Jesa
Jesa (제사) is a traditional Korean ceremonial rite performed to commemorate and honor departed ancestors, expressing filial piety and gratitude as if they were still alive, while seeking their blessings for the family's well-being.[1] Rooted in Confucian principles, it involves meticulous preparations including food offerings, ancestral tablets or portraits, and ritual bows, typically held at family shrines, homes, or gravesites.[1] The practice of Jesa originated in the Goryeo dynasty (918–1392) with the introduction of Neo-Confucianism from China, which emphasized ancestor veneration as a core tenet of social harmony and moral order.[1] It was further formalized during the Joseon dynasty (1392–1910), drawing from the influential Family Rituals by Chinese philosopher Zhu Xi (Chu Hsi), which standardized procedures and limited commemorations to four generations of ancestors to maintain ritual simplicity and familial focus.[1] Initially, the scope varied by social rank—such as three generations for officials of grade 6 or higher—but it evolved into a widespread custom across Korean society, adapting local elements while preserving Confucian essence.[1] Jesa encompasses several distinct types, each tied to specific occasions and purposes: Sasije (four seasonal rites honoring four generations), Chojoje (for clan progenitors), Seonjoje (for ancestors between the progenitor and great-great-grandfather), Nyeje (for a deceased father), Giyilje (on death anniversaries), and Myoje (at gravesites, often in spring and autumn).[1] The ceremony unfolds in stages, beginning with purification, followed by invocations to summon ancestral spirits, offerings of rice, fruits, meats, and liquor arranged on a low table, ritual bows by family members in traditional attire, and concluding with a shared meal symbolizing communion with the ancestors.[1] Though influenced by modernization and colonial-era simplifications—such as reducing generations to two under Japanese rule—Jesa remains a vital expression of Korean cultural identity, blending reverence for the past with contemporary family bonds.[1]Overview
Definition and Etymology
Jesa is a traditional Korean ritual ceremony performed to honor deceased ancestors through offerings of food, drink, and incense, expressing gratitude for their guidance, seeking blessings for the living, and fostering familial harmony. Rooted primarily in Confucian principles of filial piety (hyo), which emphasize respect for elders and ancestors, Jesa also incorporates prehistoric shamanistic influences that view the spirits of the departed as active participants in family life.[1][2][3] The term "Jesa" (祭祀) is a Sino-Korean compound, with "je" (祭) denoting sacrifice or ritual offering and "sa" (祀) signifying worship or veneration of spirits, distinguishing it from analogous practices in China (such as jisi) or Japan (such as sosen saishi) by its emphasis on familial and seasonal cycles integrated with Korean agrarian traditions. Archaic variants include terms like "chongmyo" (宗廟), referring to royal ancestral shrines where state-level Jesa were conducted.[2][4]Cultural and Religious Significance
Jesa practices in Korea exemplify a syncretic integration of Confucianism, shamanism, and Buddhism, shaping the ritual's spiritual and ethical dimensions. Confucianism forms the core structure, emphasizing filial piety (hyo) as a cornerstone of social harmony and moral order, with rites formalized according to Zhu Xi's Family Rituals (Jiali) to honor ancestors and maintain lineage continuity.[1] Shamanism contributes indigenous elements of spirit veneration and communication, originating from prehistoric beliefs where ancestral souls are invoked to bless the living and avert misfortune.[3] Societally, Jesa reinforces family cohesion by gathering descendants for shared remembrance, thereby preserving ancestral lineage and fostering a sense of collective identity amid Korea's emphasis on communal ties. This function extends to major holidays like Chuseok, where ancestral offerings (charye) integrate Jesa into national celebrations of harvest and gratitude, underscoring its role in cultural continuity.[1] Philosophically, Jesa reflects the conviction that ancestral spirits actively influence the material world, necessitating rituals to sustain equilibrium between the realms of the living and the dead, thus promoting prosperity and moral balance. Traditionally, these rites are presided over by the eldest son as the household head, embodying patrilineal gender roles that position male heirs as stewards of spiritual obligations and family legacy.[3]Historical Development
Prehistoric and Mythical Origins
The mythical origins of Jesa are deeply intertwined with Korean foundational legends, particularly the Dangun myth, which portrays the ritual as an extension of ancient veneration practices honoring national founding ancestors. According to the legend recorded in the 13th-century text Samguk yusa, Hwanung, son of the heavenly king Hwanin, descended to earth and married a bear-woman who had transformed into human form after enduring trials of endurance and purification with mugwort and garlic; their son, Dangun, became the progenitor of the Korean people and founded Gojoseon in 2333 BCE. This narrative symbolizes the sacred bond between humans, animals, and divine forces, with the bear representing totemic shamanistic elements central to early Korean cosmology, where such figures were revered through communal rituals to ensure prosperity and continuity of the lineage.[5][6] Archaeological evidence from prehistoric sites underscores the shamanistic roots of ancestor veneration that prefigure Jesa, dating back to the Neolithic and Bronze Ages (c. 1500–300 BCE). Dolmens, megalithic tomb structures concentrated in regions like Gochang, Hwasun, and Ganghwa—comprising over 40% of the world's known examples—served as burial chambers where grave goods such as pottery, jade ornaments, bronze tools, and food offerings were interred, indicating rituals to sustain the deceased in the afterlife and maintain spiritual harmony with the living community. These practices reflect early animistic and shamanistic beliefs, where shamans mediated between the living and ancestral spirits through offerings and incantations, fostering tribal cohesion amid agrarian and hunter-gatherer societies.[7][6] The transition from these tribal shamanistic rites to more formalized ancestor worship occurred around the Gojoseon period (c. 2333 BCE–108 BCE), inferred from oral traditions and later historical accounts due to the absence of contemporary written records. In this era, shaman-led ceremonies evolved to emphasize collective veneration of progenitors, blending bear-totem symbolism from myths like Dangun's with practical offerings to secure divine favor for the nascent state, laying the groundwork for structured rituals that would later incorporate Confucian influences.[6]Evolution in Ancient and Medieval Korea
In the Three Kingdoms period (57 BCE–668 CE), ancestral rites integral to Jesa began integrating into royal and familial practices, marking a shift from shamanistic origins toward structured ceremonies honoring lineage and authority. In Goguryeo, kings performed elaborate rites at royal tombs to venerate founding ancestors, emphasizing sacred lineage as a source of legitimacy, as evidenced in tomb murals and historical annals depicting offerings of food and libations.[8] These rituals reinforced the dynasty's divine heritage, with annual commemorations at sites like the ancient capital of Pyongyang. In Baekje, early acceptance of Buddhism from the 4th century onward influenced ancestor veneration by blending indigenous spirit worship with Buddhist concepts of merit transfer to the deceased.[9] This fusion is apparent in archaeological finds from Baekje tombs, where Buddhist artifacts accompanied traditional grave goods. Following unification under Silla (668–935 CE), Jesa evolved into state-sponsored ceremonies at royal tombs, such as those in the Gyeongju complex, where offerings symbolized continuity between past rulers and the living court.[10] These rites increasingly blended with Buddhism, Korea's dominant faith, as monks led prayers and incense burnings to aid ancestral spirits' enlightenment, reflecting Silla's policy of religious syncretism after initial resistance.[11] During the Goryeo dynasty (918–1392 CE), this integration deepened, with royal Jesa at tombs like those of Taejo Wang Geon serving to legitimize the new regime through sacrifices that combined Buddhist invocations with Confucian hierarchy.[12] Korean Jesa also adapted Chinese models, particularly the Qingming Festival's emphasis on spring tomb visits and seasonal renewal, tailoring them to local cycles with autumn harvest offerings prominent in communal variants.[3] This selective incorporation, evident from the 7th century in Silla court records, prioritized Korea's agricultural calendar over strict Han Chinese timing, enhancing Jesa's role in fostering social harmony.[2]Institutionalization in the Joseon Dynasty
During the Joseon Dynasty (1392–1910), Jesa rituals were systematically institutionalized as a cornerstone of Neo-Confucian state ideology, transforming ancestral worship from earlier organic practices into codified national and familial obligations that reinforced social hierarchy and moral governance. Neo-Confucianism, adopted as the dominant philosophy by founder King Taejo, emphasized filial piety and ritual propriety, elevating Jesa to embody the dynasty's ethical framework and political legitimacy. This shift integrated Jesa into the administrative and legal systems, ensuring its performance across royal, elite, and communal levels to maintain cosmic harmony and ancestral blessings for the realm.[13][14] At the state level, Jesa reached its pinnacle through the Jongmyo Jerye, the royal ancestor worship ceremony held at the Jongmyo Shrine in Seoul, which enshrined spirit tablets of Joseon kings and queens. Established shortly after the dynasty's founding in 1394 and rebuilt in 1601 following destruction during the Japanese invasions of 1592–1598, the ritual was performed five times a year—in spring, summer, autumn, winter, and the twelfth month—according to the lunar calendar, involving elaborate offerings of food, music (Jerye-ak), and dances to honor deceased forebears and seek national prosperity. As the dynasty's most significant ceremony, attended by the king, officials, and ritual experts, Jongmyo Jerye exemplified Neo-Confucian ritual orthodoxy and was meticulously documented in court records to preserve its form. Separate rites at the Yeongnyeongjeon hall addressed the reigning monarch and his parents. This practice persisted until the dynasty's end, earning UNESCO Intangible Cultural Heritage status in 2001 for its enduring cultural value.[15][16][14][17] Familial Jesa were similarly formalized through legal codes, particularly the Gyeongguk Daejeon (National Code of 1485), which mandated ancestral rites for the yangban aristocracy as a duty tied to their privileged status and lineage hierarchies. Drawing from Zhu Xi's Family Rituals, these codes prescribed detailed procedures for charye (annual death anniversaries) and gyeongsa (seasonal offerings), requiring yangban households—comprising civil and military elites—to maintain shrines, prepare hierarchical offerings based on generational proximity, and observe mourning periods to uphold Confucian social order. Non-compliance could result in social or official repercussions, embedding Jesa in the yangban's ethical responsibilities and distinguishing their practices from those of lower classes.[18][19][20] The institutional framework of Jesa faced severe disruption during the Japanese occupation (1910–1945), when colonial policies suppressed Korean cultural practices, including Confucian rituals, in favor of Shinto assimilation and imperial loyalty. Traditional Jesa were curtailed through bans on ancestral shrines and promotion of Japanese customs, diminishing their performance amid broader cultural erasure. Following liberation in 1945, Jesa revived as a symbol of national identity and cultural heritage, with state support restoring rituals like Jongmyo Jerye by the mid-20th century to affirm Korean traditions post-colonization.[21][1]Types of Jesa
Familial and Personal Variants
Familial and personal variants of Jesa emphasize intimate, private commemorations within the nuclear or extended family unit, typically honoring a limited number of recent ancestors rather than broader lineages. These rites are conducted on specific death anniversaries or at gravesites, reflecting Confucian principles of filial piety that underscore gratitude and continuity across generations. Unlike larger communal or state ceremonies, they involve small gatherings of immediate relatives, often led by the eldest son or patrilineal heir, and prioritize simplicity to maintain accessibility in everyday family life.[1] Gijesa, also known as Giyilje, is the primary personal death anniversary rite, performed annually on the lunar date of an ancestor's passing. Limited to immediate family members, it features a modest altar setup with essential offerings such as rice, soup, fruits, and liquor arranged on a low table, often accompanied by ancestral tablets or photographs. This variant typically encompasses three to four generations of ancestors, from great-grandparents to parents, though modern simplifications may restrict it to two generations for practicality. The rite is held at home in the evening, fostering a solemn yet personal atmosphere of remembrance and respect.[1][22] Myoje represents the graveside counterpart to familial Jesa, involving annual visits to ancestral tombs where portable altars or mats are used to present offerings. Commonly practiced in rural areas where family graves are more accessible, it occurs in spring (around March or Hansik) and autumn (October), honoring four to five generations with items like dried meats, fruits, rice cakes, and beverages laid out directly at the site. Family members, guided by the household head, perform the rite to clean the tomb and express ongoing devotion, adapting traditional setups to the outdoor environment for a direct connection to the ancestors' resting place.[23]Seasonal and Communal Rituals
Seasonal and communal Jesa rituals in Korean tradition are closely tied to the lunar calendar and agricultural cycles, emphasizing collective participation to honor ancestors during key holidays and transitional periods. Charye, a prominent form of Jesa, is performed during major holidays such as Seollal (Lunar New Year) and Chuseok (Harvest Festival), where extended family members gather to pay respects to the most recent four generations of ancestors.[24] These rituals foster family unity, with the eldest son typically leading the proceedings, while all participants engage in prescribed bows and offerings to express gratitude and seek blessings.[24] Sije represents another key seasonal variant, dedicated to ancestors from five or more generations back, reflecting the agrarian society's rhythm of honoring forebears during environmental shifts. Traditionally, Sije occurs four times a year— in February (spring), May (summer), August (autumn), and October (winter)—allowing communities to maintain ongoing connections with distant lineage through structured commemorations.[23] In rural settings, these rites often extend beyond immediate families to include broader participation, reinforcing social bonds in traditional villages.[25] Communal Jesa variants further highlight the collective nature of these practices, particularly at the village level where shared ancestors are venerated to promote community harmony and prosperity. Such rituals, known as si-jesa in some contexts, involve group offerings on holidays, uniting villagers in remembrance of common forebears and distinguishing from more individualized gijesa.[25] On Jeju Island, shamanistic forms of communal ancestral rites adapt this tradition, incorporating collective mourning and soul-consoling elements led by female shamans (simbang) to address intergenerational ties and heal communal traumas.[26] These village-oriented practices underscore Jesa's role in sustaining social cohesion outside formal familial or state structures.[27]State and National Ceremonies
The Jongmyo Jerye represents the preeminent state-level Jesa in Korean history, serving as an annual royal ancestor ritual conducted at the Jongmyo Shrine in Seoul to honor the deceased kings and queens of the Joseon Dynasty. Performed with elaborate offerings of food and wine in ritual vessels by priests in traditional attire, the ceremony integrates Confucian principles of filial piety and state legitimacy, accompanied by sacred court music known as aak played on instruments like gongs, bells, lutes, zithers, and flutes, as well as ceremonial dances called ilmu.[28] Designated as Important Intangible Cultural Heritage No. 56 by the South Korean government and inscribed on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in 2001, it underscores the ritual's role in preserving national identity and cultural continuity.[15] Discontinued during the Japanese colonial period (1910–1945), when the royal ancestral boards were abolished, the Jongmyo Jerye was revived in 1969 through efforts by the Jongmyo Ritual Conservation Society (affiliated with the Jeonju Lee clan) and has since been held annually on the first Sunday of May as a government-sponsored event managed by the Cultural Heritage Administration.[29][30] This revival marked a deliberate post-liberation effort to restore Confucian state rituals as symbols of Korean sovereignty, transitioning from twice-yearly performances in the Joseon era to a single annual observance due to modern resource constraints. In contemporary contexts, the ritual has been adapted for national and international promotion of Korean heritage, including government-sponsored performances during major events; notably, Jongmyo jeryeak was featured on the eve of the 1988 Seoul Summer Olympics opening ceremony to showcase traditional culture to global audiences.[31] These revivals post-1945 emphasize the ceremony's function in fostering communal unity and cultural diplomacy, evolving from imperial obligations to public spectacles that reinforce South Korea's historical legacy.[32] Early precedents for national-scale Jesa can be traced to 10th-century Unified Silla, where communal ancestor rites, such as those documented in historical records of state-sponsored gatherings, helped consolidate social cohesion amid unification efforts following the conquest of the other Three Kingdoms. These Silla practices influenced later dynastic models, providing a foundation for institutionalized state rituals like the Jongmyo Jerye by integrating local communal elements into broader national frameworks.[33]Ritual Performance
Preparation and Materials
The venue for a Jesa ceremony is typically the home ancestral hall, known as the sadang or gamyo, where ancestral tablets are permanently housed and venerated.[1] For variants like myoje, which are gravesite rites, temporary setups are used at the burial site, or paper tablets may be employed indoors if weather prevents outdoor performance.[1] Altar arrangement centers on the positioning of ancestral tablets, called jeonja or shinwi, which represent the spirits of the deceased and are placed facing north to symbolize reverence, with participants positioned to the south.[2] These tablets, or substitutes such as photos or portraits, are arranged hierarchically by generation, with the most senior ancestors—often spanning four or more generations in traditional jongka families—positioned centrally or at the highest level to reflect Confucian principles of filial piety and seniority.[2] Essential materials include incense and candles for invocation and illumination, rice wine (cheongju) for libations, and seasonal fruits such as persimmons, apples, or chestnuts to honor the ancestors with fresh offerings.[2] Preparation often follows gender-specific roles, with women responsible for cooking and arranging the offerings, while men, typically the eldest son as the jeju (ritual officiant), handle the setup of the altar and tablets.[34]Step-by-Step Procedure
The Jesa ritual unfolds through a deliberate sequence of actions led by the officiant (jeju), typically the eldest son or designated family head, to invite, honor, and bid farewell to ancestral spirits. This procedure is rooted in Confucian principles and varies slightly by rite type, such as sasije or myoje, but the core steps emphasize reverence and communication with the deceased. The ritual opens with the jeju lighting incense on the altar, which serves to summon the ancestors and create a sacred atmosphere.[1] The jeju then performs two bows (jeol), kneeling and prostrating fully to greet the arriving spirits.[35] Next comes the offering sequence, centered on libations of alcohol known as sunsu. The jeju pours the first offering into a cup, circles it three times over the burning incense, and spills it onto the ground or a sand-filled bowl to invite the spirit (gangsin), followed by two additional bows.[35] The second pouring (choheon) follows the same motion, with the alcohol offered as a gesture of respect, again accompanied by two bows. The third and final libation (jongheon) is performed similarly, often by the jeju or a close relative such as a son or brother, concluding the alcohol offerings with two more bows.[35][23] During or after the libations, the jeju recites prayers from a written invocation, addressing the ancestors by name, reporting on family affairs, expressing gratitude, and seeking blessings for prosperity and harmony.[36] The ritual closes with additional bows by all family members present, who kneel and prostrate twice to express collective filial piety. The jeju then burns the invocation paper in the incense to send the message to the spirits, marking the end of the ceremony.[23][36]Symbolism of Actions and Offerings
In Jesa rituals, bows performed by participants symbolize profound respect and filial piety toward ancestors, treating them as if they were still present and alive to receive homage. These gestures, typically executed in a series of two or four deep prostrations, convey utmost sincerity and emotional devotion, reinforcing the unbreakable bond between the living descendants and the deceased.[1] The act of pouring alcohol, often cheongju or refined rice wine, onto the altar or into cups dedicated to the spirits represents the nourishment and elevation of ancestral souls, inviting them to partake in the earthly comforts and blessings provided by their progeny. This pouring motion, combined with the invocation of incense smoke rising upward, embodies the cyclical harmony of life and death, bridging the realms of the living and the departed to foster spiritual sustenance and continuity.[1][3] The offerings placed on the Jesa table carry layered symbolic meanings rooted in Confucian and agrarian traditions. Rice, presented in a bowl with chopsticks inserted vertically—a gesture reserved exclusively for the spirits—signifies abundance and the prosperity derived from ancestral labor in cultivating the land, evoking gratitude for the harvest that sustains both physical and spiritual life. Fish, arranged alongside other proteins, symbolizes renewal and the regenerative forces of nature, reflecting the seasonal cycles of growth and rebirth that ancestors once guided. Certain meats, such as beef, pork, or chicken, are included to honor the life force and vitality passed down through generations, ensuring the offerings remain sanctified for the divine.[1][3] Collectively, the Jesa rite through its actions and offerings reinforces the yin-yang balance inherent in Korean cosmology, where the interplay of heaven (yang) and earth (yin) mirrors the equilibrium between death and life, past and present. This ritual framework not only nourishes the ancestors' spirits but also invokes their ongoing guidance and protection, promoting the prosperity, moral uprightness, and familial harmony of descendants in return for the reverence shown.[1][3]Modern Adaptations
Changes in Contemporary Korean Society
In contemporary South Korea, rapid urbanization and modern lifestyles have significantly simplified Jesa practices, particularly in urban households where space and time constraints are prevalent. Busy professionals increasingly rely on pre-made Jesa kits and ready-made dishes to reduce the labor-intensive preparation traditionally required, such as julienning vegetables or crafting elaborate side dishes. For instance, sales of ready-made Jesa foods at major retailers like Emart tripled from 450 million won in 2014 to 1.2 billion won in 2017, with projections reaching 2 billion won in 2018, reflecting a 61% year-over-year increase driven by shorter holiday periods and a shift toward family rest over ritual complexity.[37] A 2018 survey indicated that 45% of individuals in their 30s and 40s utilize these convenient options, underscoring how urbanization facilitates abbreviated home-based rites.[37] Participation in Jesa has declined notably among younger urban dwellers, influenced by these socioeconomic pressures and shifting values. A 2023 nationwide survey of 1,500 adults aged 20 and older revealed that while 62.2% currently perform Jesa, 55.9% intend to discontinue it, with urban youth citing excessive costs, unnecessary traditions, and the desire for simpler family gatherings as primary reasons.[38] Among respondents, 41.2% favored replacing rites with casual meetings, and 27.8% viewed Jesa as an outdated relic, trends amplified in cities where fast-paced lives limit multi-generational involvement. Legal and social advancements in gender equality have also reshaped Jesa, enabling women to take more prominent roles traditionally reserved for men. Confucian norms historically barred women—especially daughters-in-law—from leading rituals, relegating them to preparatory tasks while observing from afar due to perceived lower status.[39] However, post-2000s reforms, including a 2022 simplification of Jesa tables by the Sungkyunkwan Confucian Academy to essential items like rice, soup, and fruits, have ignited discussions on equity, with women advocating against unequal burdens and pushing for shared leadership in modern families.[39] In North Korea, Jesa adaptations reflect state-driven ideological priorities, blending ancestral reverence with centralized control. Recent policies mandating the removal of hillside graves to prevent landslides and promote collective farming have shifted rites to home-based performances, making them more accessible but confined to approved settings that align with self-reliance ethos.[40] This evolution favors simplified, indoor Jesa during holidays like Chuseok, reducing environmental impacts while maintaining familial commemoration under regime oversight. Since the 2000s, cultural revival efforts in South Korea, bolstered by UNESCO's 2001 inscription of the Jongmyo Jerye (a state-level ancestral rite akin to Jesa) as Intangible Cultural Heritage, have heightened public interest and preservation initiatives.[41] The COVID-19 pandemic further accelerated virtual adaptations, with families opting for online gatherings and digital memorials via video calls to substitute physical rites, mitigating health risks while sustaining connections amid lockdowns.Practices in the Korean Diaspora
In Korean diaspora communities, particularly in the United States, Jesa rituals are often adapted to fit urban lifestyles and limited resources, with Chuseok commemorations serving as a key occasion for communal observance. Korean American associations, such as the Korean American Association of New Jersey, host annual Chuseok festivals at community centers like Overpeck Park, where participants engage in simplified ancestral rites known as Charye, involving offerings of traditional foods like songpyeon rice cakes and fruits. These events incorporate imported Korean ingredients, such as gochujang paste and sesame oil sourced from local Asian markets, to maintain authenticity while fostering cultural continuity among expatriates.[42][43] Challenges in performing Jesa abroad include the scarcity of ancestral tablets (jeonja), which are traditionally housed in family shrines in Korea; instead, Korean Americans frequently substitute photographs or portraits of deceased relatives placed on the offering table to invoke their presence. This adaptation is practical for immigrant families without dedicated altars, as seen in personal accounts from New York City households where rituals occur in modest apartments. Generational dilution is evident, with second-generation Korean Americans sometimes blending Confucian elements with Christian practices, such as integrating Jesa prayers into church services, though some Protestant families reject the rite altogether due to theological conflicts. Korean American associations mitigate this by organizing annual events that educate younger participants on the ritual's significance, emphasizing remembrance over strict formalism.[1][44][45] Innovations in the diaspora leverage technology to enable remote participation, preserving cultural identity in multicultural environments. Online platforms and virtual memorials allow dispersed family members to join Jesa via video calls, sharing live streams of offerings and bows during death anniversaries or holidays like Chuseok. For instance, Korean American families have reported using digital tools to coordinate hybrid rituals, where participants in different U.S. states contribute virtually to communal tables, blending physical gatherings with screen-based involvement to bridge geographical divides. These adaptations underscore Jesa's role in sustaining ethnic ties amid assimilation pressures.[45]Culinary Traditions
Traditional Jesa Foods
In traditional Jesa ceremonies, the ritual table known as japsang is meticulously arranged with dishes in five rows to honor the ancestors through offerings that reflect abundance, balance, and seasonal harmony. These dishes are placed in rows facing north, with the ancestral tablet (shinwi) positioned at the head, and include staples such as steamed white rice (bap), clear soup (guk or kaeng), seasoned vegetables (namul), and meats like beef (soegogi or yuk). The arrangement emphasizes symmetry, with rice typically placed to the west and soup to the east in the first row, grilled meats or fish to the west and complementary items to the east in subsequent rows, symbolizing yin-yang duality and familial order.[2][46] The core offerings consist of a variety of items arranged across the rows:| Row | Dish Category | Examples | Placement Notes |
|---|---|---|---|
| First | Grains and Broth | Steamed rice (bap), clear soup (guk) | Rice west, soup east; rice mounded to signify prosperity. |
| Second | Proteins | Grilled beef or fish (soegogi or eo), pancakes (jeon) | Meats/fish west, pancakes east; headless poultry if used. |
| Third | Additional Soups | Three types of seasoned soups | Centered, with soy sauce dip. |
| Fourth | Vegetables and Sides | Seasoned vegetables (namul), dried fish, kimchi | Sautéed items west, kimchi east. |
| Fifth | Fruits and Sweets | Seasonal fruits (e.g., persimmons), rice cakes | Red fruits east, white west; desserts centered. |