Knuckle Puck
Knuckle Puck is an American rock band formed in 2010 in the Chicago suburbs, blending elements of pop-punk, emo, and post-hardcore with muscular melodies and introspective lyrics centered on themes of personal struggle, relationships, and emotional resilience.[1][2] The current lineup consists of vocalist Joe Taylor, guitarist and backing vocalist Nick Casasanto, lead guitarist Kevin Maida, bassist Ryan Rumchaks, and drummer John Siorek, all hailing from the Chicago area where they met through local music scenes and mutual friends.[1][3] The band's name was inspired by the phrase "Knuckle Puck Crew" spotted on a T-shirt worn by attendees at a music festival, which one member suggested for their debut performance; it also evokes the erratic "knucklepuck" hockey shot featured in the 1994 Disney film D2: The Mighty Ducks, a movie the founding members enjoyed in their youth.[3] Initially starting as a cover band, Knuckle Puck quickly transitioned to original material, self-releasing early EPs like Don't Come Home (2012) and The Weight That You Buried (2013) before signing with Rise Records in 2014.[4] Their major-label debut, Copacetic (2015), marked a breakthrough, earning praise as a modern pop-punk classic and a nomination for Album of the Year at the 2016 Alternative Press Music Awards.[1] Follow-up albums Shapeshifter (2017) and 20/20 (2020) continued their rise, with the latter released amid the challenges of the COVID-19 pandemic, while their 2023 effort Losing What We Love on Pure Noise Records shifted toward rawer, less optimistic songwriting produced by Seth Henderson. In 2025, the band released a remixed and remastered 10th anniversary edition of Copacetic.[1][4][5] Knuckle Puck's discography also includes notable EPs such as While I Stay Secluded (2014), Disposable Life (2022), and compilations like Retrospective (2022), alongside singles like "Pretense".[4] Renowned for their high-energy live shows that foster a strong sense of community among fans, the band has headlined tours across North America and Europe, performed at festivals including Vans Warped Tour and Slam Dunk, and shared stages with influential acts like Good Charlotte, Mayday Parade, and State Champs, with ongoing touring as of 2025 including a Copacetic anniversary tour in Japan.[1]History
Formation and early releases (2010–2014)
Knuckle Puck formed in the fall of 2010 in the southern suburbs of Chicago, Illinois, when high school friends Joe Taylor (vocals), Kevin Maida (lead guitar), and John Siorek (drums) began jamming together as a cover band, initially focusing on local performances without ambitions beyond their immediate scene.[6] By April 2011, the group expanded to include rhythm guitarist Nick Casasanto and bassist Ryan Rumchaks, transitioning to original material as they prepared for their first show in July 2011 at Centennial Lanes, a bowling alley venue in Tinley Park.[6][3] The band's name originated from the "knucklepuck" hockey shot popularized in the 1994 film D2: The Mighty Ducks; Siorek suggested it hastily for the debut gig's promotional flier, and the members agreed it captured their energetic style.[3] With their lineup stabilized by mid-2011, Knuckle Puck immersed themselves in Chicago's DIY pop-punk scene, playing basement shows and small venues to build a grassroots following while self-recording early material in makeshift setups like Casasanto's parents' kitchen.[6][7] They released their self-titled debut EP independently in October 2011, followed by the acoustic-focused Acoustics EP in March 2012, which featured collaborations like Dan Lambton of Real Friends on "Woodwork (Acoustic)."[8] The band continued with the Don't Come Home EP later in 2012 and The Weight That You Buried EP in August 2013, all self-released and distributed through local channels to refine their sound ahead of wider exposure.[9] These efforts marked their shift from covers to a distinctive pop-punk identity, emphasizing emotional lyrics and tight instrumentation. In February 2014, Knuckle Puck achieved their first major collaboration with a split EP alongside UK band Neck Deep, released via Bad Timing Records and Hopeless Records, featuring two new tracks from each group and distributed during joint tours.[10][11] This release helped solidify their reputation, leading to their signing with Rise Records on December 22, 2014.[12] Shortly after, they issued the While I Stay Secluded EP on October 28, 2014, through Bad Timing, which peaked at number 5 on the Billboard Heatseekers Albums chart, signaling their breakout potential.[6] Early tours, including regional runs with Neck Deep, exposed them to broader audiences and honed their live energy within the Midwest punk circuit.[11]Copacetic and Shapeshifter era (2015–2019)
Knuckle Puck achieved their breakthrough with the release of their debut full-length album, Copacetic, on July 31, 2015, through Rise Records. The album, recorded at Always Be Genius Recording Studio in Urbana, Illinois, and produced by Seth Henderson, featured 12 tracks that showcased the band's signature blend of pop-punk energy and emo-infused introspection, with standout singles including "Pretense," "Disdain," and "True Contrite." Critics praised Copacetic for its emotional depth and dynamic song structures, noting how tracks like "Pretense" captured raw vulnerability through dual vocals and driving guitar riffs, effectively bridging pop-punk accessibility with emo's melodic introspection. The album's reception highlighted the band's maturation from their earlier EPs, earning acclaim for its cohesive sound that resonated within the revitalized pop-punk scene. Following Copacetic's success, Knuckle Puck embarked on extensive touring that solidified their rising profile. They supported major acts such as Neck Deep and State Champs on the 2016 Alternative Press World Tour, alongside Like Pacific, performing across North America to packed venues. Earlier in 2015, the band joined The Maine's American Candy Tour with Real Friends and The Technicolors, delivering high-energy sets that emphasized their live chemistry. Knuckle Puck also appeared on the Vans Warped Tour in both 2015 and 2016, playing multiple dates nationwide and gaining exposure to diverse festival audiences, which helped expand their fanbase through grassroots word-of-mouth and shared stages with peers like Modern Baseball and Moose Blood. By headlining their own shows, including the Copacetic Tour in late 2015, the band honed their performance style, fostering a dedicated following in the pop-punk community. The band's evolution continued with their second album, Shapeshifter, released on October 13, 2017, also via Rise Records. Recorded primarily with producer Seth Henderson after scrapping initial sessions with Steve Evetts, the album pushed into more experimental territory, incorporating intricate guitar work, atmospheric elements, and thematic explorations of personal transformation across 10 tracks. Key singles like "Want Me Around," "Gone," and "Double Helix" exemplified this shift, blending the raw emotion of Copacetic with bolder production choices and varied tempos. Shapeshifter debuted at No. 7 on the Billboard Top Alternative Albums chart and No. 9 on the Top Rock Albums chart, reflecting the band's growing commercial traction with 10,000 equivalent album units in its first week. During this period, Knuckle Puck's songwriting deepened, with co-vocalists Joe Taylor and Nick Casasanto drawing from personal experiences to craft lyrics that balanced confessional storytelling and anthemic hooks, as seen in the introspective narratives of Shapeshifter. Production-wise, Henderson's involvement ensured continuity while allowing for sonic expansion, such as layered harmonies and dynamic builds that distinguished the sophomore effort from the debut's straightforward punch. The band's rising prominence was further boosted by features in alternative press outlets like Alternative Press and The Alternative, which spotlighted their innovative take on pop-punk, alongside festival appearances that amplified their reach within the genre's dedicated fanbase.20/20 and interim releases (2020–2022)
In early 2020, Knuckle Puck released their single "Tune You Out" on February 21, marking their first original material since 2017's Shapeshifter.[13] The track, produced by Seth Henderson and mixed by Vince Ratti, showcased the band's signature pop-punk energy with themes of emotional detachment.[14] This led into their third studio album, 20/20, which arrived on September 18 via Rise Records after a delay from its original June schedule.[15] The album's 11 tracks, also produced by Henderson, emphasized upbeat, positive vibes amid personal reflections, written before the full scope of the COVID-19 pandemic but released during widespread lockdowns.[16] The band's early 2020 headline tour, an intimate club run announced in December 2019, was cut short after just a few weeks as the coronavirus outbreak intensified in the U.S., forcing widespread cancellations across the music industry.[17] This disruption included the postponement of promotional events for 20/20, testing the band's adaptability during a period of global isolation.[15] In response, Knuckle Puck pivoted to virtual fan engagement, such as releasing collaborative music videos—like the June feature with Mayday Parade's Derek Sanders on "Breathe"—and conducting Zoom-based interviews to maintain connection with audiences.[17] These efforts helped sustain morale, though vocalist Joe Taylor later reflected on the emotional toll of restrictions and the need for self-nurturing during the height of the pandemic.[18] As a transitional release bridging 20/20 and future work, Knuckle Puck issued the EP Disposable Life on February 4, 2022, under independent label Wax Bodega.[19] The five-track effort, mixed by Vince Ratti and mastered by Kris Crummett, included originals like "Gasoline," "Levitate," "In the Bag," and "Lonely Island," alongside a cover of blink-182's "Here's Your Letter," blending raw energy with introspective songwriting.[20] This EP served as a creative outlet during ongoing recovery from pandemic setbacks, allowing the band to experiment while rebuilding momentum.[21] By October 2022, Knuckle Puck parted ways with Rise Records and signed to Pure Noise Records, signaling a fresh phase in their career with the immediate release of single "Groundhog Day" on October 20.[1] The move, announced via the label's official channels, positioned the band for expanded distribution and aligned them with like-minded acts in the pop-punk scene.[22]Losing What We Love and recent activities (2023–present)
Knuckle Puck released their fourth studio album, Losing What We Love, on October 20, 2023, through Pure Noise Records. The album was preceded by the singles "The Tower" on August 29, 2023, and the title track "Losing What We Love" on September 28, 2023. These tracks highlighted the band's evolving pop-punk sound, blending introspective lyrics with energetic instrumentation, and received positive reception for their emotional depth.[23][24] Following the album's release, the band embarked on co-headlining tours with Real Friends in spring and fall 2023, marking a return to live performances after pandemic-related disruptions. In 2024, Knuckle Puck conducted UK headline shows and provided support for Neck Deep at London's Alexandra Palace. These outings underscored the band's growing international presence and fan engagement.[25] The year 2024 saw additional releases, including a cover of Noah Kahan's "Stick Season" on July 10 and the original single "On All Cylinders" on October 24, both via Pure Noise Records. On July 22, 2024, the band announced a special 10-year anniversary show for their debut album Copacetic at The Salt Shed in Chicago, scheduled for January 11, 2025, where they planned to perform the record in full.[26][27] In 2025, Knuckle Puck released the new single "Nice To Know Ya" in January, coinciding with announcements for their Copacetic 10th anniversary tour in spring. The band performed Copacetic in its entirety at Riot Fest on September 20, 2025, and appeared at Warped Tour on November 15, 2025, in Orlando. They also took the stage at the Four Chord Music Festival on September 13, 2025. These activities reflect the band's sustained momentum and commitment to their roots.[28][29][30] Knuckle Puck has maintained a strong partnership with Pure Noise Records, which has supported their recent outputs and tours, with band members hinting at future projects in interviews throughout 2025.[1][26]Musical style and themes
Genre and sound
Knuckle Puck's music is primarily classified within the pop-punk genre, characterized by its energetic riffs and catchy melodies, while also incorporating elements of emo and melodic hardcore that add emotional depth and intensity to their compositions.[1][31][32] The band's influences draw from 2000s punk acts such as New Found Glory, evident in their upbeat, hook-driven structures, as well as the broader emo revival movement that emphasizes raw emotional expression.[33][34] The band's sound has evolved significantly across their discography, beginning with the raw punk energy of their early EPs, which featured aggressive, unpolished instrumentation suited to the underground scene.[35] Their 2015 debut album Copacetic marked a shift to more polished pop-punk hooks and dynamic arrangements, establishing a blueprint for modern iterations of the genre with its blend of speed and accessibility.[36] By Shapeshifter in 2017, the sound incorporated greater complexity in guitar work and drum patterns, creating a refined yet tense atmosphere that expanded their melodic core.[37] The 2020 release 20/20 adopted a more upbeat and optimistic tone, with restrained moments that highlighted mature songcraft amid introspective themes of normalcy and relationships.[16] Losing What We Love (2023) represented a darker and more tenacious effort at the time, fusing alternative and midwestern emo influences with pop-punk aggression for a self-reflective blend of melody and intensity.[38][39][40] Following this, singles like "On All Cylinders" (2024) and "Nice to Know Ya" (2025) signal a return to high-octane, gritty pop-punk roots, incorporating abrasive guitars, spoken verses, and early 2000s-style anthems while maintaining innovative structures.[41][42] Production techniques in Knuckle Puck's music emphasize heavier riffing and burly, high-pitched vocals that convey frustration and urgency, often delivered at fast tempos around 160–180 BPM to maintain relentless momentum.[6][43][44] Dual guitar lines from Kevin Maida and Nick Casasanto drive the arrangements with distorted, interlocking riffs, complemented by gang vocals that amplify anthemic choruses and communal energy typical of the style.[15][45] These elements contribute to a muscular, melodic framework that balances punk's raw edge with emo's emotional layering.[46] Knuckle Puck's style draws comparisons to contemporaries like the Wonder Years for its narrative-driven emotional resonance, the Story So Far for intricate technical guitar work, and Rise Against for soaring, anthemic hooks that elevate their pop-punk foundations.[9][46]Lyrical content
Knuckle Puck's lyrics center on recurring themes of fractured relationships, mental health challenges such as anxiety and depression, self-doubt, and pathways to personal growth, frequently drawn from the lived experiences of vocalist Joe Taylor. These elements capture the complexities of young adulthood, including emotional turmoil and introspection, with Taylor's raw delivery amplifying the sense of vulnerability. For instance, the band's work often portrays the pain of betrayal and emotional abuse in romantic and familial bonds, reflecting Taylor's own reflections on loss and resilience.[31][47][48] The evolution of their lyrical content mirrors the band's maturation, shifting from raw youthful angst in early releases to more nuanced explorations of isolation and enduring loss in later works. On the 2012 Don't Come Home EP, songs like "Townsend" convey heartbreak through themes of emotional pain and abandonment, embodying a direct, unfiltered expression of adolescent turmoil. By the time of 20/20 (2020), the focus turned toward detachment and self-acceptance amid relational conflicts, while Losing What We Love (2023) delved into the grief of irreplaceable absences—be it people, passions, or parts of oneself—signaling a deeper philosophical reckoning with impermanence. This progression continued in subsequent singles, with "On All Cylinders" (2024) addressing moving forward during times of loneliness and "Nice to Know Ya" (2025) exploring inner struggles, societal critique, and acceptance that no high point lasts forever, emphasizing honesty over optimism. It highlights Taylor's growing emphasis on hope amid adversity, as he has described aiming to affirm listeners' self-worth in his writing.[49][50][51][41][42] Employing first-person storytelling and metaphorical language, Knuckle Puck's narratives foster emotional intimacy, often using imagery to depict internal shifts and relational facades. Tracks like "Pretense" from Copacetic (2015) use pretense as a metaphor for hidden resentments in familial dynamics, inspired by Taylor's experiences with an absent father figure. Similarly, "Tune You Out" from 20/20 employs detachment as a coping mechanism in volatile arguments, advocating for space to foster growth and underscoring the band's commitment to honest, therapeutic expression.[52][53][54]Members and associated acts
Current and former members
Knuckle Puck's lineup has remained remarkably stable since its formation, with the core members contributing to the band's consistent pop-punk sound characterized by emotional intensity and melodic hooks. The group consists of five members who have been together for over a decade, fostering a tight-knit dynamic that emphasizes collaborative songwriting and performance.[1] The current members are:- Joe Taylor (lead vocals, 2010–present): As the band's frontman and primary songwriter, Taylor drives the lyrical depth and emotional delivery central to Knuckle Puck's music, often drawing from personal experiences to craft introspective narratives. His role extends to guiding the band's creative direction during the writing process.[47][3]
- Kevin Maida (lead guitar, 2010–present): A founding member, Maida provides the band's intricate and inventive lead guitar work, adding technical flair and melodic layers that complement the rhythm section. His contributions help shape the group's energetic live performances and studio recordings.[6][35]
- Nick Casasanto (rhythm guitar, backing vocals, 2011–present): Joining shortly after the band's inception, Casasanto handles rhythm guitar duties and provides harmonious backing vocals, enhancing the vocal textures and supporting the dual-guitar interplay that defines Knuckle Puck's sound. He also participates actively in the collaborative songwriting sessions.[31][3]
- Ryan Rumchaks (bass, backing vocals, 2011–present): Rumchaks anchors the low end with driving bass lines and contributes additional vocal harmonies, bolstering the band's full, layered arrangements. His steady presence has been integral to the rhythm section's cohesion since the early days.[1][55]
- John Siorek (drums, 2010–present): As a founding drummer, Siorek delivers a distinctive and dynamic style that blends pop-punk precision with unique rhythmic flair, avoiding conventional tropes while maintaining high energy. His foundational role has ensured rhythmic stability throughout the band's career.[6][2]
Side projects and collaborations
Vocalist Joe Taylor released a self-titled album as his solo project Bright Black Hole in May 2021.[58] He and Rumchaks collaborated with Real Friends' Dan Lambton in the side project rationale., releasing the debut EP Confines in December 2015, with Rumchaks handling drums and Taylor contributing guitars and vocals.[59][60] Bassist Ryan Rumchaks released a solo EP titled Decades in July 2013 and a full-length album Around the Corner in the Near Future in July 2023, followed by the single "Peace of Mind" in September 2025, showcasing his songwriting and multi-instrumental abilities outside the band's framework.[61][62][63] He also co-founded the pop-punk band Homesafe in 2014, where he serves as vocalist and guitarist; the group signed to Pure Noise Records and issued albums including the 2019 full-length Depending on the Weather.[64] Guitarist Kevin Maida is a member of the Chicago hardcore-punk outfit LURK, which formed in 2017 and features Maida on guitar alongside vocalist Kevin Kiley, drummer Pedro Unzueta, bassist Dan Durley, and guitarist Alex Rackow.[65] He also participates in the supergroup Celebrity with vocalist/guitarist Kevin Kiley (Militarie Gun, LURK), drummer Drew Brown (Weekend Nachos), and bassist Chris Mills (Harms Way), which released the EP Automatic Changer in February 2025.[66] Drummer John Siorek has contributed to several other acts, providing drums for the emo band William Bonney, the post-hardcore group Droughts, and the punk band Matter of Fact.[55] Guitarist Nick Casasanto launched his solo project bad new world, releasing a self-titled EP in January 2024 that highlights his songwriting range across six tracks.[67] As a band, Knuckle Puck issued a split 7-inch EP with UK pop-punk act Neck Deep in February 2014, featuring two original tracks from each group during their joint tour.[10] They have also made guest appearances on other artists' recordings, such as providing vocals for Stateside's track on the 2025 album Where You Found Me.[68] These endeavors allow members to experiment with varied genres and roles—such as Rumchaks' shift to frontman in Homesafe or Maida's foray into hardcore with LURK—which in turn inform Knuckle Puck's evolving sound by introducing fresh rhythmic complexities and vocal dynamics without duplicating their core discography.[69]Discography
Studio albums
Knuckle Puck has released four studio albums, each showcasing their evolution within the pop-punk genre through introspective lyrics and energetic instrumentation. The band's debut full-length marked their breakthrough, while subsequent records explored personal growth amid changing lineups and production styles. All albums were primarily produced by Seth Henderson, a frequent collaborator known for his work with acts like State Champs and Real Friends, emphasizing raw emotional delivery and polished soundscapes.[70][71][72] Copacetic (2015) was the band's first studio album, released on July 31, 2015, via Rise Records. Featuring 11 tracks with a runtime of approximately 41 minutes, it was produced and mixed by Seth Henderson and mastered by Kris Crummett. The album debuted at number 61 on the Billboard 200 and reached the top 20 on multiple other Billboard charts, including strong initial sales of over 8,000 copies in its first week. Key tracks include "Pretense," which highlights the band's signature blend of melodic hooks and aggressive riffs, and "True Contrite," noted for its anthemic chorus and themes of self-reflection. Artwork by Ben Sears features a minimalist design with abstract geometric patterns evoking emotional turbulence. A remixed and remastered version was released on May 2, 2025, via Rise Records to celebrate the 10th anniversary.[70][73][74] Shapeshifter (2017), the sophomore effort, arrived on October 13, 2017, also through Rise Records. This 10-track album, clocking in at about 31 minutes, was co-produced by Seth Henderson and Steve Evetts, with Henderson handling mixing duties. It peaked at number 50 on the Billboard 200 and number 14 on the Alternative Albums chart, building on the band's growing fanbase. Standout singles "Want Me Around" and "Flowers" exemplify the record's shift toward more mature songwriting, incorporating dynamic shifts between high-energy verses and introspective bridges. The production process involved restarting sessions midway to refine the sound, resulting in a more cohesive and experimental feel compared to the debut.[71][75][44] 20/20 (2020) marked the third studio album, released on September 18, 2020, via Rise Records amid the COVID-19 pandemic, which influenced its themes of clarity and resilience. The 11-track release, lasting around 35 minutes, was produced by Seth Henderson and mixed by Vince Ratti. While specific chart peaks were limited due to the era's disrupted music industry, it maintained the band's momentum through digital streaming and virtual promotion. Highlights include "Tune You Out," praised for its infectious pop-punk drive, and "Stuck in Our Ways," which delves into relational stagnation with layered vocals and driving guitars. The album's cover art adopts a retro-futuristic aesthetic, symbolizing hindsight and forward vision.[76][77][72] Losing What We Love (2023) represents the band's fourth studio album and their first with Pure Noise Records, released on October 20, 2023. Comprising 11 tracks over roughly 37 minutes, it was produced by longtime collaborator Seth Henderson, focusing on themes of loss, grief, and personal transformation following lineup changes. Singles "The Tower" and the title track "Losing What We Love" capture the album's darker, more visceral tone, with "The Tower" featuring brooding instrumentation and the title track emphasizing emotional rawness through soaring choruses. The artwork, evoking emptiness and remnants of connection, aligns with the record's exploration of what remains after profound loss. Commercial metrics reflect sustained fan support, though specific chart data remains modest in the post-pandemic landscape.[78][79][80]EPs and singles
Knuckle Puck's early extended plays (EPs) laid the foundation for their rise in the pop-punk scene, serving as key releases that showcased their evolving sound and garnered attention from independent labels before their major album debuts. Their self-titled debut EP, released independently on October 31, 2011, featured four tracks including "Dead Wrong" and "Stuck," self-recorded and distributed via Bandcamp and at shows, marking the band's initial foray into recording original material.[81][82] This was quickly followed by the Acoustics EP on March 1, 2012, also self-released, which offered stripped-down versions of earlier songs like "Woodwork" featuring Dan Lambton of Real Friends, highlighting the band's acoustic versatility and fan engagement through intimate reinterpretations.[8][83] Later that year, on October 30, 2012, they issued Don't Come Home, their first professionally recorded EP, self-released but later reissued by Bad Time Records in 2015; tracks such as "Townsend" and "Give Up" demonstrated refined production and emotional depth, building anticipation for future full-lengths.[84][85][86] In 2013, The Weight That You Buried EP, released August 30 via self-release and Bad Time Records, expanded to five tracks including "Everything Must Go" and acoustic bonuses, further solidifying their reputation for heartfelt, high-energy pop-punk and attracting notice from larger labels.[87][88] The band's final pre-label EP, While I Stay Secluded, arrived on October 28, 2014, through Bad Time Records, with six songs like "Transparency" and "Oak Street" that previewed their maturation, directly contributing to hype surrounding their signing to Rise Records shortly after.[89][90] After a period focused on albums, Knuckle Puck returned to the EP format with Disposable Life on February 4, 2022, independently released via Wax Bodega, featuring tracks such as "Gasoline" and "Levitate" that bridged their Rise era sound to newer explorations, priming fans for subsequent releases.[20][91]| Release | Date | Label | Key Tracks |
|---|---|---|---|
| Knuckle Puck (self-titled EP) | October 31, 2011 | Self-released | "Dead Wrong," "Stuck" |
| Acoustics (EP) | March 1, 2012 | Self-released | "Woodwork (Acoustic)," "Poor Excuses" |
| Don't Come Home (EP) | October 30, 2012 | Self-released (reissued Bad Time, 2015) | "Townsend," "Give Up" |
| The Weight That You Buried (EP) | August 30, 2013 | Self-released / Bad Time | "Everything Must Go," "No Good" |
| While I Stay Secluded (EP) | October 28, 2014 | Bad Time | "Transparency," "Oak Street" |
| Disposable Life (EP) | February 4, 2022 | Wax Bodega | "Gasoline," "Levitate" |