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Soundcraft

Soundcraft is a manufacturer of professional audio equipment, specializing in analog and digital mixing consoles for live sound, recording, and broadcast applications. Founded in 1973 by sound engineer Phil Dudderidge and electronics designer Graham Blyth, the company revolutionized the industry with its debut Series 1 console, the first mixing desk integrated into a flight case for easy touring. Over its five decades, Soundcraft has developed a range of iconic products, including the Broadway and Sapphyre analog consoles in the 1980s and 1990s, the digital Vi and Si series for large-scale live events, and more recent innovations like the Signature analog series and Ui digital mixers. The company's designs emphasize user-friendly interfaces, such as the Vistonics touchscreen controls and FaderGlow illuminated faders, catering to applications in theaters, houses of worship, performance venues, and studios worldwide. In 1988, Soundcraft was acquired by Harman International and now operates as part of the Harman Professional division, a subsidiary of Samsung Electronics since 2017, integrating technologies from sister brands like AKG, BSS Audio, and JBL to enhance its professional mixing systems.

Overview

Founding and Early Operations

Soundcraft was founded in 1973 by sound engineer Phil Dudderidge and electronics designer Graham Blyth in London, England. Blyth passed away on October 22, 2024. Dudderidge was awarded an in the for services to business and the music industry. The company emerged as a direct response to the growing demand for portable, high-quality mixing equipment in the live sound sector, driven by the expansion of touring rock acts in the early 1970s. Dudderidge, who had previously worked as a sound engineer for bands like Led Zeppelin, and Blyth, an experienced circuit designer, identified a gap in the market for durable consoles that could withstand the rigors of road travel while delivering professional-grade audio performance. Initial operations were conducted from a modest facility in , where the duo concentrated on handcrafting custom mixing consoles tailored to the needs of touring bands. This hands-on approach allowed Soundcraft to prioritize reliability and ease of transport, setting it apart from bulkier studio-oriented equipment of the era. The early focus remained on live applications, with prototypes built to address real-world challenges faced by sound engineers , such as quick setup and resistance to vibration. In 1973, Soundcraft launched its debut product, the Series 1, marking a pivotal innovation in live audio technology. This was the first mixing console fully integrated into a flight case for enhanced road durability, featuring a 12-channel configuration and a modular design that allowed for easy expansion and maintenance. The Series 1 included essentials like main stereo outputs, pre-fade foldback sends, and a four-band fixed-frequency EQ per channel, making it ideal for dynamic live environments. From the outset, Soundcraft targeted the live sound reinforcement market for bands across the and , quickly gaining traction among touring professionals who valued its portability and sound quality. Early adopters included prominent acts seeking reliable gear for high-stakes performances, helping establish the company's reputation in the competitive pro audio landscape.

Current Ownership and Operations

Soundcraft was acquired by Harman International Industries in April 1988 for an undisclosed amount, marking a significant integration into Harman's growing portfolio of professional audio brands and leveraging Soundcraft's established reputation in mixing console design. This acquisition positioned Soundcraft within Harman's pro audio division, alongside brands like JBL and AKG, enabling shared resources for research, development, and global market expansion while preserving its focus on high-quality audio engineering. In March 2017, Harman International was acquired by for approximately $8 billion, making Soundcraft an indirect subsidiary of the South Korean conglomerate and further embedding it within a vast of consumer and professional technologies. This corporate evolution has allowed Soundcraft to benefit from Samsung's extensive R&D infrastructure and international distribution networks, enhancing its operational scale without altering its core identity as a audio innovator. Today, Soundcraft maintains its headquarters in , , , at the Industries Ltd. facility, serving as the hub for design and engineering activities. and global distribution are handled through Harman's worldwide facilities, ensuring efficient supply chains for products destined for markets in live sound, recording studios, and broadcast environments. The company's operations emphasize solutions tailored to these sectors, supported by a dedicated of engineers who prioritize innovation in console technology and .

History

1970s–1980s: Establishment and Growth

Following the success of its inaugural Series 1 console, Soundcraft experienced rapid commercial growth in the mid-, with the model becoming a staple for live sound applications on major tours due to its innovative flight-case design that facilitated easy transport and setup for touring engineers. By 1975, the company had begun exporting consoles to the , marking its initial penetration into the North American market and contributing to international sales expansion. This period solidified Soundcraft's reputation for producing durable, roadworthy equipment suited to the demands of professional live performances. In 1975, Soundcraft introduced the Series 2 console, an evolution designed for both live and recording environments, available in 12-, 16-, and 24-channel configurations to accommodate larger setups. Key enhancements included a sophisticated master section with dedicated effects returns and group outputs, as well as improved equalization featuring swept mid-range bands and high-pass filters on each channel, enabling more precise tonal control for venue-specific applications. These features addressed limitations in earlier models, positioning the Series 2 as a versatile tool for expanding live sound productions in increasingly complex touring scenarios. During the 1980s, Soundcraft expanded into professional consoles, reflecting the company's diversification beyond live applications. The Series 200B, launched in the early 1980s as an upgrade to the original Series 200, supported up to 24-track recording capabilities through its modular frame sizes (8, 16, or 24 inputs) and four group outputs that could be paralleled for multitrack feeds. With features like four-band , configurable auxiliary sends, and enhanced routing options for simultaneous mix bus and subgroup access, the 200B emphasized sonic clarity and flexibility for studio workflows. A pivotal development occurred in 1980 when Soundcraft established dedicated US distribution through Soundcraft Inc., based in , which streamlined imports and boosted market presence amid growing demand for reliable analog equipment. Throughout the decade, the brand earned widespread industry recognition for the reliability of its consoles in live sound, praised for rock-solid construction that withstood rigorous touring conditions and consistent performance in high-stakes environments.

1990s–2000s: Expansion and Acquisition

In the 1990s, Soundcraft, under the ownership of following its acquisition, experienced significant international expansion, particularly in the North American market where its consoles became staples in rental inventories for live applications. The company's Series IS consoles, successors to earlier models, were widely adopted by U.S. rental firms for club and touring systems due to their reliable performance and British characteristics. This growth was supported by Harman's established U.S. distribution network, which had exclusively handled Soundcraft products prior to the acquisition. Soundcraft diversified its product line with the launch of the mid-tier series in 1991, targeting compact setups for both live performances and studio environments. Available in 16- or 24-channel configurations, these analog consoles featured split/in-line designs, high-quality preamps, and straightforward layouts that appealed to working engineers seeking affordability without sacrificing audio fidelity. By 1997, the FX models introduced integrated digital effects processing, including reverb and delay, enhancing their versatility for on-the-fly applications in smaller venues and project studios. Toward the late , Soundcraft began bridging its analog heritage with technology through prototypes like the console, a control surface for analog input and output racks. Debuting around 1996, the allowed for programmable mixing in and live settings, offering features such as scene recall and while maintaining compatibility with existing analog gear. This development reflected Soundcraft's early exploration of assignability, informed by collaborations with sound designers and laying groundwork for fully systems in the . The 1988 acquisition by Harman International marked a pivotal shift, providing Soundcraft access to expanded R&D resources within Harman's professional audio ecosystem, including synergies with brands like JBL and AKG. Harman retained Soundcraft's UK-based design team in Cranborne, England, preserving its focus on innovative console architecture while integrating global manufacturing and distribution capabilities. This structure enabled product diversification and market penetration throughout the 1990s and 2000s, solidifying Soundcraft's position in professional audio without diluting its engineering expertise.

2010s–Present: Digital Advancements and Integration

In the 2010s, Soundcraft advanced its digital console lineup with the introduction of the Vi3000 in 2014, marking a significant enhancement to the Vi series originally launched in 2006. This compact model featured four Vistonics II 3-D touchscreen interfaces for intuitive control, allowing multiple engineers to operate simultaneously on the same layer, and integrated Dante networking as standard for seamless digital audio distribution. The Vi3000's design emphasized efficiency with 36 faders, 96 channels, and 24 mono/stereo busses, supporting high-resolution processing while maintaining the series' renowned workflow. Under Harman's ownership since its 1988 acquisition of Soundcraft, the company integrated broader ecosystem technologies in subsequent releases, exemplified by the Ui series launched in 2015. These rack-mountable digital mixers, including the Ui12 and Ui16, offered built-in and browser-based control via any HTML5-compatible device, enabling remote mixing without dedicated apps. This app-based approach facilitated flexible setups for live sound and recording, with features like multi-track USB recording and dbx dynamics, aligning with Harman's push for connected solutions. In 2016, Soundcraft's manufacturing was relocated from Potters Bar, , to facilities in as part of Harman's global optimization efforts. Post-2020, Soundcraft adapted to the rise of streaming and events through ongoing software updates to the Vi series, such as version 4.9.2 released in 2020, which improved stability and integration for remote operations. The series' remote control capabilities proved particularly suited to and productions, allowing engineers to manage mixes from off-site locations during the era. Additionally, Dante compatibility in Vi consoles like the Vi3000 and Vi7000 (launched in 2015 with optional 96kHz processing) enabled support for immersive audio formats by facilitating low-latency networking with multichannel setups. Under Harman's ownership, Soundcraft contributed to efforts, including commitments to to across manufacturing sites by 2025 and the opening of a new eco-focused in , , in 2023 to reduce carbon emissions. These initiatives encompassed Soundcraft's production processes, emphasizing sourcing and waste reduction. In parallel, the brand expanded into broadcast mixing, leveraging Vi series consoles' modular I/O and digital integration for television and streaming applications, as seen in installations supporting professional workflows.

Products

Analog Mixing Consoles

Soundcraft's analog mixing consoles have long been renowned for their robust construction and warm sonic character, originating with the iconic Series 1 and Series 2 models from the company's early years. The Series 1, launched in 1973, was groundbreaking as the first mixing console integrated into a flight case, offering a 16-input by 2-output configuration with features like 4-band fixed-frequency per channel, main stereo outputs, a post-fader echo send, and a pre-fader foldback send, making it ideal for portable live sound applications. The Series 2, introduced shortly thereafter in the mid-1970s, built on this foundation with similar channel counts and a focus on live performance reliability, featuring controls rather than faders for durability in touring environments and delivering the clean, transformer-balanced preamps that defined Soundcraft's early analog sound. Although both lines are discontinued, they remain legendary for establishing Soundcraft's reputation in , influencing subsequent designs with their emphasis on portability and straightforward analog signal paths. The GB Series represents Soundcraft's commitment to enduring analog production, with models like the and continuing to be manufactured for professional use. The GB8 offers frame sizes from 24 to 48 channels, incorporating high-quality GB30 preamps known for their warm, transparent and +20 headroom, alongside features such as four groups, a 1 kHz oscillator, and an 11x4 output matrix for flexible routing in complex setups. The GB4, a more compact variant, shares these GB preamps and sections, providing 12 to 40 channels with dual-mode topology for front-of-house or monitor applications, ensuring the series' signature analog warmth through discrete circuitry and vertically mounted PCBs for enhanced reliability. These consoles prioritize intuitive controls and high headroom, making them staples in setups requiring uncolored, musical analog processing. Introduced in the , the Signature Series blends classic analog design with modern conveniences, featuring Soundcraft's iconic mic preamps renowned for ultra-low performance at -126 EIN (equivalent input noise). Models like the 12 and 22 include integrated USB interfaces—such as 14-in/12-out on the 12 MTK for —alongside Sapphyre EQ with sweepable mids, dbx limiters, and robust metal chassis for tour-grade durability. This series maintains a pure analog signal path while enabling direct digital capture, appealing to users seeking the warmth of traditional mixing without sacrificing workflow efficiency. For smaller-scale needs, Soundcraft's EPM and EFX series provide compact, affordable analog solutions tailored to venues with limited channels. The EPM series, available in 6+2, 8+2, and 12+2 configurations, uses GB30 mic preamps with 55 dB gain range and 48V , featuring 3-band on mono channels, 60 mm faders, and TRS inserts for precise control in straightforward mixes. The EFX variants enhance this with a built-in 24-bit effects processor offering 32 presets, tap tempo, and a dedicated FX send per channel, supporting 8+2 or 12+2 mono inputs plus two stereo channels for added reverb and modulation without external gear. Both series emphasize rack-mountable designs and metal jack connectors for reliability in portable rigs. These analog consoles find widespread application in live sound reinforcement, houses of worship, and educational settings, where their durable builds withstand heavy use and deliver the coveted analog warmth—characterized by smooth harmonics and low distortion—for immersive audio experiences. The emphasis on high headroom and intuitive layouts ensures they remain relevant for professionals prioritizing tactile control and sonic purity over digital complexity.

Digital Mixing Consoles

Soundcraft's digital mixing consoles represent a significant evolution from its analog roots, incorporating advanced (DSP) and user interfaces designed for live sound reinforcement, broadcast, and installation applications. These consoles leverage high-resolution audio handling, flexible networking options, and intuitive controls to meet the demands of environments. Key families include the Vi Series for large-scale productions, the Si Series for mid-sized touring setups, and the Ui Series for compact, remote-controlled mixing. The Vi Series, encompassing models such as the Vi3000, Vi5000, and Vi7000, is engineered for high-channel-count applications, supporting up to 128 input channels with expandable configurations via ViSi Connect option cards that enable Dante and networking for seamless integration with stageboxes and other devices. The hallmark Vistonics combines technology with physical knobs-on-glass controls, providing tactile feedback for efficient navigation of , , and functions, while FaderGlow illuminated enhance visibility and workflow in low-light touring scenarios. The Vi3000, for instance, features 36 and 24 mono/stereo busses in a compact footprint, whereas the Vi7000 extends to 128 inputs and 32 busses with optional 96kHz processing for superior audio fidelity in broadcast and live theater settings. Tailored for mid-sized tours and venues, the Si Series includes the Si Expression and Si Performer models, as well as the Si Impact, offering 64-channel processing with FaderGlow technology for color-coded, illuminated faders that indicate channel status and simplify mix adjustments during performances. The Si Expression 3 provides 32 recallable mic preamps and four line inputs, supporting up to 80 full channels with integrated effects and dbx dynamics for versatile live sound applications. The Si Impact offers 32 or 40 inputs with 40 channels, FaderGlow, and integrated 32-in/32-out USB for live and recording. Similarly, the Si Performer 1 delivers 16 local mic preamps and eight stereo inputs, expandable to 128x96 I/O via ViSi Connect cards, making it suitable for dynamic touring environments where quick setup and reliable performance are essential. For smaller productions and remote mixing needs, the Ui Series, exemplified by the Ui24R, functions as a rack-mountable digital mixer with 20 to 24 inputs, including 10 XLR combo jacks, 10 XLR mic inputs, and built-in stereo effects from and dbx, controlled via Wi-Fi-enabled apps compatible with and devices. This wireless integration allows multiple users to adjust mixes from anywhere in the venue, supporting multi-track USB recording and playback for both live events and workflows. Across these series, Soundcraft digital consoles emphasize advantages such as snapshot recall for instant scene changes, full capabilities for complex shows, and with Harman software ecosystems, enabling streamlined workflows in live and broadcast contexts. These features draw on Soundcraft's analog heritage, incorporating high-headroom preamps into digital designs for consistent audio quality.

Other Audio Equipment

Soundcraft's Notepad Series comprises compact analog mixers designed for entry-level users, including models such as the Notepad-12FX and Notepad-8FX, which integrate USB audio interfaces for seamless connectivity with computers in home studios and podcasting setups. These mixers feature professional-grade GB30 preamps, effects processors for reverb, delay, and chorus, and durable metal chassis with XLR and 1/4-inch connectors, enabling straightforward recording and mixing without additional hardware. The series emphasizes portability and simplicity, with built-in USB for multi-track playback and recording, making it suitable for musicians, podcasters, and small live performances. Among Soundcraft's legacy products, the Compact Series, including the Compact 4 and Compact 10 models, represents early compact analog mixers from the , now discontinued but valued in vintage recording setups for their reliable paths and basic channel configurations. Similarly, the Series 200B, a console from the late to early , includes modular interface cards that allow integration into modern analog workflows, often sought by enthusiasts for its warm, classic British sound in retro production environments. Soundcraft also offers accessories like the Mini Stagebox 32i and 32R, which expand input/output capabilities for digital systems using over standard Cat5/6 cabling, providing 32 remote-controllable preamps and up to 16 outputs in a compact 3U rackmount format. These stageboxes facilitate efficient signal routing in live sound and installations by reducing cable runs and enabling centralized control from compatible consoles. In niche applications, Soundcraft's compact equipment supports mobile recording through USB-enabled interfaces in the Notepad Series and enhances AV setups via stagebox connectivity for distributed audio systems. Recent models, such as the Nano M12BT, incorporate for wireless streaming from mobile devices, broadening usability in portable podcasting and informal live scenarios.

Innovations and Technology

Pioneering Designs and Features

Soundcraft's Series 1, launched in 1973, pioneered the integration of a mixing console directly into a flight case, allowing for robust, portable live sound applications without the need for disassembly or additional protective packaging during transport. This design addressed the growing demands of touring musicians and engineers in the 1970s, providing a 12- or 16-channel console with built-in protection that facilitated quick setup and teardown at venues. In the , Soundcraft advanced technology with transformerless designs offering exceptionally low noise floors, which minimized unwanted hiss and preserved audio clarity in professional recording and live environments. This foundation evolved into the ProMic preamp featured in the 1990s console, delivering up to 60 dB of gain with ultra-low noise and high headroom for demanding signal amplification. Further refinements appeared in later models, such as the GB30 preamp introduced in the early as an enhancement of Soundcraft's classic designs, and the modern Ghost preamps in the Signature series, which provide up to 60 dB of gain and a maximum output of +22 dBu while maintaining superior noise performance. The Vi series, introduced in the late 2000s, marked Soundcraft's early integration of into live mixing consoles, incorporating BSS-inspired dynamics processing with integral compression, limiting, and expansion on every channel, alongside graphic on all output buses for precise frequency control. These consoles also embedded effects engines, providing up to four stereo processors with reverbs, , and effects directly within the architecture to streamline workflows without external hardware. This on-board processing reduced and setup complexity for live sound engineers handling complex productions. A key patented innovation in the Vi series is Vistonics, a touch-based that enables customizable fader banks and channel layouts, allowing operators to rearrange controls intuitively on large screens to match show-specific needs and significantly cut preparation time for intricate mixes. By combining rotary encoders with visual feedback on a "knobs-on-glass" surface, Vistonics enhances , making parameter adjustments more accessible during high-pressure performances.

Industry Impact and Legacy

Soundcraft's introduction of the Series 1 mixing console in 1973 marked a pivotal advancement in live sound reinforcement, as it was the first console designed and built directly into a flight case, enabling easier transport and setup for touring professionals and thereby setting a new standard for roadworthy audio equipment that influenced subsequent designs across the industry. This innovation addressed the growing demands of the expanding live music scene in the 1970s, where portability became essential for major tours and events, prompting competitors to adopt similar rugged, integrated enclosures for their products. Additionally, Soundcraft's commitment to high-quality preamplifiers, such as the renowned preamps known for their ultra-low performance, elevated expectations for in , encouraging broader industry adoption of cleaner, more transparent preamp designs in both live and studio applications. The brand's consoles have seen widespread adoption in high-profile live events, underscoring their reliability and sonic performance. For instance, Soundcraft Vi6 digital consoles were deployed on Festival's main stage as early as 2007 for acts like , and the Vi series continued in use for headline performances such as Stormzy's 2019 set with Vi2000 consoles, handling over 100 channels with precision to deliver to massive audiences. This enduring presence in iconic festivals highlights Soundcraft's role in shaping the technical backbone of global live sound production, where their equipment has supported countless performances over decades. More recent advancements, such as the Vi7000 console introduced in 2021, continue to build on this legacy with enhanced processing power and integrated UAD plug-ins for even greater flexibility in live and broadcast applications as of 2025. Soundcraft has cultivated a lasting legacy as a cornerstone of the "British sound," a term synonymous with the warm, detailed audio character originating from UK-engineered gear, with consoles remaining a staple in professional workflows for over 50 years since the company's founding in 1973. This reputation stems from their consistent focus on audio fidelity and build quality, making them a preferred choice for sound engineers worldwide. In contemporary contexts, Soundcraft, under Harman Professional Solutions, plays a key role in and emerging markets through comprehensive programs offered via HARMAN Professional University, including certification courses and webinars on products like the Ui series, which equip aspiring professionals in regions such as with skills for modern audio applications as of 2025.

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