, but switched to the Tories after that party's leader, Robert Harley, seeking a ...
[19]
The fall of Robert Walpole - Museum of the Prime Minister
Anti-government pamphlets and leaflets were often shared. The writer Jonathan Swift wrote a poem accusing Walpole of 'selling his Country to purchase his peace.
[20]
Irish Tracts, 1720-1723 - Jonathan Swift - Google Books
The Story of the Injured Lady In a Letter to her Friend. 3. The Last Speech and Dying Words of Ebenezor. 35. A Letter to a Young Gentleman Lately enterd ...
[21]
Ireland in the Days of Dean Swift (Irish Tracts, 1720 to 1734) by Swift ...
Aug 21, 2011 · The book analyzes the socio-political climate of Ireland during the early 18th century as expressed through the writings of Jonathan Swift.
[22]
Jonathan Swift, Financial Revolution, and Anglo-Irish Print Culture |
Swift is said to have supported an Irish financial revolution that began in 1716 when a group of prominent Anglo-Irishmen loaned the Irish Treasury funds to ...
[23]
Jonathan Swift and Ireland - CORE
Thus, as will be shown in this thesis, there seems not to be a major change in Swift's view on Ireland and the Irish economy since the. 1720s. This ...
[24]
The Drapier's Letters (1724) - ResearchGate
Swift's persona, “M.B. Drapier,” a middle-class tradesman and cloth dealer (whose initials perhaps stand for “Marcus Brutus”), entered a battle that was ...<|separator|>
[25]
Jonathan Swift Satirizes English Subjugation of Ireland
Oct 12, 2015 · ... Wood had essentially secured the patent through bribery. Written on 13th October, the fourth letter, entitled 'To the Whole People of ...
[26]
Swift Crowned - Irish Philosophy
Jun 18, 2013 · Drapier, a draper by trade. They were written in response to the decision in 1722 to allow Mr Wood to create new copper coinage for Ireland up ...
[27]
Drapier's letters| A study in Swift's rhetorical and satirical methods
Drapier's letters| A study in Swift's rhetorical and satirical methods ; Document Type. Thesis ; Degree Type. Master of Arts (MA) ; Department or School/College.Missing: strategy | Show results with:strategy
[28]
Jonathan Swift, The Drapier's Letters (1725) - Shmoop
Here, Swift is critiquing the way in which the English issued money in Ireland. Basically, Swift is saying that the English were screwing the Irish economy ...
[29]
The Drapier, the Bishop, and the Problems of Colonial Representation
When Swift, as M. B. Drapier, addresses “the Whole People of Ireland” in his famous Fourth Letter, written to bring about defeat of William Wood's coinage ...
[30]
The Prose Works of Jonathan Swift - Project Gutenberg
In writing the "Drapier's Letters," he had, to use his own words, seasonably raised a spirit among the Irish people, and that spirit he continued to refresh, ...
[31]
The Project Gutenberg eBook of Political Pamphlets
Oct 28, 2024 · A LETTER TO MR. HARDING THE PRINTER, UPON OCCASION OF A PARAGRAPH IN HIS NEWS-PAPER OF AUGUST 1, 1724, RELATING TO MR. WOOD'S HALF-PENCE. In ...
[32]
Letter III: To the Nobility and Gentry of the Kingdom of Ireland
This patent of Wood neither obligeth him to utter his coin, nor us to take it, or if it did the latter, it would be so far void, because no patent can ...Missing: impact outcome
[33]
Letter IV: A Letter to the Whole People of Ireland
Wood's patent, he said that the matter was under examination, "and till that is over I am not informed sufficiently to make any other judgment of the matter, ...Missing: impact | Show results with:impact
[34]
Molesworth, Robert | Dictionary of Irish Biography
Molesworth, Robert (1656–1725), 1st Viscount Molesworth, writer and politician, was born in Fishamble Street, Dublin, 7 September 1656, the posthumous and ...Missing: praise | Show results with:praise
[35]
https://www.oxfordreference.com/display/10.1093/oi/authority.20110803100204576
[36]
The Project Gutenberg eBook of Ireland in the Days of Dean Swift ...
Aug 21, 2011 · This Wood, as soon as his patent was passed, or soon after, sends over a great many barrels of those halfpence to Cork, and other seaport towns; ...
[37]
Letter V: A Letter to the Lord Chancellor Middleton
In addressing him, Swift was endeavouring, apparently, to keep him to his original line of action and to destroy any influence the government party may have had ...
[38]
The Works of the Rev. Jonathan Swift/Volume 9/The Drapier’s Letters 6 - Wikisource, the free online library
### Summary of Key Excerpts and Arguments from The Drapier’s Sixth Letter
[39]
Letter VII: An Humble Address to both Houses of Parliament
LETTER VII. AN HUMBLE ADDRESS TO BOTH HOUSES OF PARLIAMENT. I have been told, that petitions and addresses, either to King or Parliament, are ...
[40]
Harding, John | Dictionary of Irish Biography
The most dangerous papers produced by the Hardings were Swift's Drapier's letters (1723–5). John Harding had already courted controversy in 1723 when he ...
[41]
Swift justice – Frank McNally on the height of the Drapier's Letters ...
Nov 28, 2024 · By Christmas 1724, the Drapier had effectively won. His triumph was complete the following September, when Wood's patent was withdrawn. An Irish ...
[42]
The Irish Patriot in Print (1720–1725) (Chapter 5) - Swift in Print
Swift's letters show that he remained keenly interested in London's world of print, noting to Atterbury in 1717 that he was being 'torn to pieces by ...
[43]
Drapier's Letters - Oxford Reference
A series of pamphlets published by Swift in 1724. The word 'Drapier' = 'Draper'. A patent had been granted to the duchess of Kendal for supplying copper ...Missing: Viscount analysis<|separator|>
[44]
The Works of the Rev. Jonathan Swift/Volume 1/Life of ... - Wikisource
Feb 21, 2024 · ... reward of three hundred pounds, for discovering the author of the fourth Drapier's Letter. Harding, the printer of that letter, was ...
[45]
Wood's Halfpence, Carteret, and the government of Ireland, 1723–6
Jul 28, 2016 · The Wood's Halfpence affair has long been recognised as one of the most serious disputes to have occurred between the Irish and British ...
[46]
Dean Swift & Drapier's Letters - The Old Currency Exchange
Mar 4, 2015 · Drapier's Letters is the collective name for a series of seven pamphlets written between 1724 and 1725 by the Dean of St Patrick's Cathedral in Dublin, ...
[47]
Wood's Halfpence, 1724 - The Irish Times
Jun 2, 2012 · The halfpence had become a point of principle for both sides. In the end, it was the government that capitulated. In September 1725, Wood's ...Missing: parliamentary inquiries
[48]
4 “Money, the Great Divider of the World, has, by a strange ...
The first of the Drapier's Letters, A Letter to the Shop-Keepers, Trades- men, Farmers, and Common-People of Ireland, employs the weaving/ writing metaphor ...
[49]
[PDF] Swift and Stewart: The Societal Background and Influence of ...
The Drapier's Letters did more than lead to the withdrawal of the patent; they also turned. Swift into a national hero. Even while Swift was writing the ...
[50]
Nonimportation and the Reception of Jonathan Swift's Irish Satires in ...
Jun 16, 2017 · This essay establishes that Swift's advocacy for an Irish boycott ... Drapier's Letters (1724), and A Modest Proposal (1729), influenced ...
[51]
Metropolitan Province | Divided Kingdom: Ireland 1630-1800
Swift, in the fourth Drapier's Letter, developed the point in a characteristic spirit of subversive mischief. I M.B. Drapier . . . declare, next under God ...
[52]
Sir Robert Walpole , first Earl of Orford (1676-1745) - History Home
Jan 12, 2016 · Walpole then felt that no safe course was left but to withdraw the patent altogether, and wrote to that effect to Newcastle on 1 September 1724.
[53]
William Wood: Sinner or Sinned Against? - History Today
... Poor, Private Obscure Mechanick; and a Patent of such a Nature, that as soon ... The outcry against Wood's halfpence was one of the most remarkable events ...Missing: brass composition quality
[54]
Wood's Halfpence, Carteret, and the Government of Ireland, 1723-6
Wood's patent, the Irish privy council failed to offer advice about how the conflict might be resolved, and the Irish lords justices refused to obey the.Missing: assay critique
[55]
The Drapier's Letters and the Language of Political Protest - jstor
Drapier's Letters he united Irishmen of all classes, giving to them that sense of community which is a prime condition for nationhood, and if, as W. B. ...Missing: primary | Show results with:primary
[56]
Pamphleteering and Political Journalism (Chapter 17)
May 2, 2024 · Swift was subsequently celebrated as the 'Hibernian Patriot' on account of the contribution of The Drapier's Letters (1724–25) to the defeat ...Missing: influence | Show results with:influence
[57]
The Drapier's Letters (1903): Swift, Jonathan, Scott, Temple
Swift, writing under the pseudonym of M.B. Drapier, used his wit and satire to rally the Irish people against the proposed coinage and to expose the corruption ...Missing: legacy rhetoric
[58]
978-1-349-21253-8.pdf
Nov 27, 2024 · Drapier's Letters on 2 October 1725, only a month after the con- ... Although To Middleton was the fifth letter to be written, it was the.
[59]
When ad hominem attacks are justified - The Common Reader
Sep 5, 2025 · The arguments against this patent were mostly established before Swift joined the war of pen and ink that ensued. It was a significant ...
[60]
The Swift code: Jonathan Swift's war on currency - RTE
Jan 5, 2018 · These seven texts were designed to discredit and block the introduction of Wood's halfpence and farthing coins fabricated in copper ...
[61]
Letter II: To Mr. Harding the Printer - The Literature Network
Compromise was the one result Swift was determined to render impossible; and the Drapier's second letter, "To Mr. Harding the Printer," renews the conflict ...Missing: analysis | Show results with:analysis
[62]
Detailed report on the trial at London of Wood's copper coinage for ...
By the Assays we reccon the copper of Mr Woods half pence & farthings to be of about the same goodness & value with the copper of which the copper money is ...Missing: quality | Show results with:quality
[63]
Wood's halfpence - Encyclopedia.com
' Walpole revoked the patent in 1725 and Wood was privately compensated. The episode suggests how tense Anglo-Irish relations were and the resentment left ...Missing: consequences | Show results with:consequences
[64]
[PDF] Jonathan Swift Writing Style
May 29, 2025 · - Exaggeration: Swift often employed hyperbole to emphasize the ridiculousness of certain ... a Tub" and "The Drapier's Letters.
[65]
The Project Gutenberg eBook of The Prose Works of Jonathan Swift ...
"Be independent" is the text of all his writings to the people of Ireland. ... At the time of the proclamation against the Drapier's fourth letter, the ...<|separator|>
[66]
Jonathan Swift's "A Modest Proposal" and Flann O'Brien's "Slattery's ...
... mob rule, crooked politics and Roman Catholic Popery." 9. Elliott says: "when Swift fantasizes himself into the skin of one he hates, extraordinary energies.Missing: methods | Show results with:methods