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Necromancy

Necromancy is a form of divination that involves summoning and communicating with the spirits of the dead to obtain prophecies, revelations, or hidden knowledge.^[1] The term derives from the ancient Greek nekromanteía, combining nekrós (dead) and manteía (divination), reflecting its origins in rituals aimed at consulting deceased souls rather than any inherent association with "black" magic, a later medieval conflation with Latin niger (black).^[2] Historically, necromancy traces back to ancient Near Eastern and Mediterranean cultures, including practices in Babylonia, Egypt, and Persia where spirits were invoked for guidance, as seen in Chaldean rituals by priests known as manzazuu.^[2] In classical Greece and Rome, it was prominently featured in literature and mythology, such as Odysseus's nekyia in Homer's Odyssey (Book 11), where he performs a blood sacrifice to summon shades from the underworld for prophecy at sites like the oracle of the dead near Acheron.^[1] Dedicated locations, termed nekuomanteia, such as caves at Tainaron or Thesprotia, served as focal points for these rituals, often involving offerings, incantations, or dream incubation to facilitate ghostly apparitions, though archaeological evidence for widespread historical practice remains limited.^[1] During the medieval period in Europe, necromancy evolved into a syncretic art blending classical traditions with Christian, Jewish, and Arabic influences, frequently involving the conjuration of demons or angels through elaborate manuals and grimoires.^[3] The Catholic Church condemned it as illicit sorcery, associating it with heresy and demonic pacts, as evidenced in inquisitorial records and theological treatises that viewed such communications as dangerous intermediaries between the living and the divine.^[3] Fifteenth-century texts like the Munich Manual of Demonic Magic exemplify this era's practices, detailing rituals for summoning spirits in forms like horses or aerial demons to reveal secrets or perform tasks, often performed by educated clerics or scholars in clandestine settings.^[3] By the Renaissance, figures such as John Dee and Edward Kelley further integrated necromantic elements with alchemy and Kabbalah, though it persisted as a taboo pursuit amid growing scientific rationalism.^[2] In the modern era, necromancy has experienced a revival within occultism and neopagan movements, often reframed as ancestor veneration or spiritual communication, while persisting in global traditions such as African diasporic religions like Vodou and Quimbanda.^[4] It remains a recurring motif in literature, film, and popular culture, influencing contemporary perceptions of the supernatural.^[4]

Etymology and Definition

Etymology

The term necromancy derives from the post-Classical Greek nekromanteía, a compound of nekros ("dead body") and manteía ("divination" or "prophecy"), literally meaning "divination by means of the dead."^[5] This term describes the summoning of shades from the underworld for prophetic consultation, as prominently featured in Homer's Odyssey (circa 8th century BCE), such as Odysseus's nekyia ritual in Book 11.^[6] The Greek term was borrowed into Late Latin as necromantia by the 3rd century CE, with its earliest attested use in the writings of the Christian theologian Origen of Alexandria, who critiqued it as a pagan practice in Contra Celsum.^[2] By late antiquity, under Christian influence, the connotation began shifting from neutral prophetic divination to illicit demonic invocation, associating it with forbidden sorcery rather than mere communication with spirits.^[7] In the medieval period, necromantia evolved through Medieval Latin and Old French nigromancie (influenced by a folk etymology linking it to niger, "black," hence "black arts"), entering Middle English as necromancy around the early 13th century, by which time it predominantly denoted condemned black magic involving demons over simple prophetic consultation with the dead.^[5] This semantic evolution reflected broader Christian theological views that recast ancient necromantic practices as diabolical heresy, distinguishing it from other forms of divination like oneiromancy (dream interpretation).^[5]

Core Concepts and Definitions

Necromancy is defined as a form of divination involving the evocation and communication with the spirits of the deceased, primarily to obtain prophetic insights, guidance, or hidden knowledge.^[8] This practice encompasses magical rituals aimed at summoning shades or souls from the afterlife, often conducted by a necromancer or medium who acts as an intermediary between the living and the dead.^[2] The term originates from the Greek nekromanteía, combining nekros (dead) and manteía (divination), reflecting its ancient roots in consulting the departed for oracular purposes.^[2] Central to necromancy are rituals that invoke these spirits, typically at gravesites, tombs, or liminal spaces believed to bridge the worlds of the living and the dead, sometimes involving blood sacrifices to attract or empower the shades.^[2] The goals extend beyond mere prophecy to include seeking counsel on personal matters, revealing concealed truths, or even exerting influence over the summoned entities to affect the living world, such as through curses or protections.^[9] Unlike broader magical practices, necromancy specifically targets the deceased as knowledgeable intermediaries, presupposing their ability to access information unavailable to the living due to their posthumous perspective.^[8] Necromancy distinguishes itself from other divinatory arts by its exclusive focus on the dead as conduits for revelation; for instance, it differs from hydromancy, which interprets omens through water, or chiromancy, which examines physical features like palm lines for fate-reading, as necromancy relies on supernatural communion rather than natural or corporeal signs.^[10] It also contrasts with ancestor veneration or animistic spirit interactions, where spirits are ongoing presences in the natural world, whereas necromancy assumes a structured afterlife from which souls must be deliberately recalled.^[2] Underlying these practices are metaphysical assumptions about the persistence of the soul after death, positing that the deceased retain memory, personality, and enhanced wisdom—often due to proximity to divine realms—making them valuable oracles.^[9] This belief in an afterlife where spirits can be coerced or persuaded to return implies an ethical tension, as such invocations were frequently viewed as disruptive to the natural order, potentially harnessing restless or unwilling dead for manipulative ends.^[8] In contrast to animism's pervasive spiritual ecology, necromancy's framework emphasizes a separable soul journeying to another realm, accessible only through ritual intervention.^[2]

Ancient Necromancy

Near Eastern and Egyptian Origins

In ancient Mesopotamia, necromantic practices emerged as an integral aspect of religious and funerary traditions, allowing communication with the dead through ritual invocation. A prominent example appears in the Epic of Gilgamesh, dated to approximately 2100–1200 BCE, where the hero Gilgamesh seeks to summon the spirit of his deceased companion Enkidu from the underworld after Enkidu becomes trapped during a descent to retrieve lost objects.^[11] In Tablet XII of the epic, Gilgamesh appeals to the gods for aid, prompting Ea to instruct Nergal to create an opening in the earth, enabling Enkidu's ghost to ascend and deliver a bleak description of the afterlife, emphasizing the dim, dusty existence of shades without proper burial offerings.^[11] This narrative, preserved on cuneiform tablets from the Old Babylonian period and later Assyrian recensions, illustrates necromancy as a divine-mediated process rather than direct human sorcery, reflecting Mesopotamian beliefs in the underworld (Irkalla) as a subterranean realm accessible only through godly intervention.^[11] Archaeological evidence from Mesopotamian sites further attests to the use of clay tablets inscribed with incantations and rituals for querying spirits, particularly the eṭemmū (ghosts of the unburied or neglected dead). Excavations in southern Mesopotamia, such as at Nippur and Ur, have yielded tablets from the third millennium BCE onward detailing procedures to conjure, control, and communicate with these entities, often involving libations, figurines, and exorcistic spells to resolve ailments attributed to restless shades.^[12] For instance, Old Assyrian letters from Kaneš (ca. 1950–1850 BCE) reference consultations with eṭemmū for guidance, inscribed on clay for ritual efficacy, highlighting necromancy's role in addressing personal and communal concerns like illness or misfortune caused by neglected ancestors.^[12] These practices were embedded in broader funerary cults, where proper burial and ongoing offerings prevented spirits from haunting the living, underscoring ancestor veneration as a normative religious duty rather than a prohibited act.^[12] In ancient Egypt, necromantic elements similarly intertwined with ancestor worship and afterlife rituals, dating back to the Old Kingdom around 2500 BCE, where the dead were consulted for wisdom and protection. The "Opening of the Mouth" ritual, first attested in Pyramid Texts from royal tombs like that of Unas, involved priests using tools such as an adze to symbolically animate statues or mummies, restoring the senses of the ba (mobile soul aspect) to enable the deceased to speak, eat, and advise the living.^[13] Performed during mummification or at tomb dedications, this ceremony facilitated direct interaction with ancestors, as seen in depictions on stelae and papyri where the revived figure receives offerings and responds to queries, integrating necromancy into state-sponsored funerary theology without stigma.^[13] The Book of the Dead, a New Kingdom compilation of spells (ca. 1550–1070 BCE), further enabled consultation with ancestors in the Duat (underworld) through incantations promoting the deceased's agency among the blessed dead. Spells such as 89, which allows the ba to alight on its corpse, and 105, which propitiates the ka (life force) for reconciliation, supported ongoing dialogue via offerings and oracular responses during festivals like the Wag feast.^[14] Spell 125, evoking the judgment hall of Osiris, positioned the deceased among ancestral spirits for intercession, ensuring their spirits could guide kin in legal or moral matters.^[14] Archaeological finds, including inscribed amulets and tomb texts from sites like Deir el-Medina, invoke the ba for divination, such as scarabs etched with spells to summon souls for prophecy or protection, often placed in burials to maintain ancestral ties.^[15] Across both Near Eastern and Egyptian cultures, these practices formed part of expansive funerary cults centered on ancestor worship, where the dead were revered as authoritative figures influencing inheritance, disputes, and daily welfare, free from taboo and fully woven into polytheistic frameworks.^[16] Letters to the Dead, deposited in tombs from the Middle Kingdom onward, exemplify petitions for aid, treating ancestors as responsive mediators akin to deities.^[17] Such traditions laid foundational influences on later Greco-Roman necromantic methods, particularly in ritual consultation of shades.^[11]

Greco-Roman Practices

In ancient Greece, necromancy, or the practice of summoning and consulting the dead for prophecy or guidance, was prominently depicted in epic literature and associated with ritual sites near the underworld. A seminal example is the nekyia in Homer's Odyssey (c. 8th century BCE), where Odysseus performs a ritual at the edge of Hades to summon the shade of the prophet Tiresias. Guided by the sorceress Circe, Odysseus digs a pit, pours libations of milk, honey, water, and wine, and sacrifices sheep, allowing their blood to fill the pit and compel the shades to speak by granting them temporary vitality.^[18] This blood offering motif underscores the Greek belief that shades required corporeal sustenance to manifest and communicate coherently.^[19] Such practices extended beyond literature to oracular traditions, exemplified by the Nekyomanteion in Epirus (c. 4th century BCE), a temple complex dedicated to Hades and Persephone near the Acheron River, believed to serve as a gateway for consulting the dead. Visitors underwent purification rituals, including dietary restrictions and offerings, before entering underground chambers where priests invoked spirits through incantations and hallucinogenic herbs to elicit prophecies.^[1] Katabasis myths, or descents to the underworld, further illustrated these methods, portraying heroes like Orpheus attempting to retrieve souls, though often with tragic outcomes that highlighted the dangers of disturbing the dead.^[20] In Rome, necromantic elements adapted Greek models while integrating Etruscan influences, as seen in Virgil's Aeneid (c. 19 BCE), where Aeneas undertakes a katabasis guided by the Sibyl of Cumae. To access the underworld, Aeneas plucks the Golden Bough—a mistletoe-like talisman sacred to Proserpina—from a grove, enabling him to consult shades like his father Anchises for visions of Rome's future.^[1] Roman diviners known as haruspices, drawing from Etruscan traditions, sometimes consulted ancestral spirits through entrail inspection of sacrifices, interpreting omens as messages from the di inferi (underworld gods) or manes (departed souls).^[21] Philosophically, necromancy faced condemnation for its impiety, as articulated by Plato in his Laws (c. 4th century BCE), where he denounces practitioners as charlatans who deceive through sorcery and calls for their punishment to preserve social order. Yet, it persisted in mystery cults like Orphism, which incorporated eschatological rituals invoking the dead to explore soul purification and reincarnation, blending necromantic invocation with initiatory rites for personal salvation.^[1]

Biblical Prohibitions

In the Hebrew Bible, necromancy is explicitly condemned as an abomination that defiles the community and violates the covenant with Yahweh. Leviticus 19:31 prohibits turning to mediums or necromancers, warning that such consultation renders one unclean, while Leviticus 20:27 mandates death by stoning for any man or woman who acts as a medium or necromancer among the Israelites. Similarly, Deuteronomy 18:10-12 lists necromancy alongside divination, sorcery, and other practices as detestable to Yahweh, forbidding their presence in the land promised to Israel. These laws reflect a monotheistic framework that reserves divine communication for prophets and Yahweh alone, rejecting human attempts to access the spirit world. A pivotal narrative illustrating these prohibitions is King Saul's consultation with the medium of Endor in 1 Samuel 28, dated to around the 10th century BCE. Facing defeat by the Philistines and denied guidance from Yahweh, Saul disguises himself to seek the medium's aid in summoning the spirit of the deceased prophet Samuel, who foretells Saul's downfall and death. This act, despite Saul's earlier expulsion of mediums from Israel (1 Samuel 28:3), leads directly to his demise, serving as a cautionary tale against necromancy's futility and divine retribution.^[22] Scholarly analysis views the episode as reinforcing the biblical taboo, portraying the practice as both ineffective and spiritually perilous.^[23] The Israelite prohibitions contrast sharply with surrounding Canaanite practices, which integrated ancestor veneration and spirit consultation into religious life, often linked to Baal worship. In Canaanite traditions, rituals involving the spirits of the dead—such as offerings at burial sites or invocations for guidance—were common, as evidenced by Ugaritic texts describing underworld figures like the rpum (shades of the dead) aiding the living.^[24] Israelite texts, however, reject these as idolatrous, emphasizing Yahweh's sole authority over life and death to distinguish their faith from polytheistic neighbors.^[25] This rejection underscores a cultural boundary, portraying necromancy as a foreign corruption rather than an indigenous rite. These biblical strictures influenced Second Temple Judaism (c. 515 BCE–70 CE), where texts like 1 Enoch (c. 300 BCE) expanded the taboo by associating forbidden knowledge—including enchantments and sorcery—with the fallen angels (Watchers). In 1 Enoch 7-8, the Watchers descend to earth, teaching humanity illicit arts such as root-cuttings for spells and astrology, which corrupt moral order and invite judgment.^[26] This apocalyptic framework links necromantic practices to angelic rebellion, portraying them as demonic deceptions rather than mere superstition, thereby reinforcing prohibitions in Jewish thought during the Hellenistic period.^[27]

Medieval Necromancy

Early and High Middle Ages

During the Early and High Middle Ages, from roughly the 5th to the 11th centuries, necromancy faced increasing suppression in Europe as Christian authorities sought to eradicate pagan practices during the continent's Christianization. Church leaders and secular rulers viewed necromancy as a form of demonic invocation intertwined with superstition, often equating it with heresy that endangered souls and social order. Despite official condemnations, necromantic elements persisted underground through folk rituals and scholarly transmissions, reflecting the tension between emerging Christian orthodoxy and lingering pre-Christian traditions.^[28] In the Carolingian era, efforts to consolidate Christian rule led to explicit bans on maleficium, which encompassed harmful magic including the invocation of spirits. Charlemagne's Admonitio generalis of 789 CE prohibited incantations, auguries, divinations, and the use of amulets or phylacteries, framing these as pagan deceptions that undermined faith; violators faced ecclesiastical penalties such as excommunication or public penance. Similarly, the Penitential of Theodore, attributed to Archbishop Theodore of Canterbury around 690 CE, prescribed penances for divination and magic, such as 40 days of fasting for consulting soothsayers or augurs about one's fate, or two years for using magic to avert divine judgment, emphasizing repentance to restore communal harmony. These texts illustrate how early medieval authorities integrated biblical prohibitions into legal and pastoral frameworks to curb necromantic practices. Folk practices incorporating necromantic elements survived in rural and Anglo-Saxon contexts, often blending with burial customs to seek guidance from the dead. In Anglo-Saxon England, pagan rituals like grave-side divinations persisted, where mourners might interpret omens from the deceased's remains or possessions to predict future events or resolve disputes. The epic poem Beowulf, composed between the 8th and 11th centuries, records such survivals among the Danes and Geats, depicting the persistence of pagan practices, such as resorting to idols during crises like Grendel's terror, highlighting the underground allure of these traditions despite Christian overlays in the text. Monastic scholars reinforced the condemnation of necromancy as demonic heresy while beginning to delineate magical categories. Isidore of Seville's Etymologies (c. 630 CE), in Book VIII, Chapter 9, defines necromancy (necromantia) as divination through the dead or by demonic power, deriving the term from Greek roots for "dead" and "divination," and classifies it among illicit arts that summon infernal spirits, equating practitioners with heretics who pervert natural order. Early scholastic thought, influenced by Isidore and patristic sources, started distinguishing "white" magic—beneficial arts like healing charms invoking divine aid—from "black" magic, such as necromancy, which relied on demonic pacts and was deemed heretical; this binary helped church authorities tolerate certain folk remedies while targeting spirit invocation as profoundly sinful.^[29] Parallel to European suppression, necromantic lore endured through indirect transmissions via Islamic scholars, who preserved and adapted Greek texts during the Abbasid era. Arabic alchemists like Jabir ibn Hayyan (c. 8th-9th centuries) translated Hermetic and Greco-Egyptian works, such as those attributed to Zosimos of Panopolis, before re-entering Europe via Spain and Sicily in the 10th-11th centuries, influencing monastic libraries without overt endorsement.^[30]

Late Middle Ages

In the late Middle Ages, spanning the 12th to 15th centuries, necromancy—often termed nigromantia to denote its association with demonic forces—was increasingly portrayed in European theological and legal discourse as a grave form of sorcery involving the invocation of demons rather than genuine communication with the dead. This shift reflected the Church's growing centralization and scholastic emphasis on distinguishing illicit superstition from orthodox faith, framing necromancy as a heresy that endangered the soul through pacts with infernal entities. Clerical authorities viewed it not as a legitimate art but as a deceptive practice where demons masqueraded as spirits of the deceased to mislead practitioners, thereby reinforcing prohibitions against all forms of divination.^[31]^[7] Scholastic theologians provided systematic condemnations that solidified this demonic characterization. In his Summa Theologica (c. 1274), Thomas Aquinas classified necromancy under the vice of superstition, specifically as a type of divination that relied on demonic assistance rather than divine revelation or natural causes; he argued that any apparent successes stemmed from demons' superior knowledge and power, not the dead, rendering the practice idolatrous and sinful. Aquinas distinguished it from other divinations like astrology or augury but united them in their common reliance on forbidden supernatural aid, emphasizing that true prophecy came solely from God. This framework influenced subsequent inquisitorial manuals and trials, where necromancy was prosecuted as a subset of heresy, often involving elaborate rituals with circles, incantations, and talismans to compel demons.^[31]^[32]^[33] The era's social upheavals amplified accusations of necromantic sorcery, linking it to broader fears of heresy and catastrophe. During the Black Death (1347–1351), which devastated Europe and killed an estimated 30–60% of the population, necromancers and sorcerers were among those scapegoated for unleashing plagues through demonic means, though such charges often overlapped with antisemitic libels accusing Jews of well-poisoning via magical poisons. These pogroms, including massacres in Strasbourg and Basel, echoed earlier ecclesiastical bans like those from the Council of Braga (561 CE), which condemned Priscillianist heresies, and were reiterated in late medieval synods to reinforce prohibitions on demonic arts. Heresy trials, conducted by inquisitors under papal authority, increasingly targeted clerical practitioners of necromancy, with records from the 14th century documenting cases of priests using grimoires for demonic conjurations, punished by degradation, imprisonment, or execution.^[34]^[35]^[36] Pseudepigraphical grimoires emerged as key texts blending necromantic elements with Solomonic traditions, reflecting the era's fascination with controlled spirit invocation. The Key of Solomon (c. 14th century), attributed falsely to King Solomon, instructed on rituals to summon angels and demons using consecrated tools, circles, and prayers, ostensibly for benevolent ends but often condemned as demonic sorcery due to its coercive language toward spirits. This work, part of a broader Solomonic cycle including the Lemegeton, integrated Jewish kabbalistic influences with Christian angelology, yet inquisitors viewed it as heretical for presuming human dominion over supernatural beings, leading to its suppression in university and monastic settings.^[37]^[38] Socially, necromancy accusations disproportionately targeted marginalized groups, portraying Jews and women as inherent practitioners of demonic arts amid rising xenophobia and gender anxieties. In England, the 1290 Edict of Expulsion under Edward I was fueled by fears of Jewish ritual magic, including blood libels alleging the use of Christian blood in sorcerous rites, resulting in the forced departure of approximately 2,000–3,000 Jews and the seizure of their assets. Women, often depicted in misogynistic treatises as more susceptible to demonic temptation, faced heresy trials for alleged sorcery; for instance, early 15th-century cases in France and Italy involved women accused of invoking demons for love or harm, precursors to later witch hunts. These persecutions intertwined necromancy with broader inquisitorial efforts against heresy, solidifying its image as a demonic threat to Christian society.^[39]^[40]^[33]

Renaissance and Early Modern Developments

Intellectual Shifts

During the Renaissance, humanism facilitated a profound intellectual reframing of necromancy, transitioning it from a condemned heresy associated with demonic pacts to a subject of scholarly curiosity intertwined with natural philosophy and ancient wisdom traditions. This shift was driven by the revival of classical texts, which humanists like Marsilio Ficino interpreted through Neoplatonic and Hermetic lenses to emphasize "natural magic" over illicit spirit conjuration. By portraying interactions with spiritual forces as harmonious extensions of cosmic order rather than supernatural defiance, scholars began to explore necromantic themes—such as soul journeys and astral influences—as legitimate inquiries into the universe's hidden mechanisms.^[41] A pivotal example is Ficino's De Vita Coelitus Comparanda (1489), the third book of De Vita Libri Tres, where he delineates natural magic as a means to harness astral influences on the human spirit without invoking demons. Ficino describes how celestial bodies emit rays that interact with earthly substances like herbs and talismans, elevating the soul toward divine intellect through sympathetic correspondences, thus sidestepping medieval accusations of demonology by grounding practices in observable natural sympathies. This approach recast necromantic elements, such as spirit communication, as therapeutic and philosophical tools aligned with Platonic cosmology, influencing subsequent humanist debates on the boundaries between piety and esoteric knowledge.^[41] The 1463 Latin translation of the Corpus Hermeticum by Ficino further propelled this evolution, presenting soul ascent and descent as mystical processes of purification rather than coercive rituals. These texts, attributed to Hermes Trismegistus, depicted the soul's journey through cosmic spheres as a theurgic ascent toward divine unity, prioritizing Neoplatonic harmony over the goetic manipulations of necromancy. By integrating Hermetic ideas with Christian theology, Renaissance thinkers elevated such concepts to scholarly discourse, viewing them as ancient pagan wisdom compatible with faith, though tensions persisted regarding their potential for superstition.^[42] The invention of the printing press around 1440 amplified these intellectual currents by enabling the rapid dissemination of ancient and medieval texts on magic, sparking widespread debates on necromancy's status. Works on astrology, alchemy, and occult philosophy—drawing from Greco-Roman sources—circulated broadly, prompting humanists to argue whether necromantic practices represented rediscovered pagan insights or residual superstitions to be reformed through rational inquiry. This accessibility fostered a cultural milieu where necromancy was dissected in academies and treatises, often as a precursor to empirical science rather than outright heresy. Medieval grimoires, such as those outlining spirit evocations, served as brief references in these discussions, highlighting the transition from clandestine manuscripts to public scholarly analysis.^[43] Paracelsus (1493–1541) exemplified the blurring of necromancy into proto-scientific pursuits by integrating alchemy with spirit communication, treating supernatural forces as integral to chemical and medical processes. In works like the Seven Defenses, he advocated reclaiming magic from demonic misuse for healing, positing that alchemical operations could align human bodies with cosmic spirits through empirical experimentation. This fusion positioned necromantic themes—such as elemental spirits influencing matter—as foundational to a new chemistry, where mystical insights informed practical pharmacology, marking necromancy's absorption into the scientific revolution.^[44]

Key Figures and Texts

Heinrich Cornelius Agrippa (1486–1535), a German polymath and occult philosopher, significantly shaped Renaissance understandings of magic through his seminal work De Occulta Philosophia Libri Tres (1533), where he systematically categorized various forms of occult practice, including necromancy, under the broader umbrellas of cabala (mystical interpretation of sacred texts) and goetia (invocation of spirits, often malevolent). In Book III, Agrippa distinguishes goetia as magic dealing with evil spirits and contrasts it with theurgia (divine magic), while treating necromancy as the art of raising the dead for divination or knowledge, often through rituals involving stones like synochitis to detain shades or infernal ghosts.^[45] He advocates a cautious approach to such practices, emphasizing that true magic should pursue divine knowledge and wisdom rather than profane or risky conjurations, warning that goetia and necromancy invite dangers from unclean spirits and should be avoided by the adept in favor of celestial and intellectual harmonies. Agrippa's framework integrated Neoplatonic and Kabbalistic elements, positioning necromancy as a lower, perilous form subordinate to higher cabbalistic revelations, thereby influencing later occultists while underscoring ethical restraint.^[46] John Dee (1527–1608/9), an English mathematician, astrologer, and advisor to Queen Elizabeth I, developed the Enochian system of magic in the 1580s through scrying sessions with his associate Edward Kelley, involving crystal gazing to facilitate communications purportedly from angels. These sessions produced the Enochian language, tables, and calls intended for invoking spiritual entities to reveal divine knowledge, primarily angelic but with potential overlaps into necromantic territories through spirit evocation and apocalyptic visions. Dee's diaries, such as A True & Faithful Relation of What Passed for Many Yeers Between Dr. John Dee... and Some Spirits (published posthumously in 1659), document these interactions as a means to access hidden wisdom, though contemporaries sometimes viewed them suspiciously as bordering on forbidden spirit-raising akin to necromancy. While Dee framed his work as pious theurgy rather than demonic conjuration, the intensive scrying and entity communications exemplified Renaissance efforts to blend scholarly inquiry with occult exploration, influencing subsequent esoteric traditions. Reginald Scot (c. 1538–1599), an English country gentleman and Member of Parliament, offered a critical counterpoint in The Discoverie of Witchcraft (1584), a comprehensive exposé debunking necromancy and related sorceries as fraudulent illusions perpetrated by charlatans rather than genuine supernatural powers.^[47] Scot meticulously dissected necromantic rituals—such as conjuring spirits with circles, wands, and incantations—arguing they relied on sleight-of-hand, ventriloquism, and psychological deception, drawing on classical sources and contemporary observations to dismantle claims of demonic pacts or resurrections. His work fostered Protestant skepticism toward Catholic-influenced superstitions, portraying necromancy as a tool of priestly manipulation and urging reliance on scripture over credulity, which profoundly impacted English attitudes toward witchcraft during the late 16th century. Though initially ordered burned by King James I for its perceived leniency toward witches, Scot's treatise remains a foundational text in the rational critique of occult practices.^[48] Giordano Bruno (1548–1600), an Italian philosopher and Hermeticist, exemplified the perilous intersections of necromantic ideas with cosmological speculation, ultimately leading to his execution by the Roman Inquisition on February 17, 1600, for heresy. In works like De Magia (c. 1589, unpublished during his lifetime) and De Vinculis in Genere (c. 1588), Bruno explored Hermetic magic, including invocations of spiritual forces that blurred lines between theurgy, goetia, and necromantic evocations, integrating them into an infinite, animistic universe where souls could transmigrate and influence matter. His views blended Neoplatonic emanations with practical magic, positing that cosmic sympathies allowed operators to bind intelligences—potentially including shades of the dead—to achieve knowledge or power, though he emphasized heroic, intellectual pursuit over base sorcery.^[49] Accused of denying key doctrines like transubstantiation and promoting pantheistic magic, Bruno's trial highlighted ecclesiastical tensions with Renaissance occultism, marking his death as a symbol of the era's intellectual conflicts.

Modern and Contemporary Necromancy

19th-20th Century Occult Revival

The Spiritualism movement, which flourished from the 1840s to the 1920s, marked a significant resurgence of practices akin to necromancy in Western esotericism, centered on séances and communication with the dead. It originated in 1848 in Hydesville, New York, when sisters Margaret and Kate Fox claimed to receive messages from spirits through mysterious rapping sounds, drawing widespread public interest and establishing mediums as conduits for the deceased.^[50] This phenomenon evolved from ancient necromantic roots, where invoking the dead for guidance was reframed as a scientific and moral pursuit of post-mortem survival, though critics often labeled it a form of prohibited divination.^[51] By the late 19th century, Spiritualism had spread globally, influencing occult circles through public demonstrations and publications that blurred the line between empirical inquiry and supernatural contact.^[52] Helena Petrovna Blavatsky's Isis Unveiled (1877), a foundational text of Theosophy, further propelled the occult revival by reinterpreting ancient necromancy not as base conjuring of restless souls but as elevated contacts with enlightened Mahatmas—immortal spiritual teachers from Eastern traditions.^[53] Blavatsky critiqued contemporary Spiritualism as often fraudulent or limited to lower astral entities, advocating instead a synthesis of Western hermeticism and Eastern esotericism to access universal wisdom preserved by these ascended masters.^[54] Through Theosophy, founded in 1875, she positioned necromancy's legacy as part of a hidden perennial philosophy, influencing subsequent occult societies by emphasizing intellectual and ethical dimensions over mere mediumship.^[55] The Hermetic Order of the Golden Dawn, established in 1888, played a pivotal role in systematizing occult practices, incorporating goetic evocations—rituals to summon non-human spirits—from medieval grimoires into a structured curriculum influenced by Renaissance hermeticism. Aleister Crowley (1875–1947), a former member, integrated these elements into his Thelemic system, founded in 1904, where he edited and practiced the Goetia for evoking demons as psychological and spiritual forces. Crowley explicitly distinguished invocatory rites, which draw divine energies into the self for enlightenment, from necromantic ones focused on the dead, deeming the latter inferior and prone to delusion while elevating goetic work as aligned with Thelema's principle of individual will.^[56] Legal shifts in the 20th century facilitated this revival, particularly the repeal of the UK's Witchcraft Act of 1735 in 1951, which had criminalized claims of supernatural powers including necromantic communications.^[57] The replacement Fraudulent Mediums Act targeted deception in spiritualist and occult practices rather than the acts themselves, allowing open exploration of esoteric rites with caveats against fraud, thereby enabling neopagan and Thelemic groups to operate without prior persecution risks. The Fraudulent Mediums Act was itself repealed in 2008 by the Consumer Protection from Unfair Trading Regulations 2008, further liberalizing the legal landscape for such practices.^[58]^[59] This legislative change reflected broader societal tolerance post-World War II, sustaining occultism's intellectual resurgence into the mid-century.

Neopagan and Folk Practices

In modern Wicca, as developed by Gerald Gardner in his 1954 publication Witchcraft Today, practices incorporate elements of spirit guidance through familiar spirits or inner-plane contacts, often visualized during rituals to provide insight without direct invocation of the dead. Ancestor altars, a common feature in contemporary Wiccan traditions, serve as focal points for honoring deceased kin through offerings and meditation, emphasizing reverence rather than command over spirits. This approach aligns with the Wiccan Rede's principle of "harm none," which explicitly discourages coercive necromancy seen in historical contexts, prioritizing consensual and ethical interactions with spiritual entities.^[60] Folk traditions in rural areas, such as 20th-century Appalachian granny magic, blend herbalism and divination with community healing, where practitioners like Lennie Baucom Hudgins used Bible verses and protective charms to address ailments, sometimes invoking ancestral wisdom indirectly through family lore passed down orally.^[61] Dowsing rods were employed by these granny witches to locate water sources or lost items, reflecting a practical animistic worldview that views the land and its hidden forces as responsive to human intent.^[62] Similar intermediary roles appear in Haitian Vodou, where loa spirits act as bridges between humans and the divine or ancestral realms, facilitating communication through possession rituals rather than direct grave consultations, as documented in ethnographic studies of syncretic African diasporic practices.^[63] Ethical perspectives in modern spirit work, particularly within chaos magic emerging in the 1970s through figures like Peter J. Carroll and Phil Hine, stress consensual engagement with entities, viewing spirits as autonomous beings in an "Otherworld" model that requires mutual respect to avoid psychological or energetic backlash. This contrasts sharply with historical necromancy's coercive techniques, such as forced summonings for divination, by promoting personal responsibility and deconditioning from dogmatic power dynamics, as outlined in foundational chaos magic texts that encourage results-oriented experimentation grounded in self-awareness.^[64] Since the early 2000s, neopagan practices have spread globally via online communities, where "death walking" rituals—training sessions focused on accompanying the dying and processing grief through guided spiritual support—have gained traction as tools for communal healing, often led by figures like Virago at natural death care centers.^[65] These digital forums, building on Spiritualist precursors from the 19th century that emphasized mediumship for afterlife contact, adapt necromantic elements into therapeutic frameworks for bereavement, fostering shared rituals without traditional coercion.^[66]

Necromancy in Global Cultures

African and Indigenous Traditions

In African and indigenous traditions, necromantic-like practices often center on communal veneration of ancestors, viewed as ongoing spiritual intermediaries who guide, protect, and prophesy for the living community rather than as isolated conjurations of the dead. These rituals emphasize collective harmony, healing, and moral continuity, contrasting with more individualistic Western approaches to spirit communication.^[67] Among West African peoples, the Yoruba of Nigeria and Benin employ egungun masquerades to honor and consult ancestral spirits during festivals and rites. Dancers don elaborate, layered costumes topped with masks that embody the egungun, representing the collective power of deceased forebears who descend to interact with the living, offer blessings, and impart guidance or prophecies on community matters such as disputes or future events.^[68]^[69] In the Yoruba diaspora, particularly through Santería in Cuba and related Lucumí traditions, practitioners maintain this veneration by consulting egun (ancestral spirits) via altars and divination tools like cowry shells, seeking advice on personal and communal issues while integrating Yoruba orishas with local elements.^[70] Similarly, the Akan of Ghana perform libations—pouring palm wine or water while reciting prayers—to invoke nsamanfo, the spirits of enlightened ancestors, fostering ongoing dialogue for protection, fertility, and social cohesion in communal ceremonies.^[67]^[71] In Southern Africa, Zulu sangomas (traditional diviners and healers) enter trance states induced by drumming and chanting to channel amadlozi, facilitating prophetic insights and holistic healing for individuals and the community. Rooted in pre-colonial rites, these sessions address illnesses believed to stem from ancestral displeasure, emphasizing restoration of balance through the ancestors' direct intervention.^[72]^[73] Indigenous American traditions parallel this communal focus, as seen among the Mapuche of Chile, where machi shamans lead rituals invoking pillán—powerful spirits of deceased warriors and leaders—to seek prophecy, cure ailments, and ensure territorial and social harmony through drumming, herbal offerings, and trance possession.^[74]^[75] The Navajo employ Ghostway ceremonies, part of broader chantway healing rituals, to appease chindi (residual malevolent spirits of the dead) that may cause "ghost sickness," using songs, sandpaintings, and herbs in multi-day communal events to exorcise influences and restore well-being.^[76]^[77] European colonial encounters profoundly disrupted these practices through missionary suppression, branding ancestor veneration as idolatry and enforcing Christian conversion, which fragmented indigenous rituals and drove them underground. This led to syncretic adaptations, such as Brazilian Umbanda in the early 20th century, which blended Yoruba-derived African spirit possession with indigenous shamanism, Kardecist Spiritism, and Catholicism to preserve ancestral consultation under a veiled framework of mediumship and healing sessions.^[78]^[79]^[80]

Asian and Other Non-Western Perspectives

In Chinese Taoist traditions, practitioners employed fu, or talismans inscribed with sacred characters and symbols, to facilitate consultations with gui, the spirits of the deceased or restless ghosts, often for guidance on health, fortune, or exorcism. These fu were activated through ritual burning or display, believed to bridge the human and spirit realms by invoking divine energies to command or appease gui.^[81]^[82] Complementing such practices, the Hungry Ghost Festival, observed in the seventh lunar month, involves Taoist rituals of appeasement where offerings of food, incense, and joss paper are made to nourish and pacify wandering gui, preventing misfortune and honoring ancestral ties. These communal ceremonies, led by priests, emphasize cyclical renewal and the interdependence of living and spectral worlds.^[83]^[84] In Japan, onmyōdō, a cosmological system blending indigenous Shinto, imported Chinese Taoism, and yin-yang (阴阳) principles, incorporated necromantic elements through the summoning of shikigami—ethereal spirit familiars derived from yokai, or supernatural entities—for divination, protection, and spirit communication. The 10th-century onmyōji Abe no Seimei exemplified this tradition, legendary for deploying shikigami to manipulate yin-yang forces, discern hidden threats from ghosts or demons, and advise imperial courts on auspicious timings, framing such practices within a balanced cosmic order rather than overt malevolence.^[85]^[86] Indian Tantric traditions, particularly in sadhana (spiritual disciplines), involve invoking pitrs, the ancestral spirits, through meditative rituals and mantra recitation to seek post-death guidance on karma, rebirth, and familial duties, as detailed in texts like the Garuda Purana (c. 800 CE). This Purana outlines procedures for shraddha offerings and pitr-puja, where practitioners offer pinda (rice balls) and perform homa (fire rites) to nourish and consult pitrs, integrating these acts into broader soteriological frameworks that emphasize ancestral merit for the living's spiritual progress.^[87]^[88] Among Oceanic cultures, Māori tohunga—spiritual experts and mediums—channel tipuna (ancestral spirits) during rituals tied to whakapapa, the genealogical framework connecting past, present, and future generations, often incorporating haka (ceremonial postures and chants) to invoke guidance and resolve communal issues. These practices, rooted in pre-colonial oral traditions, view tipuna as active participants in healing and decision-making, with tohunga using karakia (incantations) to facilitate spirit communion and maintain tapu (sacred boundaries).^[89]^[90]

Depictions in Literature and Media

Historical Literature

In classical literature, necromancy appears as a dramatic device to confront human limits and divine mysteries. In Seneca's Oedipus (c. 60 CE), the prophet Tiresias, aided by Creon, performs a ritual to summon the shades of the dead from the underworld, including the ghost of King Laius, in a bid to uncover the truth behind Thebes' plague. This scene, involving blood offerings and incantations at a haunted grove, underscores themes of mortality and forbidden knowledge, as the evoked spirits reveal Oedipus's patricide and incest.^[91] The ritual's eerie depiction, with trembling earth and emerging phantoms, highlights necromancy's peril, blending Stoic philosophy with tragic inevitability.^[92] Medieval romances incorporated supernatural motifs through quests that tested chivalric ideals against the specter of death. In Sir Gawain and the Green Knight (c. 14th century), Gawain's journey to the Green Chapel involves encounters with otherworldly figures and a beheading game that symbolizes mortality and rebirth, evoking confrontations with the unknown. The poem's portrayal of the decapitated Green Knight rising to speak probes the fragile boundary between life and the afterlife while emphasizing spiritual trials.^[93] Such elements in Arthurian tales often drew brief inspiration from historical practices of spirit evocation in medieval Europe, where clerics and scholars experimented with demonic conjurations for divination.^[9] The Gothic tradition of the 19th century reimagined necromancy as a metaphor for scientific overreach and psychological torment. Mary Shelley's Frankenstein (1818) presents Victor Frankenstein's reanimation of a corpse through galvanic experiments as a form of modern necromancy, driven by a quest to conquer death but resulting in horror and isolation. This act of playing God critiques Romantic hubris, transforming ancient sorcery into a cautionary tale of unchecked ambition.^[94] Similarly, Edgar Allan Poe's "Ligeia" (1838) blurs life and death through the narrator's opium-fueled visions, where his deceased wife seemingly resurrects in another woman's body, symbolizing obsessive grief and the uncanny return of the dead. The story's ambiguous revival scene evokes necromantic possession, intensifying themes of will triumphing over mortality.^[95] Later 19th-century works fused necromancy with exotic folklore to explore imperial anxieties and eternal power. Bram Stoker's Dracula (1897) integrates Eastern European vampire lore, portraying Count Dracula as an undead necromancer who commands the night through blood rituals and shape-shifting, drawing on Slavic traditions of revenants raised by dark sorcery. Van Helsing's scholarly battle against this force positions him as a rational counter to vampiric necromancy, yet the novel underscores the allure and danger of forbidden immortality.^[96] Throughout these eras, necromancy served as a literary symbol for human hubris or potential redemption. In Christopher Marlowe's Doctor Faustus (1587), the protagonist's pact with demons for necromantic power exemplifies overweening pride, leading to eternal damnation despite opportunities for repentance, as a morality play warning against defying natural and divine order. Conversely, in some narratives like Seneca's invocation, summoning the dead aids truth-seeking and moral reckoning, offering redemption through unveiled fate.^[97]

Modern Popular Culture

In the late 20th and early 21st centuries, necromancy has become a prominent trope in popular media, frequently portrayed as a source of mystical power that blurs the lines between life and death, often empowering protagonists or anti-heroes in fantastical narratives.^[98] This depiction draws loosely from literary precedents but emphasizes visual spectacle and interactive elements unique to contemporary formats.^[99] In film and television, necromancy often manifests through ancient artifacts that facilitate resurrection or communication with the deceased. The Harry Potter series (1997–2007), adapted from J.K. Rowling's novels, features the Resurrection Stone, one of the Deathly Hallows, which summons ethereal shades of the dead for guidance rather than true revival, classifying it within the Dark Art of necromancy used to raise Inferi—reanimated corpses controlled by dark wizards.^[100] Similarly, the 1932 film The Mummy, directed by Karl Freund, centers on the ancient Egyptian priest Imhotep, resurrected after an archaeologist unwittingly recites the Scroll of Thoth, an artifact granting life to the dead and enabling Imhotep to pursue his cursed ambitions, with remakes like the 1999 version amplifying these themes of curse-breaking and undead revival.^[101] In the long-running TV series Supernatural (2005–2020), necromancy appears as a skill for summoning and controlling the dead, often wielded by antagonists but occasionally explored through the protagonists' moral dilemmas, framing it as a double-edged tool in battles against greater evils.^[102] Video games have popularized necromancy as a playable mechanic, allowing users to command undead forces in expansive worlds. In Dungeons & Dragons (first published 1974, with ongoing editions), the School of Necromancy subclass for wizards enables players to manipulate life and death energies, animating hordes of undead minions to bolster armies and explore themes of undeath.^[103] World of Warcraft (released 2004) integrates necromancy deeply into its lore through the Scourge, a faction led by the Lich King that raises vast undead armies via death magic, with player classes like Death Knights channeling similar powers to summon ghouls and skeletal warriors in massive battles.^[104] Music and comics further embed necromancy in gothic aesthetics, evoking death's allure. The 1990s band Type O Negative explored mortality and doomed romance in a gothic style, as in their 1994 album Bloody Kisses, with tracks like "Bloody Kisses (A Death in the Family)" mourning loss in a macabre style that resonated with goth subcultures.^[105] In comics, Mike Mignola's Hellboy series (debuting 1993) incorporates spirit-raising folklore, where the titular demon protagonist employs necromantic abilities to animate corpses for interrogation or guidance, drawing from occult traditions in arcs like Wake the Devil to confront supernatural threats. This portrayal marks a cultural shift from necromancy's historical association with villainy to a more heroic or ambivalent framing, where practitioners like those in Supernatural or Dungeons & Dragons wield it for redemption or protection, fostering youth interest in occult themes and influencing broader fascination with empowerment through the forbidden.^[99] Such representations normalize necromancy as a narrative device for exploring grief and agency, contrasting earlier moral condemnations.^[98]

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Chaos magic (belief) | Research Starters - EBSCO
Chaos magic is a contemporary spiritual belief system that emerged in the 1970s, primarily in England. It synthesizes elements of psychology, philosophy, ...
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[PDF] Gender, Spirituality and Death Care in the Anthropocene
Aug 23, 2021 · At a Death Walking Training with Virago of the Natural Death Care Centre, there were approximately twenty cis women and two trans people ...
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Spiritualism | Religion, Beliefs, Practices, & History - Britannica
Also basic to spiritualist practice is “spirit healing.” Among the precursors of Spiritualism was the Magnetist movement, which had grown out of the magnetic- ...
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[PDF] The Belief in and Veneration of Ancestors in Akan Traditional Thought
Spirits of our ancestors, receive this wine and drink. (Gyekye 1995:68). The quote above is one of the many prayers of libation of the Akan people of. Ghana.
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(PDF) Africans concept of masquerades and their role in societal ...
Nov 15, 2018 · All over Yoruba land, the Egungun represent the spirit of the ancestors who have descended from heaven/ mountains. It celebrates a period ...
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[PDF] LESSON 12: EMPOWERING LEADERS - Fowler Museum at UCLA
In this lesson students explore the use of egungun masks in rituals devoted to honoring ancestors, as practiced by Yoruba peoples from Nigeria and Benin.
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[PDF] An Anthropological Approach to Understanding Money Exchange in ...
Ancestors and other dead spirits (egun or muertos) also play an important role in Santería's theology because these supernatural entities often work closely ...
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[PDF] The Performativity of Akan Libations - Ghana Studies
And it is in this belief in the continued relationship between the ancestors and their living kin that libation is performed as a special communicative medium ...
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The role of traditional health practitioners in Rural KwaZulu-Natal ...
Aug 22, 2016 · Participants indicated that Amadlozi (ancestors) are awakened and elevated in a relationship which is focused on healing. God works together ...
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White Izangoma: The Creation of New Significance or New ...
A sangoma is a channel for ancestral spirits. They are able to go into a trance or make contact with spirits and communicate with the ancestors and spirits to ...Missing: izilo | Show results with:izilo
[77]
Mapuche - Beliefs and funeral rites - Chile Precolombino
This four-part system is also seen in religious rites, in which Mapuche shamans (machi) invoke the four great deities: the Elder Male, the Elder Female, the ...
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Mapuche Mythology | Mythosphere
The Pillan are powerful ancestral spirits of deceased leaders and warriors. ... Ritual prayers led by the machi (shaman); Animal sacrifices to appease ...
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chindi - The Tony Hillerman Portal - University of New Mexico
A “chindi” is the spirit of a dead person. Navajos are taught to avoid contact with the dead or enclosed places, like a hogan.
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[PDF] Navajo Chants
Evilway ritual is characterized by techniques for exorcising native ghosts and for chasing away "ugly things." Most chants are performed according to Holyway ...
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How African, Indigenous, and Catholic Beliefs Shaped Brazil
Oct 5, 2025 · The Brazilian religious landscape emerged from a unique blend of African, Indigenous, and Catholic beliefs, forming syncretic traditions ...
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Umbanda: Resistance and Negotiation of Afro Brazilian Identities ...
This thesis analyzes the origins, rituals, social impact, historical transformations, and relevance of Umbanda as a syncretic expression of Afro-Brazilian, ...Missing: colonial suppression
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Continuities and Discontinuities in Brazilian Umbanda - jstor
Earlier research on Afro-Brazilian religions, influenced by static and simplistic models of syncretism and acculturation, underestimated their fluid and ...
[84]
Ghosts in Early Daoist Culture (Chapter 5)
Jan 13, 2022 · ... and talismans to cure illnesses and drive away ghosts and evil spirits. ... gui, which could refer to spirits of both human and nonhuman origins.
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[PDF] Signs of Power: Talismanic Writing in Chinese Buddhism
Throughout much of the ancient world talismans or amulets written in an esoteric script were worn or ingested in order to repel the demonic and.
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(PDF) Past and Present Rituals of Hungry Ghost Festival
Aug 10, 2025 · PDF | On Nov 23, 2021, Shakinah Shirin published Past and Present Rituals of Hungry Ghost Festival | Find, read and cite all the research ...
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The Hungry Ghosts Festival: A Convergence - jstor
This paper is an attempt to explore reasons for the revitalization of the Hungry. Ghosts Festival in Penang, Malaysia. The Hungry Ghosts Festival, ...
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[PDF] Uncovering Shikigami The Search for the Spirit Servant of Onmyōdō
A study of scholarly discourse on shikigami reveals diverse understandings of what this thaumaturgical emblem of Onmyōdō (way of yin and yang) repre-.Missing: yokai | Show results with:yokai
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Onmyodo in Japanese history - Document - Gale Academic OneFile
Gale Academic OneFile includes Onmyodo in Japanese history by Hayashi Makoto and Matthias Hayek. Read the beginning or sign in for the full text.
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The garuda purana and hindu death rituals:: exploring psychological ...
Aug 25, 2025 · Objectives: The objective of this research is to explore how rituals prescribed in The Garuda Purana influence psychological well-being during ...Missing: pitrs invocation
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Garuda Purana - Hindu Online
All the ancestors are then invoked with specific mantras. The scriptures allow the use of sesame seeds in place of barley if latter is unavailable due to ...Missing: pitrs tantric
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View of The Role of the Tohunga—Past and Present
of divination. Other tohungas were specialists in carving, tattooing, building canoes, and other special skills (Best 1934, 73–76). ... kumara and taro plantings, ...
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[PDF] An Indigenous Approach To Māori Healing With Papatūānuku2
It is used by tohunga as a spiritual clearing process using spiritual energy and takutaku. The purepure ceremony enables people to release old emotional ...
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SENECA THE YOUNGER, OEDIPUS - Theoi Classical Texts Library
SENECA THE YOUNGER was a Latin playwright and philosopher who flourished in Rome in the late C1st A.D. during the reigns of the emperors Claudius and Nero.
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Making Oedipus Roman - OpenEdition Journals
29The other form of divination which Seneca uses here, the necromancy which brings Laius back before us, is likewise a trope in the De Ira for the discovery of ...
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Sir Gawain and the Green Knight : Armed with Virtues in the Face of ...
Hasped in the Armor of God, Gawain is invincible in physical battle against God's enemies yet remains focused on the health of his soul rather than his ...Missing: necromancy | Show results with:necromancy<|control11|><|separator|>
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Frankenstein's "Conversion" from Natural Magic to Modern Science ...
Frankenstein gives an account of the first stage of the "conversion" from his enthusiasm for ancient occult philosophers to modern science.
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Bodies Out of Place: Poe, Premature Burial, and The Uncanny
May 28, 2017 · In tales such as “The Premature Burial,” “Ligeia,” and “The Facts in the Case of M. Valdemar,” Poe blurred the boundaries between life and death ...
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[PDF] Dracula and the Occult
'9 In enlisting the scholarly 'necromancer' Dr Van Helsing as the vampire's ... Bram Stoker, Dracula, ed Roger Luckhurst (Oxford: Oxford University Press,.
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Analysis of Christopher Marlowe's Doctor Faustus
Jul 29, 2020 · Oswald Spengler in The Decline of the West saw in the drama a metaphor for Western technological hubris and cultural self-destruction that ...
[101]
Exploring Necromancy: Origins and Cultural Impact
Nov 3, 2024 · Necromancy as Symbolism ... In Mary Shelley's Frankenstein, the main character creates life from death through scientific necromancy.
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Myth in Pop Culture: The Necromancer - Fandom
Jul 9, 2016 · The act of necromancy is not evil. A good necromancer's goal is improving the quality of life by exploring death. A necromancer becomes a ...
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Necromancy - Harry Potter Wiki - Fandom
Necromancy was the Dark Art of raising the dead.[1] It was also the branch of magic used to create Inferi[2] and the worst version[3] of charmed skeletons.
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The Mummy (1932) - IMDb
Rating 6.9/10 (32,702) Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud ...
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Necromancy | Supernatural Wiki | Fandom
Necromancy is the ability to summon and control things that are dead, or other types of creatures. One of the uses of this is reanimation, which is aimed at ...
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Wizard: School of Necromancy - DND 5th Edition - Wikidot
The School of Necromancy explores the cosmic forces of life, death, and undeath. As you focus your studies in this tradition, you learn to manipulate the ...
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Necromancy - Wowpedia - Your wiki guide to the World of Warcraft
A corpse raised by necromancy. Those who practice death magic gradually become undead, and thus don't need to be killed and brought back from the dead. They end ...Uses · Effects on beings · Practitioners · Trolls
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Everything Dies: Celebrating the Career of Type O Negative
Jun 8, 2017 · During the '90s, they helped define a Gothic subculture and their music is a snapshot of the shadowy, sexier side of the decade's musical ...Missing: necromancy | Show results with:necromancy<|separator|>