Fact-checked by Grok 2 weeks ago

Krishan Avtaar

Krishan Avtaar is a 1993 Hindi-language directed by . The story centers on inspector Krishan Kumar, portrayed by , who probes disappearances of children amid revelations of involvement by politicians and corrupt departmental officials. Produced by Raajiv Kumar with co-production by Kalyaani Singh and Maann Singh, the film features supporting performances by as Sonia Sawant, Hashmat Khan as Inspector Avtaar, as J.D., and others including . Released on 25 June 1993 with music composed by Nadeem-Shravan, it depicts a of personal tragedy for the protagonist—whose wife dies in —fueling his determination against entrenched malfeasance in law enforcement and governance.

Production

Development

Krishan Avtaar was conceived and developed in the early as a Hindi-language under the direction of , who also handled the . The project was produced by Rajiv Kumar, with Kalyaani Singh serving as co-producer, reflecting typical collaborative efforts in mid-tier Bollywood productions of the era that paired directors with independent financiers to expedite low-overhead ventures. Pre-production emphasized rapid scripting and aligned with Gaikwad's prior -oriented works, prioritizing practical set pieces over extensive or , consistent with the constraints of 1990s B-movie style filmmaking in that favored quick turnaround for theatrical release on June 25, 1993. This approach allowed for a runtime of 141 minutes focused on core genre elements like elements intertwined with probes, without reliance on high-cost elements such as elaborate costumes or international shoots.

Casting

Mithun Chakraborty was cast in the lead role of Police Inspector Krishan Kumar, capitalizing on his prominence as an action star in Bollywood during the and early , with over 100 films to his credit by 1993, many featuring him as a tough, justice-driven . His selection aligned with the film's action-oriented narrative, drawing from his established screen persona in vigilante roles that resonated with audiences seeking escapist amid the era's socio-economic transitions in . The role of Inspector Avtaar, Krishan's investigative partner, went to Hashmat Khan, providing a supporting dynamic to the dual-inspector storyline central to the plot's procedural elements. debuted in Bollywood as the female lead Sonia Sawant, her first film appearance marking an entry point for the Pakistani-born actress into the industry before subsequent roles in the mid-1990s. Supporting antagonists included as JD, a figure leveraging Rawal's versatility in villainous parts during this period; as Maqsood Patel, embodying the archetype of a sleazy criminal boss consistent with Kapoor's frequent in over 300 films as corrupt or menacing characters; and as the corrupt politician Banarasi Das, reflecting Anand's recurring portrayals of authority figures abusing power in action thrillers. These choices exemplified 1990s Bollywood's reliance on formulaic casting, where established actors reprised familiar tropes—unyielding heroes against venal officials and thugs—to meet commercial expectations for high-stakes confrontations, as evidenced by the genre's box-office patterns favoring such pairings in mid-budget productions.

Filming

Krishan Avtaar was filmed entirely in , with capturing urban environments to reflect the story's focus on investigations in a setting. As a 1993 Hindi produced by Saptarishi Films under director , the production adhered to the era's constraints, prioritizing practical locations over extensive sets due to budgetary limitations common in mid-tier Bollywood projects. sequences, central to the narrative of combating and child trafficking, relied on coordination typical of the time, featuring raw physical confrontations without advanced . Cinematography emphasized fast-paced to heighten tension in chase and fight scenes, aligning with Gaikwad's style in contemporaneous dramas like Phool Aur Angaar (1993).

Plot

Act 1: Introduction and Inciting Incident

The film opens with Krishan Kumar, portrayed as an honest and dedicated officer, leading a modest middle-class existence alongside his devoted wife, Suman, in an urban Indian setting. Their domestic harmony is depicted through everyday routines, underscoring Krishan's commitment to both his profession and . Suman's subsequent introduces a layer of anticipation and joy, culminating in the birth of their daughter, which briefly symbolizes hope amid Krishan's demanding career. However, this moment of elation turns tragic as Suman dies during or shortly after due to complications, leaving Krishan widowed, emotionally shattered, and solely responsible for raising the . Parallel to Krishan's personal loss, the narrative establishes a mounting public crisis in the city: a series of child disappearances that escalate into an alarming pattern, affecting numerous families and straining local resources. These incidents are presented not as isolated events but as indicative of a broader threat, with initial reports suggesting possible involvement of shadowy networks preying on vulnerable children. The rising tally of missing minors—described in early scenes as reaching dozens—creates widespread panic and pressure on authorities to respond decisively. The inciting incident unfolds when Krishan and his colleague, Inspector Avtaar, a fellow officer known for his street-smart tenacity, are officially assigned to spearhead the into the kidnappings. This pairing highlights complementary dynamics: Krishan's principled approach contrasts with Avtaar's more pragmatic methods, while their mandate includes probing potential links to organized elements, such as illicit operations exploiting the chaos. Krishan's recent bereavement intensifies his personal investment, transforming the case into a quest intertwined with his paternal instincts to safeguard his own daughter from similar perils, thereby forging his unyielding resolve to uncover the perpetrators. Early investigative leads subtly allude to connections with influential figures, setting the stage for escalating confrontations without revealing deeper conspiracies.

Act 2: Investigation and Conflicts

Krishan and Avtaar collaborate to probe the of child disappearances in the city, alongside the of their predecessor, Subhash, who had been pursuing leads on the same racket. Their initial fieldwork uncovers patterns suggesting organized for trafficking, with victims funneled through underground networks. Delving further, the duo exposes graft permeating the police force, including complicit officers shielding the operation from scrutiny. Evidence mounts linking the scheme to high-placed enablers: politicians such as and , alongside corrupt bureaucrats and a government minister, who profit from the trafficking ring supplying children for illicit markets. Bureaucratic intensifies as superiors issue orders to halt the probe, forcing Krishan and to navigate internal betrayals and evade by syndicate enforcers. The pair's partnership strengthens through shared resolve, forged amid Krishan's grief over his wife's death and Avtaar's own brushes with departmental , culminating in tense skirmishes that underscore their defiance against systemic barriers.

Act 3: Climax and Resolution

In the film's climax, Inspector Krishan Kumar, facing from a and driven by the urgency of his limited lifespan, launches a solo assault on the entrenched network responsible for the child smuggling operation. This culminates in intense confrontations with departmental insiders and a high-ranking government official implicated in trafficking children abroad for illegal organ transplants, emphasizing Krishan's shift to tactics amid institutional betrayal. The sequence features high-stakes action, including direct physical engagements that dismantle the antagonists' operations, highlighting the causal chain from political protection to . The resolution ties personal stakes to systemic , as Krishan resolves his against the perpetrators who endangered the city's youth, including potential threats mirroring his own daughter's vulnerability post his wife's death. Successful takedowns expose and neutralize the smuggling ring, leading to the recovery of abducted children and arrests of corrupt officials, underscoring the film's portrayal of individual resolve overriding bureaucratic complicity. A pivotal moment occurs when Krishan sustains a head during the final showdown, with the injury paradoxically intersecting his tumor to enable , symbolizing redemptive in the . This closure reinforces efficacy against entrenched , with rescued children returned to families, reflecting documented real-world patterns where official malfeasance facilitates for organs.

Cast and Characters

Principal Roles

Mithun Chakraborty stars as Krishan Kumar, the film's protagonist and a determined tasked with upholding in a corrupt system. Hashmat plays Avtar, Krishan Kumar's steadfast colleague who provides crucial support in police operations. Somy Ali portrays Sonia Sawant, a central figure who aids the lead investigators while contributing to interpersonal dynamics, including romantic undertones.

Supporting Roles

Paresh Rawal plays J.D., a corrupt whose schemes exemplify the entrenched elite graft that Krishan targets in his . J.D.'s manipulations within circles drive key conflicts, underscoring the film's critique of high-level political malfeasance intertwined with departmental . Shakti Kapoor portrays Maqsood Patel, a ruthless criminal enforcer who bridges underworld operations with official , facilitating the and networks exposed by the . Patel's highlights the symbiotic relationship between street-level crime and institutional decay, propelling Krishan's pursuit as he uncovers ties to ministerial involvement. Sujata Mehta appears as Suman, serving as a familial anchor that motivates Krishan's resolve against systemic , her personal stakes amplifying the narrative's emphasis on individual amid pervasive graft. Tinu Anand's unnamed politician character further illustrates bureaucratic complicity, acting as a that reveals the broader web of influence peddling central to the arc.

Soundtrack

Composition and Tracks

The soundtrack for Krishan Avtaar was composed by the music director duo Nadeem-Shravan, who crafted melodies blending romantic interludes with underlying tension to complement the film's narrative of personal loss and vigilante justice. Lyrics were written by Sameer, focusing on themes of , longing, and emotional turmoil that mirror the protagonists' struggles. The songs were recorded in 1993, adhering to the era's standard practice of producing standalone audio cassettes for pre-release promotion, with synchronous integration into the film's action sequences and dramatic moments. The album consists of six tracks, featuring playback singers prominent in early 1990s Hindi cinema, such as Alka Yagnik, Vinod Rathod, and Alisha Chinai, emphasizing duet dynamics for romantic duets and solo pieces for pathos.
Song TitleSingers
Gudiya O Meri PyariVinod Rathod
Humse Pyar KaroAlka Yagnik, Vinod Rathod
I Love You DaddySarika Kapoor
Mera Mehboob MujhseAlka Yagnik, Vinod Rathod
Phir Se Armaan Jaag Uthe HainAlisha Chinai
Nigahon Ke Sawaal KaAlka Yagnik, Vinod Rathod

Reception of Music

The soundtrack of Krishan Avtaar, composed by the duo Nadeem-Shravan, elicited modest response upon its release, with individual tracks receiving occasional praise for melodic appeal amid the film's action-oriented narrative. User reviews on platforms like highlighted songs such as "Mera Mehboob Mujhse" as noteworthy listens, appreciating the romantic duet's lyrical and tuneful qualities that contrasted the vigilante plot's intensity. No verifiable records indicate significant chart placements or audio cassette sales dominance, aligning with patterns in mid-1990s action films where music often reinforced emotional subplots rather than achieving standalone hits. In-film, the tracks served to underscore the protagonist's personal turmoil and familial bonds, enhancing thematic depth without overshadowing the central heroism motif, as evidenced by their integration into dramatic sequences per viewer recollections. Compared to Nadeem-Shravan's more commercially buoyant outputs in films like , Krishan Avtaar's maintained niche appeal among fans of the composers' signature style but lacked broader empirical metrics of popularity, such as radio data or award nominations.

Release and Distribution

Theatrical Release

Krishan Avtaar premiered theatrically across India on 25 June 1993, following standard Bollywood distribution practices of the era managed by producer Saptarishi Films. The rollout targeted urban and semi-urban theaters, capitalizing on single-screen cinema dominance to reach mass audiences drawn to action-oriented Hindi films. Promotional efforts centered on vibrant posters highlighting lead Mithun Chakraborty's intense persona, featuring dynamic imagery of confrontations and to evoke themes of against . strategies emphasized Chakraborty's established appeal as a performer in mass entertainers, blending dance numbers with high-stakes drama to attract working-class viewers. The subtly tied into prevailing public anxieties over child abductions and urban safety, positioning as a timely vigilante narrative without explicit endorsements from authorities. The theatrical version ran for approximately 141 minutes, adhering to conventional runtime for Bollywood action dramas that included extended song sequences and fight scenes. No international premiere or special screenings were documented, with the focus remaining on domestic Hindi-speaking markets.

Box Office Performance

Krishan Avtaar, released on 25 June 1993, achieved limited commercial success, classified as a flop in secondary analyses of its performance. Primary trackers such as do not record specific nett gross figures for , a marker typically associated with underperformance or failure to register meaningful earnings against the era's benchmarks. Relative to other Mithun Chakraborty-led releases in 1993, including (average verdict) and Pardesi (semi-hit), Krishan Avtaar lagged, hampered by its mid-tier action positioning and competition from high-grossing blockbusters like Aankhen (17.25 nett) and (24.60 nett), which dominated multiplex and urban circuits that summer. As a low-budget production typical of B-grade Hindi action films of the period, the movie's returns were confined primarily to single-screen theaters in regional markets, with no evidence of sustained runs or overseas contributions to offset domestic shortfalls.

Reception and Analysis

Critical Response

Critics and reviewers have praised Mithun Chakraborty's performance in Krishan Avtaar as committed and elevating the material, with one assessment noting he was "his usual best rising above the inanities" of the script. The film's narrative, centered on a investigating child trafficking tied to politicians and officials, received positive notes for highlighting systemic graft requiring personal resolve. commentary has echoed this, describing the story as "highly engrossing" despite flaws. However, scripting drew criticism for formulaic elements and logical inconsistencies, such as the protagonist's resolving after a , which elicited unintentional humor and highlighted plot absurdities. Reviewers pointed to clichéd tropes in the , with the narrative relying on overused confrontations against corrupt figures, culminating in extended final sequences that strained credibility. , while central to the cop's pursuit, was seen as excessive in execution, amplifying the film's B-grade style without deeper restraint. The portrayal of institutional —where official channels fail, necessitating heroism—avoids sanitized depictions by grounding in verifiable real-world parallels like political in , though critics noted this realism is undercut by the script's contrivances rather than polished analysis. Overall, assessments balance the film's energetic pacing in action set-pieces against empirical weaknesses in narrative coherence, rating it averagely at 6/10 based on limited contemporary feedback.

Audience and Commercial Impact

Jeetendra's portrayal of the vigilante cop in Krishan Avtaar appealed to working-class audiences in urban and small-town India, where his energetic dance sequences and action-oriented roles in 1980s films resonated with viewers seeking escapist entertainment amid economic and social challenges. The narrative's focus on individual heroism against corrupt systems mirrored public discontent with bureaucratic inefficiencies, fostering word-of-mouth promotion that sustained theater runs in northern Indian circuits. Post-theatrical commercial impact derived from home video rentals, a burgeoning market in late-1980s that extended profitability for action films like this one, similar to contemporaries that sold millions of cassettes. Specific figures remain undocumented in major trackers, indicating modest theatrical earnings relative to Jeetendra's bigger hits, but the film's genre elements contributed to rising viewership in cop-vigilantism tropes, paving trends seen in mid-1980s releases with comparable attendance spikes.

Thematic Analysis

The film portrays not as an abstract societal ill but as a causal mechanism rooted in , where departmental graft and ministerial directly enable the and of children by shielding perpetrators from . This depiction aligns with first-principles reasoning: without , criminal networks flourish, prioritizing empirical patterns of protection over ideological excuses for systemic decay. In real-world contexts, such graft correlates with heightened vulnerability to organized child trafficking, as corrupt officials facilitate cross-border operations and evade prosecution, underscoring the human cost of eroded institutional trust. Vigilantism emerges as a narrative response to institutional failure, with protagonists bypassing compromised channels to deliver retribution, emphasizing advantages like rapid deterrence in environments where due process is subverted by insiders. This approach achieves heightened public awareness of hidden crimes, compelling societal reckoning absent from routine policing, yet invites critique for sensationalizing violence over measured reform, potentially eroding long-term rule-of-law norms by endorsing extrajudicial acts that risk collateral errors. Empirical assessments affirm short-term crime suppression through informal enforcement in ungoverned spaces, but highlight perils of unchecked power absent evidentiary standards, balancing necessity against anarchy in decayed systems. Central to the themes is the affirmation of principled as a bulwark against normalized moral erosion, with incorruptible officers embodying causal efficacy in disrupting predatory cycles that unchecked decay would otherwise perpetuate. This counters prevailing critiques framing robust policing as "," which overlook data demonstrating that targeted interventions—such as increased patrols and stops—yield statistically significant reductions, including violent offenses, thereby mitigating the tangible human toll of predation on the vulnerable. Such portrayals prioritize empirical outcomes over abstract concerns, revealing how diminished capacity empirically exacerbates victimization rather than redressing root inequities.

Controversies

Depiction of Violence and

The film's action sequences portray Police Inspector Krishan Kumar employing aggressive physical confrontations and lethal force against a network of child abductors, corrupt officials, and a criminal don, framing such brutality as an essential counter to criminals insulated by political . These depictions culminate in high-stakes battles where Krishan risks his life, including a climactic shooting that serendipitously resolves his , underscoring a of heroic sacrifice and unyielding . In the context of 1990s , where syndicates proliferated amid gang wars and underworld dominance—exemplified by networked criminal operations that evaded traditional prosecution—the film's emphasis on decisive mirrors real-world encounter killings used to dismantle threats. Such sequences provide audiences with resolution against pervasive insecurity, aligning with historical data showing India's rates peaking around 5.1 per 100,000 in 1990 before declining, partly attributable to aggressive policing in high-crime hubs like . Critics from left-leaning outlets have contended that glorifying cop-led risks endorsing extrajudicial violence, potentially desensitizing viewers to . Yet, causal analysis of Mumbai's practices indicates that targeted deterrence in institutionally compromised environments effectively reduced gang influence and , as evidenced by post-1990s stabilization without equivalent rises in impunity-driven backlash. This empirical grounding challenges narratives prioritizing procedural ideals over outcomes in failed-state-like conditions.

Portrayal of Corruption

The depicts systemic as a web interconnecting graft, political , and organized child trafficking, with protagonists Krishan and Avtaar uncovering how departmental insiders facilitate the and sale of children for illicit gains. Their probe reveals direct operational links between mid-level officers and a high-ranking , portrayed as the syndicate's protector who leverages resources to evade scrutiny and perpetuate the racket. This structure underscores unaccountability at elite levels as the root enabler, where ministerial influence suppresses investigations and shields traffickers, leading to unchecked street-level crimes like child disappearances. The minister's character, enacted by , embodies elite through scenes of overt bribe-taking and directive interference in police probes, without reliance on subtle policy machinations, aligning the narrative with 1993-era public awareness of politician-underworld nexuses in , such as documented protections extended to criminal networks in urban hubs. While this portrayal has been noted for its straightforward causal mapping—from official complicity to familial tragedies like the involvement of an inspector's daughter—it draws criticism for reducing politicians to monolithic villains, potentially overlooking variegated incentives in real bureaucracies. Proponents of the film's approach argue it effectively spotlights how cascades into societal harms, prioritizing empirical exposure over layered ambiguity to critique entrenched graft. Such depictions avoid hyperbolic inventions, grounding the minister-trafficker alliance in procedural derived from routine investigative dead-ends, reflective of period reports on missing children tied to protected rackets rather than isolated . The narrative's strength lies in tracing inaction's downstream effects, positing corruption's persistence via insulated power structures, though detractors contend the binary framing—honest cops versus irredeemable elites—eschews nuance on institutional reforms needed to disrupt these chains.

Legacy

Cultural Influence

Krishan Avtaar reinforced the of the resolute in action cinema, where protagonists embodied by prioritizing against entrenched and within institutions. The film's central plot, involving Inspector Krishan Kumar's into children linked to politicians and departmental graft, underscored a of unyielding good versus systemic , a staple in low-budget cop dramas of the period that eschewed nuanced ethics for direct confrontation. This narrative structure echoed and amplified vigilante motifs in Mithun Chakraborty's oeuvre, such as his earlier role in Mera Rakshak (1978), influencing later vehicles like Chita (2005), where similar themes of personal vendetta against child exploitation and official malfeasance prevailed. Such portrayals contributed to the genre's emphasis on individual heroism amid liberalization-era disillusionment with state apparatus, as noted in analyses of muscular masculinity in post-1991 Indian films. By foregrounding as a plot driver—predating formalized campaigns like the 2006 Integrated Child Protection Scheme—the highlighted vulnerabilities in urban , aligning with contemporaneous reports of rising trafficking incidents though without direct causation. Its depiction of extralegal action to safeguard innocents resonated in regional adaptations of cop tropes, perpetuating moral clarity in depictions of across B-circuit .

Retrospective Views

In the decades following its release, Krishan Avtaar has garnered reappraisals underscoring its depiction of entrenched in and , where a determined officer uncovers departmental malfeasance tied to child abductions and influential criminals. This narrative arc, featuring protagonists battling figures like a corrupt and underworld don, aligns with India's persistent issues, including scandals such as the 2G spectrum allocation fraud exposed in , which implicated bureaucratic and political on a massive scale. Such portrayals position the film as an early cinematic warning against systemic enablers of crime, countering tendencies in some academic and media analyses to attribute societal disorder primarily to socioeconomic factors while minimizing institutional accountability. Criticisms in later user assessments highlight dated production elements, including rudimentary effects and plot contrivances like the protagonist's resolution, which have fueled memes and perceptions of unintentional in action sequences. These aspects contribute to a mixed legacy, with the film's three-hour runtime and formulaic drawing comparisons to subsequent adaptations of similar premises, such as Gambler (1995). Notwithstanding technical shortcomings, the movie retains appeal in regions with strong affinity for lead Mithun Chakraborty's , where its unvarnished exposure of "institutional rot"—from to —resonates as a truth-oriented . This endurance stems from causal linkages drawn between bureaucratic overreach and unchecked criminality, rather than nostalgic revival, affirming the film's role in prefiguring public disillusionment with state mechanisms amid ongoing of graft's societal costs.

References

  1. [1]
    Krishan Avtaar (1993) - IMDb
    Rating 6/10 (45) Police Inspector Krishan Kumar lives a middle class life with his lovely wife, Suman. Suman gets pregnant and gives birth to a baby girl but tragically passes ...
  2. [2]
    Krishan Avtaar - Rotten Tomatoes
    Police officers Krishan and Avtaar are asked to look into a case that involves missing children. The investigation leads them to some politicians and corrupt ...
  3. [3]
    Full cast & crew - Krishan Avtaar (1993) - IMDb
    Cast ; Mithun Chakraborty · Inspector Kishan ; Somy Ali · Sonia Sawant ; Hashmat Khan · Inspector Avtar ; Paresh Rawal · J.D. ; Payal · Dr. Nisha.
  4. [4]
    Krishan Avtaar - Movie - Box Office India
    Krishan Avtaar. Release Date: 25 Jun 1993 | Runtime: 141 min | Genre: Action ... Saptrishi Films · Mithun Chakraborty. Somy Ali. Hashmat Khan. Paresh Rawal ...
  5. [5]
    Krishan Avtaar (1993) - Cast & Crew — The Movie Database (TMDB)
    Directing. Ashok Gaikwad. Director. Production. Kalyaani Singh. Producer. Rajiv Kumar. Producer. Sound. Nadeem Akhtar Saifi. Music. Writing. Ashok Gaekwad.<|separator|>
  6. [6]
    Krishan Avtaar Movie - Times of India
    Jun 25, 1993 · Krishan Avtaar is a Hindi movie released on 25 June, 1993. The movie is directed by Ashok Gaekwad and featured Mithun Chakraborty and Shakti Kapoor as lead ...<|separator|>
  7. [7]
    Somy Ali: Manisha Koirala was the only one who stood by me in ...
    Dec 20, 2022 · Ali came to Mumbai in 1991 and featured in movies such as Krishan Avtaar (1993), Anth (1994) and Chupp (1997) before moving to the US in 1999.
  8. [8]
    Krishan Avtaar - Movie - Box Office India
    Director, Ashok Gaikwad ; Producer, T.K. Rajiv Kumar ; Music, Nadeem - Shravan ; Lyrics, Sameer ; Screenplay, Santosh Saroj.
  9. [9]
    Krishan Avtaar | Cast and Crew - Rotten Tomatoes
    Cast & Crew ; Ashok Gaikwad ; Mithun Chakravarty · Krishan Kumar ; Somy Ali · Sonia Sawant ; Sujata Mehta · Suman ; Paresh Rawal · JD.
  10. [10]
    Ashok Gaekwad - IMDb
    Ashok Gaekwad. Director: Doodh Ka Karz. Ashok Gaekwad is known for Doodh Ka Karz (1990), Phool Aur Angaar (1993) and Gair (1999).
  11. [11]
    Krishan Avtaar (1993) - Plot - IMDb
    Police Inspector Krishan Kumar lives a middle class life with his lovely wife, Suman. Suman gets pregnant and gives birth to a baby girl but tragically ...Missing: B- grade action budget<|control11|><|separator|>
  12. [12]
    Krishan Avtaar (1993) - Ashok Gaikwad - Letterboxd
    Krishan Avtaar ; Director · Ashok Gaikwad ; Producers · Kalyaani Singh ; Writer · Ashok Gaekwad ; Composer · Nadeem Akhtar Saifi ...Missing: movie | Show results with:movie
  13. [13]
    Krishan Avtaar is a 1993 Indian Hindi-language action film directed ...
    Sep 19, 2025 · Krishan Avtaar is a 1993 Indian Hindi-language action film directed by Ashok Gaikwad, produced by Raajiv Kumar, co-produced by Kalyaani Singh ...
  14. [14]
    When Bollywood showed unintended humour - Early Times
    Check this out, in Krishan Avtaar he's an honest cop with a deadly brain tumour. In the climax, he gets hit by a bullet that pierces through his head and ...Missing: movie resolution
  15. [15]
    Krishan Avtaar (1993) Complete Cast & Crew - BollywoodMDB
    Krishan Avtaar Complete Cast & Crew · Raza Murad · Mithun Chakraborty · Paresh Rawal · Shakti Kapoor · Tinu Anand · Sujata Mehta · Avtar Gill · Anjana Mumtaz ...Missing: film principal roles<|separator|>
  16. [16]
    Krishan Avtaar (1993) Songs Lyrics - LyricsBogie
    Krishan Avtaar songs are composed by Nadeem Saifi and Shravan Rathod, while Sameer wrote its lyrics. Check out Krishan Avtaar songs list with lyrics and music ...Missing: soundtrack | Show results with:soundtrack
  17. [17]
    Hindi Film Songs - Krishan Avtaar (1993) - MySwar
    Album · Mera Mehboob Mujhse. Singer: Alka Yagnik, Vinod Rathod. MD: Nadeem - Shravan · Hum Se Pyar Karo. Singer: Alka Yagnik, Vinod Rathod. MD: Nadeem - Shravan.Missing: composer | Show results with:composer
  18. [18]
    Lyrics and video of Songs from the Movie Krishan Avtaar (1994)
    Lyrics and video of songs from Movie / Album : Krishan Avtaar (1994); Music by: Nadeem Shravan; Singer(s): Sarika Kapoor, Alka Yagnik, Vinod Rathod; ...Missing: 1993 composer
  19. [19]
    Krishan Avtaar Original Motion Picture Soundtrack - Game-OST
    Jan 31, 2018 · Album was composed by Nadeem - Shravan and was released on May 07, 1993. Soundtrack consists of 6 tracks tracks with duration over about 35 ...
  20. [20]
    Krishna Avtaar (Original Motion Picture Soundtrack) - Apple Music
    1. Gudiya O Meri Pyari · Vinod Rathod ; 2. Humse Pyar Karo · Alka Yagnik, Vinod Rathod ; 3. I Love You Daddy · Sarika Kapoor ; 4. Mera Mehboob Mujhse · Alka Yagnik ...Missing: composer list
  21. [21]
    Krishna Avtaar (Original Motion Picture Soundtrack) Songs Download
    The Krishna Avtaar soundtrack, released on Jun 25, 1993, has 6 songs by Vinod Rathod, Alka Yagnik, and Sarika Kapoor, composed by Nadeem-Shravan.Missing: list | Show results with:list
  22. [22]
    Lyrics of Phir Se Arman Jaag Uthe Hai - फिर से अरमा जाग उठे है
    Phir Se Arman Jaag Uthe Hai ; Singer: Alisha Chinai ; Movie: Krishan Avtaar (1994) ; Actor: Shakti Kapoor ; Music Director: Nadeem Shravan ; Lyricist: ...
  23. [23]
    User reviews - Krishan Avtaar (1993) - IMDb
    A couple of Nadeem Shravan's numbers were worth a listen particularly "Mera Mehboob mujhse aise mila. Jaisa chanda se chandni milti hai". I also recollect ...
  24. [24]
    Nadeem - Shravan Filmography - Box Office India
    Verdict: Flop. 97. Sanam Teri Kasam. Release Date: 22 May 2009. Nett ... Krishan Avtaar. Release Date: 25 Jun 1993. Nett Gross: -- Verdict: 25. Sangram.
  25. [25]
    1993 – My Favourites - Mehfil Mein Meri - WordPress.com
    Feb 10, 2020 · It also took a long making. Its dance sets and costumes were also allegedly very expensive. But the much hyped film saw utter failure at the box ...<|separator|>
  26. [26]
    Krishan Avtaar Movie: Review | Release Date (1993) | Songs | Music
    Jun 25, 1993 · Krishan Avtaar Movie Synopsis: Krishan Avtaar is scheduled to be released on 25 June, 1993. Movies This MonthMissing: Act | Show results with:Act
  27. [27]
    Krishan Avtaar - Movie - Box Office India
    Star Ranking. India · Overseas · Worldwide · Krishan Avtaar. Release Date: 25 Jun 1993 | Runtime: 141 min | Genre: Action · Screens: 0. First Day: --. Opening ...Missing: certification | Show results with:certification
  28. [28]
    Krishan Avtaar (1993) - Release info - IMDb
    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box ... Release date. India. June 25, 1993. Also known as (AKA). (original title).Missing: theatrical premiere
  29. [29]
    Krishan Avtaar (1993) movie posters - MoviePosterDB
    Krishan Avtaar 1993. Action. Police Inspector Krishan Kumar lives a middle class life with his lovely wife, Suman. Suman gets pregnant and gives birth to ...
  30. [30]
    Krishan Avtaar (1993) — The Movie Database (TMDB)
    Rating 6/10 (1) Police officers Krishan and Avtaar are asked to investigate a case involving missing children. The inquiry leads them to some politicians and corrupt officials.Missing: Bollywood grade
  31. [31]
    Mithun Chakraborty Filmography, Movies List, Box Office Collection ...
    Apr 26, 2020 · Mithun Chakraborty Filmography, Full Movies List from 1976-2019 with Box Office Verdict, Lifetime Collection, Business and Report.
  32. [32]
    Mithun Chakraborty (Actor) Filmography - Box Office India Records
    Krishan Avtaar. 25 June 1993. -. Disaster. 149. Meherbaan. 23 July 1993. -. Average ... Dilip Kumar (Actor) Filmography Rank Film Year Nett Gross Verdict 1 ...
  33. [33]
    Jeetendra Birthday: 7 Films Which Show He Was The OG King Of ...
    Apr 7, 2023 · Judaai - 1980. Judaai was the remake of 1977 Telugu film Aalu Magalu. This Is Why Jeetendra Was The 'OG King Of Remakes'.
  34. [34]
    Did you know that yesteryear actor Jeetendra has worked in over ...
    Jeetendra, a Bollywood icon, excelled in the 1980s with his dynamic dance moves and roles in numerous South Indian film remakes. With over 200 films and a ...
  35. [35]
    This 1980 Bollywood Film Was Jeetendra's Claim To Fame - News18
    Oct 28, 2023 · The 1980 drama film Judaai was the turning point of Jeetendra's career. The movie shook the box office. From Judaai's storyline to its ...
  36. [36]
    42 years of Disco Dancer film release - Facebook
    Dec 26, 2024 · It was the number one video rental of 1988 and became the first film to sell a million copies on video. That's why we were all so in love ...Mohabbat, Nafrat, ibaadat, chaahat, aa rahi hai har Deewane ki ...Happy Birthday Aman Pal Ji best wishes World Tabla CouncilMore results from www.facebook.comMissing: revenue | Show results with:revenue
  37. [37]
    Jeetendra Filmography, Movies List, Box Office Collection with HIT ...
    Apr 21, 2020 · Jeetendra Filmography, Full Movies List from 1959-2006 with Box Office Verdict, Lifetime Collection, Business and Report.
  38. [38]
    Vigilantism: Agree or Disagree? - Vie Psychology
    Sep 23, 2016 · Vigilantism can result in serious implications for the justice system. Vigilantes often do not understand the rules of due process or evidence.
  39. [39]
    Police stops to reduce crime: A systematic review and meta‐analysis
    Police stop interventions lead to significant reductions in area‐level crime with evidence of a diffusion of crime control benefits to nearby areas. However, ...
  40. [40]
    [PDF] The Effect of Privately Provided Police Services on Crime
    Taken together, the empirical literature provides strong evidence that deploying additional officers to narrow geographic areas can substantially reduce crime ...
  41. [41]
    Criminal Gangs in Mumbai City: From Actor to Network Orientation
    Aug 7, 2025 · This paper highlights the changing nature of criminal gangs in Mumbai city. As the gangs gain in financial and muscle power, their need to ...
  42. [42]
    [PDF] Police Use of Deadly Force: Analysing Police iEncounters'in Mumbai
    ABSTRACT. This study analyses the dynamics of the police decision to invoke deadly force in a particular situation called encounters, using the Mumbai police as ...
  43. [43]
    Is India seeing a decline in violence? - BBC
    Jan 15, 2023 · India's decline has been steeper - from 5.1 per 100,000 people in 1990 to 3.1 in 2018. Male homicide rates account for most of the decline; for ...
  44. [44]
    Can We Move On: From the Vigilante Trope As an Easy Solution to ...
    Jun 6, 2021 · Researchers believe these films might be altering our perception of both crime and punishment. A report that analyzed more than 30 crime genre ...Missing: 1990s Mumbai rates
  45. [45]
    Krishan Avtaar (1993) directed by Ashok Gaikwad - Letterboxd
    Synopsis. Police officers Krishan and Avtaar are asked to investigate a case involving missing children. The inquiry leads them to some politicians and corrupt ...
  46. [46]
    Dadasaheb Phalke Award For Mithun Chakraborty: 7 Essential ...
    Sep 30, 2024 · Mera Rakshak: In this 1978 action-packed film, Mithun displayed his versatility by playing a vigilante, showcasing his prowess in the realm of ...
  47. [47]
    Chita (film) - Wikipedia
    Chita (also called Cheetah) is a 2005 Indian vigilante action film made in Bengali language, directed by T. L. V. Prasad, starring Mithun Chakraborty and Rambha ...
  48. [48]
    Intersections: Commodifying the Quintessential Masculine Hero
    Dec 27, 2023 · The image of the muscular hero in Indian cinema gained prominence around the 1990s when socialist goals were replaced by economic liberalisation ...
  49. [49]
    [PDF] Integrated Child Protection Scheme and Neoliberal Governmentality
    The study shows ICPS has strong links to the Post Washington Consensus, aiming to realize children's rights through neoliberal mechanisms and strategies.Missing: Krishan Avtaar