Impera
Impera is the fifth studio album by the Swedish rock band Ghost, released on March 11, 2022, through Loma Vista Recordings.[1] Produced by Klas Åhlund and mixed by Andy Wallace, the album features 12 tracks and marks the introduction of Papa Emeritus IV as the band's frontman, succeeding the storyline from their previous release, Prequelle.[2] It debuted at number two on the Billboard 200 chart, selling 70,000 equivalent album units in its first week in the United States, and achieved the largest traditional album sales week for any album in 2022 with 62,500 copies sold.[3][4] The album's concept transports Ghost's narrative forward from the 14th-century Black Plague setting of Prequelle to a futuristic era of imperial expansion, exploring themes of isolation, demigod worship, and the colonization of both space and the mind.[2][1] Lyrically incisive and politically charged, Impera critiques a new world order dominated by despots—whether real, imagined, digital, or corporeal—while delivering hypnotic, darkly melodic hard rock anthems.[1] Key singles include "Call Me Little Sunshine," the album's lead single that topped the Billboard Mainstream Rock Airplay chart, and "Spillways," which also garnered significant radio play.[5][6] Impera received widespread acclaim for its ambitious production and thematic depth, winning the 2022 American Music Award for Favorite Rock Album and supporting Ghost's Imperatour, a global arena tour that ran from 2022 to 2023.[3] The album's success solidified Ghost's position as a leading force in modern hard rock, blending occult theatrics with accessible, stadium-ready songwriting.[7]Background and development
Concept and writing
Impera was conceived as a concept album narrating the cyclical rise and fall of empires, weaving a story arc that traces imperial ambition from inception to collapse, with allegorical ties to modern politics, religion, and societal decay. Tobias Forge, the creative force behind Ghost, drew primary inspiration from the 2010 book The Rule of Empires: Those Who Built Them, Those Who Endured Them, and Why They Always Fall by Timothy H. Parsons, which he acquired around 2014 and used to explore themes of power and decline.[8] The album's title, "Impera," stems from the Latin verb imperare, meaning "to command" or "to rule," and echoes the principle of divide et impera ("divide and rule"), which Forge identified as a recurring tactic in authoritarian regimes throughout history.[9][10] Forge initiated the songwriting process in early 2020, amid the isolation of the COVID-19 pandemic, which he later described as a period that amplified his immersion in historical texts and fueled the album's thematic depth. Confined at home, he read extensively on imperial history, allowing him to craft a cohesive narrative across the tracks, prioritizing a dramatic progression over standalone songs, with influences from his daily exposure to global "madness" during the lockdowns providing raw emotional undercurrents.[8][11][10] Central to the album's structure is the development of key tracks that anchor its imperial motif, such as "Imperium," which serves as an overture-like opener evoking a militaristic procession to establish the tone of conquest and dominion. Similarly, "Kaisarion" emerged as a character-driven piece inspired by Caesarion, the son of Cleopatra and Julius Caesar, symbolizing the tragic inheritance of power and its fleeting legacy within the broader empire narrative. Forge approached songwriting autocratically, composing melodies, lyrics, and arrangements in isolation before involving collaborators, ensuring the conceptual integrity remained intact. This process, spanning roughly two years, transformed personal reflections on isolation into a panoramic historical allegory.[8][11][12]Announcement and pre-release
Ghost announced their fifth studio album, Impera, on January 20, 2022, through a press release and social media posts, revealing a release date of March 11 via Loma Vista Recordings. The announcement coincided with the premiere of the music video for the single "Call Me Little Sunshine," directed by Matt Mahurin and starring actress Ruby Modine alongside Papa Emeritus IV, which served as the initial teaser for the album's thematic shift toward imperial grandeur and historical decline.[13] Building anticipation, Ghost had previewed material from Impera earlier with the release of "Hunter's Moon" on September 30, 2021, as the title track for the soundtrack of the film Halloween Kills, marking the band's first new music in over two years and subtly introducing the album's era without explicit confirmation at the time. Following the official announcement, the band debuted "Kaisarion" live during their U.S. tour opener with Volbeat on January 25, 2022, in Reno, Nevada, providing fans with an unrecorded glimpse into the album's sound just days after the reveal.[14][15] Pre-release promotion featured teaser campaigns on social media, incorporating cryptic imagery of imperial motifs such as grand architecture and Roman-inspired iconography, which underscored the narrative of empires' rise and fall and signaled a new chapter post-Prequelle. Loma Vista Recordings amplified the buzz through coordinated marketing, including vinyl pre-orders and digital previews. In interviews, frontman Tobias Forge hinted at a poppier direction for Impera, emphasizing '70s and '80s-inspired pop-rock hooks and melodies to broaden the band's theatrical appeal.[16]Recording and production
Studio sessions
The recording sessions for Impera began in pre-production during April 2020 but were significantly delayed by the COVID-19 pandemic, with primary tracking commencing in January 2021 at Atlantis Metronome Studios and Apmamman Studio in Stockholm, Sweden. The core sessions lasted six weeks under producer Klas Åhlund, extending through July 2021 with additional work, including choir recordings, at Capitol Studios in Los Angeles, California.[17][18] Tobias Forge led the process by handling lead vocals and keyboards, while session musicians provided the instrumentation to capture a live band energy, even as pandemic restrictions limited in-person collaboration. Opeth guitarist Fredrik Åkesson contributed guitar parts, describing Forge as a focused and efficient leader who prioritized precise performances without unnecessary takes. To overcome logistical hurdles from COVID-19, elements like vocal tracking were conducted in isolation, and the team employed remote tools for coordination.[19][20][21] Efficiency was key amid the disruptions, with Forge and Åhlund operating two studios in parallel—running back and forth to track different elements simultaneously—allowing the project to progress despite the challenges. This approach helped preserve the album's cohesive, epic sound, incorporating orchestral arrangements for heightened grandeur. The sequencing of tracking followed the album's intended narrative arc, ensuring instrumental and vocal layers built progressively to support its thematic flow.[22][17]Production team
The primary producer for Impera was Klas Åhlund, who previously helmed the band's 2015 album Meliora.[23] Åhlund, a Swedish producer known for his work with pop artists such as Robyn and Kent, was selected by Ghost's leader Tobias Forge to infuse the album's occult rock foundation with polished, hook-driven elements, drawing on his expertise in crafting accessible pop-rock structures.[24] This collaboration aimed to elevate the band's sound toward broader commercial appeal while maintaining its theatrical heaviness, as evidenced in tracks like "Spillways" and "Call Me Little Sunshine," where additional production came from Fat Max Gsus on select songs and Vargas & Lagola on others.[25] Mixing duties were handled by renowned engineer Andy Wallace at Soundmine Recording Studio in East Stroudsburg, Pennsylvania, with assistance from Dan Malsch; Wallace's involvement brought a crisp, dynamic finish to the album's layered arrangements, consistent with his credits on rock staples like Nirvana's Nevermind.[13] Mastering was completed by Ted Jensen at Sterling Sound in Nashville, Tennessee, ensuring a balanced loudness and clarity that suited Impera's symphonic scope across vinyl, CD, and digital formats.[25] These external talents underscored the production's emphasis on grandeur, with recording spanning multiple Stockholm studios from April 2020 to July 2021 to accommodate the expanded sonic palette.[26]Composition
Musical style
Impera represents a fusion of Ghost's signature occult rock foundation with arena rock grandeur, pop accessibility, and progressive flourishes, incorporating influences from Queen's theatrical bombast, ABBA's melodic hooks, and the polished sheen of classic Swedish pop acts. This blend creates a sound that is both grandiose and radio-friendly, emphasizing soaring choruses and rhythmic drive over raw aggression.[27][28] The album's structure spans 12 tracks over 46 minutes and 25 seconds, opening with the symphonic and militaristic "Imperium" that sets an epic tone through orchestral swells and marching percussion, and progressing to expansive anthems before closing with the triumphant, string-laden instrumental "Respite on the Spital Fields," which evokes a sense of resolution with its building crescendos. Instrumentation is characterized by layered electric guitars delivering crunchy riffs and harmonies, pulsating synthesizers for atmospheric depth, and thunderous drums that propel the bombastic arrangements, all polished to a high sheen. Compared to the brooding, plague-infused darkness of 2018's Prequelle, Impera's production adopts a brighter, more uplifting palette, with increased emphasis on melodic interplay and dynamic shifts to enhance its theatricality.[29][30] Standout tracks exemplify this stylistic evolution: "Spillways" channels disco rhythms and infectious pop grooves with funky basslines and handclaps, transforming into a stadium-ready chorus that underscores the album's crossover appeal. In contrast, "Dominion" merges hard rock crunch with doo-wop vocal stylings and retro harmonies, featuring twangy guitar leads and a mid-tempo swing that nods to 1950s influences while maintaining the band's heavy edge. These elements collectively amplify Impera's cohesive yet varied sonic landscape, prioritizing anthemic accessibility without diluting its rock core.[31][32]Lyrical themes
The lyrics of Impera revolve around a central narrative depicting the rise and inevitable fall of a fictional empire, framed within a Victorian-era aesthetic to symbolize periods of profound societal transformation and collapse due to overextension.[33][34] This story arc explores themes of power's corrupting influence, drawing from historical precedents like the burning of ancient knowledge repositories to illustrate how ignorance and fanaticism pave the way for imperial decline.[35] The song "Kaisarion" draws from the murder of the philosopher Hypatia by a Christian mob in the Caesareum in Alexandria in 415 AD, where she sought refuge; this event symbolizes the destruction of pagan knowledge and enlightenment by a new religious order, serving as a metaphor for ignorance eradicating understanding, as described by Forge.[36][37] Tobias Forge has cited influences like Timothy Parsons' The Rule of Empires: Those Who Built Them, Those Who Endured Them, and Why They Always Fall to underscore the cyclical nature of dominance and ruin, without prescribing direct modern parallels.[34] Recurring motifs throughout the album highlight imperial ambition, war, loss, and fleeting redemption, often laced with allegories to fascism, religious zealotry, and the cult of celebrity as mechanisms of control. In "Twenties," the lyrics critique the hubris of 2020s political ambition and authoritarian rise, with lines urging a "hatchet man" to seize command amid modern elitism and division (e.g., allusions to U.S. politics), foreshadowing the empire's downfall.[38] "Hunter's Moon" shifts to motifs of war and survival, incorporating the Latin battle cry "Mors tua, vita mea" ("Your death, my life") to depict ruthless conquests that sustain empires at the cost of humanity.[39] Redemption appears in "Call Me Little Sunshine," where a demonic figure—positioned as Mephistopheles or a "little sunshine"—offers solace in isolation and doubt, blending satanic temptation with themes of demi-god worship and mental colonization.[40] These elements collectively serve as cautionary tales, inspired by biblical imagery of fall from grace and 20th-century authoritarian rises, emphasizing self-destructive societal mechanisms without overt political endorsement.[11] A notable interpretive layer emerges in "Watcher in the Sky," which critiques surveillance and internal paranoia through an Orwellian lens, imploring scientists to redirect their gaze from cosmic exploration to earthly threats within the empire, signaling the onset of collapse from within.[42] Forge's intent, as revealed in interviews, positions these lyrics as reflective of broader human sentiments like hope, regret, and self-deceit, mirroring how empires—and by extension, modern institutions—crumble under their own weight, often amplified by the album's theatrical musical delivery for heightened dramatic effect.[10][33]Release and promotion
Release details
Impera was released on March 11, 2022, by the Swedish rock band Ghost through Loma Vista Recordings in partnership with Concord Records, marking their fifth studio album and a global distribution effort that positioned it as a major label-backed project.[13] The album launched amid a coordinated promotional push, including a special pre-release event titled "Live From The Ministry" streamed on YouTube on March 10, 2022, which featured exclusive content and built immediate buzz for the following day's availability.[43] Participating record stores worldwide hosted midnight listening parties to celebrate the launch, allowing fans early access and immersive playback experiences that aligned with the band's occult rock aesthetic.[44] The album was made available in multiple physical and digital formats to cater to diverse collector preferences. Standard editions included compact disc (CD) with a 28-page illustrated booklet containing lyrics and credits, as well as vinyl records in black and limited colored variants such as aqua blue and blue marble.[45][46] Digital download and streaming options were offered through platforms like Spotify, enabling immediate global access upon release.[47] Special editions, including tour variants of the CD with enhanced packaging and later deluxe box sets featuring additional booklets, posters, and exclusive vinyl pressings, extended the initial rollout for dedicated fans.[48] The album's packaging emphasized its thematic depth, with cover artwork created by Polish illustrator Zbigniew M. Bielak, depicting the ruins of an imperial bust overgrown with foliage to symbolize the rise and inevitable decay of empires—a visual motif that reinforced Impera's conceptual narrative.[35] In interviews around the launch, frontman Tobias Forge highlighted the album's theatrical rollout, describing it as a "proper" and "slow burn" approach that evoked the grandeur of historical spectacles while tying into the record's exploration of authoritarian cycles.[35][8] This artistic direction, from Bielak's intricate, decay-infused illustrations to the overall presentation, underscored Impera's intent as a cohesive, immersive statement on power and decline.[49]Singles
The promotion of Impera began with the release of "Hunter's Moon" as a promotional single on September 30, 2021, for the soundtrack of the film Halloween Kills, with the track later included on the album. The official music video, directed by Amanda Demme, features horror-themed visuals including masked figures and eerie nighttime pursuits, tying into the movie's slasher narrative. Initial reception lauded the song's driving riffs and anthemic chorus, positioning it as a strong teaser for Ghost's evolving sound.[50][51][52] "Call Me Little Sunshine" served as the first official single from Impera, released on January 20, 2022, alongside the album announcement. The accompanying music video, directed by Durmot Pictures, depicts Papa Emeritus IV in a bright, idyllic countryside setting with harmonious backing vocals, offering an ironic, lighthearted twist on the band's typically dark persona. The track earned immediate praise for its retro doo-wop elements and uplifting melody, and it received a Grammy nomination for Best Metal Performance in 2023.[53][54][55] Kaisarion was previewed as an unreleased track during Ghost's live performances starting January 25, 2022, ahead of the album's release, though fan-recorded videos captured its debut with ancient Egyptian-inspired lyrical references to empire and prophecy. The song's initial reception highlighted its bombastic opener and thematic depth, aligning with Impera's exploration of historical conquests.[14][56][57] "Spillways" was issued as a single on July 27, 2022, featuring a music video directed by Michael Ragen that incorporates disco-rock flair and cardinal motifs in a surreal, ritualistic procession through opulent halls. Critics and fans initially celebrated the song's groovy bassline and catchy refrain, noting its blend of pop accessibility with occult undertones as a standout from the album. The track topped the US Rock chart, underscoring its radio appeal.[58][59]Imperatour
The Imperatour was the concert tour by the Swedish rock band Ghost in support of their fifth studio album, Impera, spanning from January 25, 2022, to October 7, 2023, and comprising over 100 dates across Europe, North America, South America, and Australia. Ghost headlined all legs of the tour, with varying support acts including Twin Temple for the initial North American leg in January and February 2022 co-headlined with Volbeat, Uncle Acid & the Deadbeats for the subsequent European arena run from April to June 2022, Mastodon and Spiritbox for the North American leg in September and October 2022, and Amon Amarth for the Re-Imperatour U.S.A. extension in August and September 2023.[60][61][62] The tour featured elaborate stage productions centered around the persona of Papa Emeritus IV, transforming arenas into grand, ritualistic cathedrals complete with pyrotechnics, confetti cannons, and a nine-member lineup of Nameless Ghouls. Setlists for the Imperatour emphasized material from Impera, typically incorporating 8 to 10 tracks per performance, such as "Imperium," "Kaisarion," "Rats," "Spillways," "Call Me Little Sunshine," and "The Future Is a Foreign Land," while blending in fan favorites from prior albums like "Cirice" from Meliora (2015) and "Square Hammer" from Popestar! (2016). The structure opened with the instrumental "Imperium" transitioning into "Kaisarion" and closed with "Square Hammer" for most shows, creating a narrative arc that highlighted the album's imperial themes. As the tour progressed, particularly during the 2023 extensions, setlists evolved to include covers from Ghost's Phantomime EP, such as Genesis's "Jesus He Knows Me" and Iron Maiden's "Phantom of the Opera," to promote the May 2023 release and add variety to the 19- to 20-song performances. Theatrical elements were integral, with Papa Emeritus IV's storyline building toward a dramatic "retirement" announced onstage during the final Brisbane show, marking the end of his tenure and symbolizing the band's evolving mythology.[63][64][65][66] Key events included festival appearances like Ghost's headline slot at Hellfest in Clisson, France, on June 18, 2022, where they delivered a high-energy set drawing over 60,000 attendees across the event, showcasing Impera tracks amid the festival's massive production.[67] The tour also featured record-setting attendance at major venues, such as the sold-out double nights at the Kia Forum in Inglewood, California, on September 11 and 12, 2023, which not only capped the U.S. leg but also served as the filming location for portions of Ghost's concert film Rite Here Rite Now, released in cinemas worldwide on June 20 and 22, 2024. These performances underscored the band's rising arena dominance, with the Re-Imperatour extensions in 2023 further amplifying promotion for Phantomime through live debuts of its tracks, extending the tour's reach and narrative closure.[68]Commercial performance
Chart performance
Impera achieved significant commercial success upon its release, debuting at number one on the albums charts in Sweden, Finland, and Germany. It also reached number two in the United Kingdom, Norway, the Netherlands, and Belgium, marking the band's highest chart positions in several of these territories. In Australia, the album entered at number three, and in France at number five.[69][70] In the United States, Impera debuted at number two on the Billboard 200, selling 70,000 equivalent album units in its first week, which represented the largest sales week for any album in 2022 up to that point. The album also topped the Billboard Top Rock Albums and Top Hard Rock Albums charts, marking Ghost's third consecutive number-one placement on both rankings. This strong debut underscored the band's growing popularity in the rock genre.[4][71] The album demonstrated sustained presence on streaming platforms, accumulating over 553 million streams on Spotify as of November 2025, reflecting its enduring appeal through digital consumption.[72] Its singles further bolstered chart performance: "Call Me Little Sunshine" topped the Mainstream Rock Airplay chart for two weeks, while "Spillways" peaked at number ten on the same chart. These achievements contributed to Impera's year-end rankings in the top 50 on albums charts in multiple countries, highlighting its streaming-driven longevity in 2022.[5][73]Certifications
Impera has achieved numerous sales certifications across various countries, reflecting its commercial success through physical sales, downloads, and streaming equivalents. In Sweden, the album was certified platinum by the Swedish Recording Industry Association (GLF) in 2024, denoting shipments of 40,000 units. The album also earned gold certifications in the United States by the RIAA in 2022 for 500,000 units, in the United Kingdom by the BPI in 2023 for 100,000 units, in Canada by Music Canada in 2022 for 40,000 units, in Australia by ARIA in 2023 for 35,000 units, and in Poland by ZPAV in 2023 for 15,000 units.[74][75] The lead single "Spillways" attained platinum status in the United States from the RIAA in 2023, equivalent to 1,000,000 units including streams, and gold certifications in multiple countries such as Canada (Music Canada, 2023), Australia (ARIA, 2023), and the United Kingdom (BPI, 2023).[76][77] Other singles from the album, including "Call Me Little Sunshine," followed suit with RIAA gold certification in the US in 2025 for streams and sales equating to 500,000 units, alongside gold awards in Canada and several European markets.[78] Streaming has significantly contributed to these achievements, with the RIAA awarding gold certifications to tracks like "Spillways" and "Call Me Little Sunshine" based on on-demand audio and video streams equivalent to 500,000 album units under updated criteria.Reception
Critical reviews
Impera received generally positive reviews from music critics, earning an aggregate score of 84 out of 100 on Metacritic based on 8 reviews, indicating universal acclaim.[79] The album was praised for its polished production and anthemic catchiness, often highlighted as a natural evolution in Ghost's sound that blends hard rock with pop sensibilities.[80] However, some reviewers noted criticisms regarding formulaic elements and a perceived dilution of the band's earlier occult intensity.[31] Key publications lauded the album's accessibility and thematic ambition. Rolling Stone described Impera as a bold exploration of empire and decay, emphasizing Tobias Forge's shift toward overt social commentary while maintaining the band's theatrical heavy-metal fiction.[35] Kerrang! awarded it 4 out of 5 stars, calling it one of Ghost's strongest works and praising its power ballads and overall cohesion that pushes the band toward mainstream heights.[28] NME gave it 4 out of 5 stars, appreciating the thematic depth on historical cycles of rise and fall but observing a lighter occult vibe compared to prior releases, resulting in a "delicious pop-rock proposition."[81] Common themes across reviews included appreciation for the album's conceptual unity, which weaves a narrative of imperial ambition and collapse, and Forge's evolving vocals that deliver soaring, emotive performances.[82] Critics frequently commended the production's grandeur, with tracks like "Spillways" and "Call Me Little Sunshine" cited as exemplars of catchy, arena-ready hooks.[27] On the critical side, some faulted the Ghouls' persistent anonymity for contributing to a sense of repetitiveness, while others viewed the pop-leaning accessibility as bordering on formulaic, potentially alienating fans seeking heavier occult rock.[31] While professional critics were largely enthusiastic, a divide emerged with fan reception, as evidenced by a 3.1 out of 5 average rating on Rate Your Music from over 4,700 users, lower than the critical consensus and reflecting mixed views on its live potential and deviation from earlier intensity.[83]Accolades
Impera received several notable awards and nominations following its release, recognizing its artistic and commercial impact within the rock and metal genres. In 2022, the album won the American Music Award for Favorite Rock Album, marking Ghost's first victory in that ceremony's newly introduced rock category.[3] It also secured the iHeartRadio Music Award for Rock Album of the Year at the 2023 ceremony, honoring its standout performance among contemporary rock releases.[84] The following year, Impera earned the Swedish Grammis for Best Hard Rock/Metal Album, with Ghost also receiving nominations in the Album of the Year and Artist of the Year categories at the same event.[85] Additionally, the single "Call Me Little Sunshine" from the album was nominated for a Grammy Award in the Best Metal Performance category in 2023.[86] Ghost garnered multiple nominations at the 2023 Heavy Music Awards, presented in association with Kerrang!, including nods for Album of the Year and Best Live Act tied to Impera's promotion.[87] The album was ranked fifth on Kerrang!'s list of the 50 best albums of 2022, praised for its thematic depth and musical execution.[88] It also placed 43rd on Loudwire's 50 Best Rock + Metal Albums of 2022, highlighting its role in the year's heavy music landscape.[89]Credits
Track listing
The standard edition of Impera features 12 tracks with a total runtime of 46 minutes and 25 seconds. The sequencing reflects a conceptual narrative arc, progressing from the rise and expansion of an empire to its decay and fall.[90][23]| No. | Title | Length | Writer(s) |
|---|---|---|---|
| 1. | "Imperium" | 1:40 | Tobias Forge |
| 2. | "Kaisarion" | 5:02 | Tobias Forge, Joakim Berg |
| 3. | "Spillways" | 3:16 | Tobias Forge, Salem Al Fakir, Vincent Pontare |
| 4. | "Call Me Little Sunshine" | 4:44 | Tobias Forge, Max Grahn |
| 5. | "Hunter's Moon" | 3:16 | Tobias Forge, Max Grahn |
| 6. | "Watcher in the Sky" | 4:58 | Tobias Forge, Klas Åhlund |
| 7. | "Dominion" | 1:22 | Tobias Forge |
| 8. | "Twenties" | 3:26 | Tobias Forge, Joakim Berg |
| 9. | "Darkness at the Heart of My Love" | 4:57 | Tobias Forge, Klas Åhlund |
| 10. | "Griftwood" | 3:21 | Tobias Forge, Salem Al Fakir, Vincent Pontare |
| 11. | "Bite of Passage" | 2:13 | Tobias Forge |
| 12. | "Respite on the Spital Fields" | 5:04 | Tobias Forge |
Personnel
Ghost- Tobias Forge – lead vocals, guitars, bass, keyboards (as Papa Emeritus IV)[91]
- A Group of Nameless Ghouls – guitars, bass, drums, keyboards, programming
- Joakim Berg – backing vocals (on "Kaisarion")[23]
- Martin Hederos – piano (on "Kaisarion")[36]
- Klas Åhlund – guitar (tracks 6, 9), synthesizer programming (track 6)
- Fredrik Åkesson – lead and rhythm guitars[92][93]
- Ricard "Hux" Nettermalm – drums[33]
- Klas Åhlund – producer[91][94]
- Andy Wallace – mixing[91][95]
- Dan Malsch – mixing engineer[26]
- Martin Eriksson Sandmark – recording engineer[26][96]
- Stefan Boman – recording engineer[26][96]
- Ted Jensen – mastering engineer (at Sterling Sound, New York City)[95][45]
Charts and certifications
Weekly charts
Impera achieved notable success on weekly album charts worldwide upon its release, debuting at number one in Sweden and Finland while reaching the top five in the United States and other key markets.[98][70] The album's performance was bolstered by strong physical sales and streaming, leading to extended runs on genre-specific rankings. Re-entries occurred in subsequent years, influenced by the Imperatour, extending its chart presence into 2025.[99][71]| Chart | Peak Position | Weeks at Peak | Total Weeks on Chart (as of November 2025) |
|---|---|---|---|
| Sverigetopplistan (Sweden) | 1 | 2 | 104 |
| Suomen virallinen lista (Finland) | 1 | 1 | 12 |
| Billboard 200 (United States) | 2 | 1 | 2 |
| ARIA Albums (Australia) | 3 | 1 | 2 |
| Billboard Canadian Albums (Canada) | 3 | 1 | 5 |
| Offizielle Deutsche Charts (Germany) | 1 | 1 | 10 |
| Official Albums (United Kingdom) | 2 | 1 | 10+ |
| Top Rock Albums (United States) | 1 | 4 | 52 |
| Official Rock & Metal Albums (United Kingdom) | 1 | 45 | 77 |
Year-end charts
Impera achieved notable placements on several year-end album charts in 2022, reflecting its strong commercial performance following its March release. In the United States, it ranked at number 28 on the Billboard 200 year-end chart, marking Ghost's highest year-end position to date on the all-genre ranking. The album also secured number 12 on the UK Albums Chart year-end compilation, underscoring its appeal in the British market where it had debuted at number 2. In Ghost's home country, Impera performed even more impressively, reaching number 5 on the Swedish year-end albums chart after spending 18 weeks in the top ranks overall.| Country/Chart | Position |
|---|---|
| US Billboard 200 | 28 |
| UK Albums Chart | 12 |
| Sweden Albums Chart | 5 |