Fact-checked by Grok 2 weeks ago

Permanent Residence

Permanent Residence (Chinese: 永久居留; pinyin: Yǒngjiǔ jūliú) is a 2009 Hong Kong drama film written, produced, and directed by Danny Cheng Wan-Cheung, known professionally as Scud. The film stars Sean Li as Ivan, a young professional who confronts his following his father's death and develops an unrequited romantic obsession with his straight best friend and colleague, played by Osman Hung. As Ivan grapples with personal losses, including the deaths of his father and grandmother, and the implosion of his pursuits in , he relocates to the Dead Sea region to join a of similarly disillusioned individuals seeking permanence amid transience. Featuring extensive male nudity and explicit sexual content, the semi-autobiographical work examines themes of impossible , mortality, and existential isolation, earning a 6.4/10 rating on from over 800 user reviews but drawing criticism for its narrative disjointedness and overt eroticism over emotional depth. Released on April 23, 2009, with a runtime of 115 minutes, it premiered at the and reflects Scud's signature style of blending personal introspection with provocative visuals in independent cinema.

Overview

Background and Premise

Danny Cheng Wan-Cheung, professionally known as Scud, directed and wrote Permanent Residence (永久居留), a 2009 film that draws heavily from his personal experiences as a former professional who transitioned to independent . Born in and relocating to as a teenager, Scud spent about 20 years in IT before immigrating to and securing there in 2001, after which he self-taught and produced his feature debut City Without Baseball in 2008. The film represents Scud's second directorial effort and serves as the opening installment in an informal trilogy examining human limits, with subsequent works addressing passion and love. Permanent Residence is semi-autobiographical, reflecting Scud's own encounters with homosexual awakening, unrequited affection toward a heterosexual individual, and broader existential concerns amid Hong Kong's cultural landscape. Produced independently, it challenges conventional portrayals of queer male experiences in Hong Kong cinema by incorporating elements of camp aesthetics elevated to artistic expression, while critiquing societal norms around sexuality and mortality. The narrative premise centers on Ivan, a driven IT specialist whose life trajectory forces a confrontation with his sexual orientation following an encounter that prompts public questioning of his preferences, set against a backdrop spanning decades from the 1960s onward. This setup underscores themes of pursuing unattainable emotional bonds and contemplating life's impermanence, framed by the protagonist's professional success and personal isolation.

Genre and Style

Permanent Residence is classified as a and , with prominent elements of cinema and homoerotica. These genres frame its exploration of unrequited gay-straight love and personal identity, setting it apart from conventional narratives that often avoid explicit depictions of . The film's stylistic approach is semi-autobiographical, reflecting director 's own experiences to lend to the protagonist's internal conflicts and relationships. It employs provocative visuals, including full-frontal and erotic sequences such as and intimate encounters, to underscore themes of desire and frustration without reducing the story to mere titillation. Strong contributes to visually striking compositions, balancing raw intensity with aesthetic appeal, while realistic dialogue grounds the emotional dynamics in everyday interactions. Narratively, the style alternates between introspective existential reflections—often conveyed through voiceover and symbolic imagery like coffin-shaped furniture—and direct homoerotic moments, defying traditional dramatic arcs in favor of a fragmented, personal chronicle. This auteur-driven method prioritizes psychological depth and societal critique over polished entertainment, marking Scud's work as independent and boundary-pushing within Hong Kong's queer film landscape.

Plot

Synopsis

Permanent Residence (2009) chronicles the life of (Sean Li), a dedicated IT professional in who confronts his amid an unrequited romantic attachment to his heterosexual friend Windson (Osman Hung), a kickboxer. Their bond forms after meeting in a steam room and evolves into a physically intimate yet relationship, featuring activities like nude , nude , late-night beach outings, embracing, sharing a , kissing, and fondling, while Windson maintains boundaries against sexual . The narrative tension escalates when Windson announces his intention to marry his long-term girlfriend, leaving Ivan emotionally shattered and prompting a period of self-discovery through international travel to , , , and back to . This journey follows an initial gay awakening sparked by an encounter with another man, Josh (Jackie Chow), featured on a television program, and involves Ivan reflecting on his past, including roots tracing to 1960s , and his professional success in . Interspersed with these events are Ivan's meditations on mortality and the deaths or illnesses of loved ones, structured through voiceover narration and a speculative metaphysical conclusion that hints at future possibilities, reflecting the film's semi-autobiographical basis in director Scud's (Danny Cheng) own experiences transitioning from IT to filmmaking.

Themes and Analysis

Homosexuality and Unrequited Love

In Permanent Residence, homosexuality is depicted through the experiences of the protagonist Ivan, a gay information technology professional who confronts his sexual identity amid societal pressures in 1990s Hong Kong. Ivan's journey involves explicit self-exploration, including full-frontal male nudity and erotic encounters that underscore the film's unapologetic celebration of the male form, contrasting with traditional cinematic restraint on such subjects. The narrative draws autobiographical elements from director Danny Cheng Wan-cheung (Scud), who mirrors Ivan's path from IT work to filmmaking while examining personal desires. Central to the theme is Ivan's for Windson, his roommate and close friend, forming a dynamic of intense without physical reciprocity. Their bond begins with a chance encounter in a steam room, evolving into shared domestic life marked by physical proximity—such as naked sessions and near-embraces—but bounded by Windson's firm refusal of homosexual acts. Moments of frustration peak in Ivan's private expressions of desire, like masturbating beside the sleeping Windson, highlighting the torment of one-sided affection and the limits of between and men. Scud frames this unrequited pursuit as a profound exploration of love's essence, prioritizing emotional connection over consummation, as he stated: "A straight man can love a man and not have ... What matters most to me is love, not its physical climax." Windson's family integrates as an honorary member, illustrating social acceptance amid personal denial, yet the film's raw depictions— including Windson's casual during —amplify the tension between desire and restraint. This portrayal challenges viewers to reconsider boundaries in gay-straight relationships, emphasizing vulnerability and existential longing without resolution.

Mortality and Existential Elements

In Permanent Residence, mortality serves as a central , with protagonist frequently contemplating the deaths of loved ones, which underscores the fragility of human connections amid and personal . The narrative spans Ivan's lifespan from his birth in the to his death around 80 years later, bookending the story with reflections on life's and prompting viewers to consider the passage of time. Existential elements emerge through Ivan's introspective voiceover narration, which weaves philosophical inquiries into life, death, love, and identity, often drawing from the director's semi-autobiographical experiences as a gay man navigating societal norms. Sudden instances of or disrupt the plot, amplifying themes of unpredictability and loss, while Ivan's international travels—to Israel, , and —symbolize a quest for meaning in a disconnected modern world. The film juxtaposes these ruminations against erotic sequences, creating a tension between bodily immediacy and abstract existential dread, though some analyses the uneven integration, noting that deeper exploration of mortality remains secondary to personal . A concluding sci-fi element introduces speculative ideas of posthumous continuity or transformation, offering a tentative to the predominant sense of finality. Overall, these aspects position mortality not merely as an endpoint but as a catalyst for Ivan's ongoing struggle with purpose and acceptance.

Societal Taboos in Hong Kong Context

In during the 2000s, remained a significant societal despite its in 1991, with traditional Confucian values emphasizing family lineage, , and heteronormative marriage exerting pressure on individuals to conform. A 2005 government-commissioned survey of over 2,000 respondents revealed that 38.9% viewed as contrary to morals, though was higher for individuals as colleagues (79.9%) or friends (76.1%), indicating a gap between tolerance in professional spheres and deeper familial or moral reservations. This , amplified by post-handover anxieties over identity and stability, fostered environments where over 80% of homosexual youths concealed their to avoid verbal , , or familial rejection, as documented in a 2009 survey by the Boys' & Girls' Clubs Association of . Permanent Residence directly challenges these taboos through its unflinching portrayal of male homosexuality, including the protagonist's sexual awakening and persistent for a heterosexual friend, themes that defied the era's cinematic reticence in . Directed by Scud, the film eschews subtlety by incorporating full-frontal male and explicit , confronting a society where such depictions were rare outside niche festivals and often met with or public discomfort. This approach underscores the protagonist's internal conflict against external pressures, mirroring real-world dynamics where navigated without legal protections against bias in or until limited reforms in the . The narrative further interrogates taboos around non-reciprocal desire and emotional vulnerability in male friendships, which in 's patrilineal culture often prioritize pragmatic alliances over personal fulfillment, exacerbating isolation for those diverging from normative paths. By framing these elements against the backdrop of mortality and loss, the film critiques how societal compounds personal tragedies, positioning not as deviance but as a legitimate facet of human experience stifled by collective denial. Such bold representation marked a departure from mainstream cinema's avoidance of explicit narratives, contributing to Scud's reputation for provocation amid ongoing cultural resistance.

Production

Development and Writing

Permanent Residence marked filmmaker Scud's (Danny Cheng Wan-cheung) directorial debut, following his screenplay and production credits on City Without Baseball (2008). The project originated as a semi-autobiographical exploration of the director's personal experiences, particularly unrequited love between gay and straight individuals, reflections on mortality, and the pursuit of emotional intimacy amid societal constraints. Scud penned the screenplay himself, selecting specific life events for inclusion while deliberately tempering the narrative to avoid excessive tragedy or idealized resolutions, as he noted the story reflected "the life of quite a few people" rather than a . Key sequences drew directly from reality, such as a near-intimate filmed at its actual occurrence site, and incorporated verbatim dialogue from Scud's own reflections, including the line "We can be dead, but not weak or old." The script emphasized love's essence over physical consummation, prioritizing thematic depth on identity and existential themes. Development was shaped by Scud's response to criticism of nudity in his earlier work, prompting a defiant approach where protagonists appeared nearly unclothed throughout to redirect focus toward the story's emotional core and challenge viewer perceptions. commenced in early 2008, spanning locations in and to capture the protagonist's life arc.

Filming and Technical Aspects

The film was primarily shot on location in and , capturing urban and rural settings reflective of the protagonist's life journey. The opening sequence, depicting the character's infancy in province, employed to evoke a nostalgic tone, transitioning to full color as the narrative advances into the protagonist's later years. Cinematography was handled by , a prolific of known for his work in , marking one of his early collaborations with director Scud. Yau's approach delivered vivid visuals that contrasted the muted early sequences with saturated colors in contemporary scenes, enhancing thematic shifts from repression to awakening, though some critics noted the art direction varied inconsistently between stylized pretension and simplicity. Technically, Permanent Residence runs 115 minutes and utilizes a 1.85:1 , standard for theatrical widescreen presentation in of the era, emphasizing intimate framing for character-driven drama. Audio was recorded for stereo release, with later editions supporting Dolby Digital 5.1 and DTS-HD formats. The production adhered to conventional digital or 35mm workflows typical of mid-2000s independent features, prioritizing narrative flow over experimental effects.

Cast and Characters

Principal Cast

Sean Li stars as Ivan, the film's protagonist, an IT professional whose intense work schedule masks his and leads to confrontations with and existential dilemmas. Ivan's arc centers on his pursuit of affection from straight male figures amid personal loss and . Osman Hung portrays Windson, a entangled in a complex, central relationship with that explores themes of emotional dependency and selfishness, as noted in viewer analyses of the film's dynamics. Windson's interactions highlight Ivan's indulgent tendencies and the challenges of mutual . Jackie Chow plays , Ivan's straight Israeli acquaintance who inadvertently prompts Ivan to address his during a public conversation, serving as a catalyst for the narrative's romantic tensions. represents the of unattainable desire in the story's examination of impossible loves. Yu Hong Lau appears as Nam, a supporting figure in Ivan's social and emotional circle, contributing to the interpersonal conflicts and explorations of intimacy depicted throughout the film.

Character Portrayals

Ivan, the film's protagonist portrayed by newcomer Sean Li, is depicted as a handsome and intellectually gifted specialist who initially conceals his through relentless work, leaving no space for romantic pursuits. His character embodies introspective torment, grappling with for his heterosexual friend Windson, alongside philosophical contemplations on mortality triggered by the deaths of family members, including his father and brother. This arc culminates in Ivan's relocation to and subsequent pursuit of a career, elements that mirror director Scud's own trajectory from IT to , rendering the portrayal semi-autobiographical and occasionally self-indulgent in its transparency. Li's performance leverages strong physical appeal to convey Ivan's emotional depth, though limited by occasional vocal constraints. Windson, enacted by Osman Hung, represents the object of Ivan's affection as a confident, kickboxer whose initially breeds hesitation toward deeper intimacy with . The portrayal evolves to show Windson embracing physical bonds, such as hand-holding and nude sessions, without sexual reciprocation, underscoring themes of strained by one-sided desire. Viewer interpretations often Windson as selfish, capitalizing on Ivan's amid personal misfortunes like business failures and health issues, which heighten the narrative's exploration of and emotional asymmetry. Hung's depiction benefits from robust physicality, compensating for dialogue delivery with nuanced expressions of . Supporting characters like , played by Jackie Chow, function as pivotal catalysts; an acquaintance who publicly queries Ivan's sexuality during a , prompting his initial confrontation with self-identity. (Yu Hong Lau) and others appear in peripheral roles tied to Ivan's relational and existential explorations, but receive less emphasis, serving primarily to illuminate the protagonist's isolation amid Hong Kong's societal constraints on . Overall, the characters' portrayals prioritize raw emotional authenticity over conventional narrative polish, aligning with Scud's intent to challenge taboos through unfiltered depictions of longing and human fragility.

Release and Distribution

Theatrical Release

Permanent Residence had its theatrical premiere in on April 23, 2009. The , directed and produced by Scud under his ArtWalker Productions, received a limited theatrical run primarily in local cinemas, reflecting the independent nature of its distribution in the Hong Kong market. No wide theatrical occurred contemporaneously, with subsequent availability shifting to home media formats later that year.

Home Media and Availability

Permanent Residence was first released on DVD in by Panorama Distribution on October 5, 2009, featuring the original soundtrack with English and Traditional subtitles. This edition marked the international debut, distributed by the same company for global markets. A Blu-ray Disc version followed for the market, including a running 138 minutes, longer than the theatrical release. As of 2025, physical media remains primarily available through specialty retailers specializing in Asian cinema, such as , where both DVD and Blu-ray editions are listed for purchase, though stock may vary by region due to the film's niche appeal in markets. No widespread U.S. or European Blu-ray releases have been documented beyond limited imports. For digital availability, the film streams for with advertisements on platforms including , , Fawesome, and Filmzie, accessible in select regions like the . Purchase or rental options exist on Amazon Video, but broader video-on-demand services like or Disney+ do not carry it, reflecting limited mainstream distribution for independent Hong Kong productions. Geographic restrictions apply, with availability subject to licensing changes; for instance, JustWatch reports no options in some territories like beyond Filmzie.

Reception

Critical Response

Critics provided mixed assessments of Permanent Residence, praising its candid exploration of identity and within cinema while critiquing its self-indulgent narrative rooted in director Scud's personal experiences. The film, which premiered at the on April 2, 2009, features extensive male nudity and introspective voiceover narration, elements that some reviewers found refreshingly frank but others deemed excessive or narratively bloated. Kozo of LoveHKFilm commended the central relationship between protagonists and Windson as "thoughtful and compelling," noting the actors' strong physical presences and emotional authenticity despite occasional clunky . The review highlighted the film's innovative approach to sexuality for cinema, including its celebration of the male form, and appreciated diverting international in , , , and , culminating in a cheeky metaphysical ending. However, it faulted Scud's transparent incorporation of autobiographical details—such as Ivan's IT background mirroring the director's and explicit references to Scud's prior film City Without Baseball—as edging toward , rendering the story presumptuous and overly self-serving for an early-career filmmaker. A Taipei Times review described the film as a "dud," alternating awkwardly between homoerotica and , though it acknowledged the "honest, well-intended portrait of /straight relationships" as its primary merit. characterized it as Scud's semi-autobiographical take on "growing pains, sexual awakening and for a ," but offered no aggregated score or detailed verdict amid limited coverage. No Tomatometer consensus exists on due to insufficient qualifying reviews, reflecting the film's niche arthouse status outside . Overall, professional critiques emphasized thematic ambition over polished execution, with self-indulgence frequently cited as undermining potentially affecting personal insights.

Audience and Commercial Performance

Permanent Residence achieved limited commercial success, grossing a total of $93,462 worldwide, with all earnings derived from international markets and none domestically . In , its home market, the film ranked 186th among releases for , reflecting modest performance amid competition from higher-grossing titles. Produced as an independent feature with a focus on niche themes of gay awakening and , it lacked the broad and distribution push typical of mainstream cinema, contributing to its underwhelming returns. Audience reception was generally positive among viewers who engaged with it, particularly those interested in its semi-autobiographical exploration of personal and . On , the film maintains a 6.4 out of 10 rating based on 826 user votes, with reviewers frequently commending its technical execution, including scene composition and , despite criticisms. Similarly, on , it averages 3.2 out of 5 from 255 ratings, indicating moderate appreciation from a specialized community. The film's appeal appears concentrated within LGBTQ+ audiences and fans of director Scud's introspective style, as evidenced by its screening at like the Gay and Lesbian , where an extended drew targeted interest but did not translate to wider viewership. Overall, its remains small, with limited penetration due to explicit and regional constraints.

Controversies and Cultural Impact

The film Permanent Residence sparked controversy primarily due to its explicit full-frontal male and unflinching portrayal of homosexual desire, themes that defied Hong Kong's conservative societal norms around sexuality and the male body. Scud (Danny Cheng Wan-kyi), known for leveraging to provoke discussion, positioned the work as a semi-autobiographical exploration of unrequited -straight love, which some critics dismissed as egocentric self-promotion rather than substantive storytelling. Reviews highlighted its unconventional approach to subjects like awakening and mortality, yet faulted it for prioritizing shock value over narrative depth, with one critique labeling it a "dud" for excessive introspection mirroring Scud's own career moves, such as relocating to before returning to direct a baseball-themed project. Culturally, marked a milestone in Hong Kong's arthouse cinema by elevating depictions of modern gay identity and camp aesthetics, contributing to a post-2000s wave of -themed productions that challenged silence on experiences. As the opening feature of the 33rd in 2009, it gained visibility for openly addressing emotional vulnerability in same-sex dynamics, influencing subsequent works by Scud and others in the region's filmmaking scene. Its emphasis on Asian male physicality and psychological introspection resonated in niche audiences, fostering discourse on identity and desire amid Hong Kong's evolving media landscape, though its impact remained confined largely to festival circuits and communities rather than broad commercial success.

References

  1. [1]
    Permanent Residence - AsianWiki
    Movie: Permanent Residence · Chinese: 永久居留 · Director: Scud · Writer: Scud · Producer: Scud · Cinematographer: Herman Yau · Release Date: April 23, 2009 · Runtime: ...
  2. [2]
    Permanent Residence - MyDramaList
    Jan 26, 2024 · Permanent Residence ; Country: Hong Kong ; Type: Movie ; Release Date: Apr 23, 2009 ; Duration: 1 hr. 55 min. ; Score: 7.0 (scored by 313 users) ...
  3. [3]
    Permanent Residence (2009) - IMDb
    Rating 6.4/10 (826) The life story of a young man who has been pursuing an impossible love with his straight boyfriend and contemplating on the mortality of his loved ones.User reviews · Parents guide · Titles · Full cast & crew
  4. [4]
    Permanent Residence — Film Review - The Hollywood Reporter
    Mar 25, 2009 · “Permanent Residence” is director Scud's semi-autobiographical film that deals with growing pains, gay sexual awakening and unrequited love for a straight man.Missing: plot | Show results with:plot
  5. [5]
    Permanent Residence (永久居留) (2009) - LoveHKFilm.com
    Permanent Residence mines very familiar themes regarding life in our modern, disconnected times, and even uses the most common narrative approach - the all- ...<|control11|><|separator|>
  6. [6]
    Hong Kong Auteur Scud Retires, Sets Two Films for American Release
    May 27, 2022 · He spent some twenty years in IT and achieved permanent residence in Australia in 2001. “Unique, bold, original, and always challenging, Scud ...
  7. [7]
    Director SCUD: 5 Things I Wish Someone Told Me When I First ...
    Dec 29, 2023 · SCUD, a film writer, producer and director, was born in China and moved to Hong Kong as a teenager. After 20 years' working in the IT industry, he immigrated ...Missing: Danny Wan- Cheung
  8. [8]
    Permanent Residence - Alchetron, The Free Social Encyclopedia
    Oct 3, 2024 · Permanent Residence examines the limit of life, and is the first of a trilogy: the second, called Amphetamine, examines the limits of passion, ...Missing: summary | Show results with:summary
  9. [9]
    FILM REVIEW: Scud comes up with a dud - Taipei Times
    Jun 12, 2009 · The semi-autobiographical movie traces the life of its protagonist from his birth in the 1960s to his death some 80 years later and deals with homosexual ...Missing: background premise
  10. [10]
    Permanent Residence - IFFR EN
    Scud draws on his own personal experiences to continue to challenge the usual image of queer men in Hong Kong cinema. Promoting camp to higher art, Permanent ...
  11. [11]
    Permanent Residence (2009) directed by Scud - Letterboxd
    Rating 3.2 (255) The life story of a young man who has been pursuing an impossible love with his straight boyfriend and contemplating on the mortality of his loved ones.
  12. [12]
    Permanent Residence - FilmDoo
    A daring soul admits his true color and natural sexuality in the order of love. 4.5. Hong Kong; 2009; 116 minutes HD. Romance; LGBT; Asian.Missing: style | Show results with:style
  13. [13]
    Gay-straight dynamics in Scud's Permanent Residence - Fridae
    May 1, 2009 · Scud and leading actor, Sean Li of Permanent Residence tell more about their latest movie about an unlikely love affair between two gay and straight men.Missing: style | Show results with:style
  14. [14]
    Permanent Residence (2009) - Plot - IMDb
    Insufficient relevant content. The provided URL (https://www.imdb.com/title/tt1386963/plotsummary) contains only a link to contribute content and no plot summary or details about homosexuality, unrequited love, or main characters.
  15. [15]
    http://www.legco.gov.hk/yr05-06/english/panels/ha/papers/ha0310cb2-public-homosexuals-e.pdf
  16. [16]
    Gay rights in Hong Kong | openDemocracy
    Apr 12, 2014 · In 2005, a government-commissioned study of over 2000 randomly selected respondents found that only 38.9 per cent considered homosexuality in ...
  17. [17]
    Bare Emotion: An Interview with Scud on Voyage - Film International
    Feb 20, 2018 · Scud's sophomore effort was Permanent Residence (2009), his poignant, semi-autobiographical drama about Ivan (Sean Li), a gay man in love ...
  18. [18]
    SCUD 雲翔 | A RETROSPECTIVE (2008-2017) - The Prickle
    Feb 5, 2023 · A based-on-true-stories homoerotic biopic of the doomed Hong Kong baseball team (the least popular sport in Hong Kong), this film stars the ...Missing: premise | Show results with:premise
  19. [19]
    JWR Articles: Interview - Feature Interview: Scud (Source: Scud)
    Jun 30, 2018 · So I made my second film, which is called Permanent Residence. In that film the two boys were almost unclothed throughout the film, okay?
  20. [20]
    Production News Israel 2008 - Biblical Productions
    Permanent Residence is a character-driven drama about friendship and the meaning of life that has been shot since the beginning of 2008 in Hong Kong, Japan ...
  21. [21]
    Permanent Residence 2009 with English Subtitles - DVDBay
    $$13.00Also Known As: Permanent Residence Filming Locations: Hong Kong, China. Permanent Residence 2009 with English Subtitles 1. Permanent Residence (2009). 115 min ...
  22. [22]
    Permanent Residence | South China Morning Post
    Apr 23, 2009 · Egocentric in the extreme, Scud's Permanent Residence is a bold and revelatory, if uneven, semi-autobiographical portrayal of a man's search for ...
  23. [23]
    Permanent Residence (2009) (Blu-ray) (Hong Kong Version) Blu-ray
    Apr 8, 2011 · The first chapter in Scud's gay film trilogy, Permanent Residence situates its core story of pained love amid existential rumination and an ...Missing: analysis | Show results with:analysis
  24. [24]
    https://www.lovehkfilm.com/reviews_2/permanent_residence.html
  25. [25]
    Movie Summary [Permanent Residence] - InsertNameHere
    May 5, 2020 · Basic Plot Review: After meeting at the gym Ivan and Windson form a pretty deep friendship which Ivan wants to develop into a long term ...
  26. [26]
    Permanent Residence (2009) - User reviews - IMDb
    This film is about a successful young man who falls in love with a his best friend even he knows his love cannot be reciprocated.
  27. [27]
    YESASIA: Permanent Residence (DVD) (Hong Kong Version) DVD
    Oct 5, 2009 · Release Date: 2009-10-05. Language: Original Soundtrack. Subtitles: English, Traditional Chinese. Place of Origin: Hong Kong. Picture Format ...
  28. [28]
    21 Asian LGBTQ+ Films for Pride Month - Feature Article - YESASIA
    Jun 17, 2021 · 3 Permanent Residence (2009) (Blu-ray) (Hong Kong Version) Sean Li ... Dear Tenant (2020) (Blu-ray + DVD) (Hong Kong Version. 10% off. US ...
  29. [29]
    Permanent Residence streaming: where to watch online? - JustWatch
    Currently you are able to watch "Permanent Residence" streaming on The Roku Channel, Filmzie for free with ads or buy it as download on Amazon Video.Missing: film | Show results with:film
  30. [30]
    Permanent Residence - movie: watch stream online - JustWatch
    Currently you are able to watch "Permanent Residence" streaming on Filmzie for free with ads. There aren't any free streaming options for Permanent ...Missing: film | Show results with:film
  31. [31]
    Permanent Residence | Rotten Tomatoes
    When his same-sex relationship implodes, Ivan travels to the Dead Sea where he builds a home with a community that shares his lack of luck in love.
  32. [32]
    Permanent Residence (2009) - Box Office Mojo
    Domestic (–) – ; International (100%) $93,462 ; Worldwide $93,462.
  33. [33]
    Hong Kong Box Office For 2009
    Hong Kong Box Office For 2009 ; 187, Rachel Getting Married, - ; 186, Permanent Residence, - ; 185, Sunshine Cleaning, - ; 184, Pandorum, - ...