Fact-checked by Grok 2 weeks ago

Script doctor

A script doctor is a professional screenwriter hired by film, television, or theater production companies to revise, polish, or enhance an existing screenplay, often focusing on specific elements such as plot structure, character development, or dialogue with targeted, "surgical" precision.^[1]^[2] This role typically involves short-term engagements during development, pre-production, or even production phases, where the doctor evaluates the script's weaknesses, provides detailed notes, and implements rewrites to align with studio notes, director visions, or market demands.^[1]^[3] The term "script doctor" originated in journalistic descriptions of the practice, emphasizing its corrective and precise nature rather than a full overhaul, and it is not an official industry title but a widely recognized informal label in Hollywood.^[1]^[4] Script doctors are usually established writers with proven track records, brought in by producers or studios facing deadlines or creative roadblocks, and their contributions are frequently uncredited unless they account for more than 33% of the final script, per Writers Guild of America guidelines.^[2]^[1] Compensation is high, often ranging from $15,000 to $25,000 per week for top professionals, reflecting the intense, high-stakes nature of the work.^[3] Notable script doctors have significantly influenced major productions; for instance, Carrie Fisher uncreditedly revised scripts for films like Lethal Weapon 3 and Star Wars: Episode I – The Phantom Menace, while Joss Whedon contributed to Toy Story and Speed, and Tony Gilroy earned a reported $5 million for his work on Star Wars: Rogue One.^[1]^[3] These interventions can elevate a project's commercial viability, fix narrative flaws, or tailor content for star actors, underscoring the script doctor's pivotal, behind-the-scenes impact on successful storytelling in the entertainment industry.^[5]^[3]

Definition and Role

Definition

A script doctor is a professional screenwriter hired to rewrite or polish an existing screenplay for film, television, or theater, typically to address specific structural, narrative, or dialogue problems.^[2]^[1] This role involves targeted revisions to improve the script's overall effectiveness without fundamentally altering its core concept, often occurring during development, pre-production, or even production phases.^[1] Key characteristics of script doctoring include its frequent uncredited nature, governed by Writers Guild of America (WGA) credit determination rules. Under current WGA guidelines (revised 2018), for original screenplays, a subsequent writer must contribute at least 33⅓% to the final work to earn screenplay credit, while for adaptations, a contribution exceeding 50% qualifies for credit; script doctors typically provide more limited, surgical fixes that fall below these thresholds, resulting in no on-screen acknowledgment despite substantial compensation.^[6]^[1] This uncredited status underscores the role's emphasis on collaborative enhancement rather than authorship claims. Script doctors differ from full screenwriters, who develop original material from inception, and from script consultants, who offer feedback notes without directly revising the text.^[2]^[1] Instead, they perform active, hands-on edits to resolve pinpointed weaknesses, akin to a specialist intervention in the writing process. The term "script doctor" originated in the 1930s, during Hollywood's shift from silent films to sound-era "talkies," where writers were enlisted to surgically refine dialogue-heavy scripts for the new medium.^[7]^[8]

Responsibilities

Script doctors are primarily responsible for evaluating and revising existing screenplays to address specific weaknesses, often focusing on targeted improvements rather than a complete overhaul. Their core tasks include rewriting dialogue to enhance clarity, character depth, or natural flow, such as sharpening exchanges to better reveal motivations or inject humor without altering the script's tone.^[1]^[3] They also restructure plot points to improve pacing and narrative momentum, for instance, by tightening sequences that drag or reordering events to build tension more effectively.^[9]^[1] Additional duties encompass adding or removing scenes to accommodate runtime constraints, budget limitations, or production needs, ensuring the script remains feasible for filming. Script doctors frequently tailor content to appeal to key stakeholders, such as amplifying roles for specific actors, aligning with a director's vision, or satisfying studio executives' demands for market viability.^[3]^[2] These revisions aim to fix logical inconsistencies in the storyline, heighten emotional stakes through intensified conflicts, inject elements of humor or suspense, and align the material with established genre conventions, such as escalating action in thrillers or deepening romantic arcs in dramas.^[9]^[1] Essential skills for script doctors include deep expertise in story structure, particularly the three-act format, to maintain narrative coherence during revisions. They must also possess strong command of character arcs, ensuring developments feel organic and compelling, alongside knowledge of genre-specific tropes to preserve authenticity. The role demands the ability to collaborate swiftly under tight deadlines, often completing substantial work in a matter of weeks, while delivering precise, production-ready changes.^[3]^[2]^[1] Ethically, script doctors are expected to honor the original writer's vision, making enhancements that integrate seamlessly without overwriting the core intent, even when working without direct input from the initial author. This uncredited nature is common, as current Writers Guild of America (WGA) rules (revised 2018) require a contribution of at least 33⅓% for original screenplays or more than 50% for non-original works to the final shooting script for shared screenplay credit; script doctors' targeted fixes usually fall below these thresholds.^[9]^[3]^[6]

History

Origins

The practice of script doctoring traces its roots to informal revisions in vaudeville performances and theatrical adaptations during the early 20th century, where writers adjusted scripts on the fly to suit live audiences and stage constraints. These precursors involved collaborative tweaks to dialogue and structure, often by freelance contributors, but lacked the structured hiring seen later in film. With the rise of the Hollywood studio system around 1915-1920, such revisions became more formalized as studios began adapting stage plays and vaudeville sketches into short films, necessitating quick fixes to fit the new medium's pacing and visual demands.^[10] The emergence of script doctoring as a distinct role accelerated in the 1920s and 1930s amid the transition from silent films to sound films, or "talkies," which demanded extensive dialogue additions and revisions to leverage the new technology. The 1927 release of The Jazz Singer marked this shift, prompting studios to overhaul existing scripts with spoken lines to enhance character depth and realism, often under tight production schedules. Major studios like Warner Bros. and MGM responded by hiring freelance writers for these rapid interventions, treating script revisions as an assembly-line process to meet release deadlines in the burgeoning sound era.^[11]^[12] Ben Hecht emerged as a foundational figure in this uncredited "fixer" role, contributing rewrites to over 80 films starting in the late 1920s, including the 1932 gangster classic Scarface, where his gritty dialogue shaped the film's intensity. Drawing from his background as a Chicago journalist and playwright, Hecht's speed—often completing revisions in days—made him a go-to for studios facing script crises, solidifying the script doctor's position within the freelance gig economy of Hollywood. Writers like Hecht operated under short-term contracts, with studios retaining full control over copyrights and credits, a practice that underscored the undervalued labor in the system.^[13]^[14]^[15]

Evolution

The role of the script doctor grew significantly during Hollywood's Golden Age in the 1940s and 1950s, as writers like Herman J. Mankiewicz were frequently called upon to refine complex narratives for major productions. Mankiewicz, known for his uncredited contributions to multiple films during this period, co-wrote the screenplay for Citizen Kane (1941), where he handled intricate storytelling elements that elevated the film's dramatic depth. This era saw script doctors becoming vital amid the gradual decline of the studio system following the 1948 Paramount Decree, which dismantled vertical integration and shifted power toward freelance talent to address production challenges.^[16]^[17]^[18] In the 1970s and 1980s, the rise of the blockbuster era amplified the demand for script doctors, who were essential for tailoring scripts to star-driven vehicles and high-stakes commercial films. William Goldman exemplified this trend, having won acclaim for Butch Cassidy and the Sundance Kid (1969) while performing uncredited revisions on projects like A Few Good Men (1992) to enhance character arcs and pacing for A-list performers. As studios prioritized event movies following successes like Jaws (1975) and Star Wars (1977), script doctors provided critical fixes to ensure narrative cohesion under tight deadlines and escalating budgets.^[19]^[20] From the 1990s onward, the script doctor role expanded into television and streaming platforms, with increased reliance on their expertise for franchise extensions, including revisions to superhero films amid heightened corporate oversight. Professionals like Scott Frank have punched up scripts for major franchises such as X-Men (2000) and The Hunger Games (2012), addressing plot inconsistencies and audience engagement in serialized formats. Compensation for such work has scaled accordingly, with top script doctors earning up to $300,000 per week for revisions on high-profile projects.^[21]^[22] These adaptations reflect broader industry shifts from the monopolistic studio system of the mid-20th century to a landscape dominated by independent productions, where script doctors have become indispensable for salvaging troubled scripts amid fragmented financing and distribution. The 2007-2008 WGA strike, which halted writing on numerous projects and led to rushed productions with underdeveloped scripts, further underscored their role in post-strike recovery efforts to restore narrative quality.^[23]^[24]

Rewriting Process

Hiring Practices

Script doctors are typically engaged during the development or pre-production stages of a film project, particularly for scripts that have been green-lit for production, to refine and resolve structural or narrative issues before principal photography begins.^[1] In these phases, they focus on polishing elements such as dialogue, pacing, or character arcs to ensure the screenplay aligns with the production's vision and budget constraints. Occasionally, script doctors are brought on during active production to perform urgent on-set rewrites or to facilitate reshoots, especially when unforeseen challenges arise that impact the script's viability.^[3] The decision to hire a script doctor often stems from producers, studio executives, directors, or even lead actors who identify deficiencies in the screenplay, such as weak character motivations or plot inconsistencies, frequently revealed through table reads, early drafts reviews, or initial test screenings.^[3] For instance, high-profile actors may push for a doctor's involvement to enhance their roles, demanding adjustments that better suit their performance style or increase their screen presence, as seen in cases where stars like Tom Cruise have influenced script revisions on major productions.^[25] This collaborative input ensures the project moves forward without major delays, with executives prioritizing quick interventions to maintain momentum toward filming. Selection of a script doctor relies heavily on the writer's established reputation, track record of successful rewrites on comparable projects, and specialized expertise in the film's genre, such as action, comedy, or drama.^[3] Literary agents or managers typically facilitate these connections, recommending professionals from their rosters based on prior collaborations and industry networks, while initial discussions often occur under non-disclosure agreements (NDAs) to protect sensitive project details.^[2] This process emphasizes discretion and efficiency, as studios seek proven talent capable of delivering targeted improvements without overhauling the original work. Contract terms for script doctors are structured as short-term engagements, generally lasting 2 to 8 weeks, allowing for focused contributions without long-term commitment.^[3] Compensation is provided via flat fees, ranging from $100,000 to $200,000 depending on the scope and the doctor's stature, rather than backend residuals, since their uncredited status under Writers Guild of America (WGA) rules—requiring at least a 33% contribution for shared credit—excludes profit participation.^[3] Comprehensive NDAs are standard, binding all parties to confidentiality and preventing public acknowledgment of the doctor's role to preserve the original writers' visibility and avoid contractual disputes.^[3]

Techniques and Methods

Script doctors begin their work with a diagnostic approach, typically involving multiple readings of the script to pinpoint structural weaknesses, such as plot holes, underdeveloped characters, or inconsistent tone.^[26] This process often includes creating beat sheets—detailed outlines mapping key story beats—to visualize the narrative arc and identify pacing issues.^[3] Industry professionals recommend taking a brief break, such as 24 hours, before rereading to gain fresh perspective and avoid biased self-assessment.^[27] In revision strategies, script doctors employ targeted techniques like line-by-line polishing to ensure dialogue feels authentic and natural, rearranging scenes to improve overall flow, and introducing subplots to reinforce central themes without altering the core premise.^[1] These efforts may span phases: initial analysis for broad issues, strategic restructuring for plot and character development, and final enhancements for clarity and impact.^[3] Software tools, such as Final Draft or StudioBinder, facilitate tracking changes, creating version histories, and maintaining formatting consistency during these iterations.^[1] Collaborative elements are integral, as script doctors incorporate feedback from producers, directors, and other stakeholders to refine the script.^[28] This often involves actor-specific adjustments, like expanding roles for key performers to align with their strengths or production needs, while responding to notes through clear communication and selective implementation.^[26] The Writers Guild of America advises contacting prior writers for insights and clarifying ambiguous feedback to foster productive collaboration.^[28] Best practices emphasize preserving the original story's essence while boosting commercial appeal, such as tightening pacing to enhance marketability.^[3] Script doctors avoid comprehensive overhauls that might qualify as a new draft under WGA rules, opting instead for surgical revisions to prevent credit arbitration disputes.^[28] Maintaining professionalism, including gracious interactions with previous writers and realistic timelines, ensures ethical and efficient revisions.^[28]

Notable Figures

Pioneers

One of the earliest and most influential script doctors in Hollywood was Ben Hecht, whose work in the 1920s and 1940s exemplified the profession's uncredited, high-stakes nature. Hecht contributed uncredited dialogue polishing to the epic Gone with the Wind (1939), where producer David O. Selznick paid him $15,000 for a rapid rewrite to sharpen the script's emotional and verbal dynamics during production delays.^[29] His involvement in adaptations of The Front Page (1931), originally co-written as a play with Charles MacArthur, further showcased his talent for injecting punchy, cynical dialogue that captured the era's journalistic grit, influencing the film's fast-paced screwball style.^[30] Hecht's reputation as a "fixer" stemmed from his ability to deliver witty, street-smart revisions under tight deadlines, often transforming mediocre material into box-office successes. Herman J. Mankiewicz emerged as another foundational figure, frequently operating as an uncredited script doctor amid the studio system's demands. For Citizen Kane (1941), Mankiewicz received co-credit with Orson Welles for the screenplay, but his revisions—drawn from extensive drafts and personal insights into media tycoons—provided the film's structural backbone and acerbic tone, earning an Academy Award for Best Original Screenplay.^[31] Earlier, he co-wrote the screenplay adaptation of Dinner at Eight (1933) from the George S. Kaufman and Edna Ferber play, enhancing its satirical bite on high society through clever dialogue overhauls.^[32] Mankiewicz's approach emphasized intellectual depth and rapid iteration, setting a precedent for writers who salvaged troubled productions. Among other early contributors, Charles Lederer and Jules Furthman extended the script doctor role into specialized genres during the 1930s and 1940s. Lederer, at age 20, added credited additional dialogue to the 1931 film version of The Front Page, amplifying its rapid-fire banter and later adapting it into the acclaimed His Girl Friday (1940) with gender-swapped dynamics that revitalized the story for sound-era audiences.^[33] Furthman, a prolific reviser, contributed to noir-inflected films like To Have and Have Not (1944), where he co-wrote the screenplay with William Faulkner, deviating significantly from Ernest Hemingway's novel to craft tense, dialogue-driven intrigue under Howard Hawks' direction.^[34] Known for his discreet fixes on projects such as Meet John Doe (1941), Furthman honed atmospheric tension and moral ambiguity in crime dramas.^[35] These pioneers established the uncredited model that defined script doctoring, particularly during the 1930s talkie boom when studios rushed to convert silent films into synchronized sound productions, creating urgent demand for dialogue experts.^[36] Hecht, Mankiewicz, Lederer, and Furthman normalized quick-fix interventions, allowing major studios like MGM and Warner Bros. to rely on a cadre of versatile writers for salvaging scripts amid production pressures, thereby shaping Hollywood's collaborative yet opaque creative ecosystem.^[31] Their legacy persisted in the industry's preference for anonymous enhancements, prioritizing efficiency over individual acclaim during an era of rapid output.

Contemporary Doctors

William Goldman emerged as a prominent script doctor from the 1970s through the 1990s, contributing uncredited rewrites to several major films. He provided revisions to the courtroom scenes in A Few Good Men (1992), enhancing the dramatic tension in Aaron Sorkin's original screenplay.^[19]^[37] Goldman also worked on Twins (1988), collaborating with director Ivan Reitman to refine the comedic elements in the script by William Davies, William Osborne, Timothy Harris, and Herschel Weingrod.^[19]^[37] In his 1983 book Adventures in the Screen Trade, Goldman detailed the intricacies of script doctoring, drawing from his experiences in Hollywood to offer insights into the collaborative and often anonymous nature of screenplay revisions.^[38] Carrie Fisher became one of Hollywood's most sought-after script doctors from the 1980s to the 2000s, focusing on character-driven enhancements. For Hook (1991), she tightened the family dynamics and emotional arcs in Jim V. Hart and Nick Castle's screenplay, marking her entry into extensive uncredited work.^[39]^[40] In Sister Act (1992), Fisher revised Paul Rudnick and Joseph Howard's script to amplify the humor, particularly tailoring elements to suit Whoopi Goldberg's performance style at Goldberg's request.^[41]^[40] She also contributed to Lethal Weapon 3 (1992), rewriting character arcs and dialogue for Rene Russo's role in Jeffrey Boam's screenplay to deepen interpersonal relationships.^[40]^[39] Other notable contemporary script doctors have influenced high-profile projects through targeted revisions. Quentin Tarantino provided uncredited dialogue punch-ups for Crimson Tide (1995), adding rhythmic intensity to Robert Towne and Michael Schiffer's script under director Tony Scott's suggestion.^[42]^[43] Scott Frank enhanced the emotional depth in Saving Private Ryan (1998), giving soldiers more personal connections in Robert Rodat's screenplay to heighten the human stakes amid the action.^[22]^[44] Paul Attanasio contributed uncredited revisions to The Bourne Ultimatum (2007), refining action sequences in Scott Z. Burns, George Nolfi, and Tony Gilroy's script to improve pacing and thriller elements.^[45]^[46] In the evolution toward the blockbuster era, script doctors like these have seen increased demand for their expertise in refining large-scale productions. This trend extends to television, where professionals address narrative issues in streaming series, such as Netflix originals requiring last-minute adjustments for character consistency and plot flow.^[22]^[26]

Impact and Recognition

Influence on Cinema

Script doctoring has profoundly shaped the quality and commercial viability of numerous films by rescuing troubled projects and elevating their narrative strengths. In the case of Pretty Woman (1990), the original screenplay by J.F. Lawton, titled $3,000, was a gritty cautionary tale about class disparity and exploitation, but extensive rewrites transformed it into a lighthearted romantic comedy, grossing over $463 million worldwide and becoming one of Disney's highest-grossing live-action films at the time.^[47] Similarly, Robert Towne's uncredited revisions to The Godfather (1972), particularly the pivotal scene where Vito Corleone passes power to Michael, added emotional depth and symbolic weight, contributing to the film's critical acclaim and five Academy Awards, including Best Picture.^[48] Script doctors have also played key roles in crafting Oscar-winning masterpieces by refining dialogue, structure, and thematic resonance. Tom Stoppard's contributions to Shakespeare in Love (1998), where he co-wrote the screenplay with Marc Norman, polished the witty interplay and historical romance, helping the film secure seven Oscars, including Best Original Screenplay. Likewise, John Logan's work on Gladiator (2000) streamlined the epic narrative and character arcs, enhancing its dramatic intensity and aiding its Best Picture victory while grossing $465 million globally.^[49] Beyond individual triumphs, script doctoring broadly improves pacing, marketability, and actor showcases, often averting box-office disappointments. Scott Frank's revisions to Gravity (2013) tightened the thriller's suspense and character focus, propelling it to $723 million in earnings and widespread praise for its technical and emotional innovation.^[44] In Saving Private Ryan (1998), Frank's uncredited enhancements deepened the ensemble dynamics and moral dilemmas, allowing Tom Hanks to deliver a nuanced portrayal of weary leadership that anchored the film's $482 million success and six Oscar nominations.^[44] These interventions frequently tailor roles to stars' strengths, boosting performances and audience appeal while minimizing risks for studios. For instance, in more recent productions like Oppenheimer (2023), uncredited script polishing by experienced writers contributed to its narrative clarity and critical success, including seven Academy Awards.^[50] However, excessive script doctoring can dilute an original creator's vision, resulting in a homogenized "committee" feel that prioritizes consensus over bold creativity. Projects subjected to multiple layers of rewrites, as often occurs in studio-driven productions, may lose unique voice and coherence, leading to critically uneven results despite commercial intent.^[51]

Credit and Compensation

Script doctors in the film industry face significant limitations on receiving formal writing credit, primarily governed by Writers Guild of America (WGA) arbitration rules that require a minimum contribution of 33% to the final shooting script for adaptations or 50% for originals to qualify for onscreen credit.^[1] Targeted rewrites, which are the core of script doctoring, rarely meet these thresholds, resulting in most work being classified as "additional dialogue" or remaining entirely uncredited.^[1] In cases where partial recognition is granted, the WGA may award an "additional literary material by" credit for contributions under the full threshold, but shared screenplay credit is uncommon for these focused interventions.^[52] Compensation for script doctors typically follows a flat fee model or weekly rates, often ranging from $100,000 to $300,000 per week for top professionals, depending on the writer's experience, the scope of revisions, and the production's budget.^[21] Unlike credited writers who receive residuals and potential backend profit participation, script doctors, being uncredited contractors, generally do not share in long-term profits from the film's success.^[1] However, high-profile doctors may negotiate bonuses tied to a project's commercial performance, as seen in lucrative deals for polishing blockbusters.^[21] Recognition for script doctors' contributions often emerges indirectly through industry oral histories, memoirs, or posthumous acknowledgments rather than public credits. For instance, William Goldman's memoir Adventures in the Screen Trade provides candid insights into uncredited rewriting practices, while his extensive script doctor work on films like Twins and A Few Good Men gained wider appreciation after his death.^[53] Such revelations highlight the behind-the-scenes impact but underscore the lack of formal visibility. The role of script doctoring builds professional reputation through word-of-mouth and agent networks, securing future assignments despite limited portfolio credits, though this opacity can hinder broader career exposure.^[1] Some prominent script doctors leverage their experience to transition into directing; for example, Scott Frank, known for uncredited punches on Saving Private Ryan and Gravity, has directed acclaimed projects like The Lookout.^[21]

References

[1]
What is a Script Doctor and How to Become One - StudioBinder
Jan 15, 2025 · A script doctor is a script consultant, or screenwriter, who is brought in to enhance a script at any point in the development, pre-production or production ...
[2]
What is a script doctor? - John August
May 8, 2007 · An established screenwriter with significant credits who rewrites a script to address specific concerns, often shortly before production begins.
[3]
Script Doctor Services Ultimate Guide w/ Before & After Rewrite ...
A script doctor is an experienced screenwriter hired by production companies to to rewrite, polish, or enhance specific elements of a screenplay.
[4]
Debunking the Myth of the Script Doctor - ScreenCraft
Sep 10, 2018 · Well, there's no such thing. The term Script Doctor was created by the media when referring to an uncredited person hired by a studio to ...
[5]
Script Doctor & Rewrite Services | by Industrial Scripts®
Script doctoring is the process by which screenplays are rewritten in TV & film. A script doctor is a fusion of the screenwriter and the script consultant: ...
[6]
[PDF] Screen Credits Manual - WGA
Writing credit is given for the act of creation in writ- ing for the screen. This includes the creation of plot, characters, dialogue, scenes and all the other ...Missing: doctor origin
[7]
Script Doctor - Hollywood Lexicon
History: The term was coined in the 1930s when filmmaking transitioned from silent movies to those with sound. As the term talkies indicates, the transition ...
[8]
script doctor, n. meanings, etymology and more
1930s. The earliest known use of the noun script doctor is in the 1930s. OED's earliest evidence for script doctor is from 1931, in New York Times Magazine.Missing: talkies | Show results with:talkies
[9]
What Is a Script Doctor? (Plus Salary and Career Outlook) - Indeed
Jul 26, 2025 · They must have the ability to identify errors in grammar, structure or content while also maintaining the original intent of the screenwriting ...
[10]
Screen Credits Manual - WGA
Writing credit is given for authorship of the work the audience sees on screen, including plot, characters, dialogue, scenes and all other elements that ...Missing: doctor origin
[11]
Screenwriting for the Early Silent Film: Forgotten Pioneers, 1897-1911
tales, illustrated lectures, newspaper stories, popu- lar songs, vaudeville, and the theatre. ... Thompson, The Classical Hollywood Cinema: Film. Style and Mode ...
[12]
Hollywood's Transition to Sound - cineCollage
From 1923 to 1927, the studios all resisted the coming of sound, realizing that it would create profound economic and technological changes.
[13]
Hollywood was built on unappreciated and undervalued writers
May 8, 2023 · The current fight between writers and their studio bosses is nothing new. The quest for respect goes back to the earliest days of Hollywood.
[14]
Ben Hecht: An Inventory of His Collection in the Manuscript ...
He wrote and contributed–often uncredited–to over 80 screen stories and screenplays. In addition to six Academy Award nominations, Hecht was awarded the first ...<|separator|>
[15]
The Notorious Ben Hecht - Purdue University Press
Iconoclastic Writer and Militant Zionist In 1932, Hecht solidified his legend as "the Shakespeare of Hollywood" with his thriller Scarface, the Howard Hughes ...
[16]
[PDF] Hollywood Writers and the Gig Economy - Chicago Unbound
Dec 17, 2017 · Embracing twin roles as labor and entrepreneurs, writers in the 1930s formed a union and created an administratively complex but functional.
[17]
The Story Behind The Screenplay: All About Eve - The Script Lab
Mar 19, 2020 · He wrote or co-wrote, credited or uncredited, an impressive number of films (at least 20), several of which were both classics and box-office ...
[18]
The Feud at the Center of 'Citizen Kane' Is a Classic Hollywood Tale
Nov 30, 2020 · While Mankiewicz's work on the Citizen Kane screenplay provides ... uncredited work as a script polisher, either. Then it all slowed ...
[19]
A Century in Exhibition – The 1960s: The Collapse of the Studio ...
Aug 12, 2020 · The studio system that thrived during Hollywood's Golden Age died in the 1960s. Challenges in the form of pay TV, antitrust legislation, low ...
[20]
Hollywood just lost a star in the unsung profession of script doctoring
Hollywood just lost a star in the unsung profession of script doctoring. Most people knew William Goldman as the Oscar-winning screenwriter of Butch Cassidy and ...
[21]
William Goldman, dead at 87, wrote The Princess Bride and so ... - Vox
Nov 16, 2018 · Throughout the '80s and '90s, Goldman found additional success as an uncredited but highly paid script doctor on countless Hollywood ...Missing: 1970s 1980s
[22]
Famous Script Writer Scott Frank Gets Paid $300,000 A Week - Variety
Dec 29, 2023 · A Hollywood Script Doctor Has an 'Insane' $300,000 Weekly Fee and Punched Up 'Saving Private Ryan,' 'Gravity,' 'Hunger Games,' 'X-Men' and More.Missing: superhero $100000
[23]
How a Script Doctor Found His Own Voice | The New Yorker
Dec 25, 2023 · Scott Frank earned up to three hundred thousand dollars a week rewriting other people's screenplays—from “Saving Private Ryan” to “The Ring ...
[24]
The Downfall of the Studio System: Emergence of Independent ...
May 15, 2024 · In the late 1960s, after the glorious era of Hollywood's Golden Age, more and more independent production films entered the industry. The cinema ...
[25]
How the Last Writers' Strike Changed Things Onscreen
May 12, 2023 · The impact included promising shows that lost their audiences, films rushed into production with flimsy scripts and turbocharging reality programming.
[26]
10 Actors Who Demanded Script Changes (And Got Them)
Jul 2, 2021 · 10 Actors Who Demanded Script Changes (And Got Them) · 1. Robert Downey Jr. in The Avengers · 2. Mike Myers in Shrek · 3. Ben Affleck in Gone Girl.Missing: hires examples<|separator|>
[27]
Rewriting for the Big Screen: "Script Doctors" and the Art of Revision
Jan 7, 2021 · You can trace the origins of script doctors back to famous examples like Herman Mankiewicz as perhaps one of the most famous script doctors of ...<|separator|>
[28]
SCRIPT TIP: Three Screenplay Rewrite Tips for a Faster Turnaround
Nov 12, 2015 · 1. TAKE A REST. Before you tackle a revision, you must accept the fact that you need time away from the project. · 2. READ A SHORT STORY OR ...
[29]
[PDF] WGAW Screenwriters Handbook
The Guild determines credits on WGA-covered projects. ... For more details, see the Credit Rules for Original. Screenplays and Non-Original Screenplays.
[30]
Ben Hecht(1894-1964) - IMDb
He was paid $10,000 by producer David O. Selznick for a fast doctoring of the Gone with the Wind (1939) script, for which he received no credit and for which ...
[31]
The Great Screenwriters: Part 2 - Ben Hecht - The Script Lab
Feb 3, 2016 · Hecht was able to deploy all his journalistic and playwriting experience from Chicago in Hollywood, as the first great wave of gangster films ( ...Missing: rewrites | Show results with:rewrites
[32]
Herman J. Mankiewicz | Research Starters - EBSCO
He is best known for co-writing the screenplay for "Citizen Kane," directed ... Dinner at Eight, both from plays by Kaufman and Edna Ferber. He used ...
[33]
Herman J. Mankiewicz helped shape the art of screenwriting
Nov 8, 2024 · His role was frequently that of a script doctor, or a writer who ... While on leave from MGM, he wrote “The Mad Dog of Europe,” one of the most ...
[34]
Charles Lederer - Biography - IMDb
Charles Lederer was born on December 31, 1911 in New York City, New York, USA. He was a writer and director, known for Gentlemen Prefer Blondes (1953)Missing: doctor | Show results with:doctor
[35]
https://www.causeafrockus.com/2020/09/meet-john-doe/
[36]
Meet John Doe - Cause A Frockus
Sep 30, 2020 · A specialist (known as a “script doctor”) was called in to address the situation. Jules Furthman was Hollywood's worst kept secret and a ...<|control11|><|separator|>
[37]
15 Most Famous Screenwriters That Did Uncredited Rewrites
Jun 18, 2019 · Here we feature fifteen of the most famous screenwriters that did uncredited work on some of Hollywood's highest-profile movies.<|separator|>
[38]
William Goldman: The Screenplays - FilmInk
Nov 22, 2018 · It's a decent swag of credits, with three classics (Butch Cassidy, All the President's Men, The Princess Bride), a handful of very fine films.
[39]
William Goldman Stands Alone | Screenwriting from Iowa
Jun 20, 2009 · Every once in a while I pick up William Goldman's book Adventures in the Screen Trade and flip through it. I don ... script doctoring he's done, ...
[40]
After Star Wars, Carrie Fisher Became Hollywood's Go-To Script ...
May 25, 2024 · Fisher made a name for herself as one of Hollywood's most in-demand and prolific script doctors, lending her sharp wit, irreverent humor, and rhetorical know- ...
[41]
Carrie Fisher, Script Doctor: Her Unknown Legacy Examined
Dec 29, 2016 · In the 1990s, Fisher was one of the top script doctors in Hollywood, called in to help fix or improve movies. While most films only feature one, ...
[42]
From 'Sister Act' to 'Hook,' Carrie Fisher helped improve a bunch of ...
Fisher's long stint as a script doctor really kicked off after she adapted her semi-autobiographical novel Postcards from the Edge for the screen. Mashable Top ...
[43]
ARTS: FILM: A private practice | The Independent
Oct 21, 1995 · 'Crimson Tide' boasts uncredited contributions from Quentin Tarantino and Robert Towne. But how did they get there? David Thomson explains.
[44]
8 Movies You Didn't Know Were Written by Quentin Tarantino
Dec 12, 2024 · It's Pat, Past Midnight, and Crimson Tide are movies you may not realize were written by the iconic Quentin Tarantino.
[45]
Scott Frank Reveals The Films He's Worked On As A Script Doctor
Dec 31, 2023 · Scott Frank discusses the films he's worked on as a script doctor, including 'Saving Private Ryan,' 'Gravity' and “a lot of the X-Men movies.”
[46]
Paul Attanasio - Biography - IMDb
Paul Attanasio has been one of the most successful and most sought after script doctors in Hollywood since the early 1990's. He has done uncredited script ...
[47]
‎Paul Attanasio Movies and Shows - Apple TV
During that time, Attanasio did uncredited work on "The Bourne Ultimatum" (2007), "Leatherheads" (2008) and "The Fighter" (2010), and after "House" left the ...
[48]
https://entertainment.time.com/2012/03/15/the-anniversary-you-cant-refuse-40-things-you-didnt-know-about-the-godfather/slide/the-succession-scene-needed-a-major-rewrite/
[49]
The Succession Scene Needed a Major Rewrite | Godfather ...
Mar 14, 2012 · So Coppola called on his friend Robert Towne, a renowned screenwriter who later wrote Chinatown, as a script doctor. Towne arrived in New ...Missing: influence | Show results with:influence
[50]
17 Famous Script Doctors in Hollywood - IndieWire
May 1, 2018 · Kevin Smith, “Coyote Ugly” ... Following “Dogma,” Smith was hired as one of eight script doctors on “Coyote Ugly.” Gina Wendkos and Todd Graff ...
[51]
The Tale of a Screenwriter, 'Rewrite Man' Is an Ode to ... - PopMatters
Sep 20, 2017 · These projects were intentionally made by committee, and there could scarcely be too many cooks in the kitchen as far as studios were concerned.
[52]
WGA Approves “Additional Literary Material” - Brian J. Murphy
The credit will provide recognition to the work of writers under a Guild contract, who were previously unable to receive feature film screen credits.
[53]
Critic's Notebook: William Goldman's Greatest Gift to Cinema
Nov 16, 2018 · Vintage Goldman. In his later years, between uncredited script doctor work and occasional co-writing credits, Goldman also scripted Stephen ...