Fact-checked by Grok 2 weeks ago

Filler text

Filler text, commonly referred to as placeholder or dummy text, is a nonsensical string of words used in graphic design, typesetting, and publishing to fill space in layouts, allowing designers to focus on visual elements like typography and spacing without the distraction of actual content.^[1] The most widely recognized example is Lorem ipsum, a pseudo-Latin passage that mimics the rhythm and density of readable English while remaining largely unintelligible.^[2] This practice dates back centuries, originating in the printing industry where it helped showcase font characteristics and page compositions.^[1] The origins of Lorem ipsum trace to a scrambled version of sections from the Roman philosopher Cicero's philosophical treatise De Finibus Bonorum et Malorum (On the Ends of Good and Evil), written around 45 BCE, which explores ethical questions through dialogues on pleasure and virtue.^[3] In the 16th century, an unknown typesetter took this classical Latin text and rearranged words to create the garbled form still in use today, likely to produce sample pages for early printed books without using meaningful prose that might confuse or distract.^[1] The text's source was rediscovered in 1994 by Richard McClintock, a Latin scholar and director of communications at Hampden-Sydney College, who traced specific phrases like "dolor sit amet" back to Cicero's work by searching rare word combinations in a Latin dictionary.^[2] This revelation, first published in a letter to the editor of Before & After magazine, confirmed that Lorem ipsum was not random gibberish but a deliberate adaptation of ancient literature.^[3] In modern applications, filler text remains an industry standard in tools like Adobe InDesign and Photoshop, where it can be automatically generated to simulate body text, headlines, or lists, ensuring designs appear realistic during client reviews or prototyping.^[1] Its persistence through the transition from hot-metal typesetting to digital workflows underscores its effectiveness in prioritizing form over content, though alternatives like pangrams or AI-generated placeholders are emerging to address criticisms of its Eurocentric Latin roots.^[2] By providing a neutral backdrop, Lorem ipsum enables efficient iteration in web design, advertising, and editorial layouts, influencing how visual communication is developed worldwide.^[3]

Definition and Purpose

Overview of Filler Text

Filler text, also known as placeholder text, dummy text, or greeking text, refers to nonsensical or scrambled content that simulates the appearance of real written language without conveying meaningful information.^[4] This type of text is typically random, generated, or derived from altered sources to fill space temporarily in designs or documents.^[5] Key characteristics of filler text include its ability to replicate the visual density and rhythmic flow of natural language, such as varying word lengths and letter distributions, while deliberately avoiding coherent meaning to prevent readers from engaging with the content itself.^[5] By mimicking these structural elements, it allows designers and developers to evaluate layout balance, spacing, and overall aesthetics without distraction from semantic interpretation.^[5] The primary purposes of filler text encompass testing typeface rendering and visual hierarchy in prototypes, visualizing page layouts to assess flow and composition, and debugging software for proper text handling, such as overflow prevention and formatting consistency.^[6]^[7] In graphic design software, the process of greeking involves rapidly generating or rendering this placeholder content, often automatically substituting small or distant text with simplified lines or blocks to optimize performance and focus on structural elements.^[5] This practice traces its origins to traditional typesetting, where it served similar layout evaluation needs.^[5]

Applications in Design and Publishing

In graphic design software such as Adobe InDesign, filler text is integrated as a built-in feature to facilitate the creation of mockups and prototypes, allowing designers to populate text frames with placeholder content that simulates the visual density of final copy without semantic distraction.^[8] Users can insert this text via the Type menu or Properties panel, enabling rapid iteration on layout elements like grids and margins during the early stages of project development.^[9] Similarly, Adobe Photoshop supports filler text through its "Paste Lorem Ipsum" command under the Type menu, which generates dummy paragraphs to evaluate text rendering in composite images or UI prototypes, helping designers assess alignment and scaling before integrating actual content.^[10] In web development, filler text plays a key role in testing CSS styling and responsive layouts by providing content that reveals how elements reflow across breakpoints, such as mobile and desktop views, without the bias of meaningful prose influencing design decisions.^[11] Developers often embed placeholder paragraphs in HTML to inspect properties like line-height, font kerning, and media query behaviors, ensuring that typography adapts fluidly to varying screen sizes and preventing issues like overflow or uneven spacing in production.^[11] Within publishing workflows, filler text offers significant benefits by shifting focus to core visual aspects such as typography, spacing, and overall composition, as it neutralizes content meaning to highlight structural choices like leading and justification.^[12] This approach allows editors and layout artists to refine page aesthetics—evaluating how kerning affects readability or how column widths influence rhythm—prior to final text integration, thereby streamlining revisions and improving the final document's legibility.^[13] Contemporary tools enhance these applications through automated generators like Lipsum.com, which produce customizable blocks of filler text in various formats for quick insertion into design files or code.^[14] Content management systems (CMS) such as WordPress further support this via plugins like FakerPress or built-in dummy content options, enabling developers to populate sites with placeholder posts and pages for theme testing and SEO previews without manual effort.^[15]^[16] A notable challenge in these contexts is ensuring filler text aligns with the target language's letter frequency distribution to achieve realistic text flow and avoid distortions in typographic evaluation, as mismatches can skew perceptions of word length or hyphenation patterns.^[17] For instance, standard Latin-based placeholders may not accurately represent non-Latin scripts, prompting designers to seek language-specific variants for precise mockups in multilingual publishing.^[18]^[19]

Historical Development

Origins in Typesetting

The use of filler text in typesetting dates back to the 16th century, when an unknown typesetter scrambled sections of Cicero's De Finibus Bonorum et Malorum to create unintelligible passages for type specimen books, allowing focus on typographic demonstration without meaningful content.^[1] In the 18th century, as printing techniques advanced, type founders produced specimen sheets to advertise fonts and showcase capabilities, often using classical Latin texts as placeholders. A prominent example is the 1734 broadside specimen sheet issued by English type founder William Caslon I, which utilized coherent excerpts from Cicero's Catiline Orations—such as "Quoufque tandem abutere, Catilina, patientia nostra?"—to fill lines and demonstrate roman, italic, and other type styles in various sizes.^[20] This sheet, printed at Caslon's Chiswell Street foundry, was later inserted into copies of Ephraim Chambers' Cyclopaedia, or, An Universal Dictionary of Arts and Sciences (1728 edition), serving as both promotional material and a practical demonstration of typographic versatility within a major reference work.^[21] The primary purpose of such early filler text was to replicate the visual density and flow of composed pages during proofing stages, enabling printers to evaluate layout, spacing, and readability without drafting or setting actual content. By using familiar Latin passages, these placeholders avoided the labor of creating bespoke copy while providing a realistic simulation of printed matter, which was essential as printing shifted from labor-intensive handwritten manuscripts to faster, repeatable mechanized processes using movable type. This transition, accelerated by innovations in type founding and press technology from the 17th century onward, heightened the demand for efficient placeholders to streamline production workflows and reduce time spent on preliminary compositions.^[3] In the late 19th and early 20th centuries, the hot metal typesetting era introduced new dimensions to filler text through the widespread adoption of machines like the Linotype, patented in 1884 by Ottmar Mergenthaler. These devices cast entire lines of type from molten metal, but operator errors—such as miscast slugs—often required quick fixes; compositors would slide a finger down the keyboard's first two rows, generating the sequence "etaoin shrdlu," derived from the most common letters in English word frequency. This gibberish inadvertently appeared in newspapers and books as erroneous filler, exemplifying how mechanical processes inadvertently produced standardized nonsense text for filling incomplete lines during proofing and production.^[22]

Evolution in the Digital Age

The adoption of filler text in digital environments began in the mid-20th century, coinciding with the rise of desktop publishing software. In the 1960s, Lorem Ipsum gained traction through Letraset's preprinted transfer sheets, which allowed designers to quickly populate layouts with standardized Latin placeholders.^[23] By the 1980s, this practice was digitized with the release of Aldus PageMaker, the pioneering desktop publishing program that included Lorem Ipsum as a default filler to simulate realistic text blocks without distracting from typographic and layout decisions.^[24]^[25] This integration marked a shift from manual typesetting to computer-assisted design, where standardized Latin fillers enabled efficient prototyping of print materials.^[26] As the internet proliferated in the 1990s, filler text adapted to web development needs, becoming essential for testing HTML and CSS layouts without committing to final content. Designers used web-safe variants of Lorem Ipsum—primarily ASCII-based to ensure compatibility across early browsers—for mockups that focused on visual hierarchy and responsiveness.^[27] With the standardization of Unicode in the late 1990s, filler text evolved to support global layouts, incorporating multilingual placeholders like Japanese or Russian Lorem Ipsum to verify character rendering and internationalization in diverse web environments.^[28] The 21st century brought further innovations, particularly a boom in online generators during the 2010s that democratized custom filler text production. Tools like Lipsum.com allowed users to specify word counts, paragraphs, or languages, facilitating rapid prototyping for web and print projects.^[14] In mobile app development, filler text became integral to UI prototyping, where generators helped simulate content flows in tools like Figma or Mockplus to evaluate user interfaces on devices.^[29] Post-2020, AI-driven advancements, powered by models like GPT-4o-mini, introduced context-aware placeholders that generate semantically relevant text tailored to themes or industries, enhancing realism in prototypes.^[30] These AI tools also support accessibility testing by producing varied text lengths and structures to assess screen reader compatibility, such as with VoiceOver or TalkBack, ensuring layouts accommodate users with visual impairments.^[31]^[32]

Traditional Examples

Keyboard and Frequency-Based Sequences

Keyboard and frequency-based sequences represent early forms of filler text rooted in the mechanical constraints of typing and typesetting equipment. These sequences emerged as practical tools for operators to test device functionality and mark errors without relying on meaningful language, prioritizing efficiency in hardware validation and error correction. The ASDF sequence derives from the home row keys on the QWERTY keyboard layout, specifically the letters A, S, D, and F for the left hand, positioned centrally for optimal finger placement in touch typing.^[33] This arrangement was popularized through touch typing instruction, invented in 1888 by court stenographer Frank Edward McGurrin during his typing classes in Salt Lake City, Utah, where students learned to rest their fingers on these keys as a reference point for all other characters.^[34] Since the QWERTY layout's commercialization in the 1870s by Christopher Latham Sholes and his collaborators, the ASDF sequence has been employed in typing education to build muscle memory and assess basic keystroke proficiency.^[35] In hardware testing for typewriters and later computer keyboards, typing ASDF serves to verify key responsiveness, mechanical alignment, and electrical connectivity, as these central keys represent a foundational test of the device's core input mechanism without requiring complex navigation.^[36] In parallel, frequency-based sequences like "etaoin shrdlu" originated from the Linotype typesetting machine, invented by Ottmar Mergenthaler in 1886, where the keyboard arranged lowercase letters in descending order of English language usage—E, T, A, O, I, N from the first row, followed by S, H, R, D, L, U from the second—to minimize operator fatigue on high-volume printing tasks.^[37] An early accidental appearance in print occurred in 1895 in The Davenport Daily Republican. The 1903 Waukesha Freeman in Wisconsin featured a syndicated ode referencing such printing errors, when a Linotype operator ran fingers down the first two columns to fill a line after an error, creating nonsense text that was intended for discard but slipped into publication.^[37] This sequence, approximating the twelve most common English letters, was routinely used by compositors to signal flawed slugs (lines of cast metal type) for removal, ensuring they could be easily identified amid production runs.^[38] Such sequences fulfilled critical purposes in mechanical printing and typing systems, including evaluating keyboard responsiveness under repeated use, assessing font kerning (the adjustment of space between letter pairs for visual balance), and verifying print alignment in early hot-metal machines.^[18] For instance, "etaoin shrdlu" incorporated frequent letter combinations like "et" and "in," allowing operators and proofreaders to quickly detect inconsistencies in type spacing or machine calibration during setup and maintenance.^[37] A unique artifact of this era, "shrdlu" (the latter half of the phrase) occasionally persisted in newspapers as typographic errors until the decline of hot-type printing in the 1970s, with the New York Times documenting its final use on July 2, 1978, marking the end of Linotype operations at the publication.^[39]

Latin-Derived Placeholders

Latin-derived placeholders, commonly known as Lorem ipsum, consist of scrambled sections of classical Latin text used as neutral filler in graphic design, typesetting, and publishing to simulate the appearance of readable content without distracting from layout elements.^[40] This text originates from the philosophical work De finibus bonorum et malorum (On the Ends of Good and Evil), written by the Roman orator Cicero in 45 BCE, specifically drawing from sections 1.10.32 and 1.10.33.^[40] The scrambling process, which transformed the original coherent prose into nonsensical yet rhythmically similar passages, likely began in the 1500s when an unknown printer created a specimen book of type, though its widespread adoption occurred in the 1960s through Letraset dry-transfer sheets used by designers.^[40]^[14] The standard Lorem ipsum passage begins with "Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua," followed by additional phrases that maintain a prose-like flow.^[14] This version incorporates intentional corruptions and truncations of Cicero's original words—for instance, "lorem" derives from "dolorem" (meaning "pain" or "sorrow")—to ensure the text remains illegible while preserving some recognizable Latin vocabulary and sentence structures that mimic natural reading rhythm without conveying any specific meaning.^[40] Such alterations promote neutrality, allowing focus on typographic and visual elements rather than semantic interpretation.^[14] Variations of Lorem ipsum extend beyond the core passage to include longer excerpts, sometimes spanning entire chapters of Cicero's work adapted into placeholder form, providing more substantial blocks for complex layouts.^[40] Multilingual adaptations also exist, such as French or Spanish versions that substitute equivalent scrambled Romance language text while retaining the rhythmic qualities of the original.^[41] These adaptations ensure cultural and linguistic relevance in international design contexts. Digital generators, popularized since the 1980s with software like Aldus PageMaker, automate the production of these variations for modern workflows.^[40]

Pangrams and Typing Phrases

Pangrams and structured English phrases have long served as essential tools in typing practice and typeface demonstration, providing concise yet comprehensive samples that exercise all keyboard keys or showcase alphabetic variety. One prominent example is the phrase "Now is the time for all good men to come to the aid of the party," which was used by typewriter expert Frank McGurrin during a one-minute speed demonstration in 1889, typing it repeatedly to achieve 40 words per minute, and later proposed as a standard touch-typing drill by instructor Charles E. Weller around 1903, appearing in typing manuals to help students build speed and accuracy without focusing on meaning.^[42] A classic pangram, "The quick brown fox jumps over the lazy dog," exemplifies these phrases by incorporating every letter of the English alphabet at least once in just 35 characters, making it ideal for demonstrating font styles in catalogs and advertisements since its earliest recorded form in 1887.^[43] Adapted for typewriter sales pitches and typing exercises in the late 19th century, it ensures even distribution across the keyboard, allowing typists to practice all keys uniformly while publishers could verify character rendering in new typefaces.^[43] Such phrases evolved from telegraphy test sentences used by operators to check line clarity and speed, transitioning to typewriter promotions as mechanical keyboards gained prominence.^[44] These tools prioritized practical utility over literary value, with pangrams like the fox sentence highlighting alphabetic completeness for design validation and typing drills emphasizing keystroke efficiency to train muscle memory. By the early 20th century, they became staples in education and industry, underscoring the shift from manual telegraphy to automated typing technologies.

Specialized and Technical Uses

In Film and Media Production

In film and media production, filler text has long served as a practical tool for creating printed props, particularly in low-budget scenarios where custom content creation is impractical. During the 1940s to 1960s, B-movies frequently employed the "spinning newspaper" trope to convey off-screen plot developments through montages of rotating front pages. These props, often produced by specialized companies like the Earl Hays Press—established in 1915—featured a prominent plot-relevant headline accompanied by smaller, unrelated filler headlines to simulate authentic newspaper layouts without the need for bespoke printing.^[45]^[46] Common filler examples included "New Petitions Against Tax" and "Building Code Under Fire," which appeared repeatedly across productions to fill column space and maintain visual density during brief on-screen appearances.^[47] The primary purpose of such filler text was efficiency: it allowed filmmakers to repurpose stock templates, avoiding legal issues with real publications and reducing costs for props that appeared only momentarily in montages or as background elements. This approach simulated news tickers, courtroom documents, or urban signage, providing a sense of realism while prioritizing narrative momentum over detailed journalism. In many cases, these newspapers combined a single invented main headline with recycled subtext from prior props, blending authenticity with invention to enhance visual storytelling without drawing undue attention to the text itself.^[48]^[47] In modern productions, filler text persists in both practical and digital contexts, particularly for documents and signage in low- to mid-budget films. This mirrors broader practices where placeholder phrases mimic legal or official jargon to fill props quickly. Similarly, the Earl Hays Press's recurring filler newspaper—first printed in the 1960s—continues to appear in contemporary media, including films like No Country for Old Men (2007) and TV series such as Modern Family, demonstrating the enduring utility of standardized text for visual authenticity.^[49] With the rise of CGI in the streaming era post-2020, filler text has adapted to digital workflows, where it populates virtual props in Netflix originals and similar platforms to expedite VFX rendering and prop design. In these contexts, nonsensical or generic text fills screens, billboards, or interfaces during pre-visualization, allowing artists to focus on composition before final content integration—much like traditional greeking but optimized for 3D modeling and compositing. This evolution maintains filler text's role in balancing production speed and visual impact amid tighter budgets and faster turnaround times.^[45]

Network Testing Protocols

The Character Generator Protocol (CHARGEN), defined in RFC 864 published in 1983, establishes a standardized service for generating streams of filler text in the form of repeating ASCII character patterns to facilitate network diagnostics.^[50] This protocol operates by outputting lines consisting of 72 printable ASCII characters, ranging from exclamation mark (!) to tilde (~), in a modular pattern where each subsequent line shifts the starting character by one position modulo 95, ensuring a continuous cycle without regard to input data.^[50] The output terminates each line with a carriage return and line feed, producing a horizontal format by default, though vertical streams can be supported optionally for specific testing needs.^[50] CHARGEN serves primarily as a tool for debugging network connectivity, validating TCP and UDP implementations, and performing basic diagnostics on peripherals such as printers, by providing a predictable, high-volume stream of meaningless data.^[50] It runs on port 19 for both TCP and UDP transports; in TCP mode, it delivers an unending stream until the connection is closed, ideal for bandwidth measurement and throughput testing, while UDP mode responds to each incoming datagram with a single packet containing 0 to 512 characters from the standard pattern.^[50] These filler text streams enable administrators to assess packet loss, latency, and protocol reliability without complex data dependencies.^[50] As a de facto standard originating from the ARPANET era, CHARGEN remains relevant in 2025 for cybersecurity simulations, particularly in replicating distributed denial-of-service (DDoS) amplification attacks that exploit its reflective response mechanism.^[51] Recent analyses highlight its ongoing utility in training environments to model DrDoS variants, where spoofed requests trigger amplified filler text floods to overwhelm targets.^[52] This persistence underscores its role in evolving network security practices, tied to foundational ASCII sets that inform broader character handling standards.^[50]

Unicode and Character Handling

In modern text systems, the Unicode replacement character, denoted as U+FFFD and typically rendered as a black diamond containing a white question mark (�), serves as a standardized fallback glyph for unrenderable or unknown code points. This symbol indicates situations where a character cannot be properly decoded or represented, such as when an invalid UTF-8 sequence is encountered or when text from legacy encodings like ISO-8859-1 maps to an unmappable Unicode point; for instance, a corrupted encoding of "é" (U+00E9) in the word "café" might result in � appearing in its place during text processing.^[53] The primary purpose of U+FFFD is to provide a safe, non-destructive substitute in software implementations, preventing application crashes or garbled output during internationalization and text interchange. By substituting for missing or erroneous characters, it maintains the integrity of the text stream while signaling the need for error handling, such as in web browsers or document viewers where font support varies across devices. This mechanism is essential for robust handling of diverse scripts in global applications, ensuring that users encounter a visible indicator rather than invisible or crashing content.^[53]^[54] Rendering variations of unrenderable characters extend beyond the standard � glyph, particularly in contexts where fonts lack support for specific code points. In East Asian text processing, unsupported characters often appear as "tofu"—small, empty rectangular boxes (□)—a term derived from the visual resemblance to Japanese bean curd blocks, commonly used in systems like those handling CJK (Chinese, Japanese, Korean) scripts when glyphs are absent. Browser implementations exhibit further differences; for example, Chrome and Firefox may default to � for decoding errors but display tofu for valid yet unsupported code points, while Safari might use platform-specific boxes, influencing consistency in web accessibility.^[54]^[55] The replacement character was standardized in Unicode 1.1, released in June 1993, as a core component of the encoding architecture to address early challenges in multilingual text representation. Its role has grown critical for web accessibility standards, where it helps conform to guidelines like WCAG by providing predictable error visualization without disrupting layout. Recent mobile operating system updates have highlighted ongoing challenges in Unicode handling, with post-iOS 18 (released 2024) and Android 15 (released 2024) versions reporting increased instances of tofu or � for certain scripts and emojis due to incomplete font integrations. These issues, documented in developer forums and bug reports, underscore the need for updated font fallbacks to mitigate rendering discrepancies in apps processing dynamic Unicode content.^[56]

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Spinning Newspaper Injures Printer – Part 1: The Repeat Offenders
Apr 1, 2016 · ... New Petitions Against Tax, which is another that's scratching my brain), we definitely have reuse of New Tax Bill May Be Needed: Arctic Fury ...
[48]
Famous Recurring Newspaper - The Earl Hays Press
Out of stockOur original filler 6-column newspaper used in a variety of films, including Silence of the Lambs, No Country for Old Men, and Texas Chainsaw Massacre.
[49]
RFC 864: Character Generator Protocol
### Summary of Character Generator Protocol (RFC 864)
[50]
CharGEN cyberattacks based on the CharGEN protocol - INCIBE
May 31, 2024 · This new article is going to address how the CharGEN protocol is used as a tool to develop a DrDoS variant of a DoS cyberattack.Missing: simulations | Show results with:simulations
[51]
[PDF] Cyber Public Health Report for the ASEAN Region - CyberGreen
Nov 5, 2024 · CHARGEN is a legacy protocol originally used for testing and debugging that simply responds with meaningless data when it receives a request.
[52]
Special Areas and Format Characters - Unicode
#U+FFFD. The U+FFFD REPLACEMENT CHARACTER is the general substitute character in the Unicode Standard. It can be substituted for any “unknown” character in ...<|control11|><|separator|>
[53]
Display Problems? - Unicode
Apr 4, 2024 · Unicode display problems include lack of font support (tofu glyphs), incorrect shaping, and incorrect characters (garbled text).
[54]
What is Tofu? – Codepoints Blog
Mar 31, 2023 · Trying to read text and instead seeing only little white boxes where letters should be? There's a name for this phenomenon.
[55]
unicode characters did not show on iOS 18 and Mac OS 15 #97568
Sep 27, 2024 · After updating to Mac OS 15, unicode characters did not work. also on iOS 18 the same issue. before this ,all works fine on both platforms.Missing: rendering Android replacement