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Rohan Joshi


Rohan Joshi Dilip (born 22 February 1983) is an Indian stand-up comedian, writer, actor, and YouTuber.
A founding member of the comedy collective All India Bakchod (AIB) established in 2012, Joshi contributed to its satirical YouTube sketches, such as Honest Indian Flights and parodies of Bollywood tropes, which garnered significant online viewership.
He co-hosted the news parody program On Air with AIB from 2015 to 2018, blending current events with humor, and judged the comedy competition Queens of Comedy in 2018.
Joshi began performing stand-up in 2008 and by 2012 was ranked among India's top ten comedians by The Times of India, having completed over 250 shows at major venues.
His solo career includes the 2020 Amazon Prime Video special Wake and Bake and a YouTube channel with approximately 180,000 subscribers featuring comedy sketches and commentary.
Joshi debuted in film with a role in Baar Baar Dekho (2016) and has conducted live tours across India and internationally.
Notable controversies include obscenity charges stemming from AIB's 2015 Knockout roast, which prompted legal scrutiny and public debate on comedy boundaries, and backlash in 2022 for social media comments perceived as insensitive following comedian Raju Srivastava's death, which he later deleted and clarified.
Following AIB's effective disbandment amid internal issues including sexual misconduct allegations against other members, Joshi pursued independent projects emphasizing pop culture analysis and stand-up.

Early Life and Background

Family and Upbringing

Rohan Joshi was born on 22 February 1983 in , , , into a of half-Gujarati and half-Maharashtrian ethnicity. He grew up in a Hindu household in the same area, where his parents maintained daily religious practices, including morning pujas performed by his father, , which often served as Joshi's wake-up call. Despite the family's religiosity, his parents emphasized questioning, reading, and a scientific approach, refraining from imposing rituals on him. Joshi's father, (born 10 July 1949), died on 24 August 2013. His mother, Kumudini Kiran Joshi, worked at the Foundation for Environmental . He has one , a sister named Renuka Modi, who is employed at . Joshi attended Cumballa Hill High School in , participating actively in extracurricular activities during his time there. The family's tolerant environment allowed Joshi to develop toward early; he identified as an atheist by age 16 but publicly came out at 25, receiving acceptance from his parents who stated, "That’s fine, we respect that." He occasionally participates in home rituals to accommodate his mother.

Education and Early Influences

Joshi initially enrolled in an program at K. J. Somaiya College of in but dropped out after experiencing mental abuse from a teacher, as he later recounted in public statements. He then shifted focus to , pursuing a at the Asian College of in , where he specialized in . Following his media education, Joshi entered the workforce as a , briefly employed at CNBC-TV18 and contributing a humor column to the newspaper . This period honed his skills in satirical writing and commentary on current events, which became foundational to his comedic style emphasizing sharp social observation and media critique. His early exposure to humor outlets, including contributions to the Mumbai-based magazine JLT in the late 2000s, further shaped his transition toward performance. Joshi's entry into occurred in 2011, while still working full-time in ; he began testing material at events in , drawing initial influence from the nascent stand-up scene and international festivals like the Edinburgh Fringe, where he performed that year. These experiences, combined with his journalistic training in dissecting news and public figures, informed his early routines focused on pop culture, , and everyday absurdities, setting the stage for collaborative ventures in digital satire.

Comedy Career

Entry into Stand-up and AIB Formation

Joshi began performing stand-up comedy in 2010 while working as a full-time journalist and humor columnist, starting with open-mic events in Mumbai. He won the Hamateur Night open-mic competition that year, which prompted Tanmay Bhat to invite him to collaborate on comedy projects. By 2011, Joshi had transitioned toward a professional comedy career, performing at the Edinburgh Fringe Festival and accumulating experience through frequent gigs. In 2012, he was recognized as one of India's top ten comedians by The Times of India, having completed over 250 shows at major venues. All India Bakchod (AIB) originated in 2012 as a humor and pop-culture co-founded by and Gursimran Khamba, focusing on satirical discussions of news and entertainment. and Ashish Shakya soon joined as core members, expanding the group into a known for edgy sketches, roasts, and digital content that popularized English-language stand-up and online comedy in . The addition of , who contributed writing and performance, helped AIB shift from audio podcasts to videos by 2013, marking a pivotal growth phase for the troupe. This formation leveraged the emerging stand-up scene in , where , , and Shakya had overlapped at open mics since the late 2000s.

Key Collaborations and Digital Content

Joshi co-founded the comedy collective All India Bakchod (AIB) with Tanmay Bhat, Gursimran Khamba, and Ashish Shakya, producing satirical YouTube sketches and videos that addressed social and political topics, amassing millions of views in the mid-2010s. The group launched their YouTube channel in 2013, with Joshi contributing as a writer, performer, and co-creator on content that blended irreverent humor with commentary on Indian culture and current events. A pivotal AIB project featuring Joshi was the AIB Knockout roast, India's inaugural crowd-sourced comedy roast held over two days in December 2014 and released online in 2015, which drew over 10 million views despite subsequent controversies. He also co-created , a 10-episode satirical news program that aired weekly on India starting November 2015, parodying media and politics through sketches and mock debates. Post-AIB, Joshi pursued independent digital projects, including his personal YouTube channel launched around 2016, which had accumulated 180,000 subscribers and 15 million views by October 2025, primarily hosting stand-up excerpts, interviews, and audience Q&A sessions. His solo hour-long stand-up special Wake N Bake, recorded in Mumbai, premiered exclusively on Amazon Prime Video on April 17, 2020, focusing on themes of adulting, relationships, and urban life in India. Joshi has continued selective collaborations in digital spaces, such as the October 2024 promotional video "The Honest Party" for the audio platform , co-starring and Aishwarya Mohanraj, which humorously critiqued festive consumerism through scripted sketches. These efforts reflect his shift toward solo and targeted digital output amid evolving comedy platforms.

Live Tours and Specials

Rohan Joshi released his debut solo stand-up special, Wake N' Bake, on on January 10, 2020. The 57-minute set addresses personal topics including navigating one's thirties, experiences with subpar education, home renovation challenges, and cannabis-influenced perspectives on life. Joshi has performed over 250 live stand-up shows since entering the circuit around 2012, including appearances at premier venues in and internationally. In 2025, he launched the "Getting There" live tour, initially previewed through trial shows titled "Almost There But Not Quite" before expanding to full productions in major auditoriums. The tour schedule encompassed Indian cities such as , , (November 1), , , , , , , and , with Joshi committing to performances in "every goddam city" that year. International stops included on October 12 at In Stitches and on December 6 at The Comic's Lounge.

Post-AIB Developments

Following the effective dissolution of in May 2019, where resigned as CEO and Gursimran Khamba severed ties, Rohan Joshi and Ashish Shakya managed the agency's remaining affairs while shifting focus to individual pursuits. Joshi returned to live stand-up after a three-year hiatus, emphasizing personal material on topics like , marijuana, and the AIB split during a January 2020 interview. In January 2020, Joshi released his debut hour-long stand-up special, Wake N' Bake, on , which garnered a 7.3/10 rating on from over 650 user reviews and addressed themes of self-improvement, relationships, and existential anxiety. The special marked his transition to solo streaming content, independent of AIB's collaborative format. Joshi sustained his career through independent stand-up tours and digital content. By 2025, he launched the tour Getting There (But Not Quite)—also marketed as Almost There But Not Quite—featuring new material critiquing personal growth tropes and media inaccuracies, with performances scheduled in cities including on November 1, Delhi, , and international venues like London's on August 9. He shared tour clips on , such as a July 10, 2025, set titled "Your Favourite Movie Lied to You," drawing on his AIB-honed satirical style adapted for solo delivery. Additional engagements included podcast appearances, such as an October 3, 2024, episode of AfterHours with , where Joshi discussed AIB's legacy, , and dating apps. An August 23, 2025, YouTube discussion focused on , career challenges, and personal loss, promoting services amid his ongoing tours. These efforts reflect Joshi's pivot to self-managed , prioritizing live performances and direct audience engagement over group productions.

Controversies and Backlash

AIB Knockout Roast

The AIB Knockout was a live celebrity roast event organized by the comedy collective (AIB), co-founded by Rohan Joshi alongside , Gursimran Khamba, and Ashish , held on December 20, 2014, at the NSCI Dome in . The event featured actors and as the primary targets, with serving as roastmaster and additional roasters including , , , and delivering scripted insults laden with profanity, sexual innuendos, and references to personal lives, religion, and Bollywood tropes. Inspired by American roasts, the 90-minute show emphasized unfiltered humor but drew immediate criticism for its explicit content, even among attendees who had consented to the format. The edited video, released in three parts on AIB's YouTube channel starting January 28, 2015, amassed over 7 million views within days, highlighting AIB's rising popularity but igniting nationwide backlash. Complaints flooded in from conservative groups, religious organizations, and individuals alleging obscenity, vulgarity demeaning to women, and offenses to religious sentiments, particularly targeting jokes referencing Christianity and Hinduism. Multiple FIRs were filed in Mumbai and other cities under Indian Penal Code sections 292 (obscenity), 294 (obscene acts), and 153A (promoting enmity on religious grounds), with police summoning AIB members including Joshi and celebrities involved; however, enforcement varied, as some stations showed reluctance amid procedural hurdles. In response to escalating threats of violence, legal pressures, and public outrage—including petitions with thousands of signatures demanding bans—AIB voluntarily removed the videos from YouTube on February 3, 2015, stating it was to protect participants' safety rather than concede to censorship. Joshi and fellow AIB members issued targeted apologies, such as an unconditional one to the Christian community on February 10, 2015, while defending the event's consensual nature and critiquing "moral policing" in media statements. The controversy amplified scrutiny on AIB's boundary-pushing style, foreshadowing future challenges, though Joshi later reflected in 2016 that it inadvertently boosted their visibility despite the fear it induced.

Sexual Misconduct Allegations and AIB Dissolution

In October 2018, during India's #MeToo movement, All India Bakchod (AIB) encountered multiple sexual misconduct allegations against associates and members, prompting internal investigations and public scrutiny. Comedian Utsav Chakraborty, a frequent AIB collaborator and former employee, faced accusations from several women of repeated sexual harassment, including soliciting explicit images and ignoring consent boundaries; Tanmay Bhat, AIB's co-founder and CEO, admitted knowing of these complaints as early as 2015 but continued professional ties with Chakraborty until the allegations surfaced publicly. Bhat stepped down from AIB leadership and external projects like Comicstaan on November 14, 2018, citing the need for accountability. A separate anonymous complaint emerged against co-founder Gursimran Khamba, alleging in a past romantic relationship, including disregarding the complainant's stated discomfort during physical intimacy and sharing private videos without consent. Khamba denied the claims, asserting the interactions were consensual and that no formal boundaries had been violated, and AIB placed him on indefinite leave pending review. These developments eroded AIB's viability amid reputational damage and legal risks. On May 22, 2019, AIB issued a statement announcing the dissolution of its production company: it had fired all remaining staff, severed ties with Khamba permanently, removed Bhat as CEO (while allowing him to retain equity), and declared its YouTube channel "dead for the foreseeable future," effectively ending group operations. Co-founders Rohan Joshi and Ashish Shakya, neither directly implicated in the 2018 allegations, disassociated from the group and shifted to independent comedy ventures. Joshi himself faced no substantiated misconduct claims tied to AIB's downfall, though an earlier anonymous Reddit post on March 14, 2017—amid parallel accusations against TVF founder —falsely alleged he had groped a at an ; the deleted the claim hours later, admitting fabrication for attention. Joshi condemned the publicly, highlighting risks of unverified online accusations.

Political and Social Media Incidents

In July 2020, screenshots of Joshi's old posts containing abusive language directed at politicians resurfaced and went viral, prompting significant backlash. The posts included derogatory remarks such as suggesting Ajit Pawar's ashes be scattered in a , calling a "putrid f*ck," labeling the Pawar family as "stains of semen" that needed to be wiped off the Earth, linking to preventing rapes via her photos, and advocating slapping a Thackeray on . This led to the leaking of Joshi's phone number and address online, resulting in abuse, death threats, and harassing calls at 2 a.m., forcing him to deactivate his Twitter account (@mojorojo) and go offline temporarily while pleading for his family to be left alone. In April 2021, amid the second wave of in , Joshi posted on expressing for "Bhakts" (supporters of ) whose family members had died from the , stating he had "nothing but for them and not a shred of sympathy" and rejecting the "high road." The post also criticized the construction and framed the deaths as consequences of political allegiance rather than policy failures, drawing accusations of insensitivity and anti-Hindu bias from critics who viewed it as punching down at grieving individuals rather than engaging in . On September 21, 2022, following the death of comedian Raju Srivastava from , Joshi commented on fellow comedian Atul Khatri's post, writing "F^^k him and good riddance" while criticizing Srivastava for opposing the rise of and new performers. The remark, interpreted by many as implying "karma" for Srivastava's perceived and alignment with BJP-affiliated views, sparked widespread condemnation on , with actor calling it "uncool" and lacking humanity. Joshi deleted the comment shortly after, clarifying that his anger had subsided and recognizing it was not the appropriate time to air personal grievances, apologizing if it hurt sentiments.

Political Views and Satire

Critiques of Government and Society

Rohan Joshi has frequently employed political satire to critique the Indian government's policies under Prime Minister Narendra Modi, particularly targeting what he perceives as authoritarian tendencies and suppression of dissent. In his 2020 stand-up special Wake N' Bake, Joshi addresses the charged political environment in India, arguing against self-censorship among public figures and emphasizing the responsibility to voice opinions amid rising polarization. He highlights the challenges of navigating public discourse, where comedians and celebrities face pressure to align with or against the ruling Bharatiya Janata Party (BJP), framing silence as complicity in societal issues. Joshi's commentary extended to specific legislative controversies, such as the of 2019, which he opposed publicly. In January 2020, he participated in the fundraiser show Stand Up For India, a collective effort by comedians to raise funds and awareness against the and proposed (NRC), positioning comedy as a tool for . He stated that remaining silent on such issues was not a viable response, urging active engagement in debates over citizenship and amid widespread protests. Through (AIB), Joshi co-created satirical content lampooning electoral politics, including the 2013 video AIB: Congress vs BJP, which mocked campaign rhetoric and party manifestos ahead of the 2014 general elections. This piece exemplified his broader approach to dissecting government and opposition dynamics, often portraying political discourse as performative and detached from public welfare. In posts, Joshi has directed criticism at BJP supporters, whom he termed "Bhakts," attributing societal and pandemic-related failures—such as mismanagement—to their influence, a stance that drew backlash for its inflammatory tone. On societal fronts, Joshi has critiqued institutional shortcomings, including India's system, in Wake N' Bake, proposing satirical reforms like new statues to symbolize overlooked historical ironies and systemic failures. As an outspoken atheist, he has discussed the challenges of in a multi-faith , advocating for rational over religious in public life. These critiques often intersect with his on cultural privilege and , positioning as a corrective to what he views as homogenized narratives under the current regime.

Accusations of Bias and Hypocrisy

Rohan Joshi has been accused by conservative critics of exhibiting a left-leaning bias in his and commentary, often targeting supporters of the (BJP) and Hindu nationalists while allegedly applying less scrutiny to opposing ideologies. In April 2021, during India's second wave of , Joshi posted on criticizing "Bhakts" (a term for Modi supporters, often used pejoratively), stating "Fuck Bhakts. They are directly responsible for this" in reference to pandemic deaths, and linking the crisis to Hindu practices like the construction. Critics, including outlets like , described this as anti-Hindu bias, arguing it demonstrated contempt for Hindu piety and "punched down" at grieving families rather than holding power accountable, revealing a selective aligned with urban liberal disdain for traditional Hindu identity. Such accusations extend to claims of , where Joshi's self-proclaimed advocacy for tolerance and free speech is seen as inconsistent with his vilification of Hindu-majority sentiments. OpIndia commentators contended that Joshi, an atheist who rejects religious , hypocritically demonizes Hindu devotion while positioning himself as a truth-teller against "power," yet ignores comparable critiques of minority or left-wing policies. This pattern, they argued, reflects a broader "hate " among Indian comedians, where credentials mask ideological one-sidedness, prioritizing class-based scorn over balanced . Further exemplifying perceived bias, Joshi faced backlash in September 2022 following the death of Raju Srivastava, a figure associated with pro-BJP humor, when Joshi commented "Good riddance" on a colleague's tribute, implying Srivastava opposed modern stand-up. Social media users and actor condemned the remark as insensitive and karmic gloating, prompting Joshi to delete it and clarify that the day was not for personal grievances. Detractors viewed this as selective outrage, contrasting Joshi's quick empathy for causes with apparent relish for right-leaning adversaries' misfortunes, though Joshi maintained it stemmed from professional differences rather than . These incidents have fueled ongoing debates about whether Joshi's commentary prioritizes ideological alignment over comedic neutrality.

Responses to Censorship Debates

Joshi has consistently criticized institutional , particularly its impact on creative expression in and media. In a 2017 , he described as "still prevalent and insanely frustrating," arguing it should be a relic of the past, and lambasted the (CBFC) as an "absolute shitshow" under former chief , who enforced cuts on words like "Bombay," "virgin," and "intercourse," as well as banning films such as for being "too lady oriented"—a decision Joshi labeled peak . He contended that such moral policing by unelected bodies undermines storytelling and portrays as backward, expressing concerns over escalating restrictions, including potential bans on Valentine's Day-themed content amid political alliances with conservative groups. Regarding self-censorship in comedy writing, Joshi emphasized a process free of initial restraint: jokes are pitched regardless of offensiveness, then rigorously stress-tested to assess whether they harm discourse or perpetuate stereotypes, rather than preemptively diluted to avoid backlash. This approach informed All India Bakchod's (AIB) handling of controversies, such as the 2015 roast video, which drew government probes and over a dozen legal cases for its explicit content on topics like and AIDS; Joshi noted the fallout instilled fear, delaying live events due to safety risks for audiences, yet it ultimately amplified AIB's reach without prompting toned-down output in subsequent projects like . In more recent censorship-adjacent debates, Joshi responded to the March 2025 controversy involving comedian Kunal Kamra's joke targeting Maharashtra Deputy Chief Minister , which prompted vandalism of Kamra's studio and political outrage. Joshi condemned the attackers as "unemployed mouth breathers" incited by a "lower" political class, questioned Chief Minister on the state's law and order failures, and mocked Shinde's history of "breaking things" since his political , framing the episode as emblematic of overreach against satirical expression. These statements align with Joshi's broader for comedy's role in challenging authority without undue suppression, as seen in AIB's positioning as a force in India's free speech discussions.

Personal Life and Advocacy

Relationships and Privacy

Joshi has maintained significant privacy surrounding his romantic relationships, with limited verified details emerging from media reports rather than personal disclosures. He was in a relationship with author and screenwriter Shaheen Bhatt, daughter of filmmaker , which reportedly ended a few years prior to 2025. The couple's association, speculated since around 2017 based on interactions and acknowledgments in Bhatt's 2018 I've Never Been (Un)Happier, was never officially confirmed by Joshi himself, aligning with his reticence on personal matters. Public statements from Joshi underscore his status and preference for independence. In a May 2020 , he described having been for an extended , living alone for nearly a decade and adapting self-sufficiently during the . More recent discussions in 2024 podcasts and videos, such as those addressing red flags and platonic bonds, reveal no mentions of a current partner, focusing instead on broader relational dynamics without personal specifics. Joshi's is listed as unmarried across biographical profiles, with no records of or children. This guarded approach to privacy extends to family details, which remain largely undisclosed; his parents' identities are not publicly detailed in , and he rarely references familial ties beyond occasional posts on . Joshi's strategy appears motivated by a desire to shield from the intense online scrutiny he has faced, including periods of going offline amid trolling and threats in 2020. Unsubstantiated rumors of recent breakups or involvements, often circulating on social platforms like , lack corroboration from primary or reputable outlets and do not alter the confirmed pattern of discretion.

Mental Health Struggles and Public Discussions

In May 2019, Joshi shared his experiences with anxiety via a Humans of Bombay Instagram post, describing how it manifested as persistent worry despite outward success, and critiqued the cultural insistence on perpetual positivity as unhelpful for those affected. He emphasized that anxiety requires acknowledgment rather than dismissal through forced optimism. Joshi addressed these themes further in his January 2020 performance "Anxiously Yours" at Spoken Fest , where he challenged the notion that unhappiness or anxiety signals personal failure, arguing that societal narratives around constant ignore realistic emotional fluctuations. The , delivered to a live , framed anxiety as a common human response to modern pressures rather than an abnormality to be eradicated. In April 2020, amid the , Joshi posted on about practical strategies that alleviated his anxiety, including exercise, limiting news consumption, and connecting with others, while clarifying these as personal aids rather than universal prescriptions. In a November 2023 podcast interview with Time Out, Joshi reflected on within the context of his comedy career, noting how public scrutiny and professional demands intensified his challenges but also how humor served as a mechanism. Joshi elaborated on his ongoing mental health journey in an August 2025 podcast with Samarpan Recovery & De-addiction Services, discussing 's role in processing personal losses, career-related stress, and anxiety; he advocated for embracing emotions without suppression to foster genuine . Throughout these discussions, Joshi has consistently promoted destigmatizing conversations, drawing from his experiences to encourage and over performative resilience.

Impact and Legacy

Contributions to Indian Comedy

Rohan Joshi emerged as a key figure in the development of English-language stand-up and in through his co-founding of (AIB) in 2013, a collective that began with a SoundCloud podcast and expanded to YouTube sketches blending , pop culture commentary, and social critique. AIB's content, scripted and performed in part by Joshi, garnered millions of views and introduced urban n audiences to formats like sketches that challenged taboos on topics such as politics, relationships, and media hypocrisy, marking an early shift from traditional Hindi-centric humor to irreverent, youth-oriented English . Joshi co-hosted and contributed writing to On Air with AIB, a satirical news program launched in September 2014 on Star World, which parodied current events through sketches and panel discussions, running for two seasons and influencing subsequent topical comedy shows by demonstrating the viability of news-based satire on Indian television. The collective's 2015 event AIB Knockout, India's inaugural celebrity roast featuring Joshi as a performer and writer, drew over 10 million online views despite backlash and helped normalize roast-style humor, encouraging other comedians to experiment with edgy, unscripted live formats. Post-AIB, Joshi released his solo stand-up special Wake N' Bake on on January 10, 2020, a 60-minute set addressing personal privilege, , and societal absurdities, which received positive reviews for its self-reflective tone amid a growing but fragmented stand-up landscape. His involvement in AIB and subsequent tours is noted for professionalizing comedy circuits by partnering with platforms like OML () from 2014 onward, which facilitated larger venues and ticketed shows, thereby elevating stand-up from niche open mics—where Joshi began performing around —to a sector with dedicated festivals and streaming deals. Joshi's emphasis on scripted precision and pop culture integration has been attributed with broadening the appeal of Indian comedy to global audiences, though critics argue AIB's rapid fame amplified performative outrage over substantive innovation.

Criticisms of Cultural Influence

Critics from conservative perspectives have argued that Rohan Joshi, through his work with (AIB), has contributed to a erosion of traditional Indian cultural norms by normalizing vulgarity and irreverence in comedy. The 2015 AIB Knockout roast, co-hosted by Joshi and featuring explicit sexual references and , faced over a dozen police complaints and FIRs for under sections 292 and 294, as well as for insulting religious beliefs. Conservative complainants, including religious organizations, contended that the event's live attendance of 4,000 and subsequent online views promoted immorality and degraded societal standards, particularly influencing urban youth towards a coarsened public discourse detached from indigenous values of modesty and respect. AIB's content, including the , prompted specific backlash for mocking Christian icons, leading Joshi and co-founders to issue an unconditional public apology on February 10, 2015, acknowledging unintended offense to the community. Detractors viewed this as emblematic of a broader pattern where imported Western formats like roasts prioritize shock over , fostering a performative progressivism that critics label as "cultural " aimed at dismantling conservative social structures. Such influence, they claim, amplifies urban elitism and feminist-leaning satire that challenges familial and religious hierarchies, potentially fragmenting India's multi-faith cohesion. Joshi's individual social media activity has drawn further scrutiny for exacerbating cultural divides; in April 2021, his post deriding Hindu nationalists ("Bhakts") as responsible for fatalities was condemned for inciting communal animosity and belittling majority cultural sentiments during a crisis. Conservative analysts argue this reflects a selective outrage that vilifies traditionalist elements while excusing liberal excesses, thereby steering towards secular over rooted heritage. His outspoken , publicly declared since age 16 and discussed in as of 2017, has been cited in debates on secular influences eroding faith-based societal pillars in a where over 80% identify as Hindu or Muslim. These elements collectively position Joshi's comedic output as a vector for cultural , per opponents, though supporters frame it as essential against .

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