Sunmi
Lee Sun-mi (born May 2, 1992), known mononymously as Sunmi, is a South Korean singer, dancer, songwriter, and record producer.[1] She debuted on February 10, 2007, as a member of the girl group Wonder Girls under JYP Entertainment, contributing to the group's international breakthrough with hits like "Nobody", which topped charts in South Korea and peaked at number 76 on the US Billboard Hot 100, making them the first K-pop act to chart there.[2] Sunmi left Wonder Girls in January 2010 to pursue academic studies but rejoined the group in 2015 until its disbandment in February 2017. She began her solo career with the digital single "24 Hours" in 2013, followed by her debut extended play Full Moon in 2014 with the title track "Full Moon", marking her transition to independent artistry while still under JYP.[2] In January 2017, Sunmi departed JYP Entertainment to join Makeus Entertainment (later rebranded as ABYSS Company), where she achieved her first major solo success with the single "Gashina" on August 22, 2017, which peaked at number one on the Gaon Digital Chart and earned her the nickname "Queen of Concept" for its innovative choreography and visuals.[3] This was followed by the "Sunmi Trilogy" consisting of "Gashina" (2017), Heroine (2018), and "Siren" (2018, from the EP Warning)—solidifying her reputation for blending retro influences with contemporary K-pop, exploring themes of female empowerment and emotional vulnerability. Subsequent releases, including the EP Warning (2018) and the single album #Twenty (2021), showcased her growth as a self-producer and performer, with tracks addressing self-love and maturity. Following #Twenty, she released singles such as "Heart Burn" in 2022 and continued touring.[2] Sunmi's artistry emphasizes bold aesthetics, intricate dance routines, and genre experimentation, from synth-pop to R&B, earning her multiple awards such as the Mnet Asian Music Award for Best Female Artist.[4] On November 5, 2025, she released her debut full-length album Heart Maid under ABYSS Company, a 13-track project developed over 1.5 years that reflects her evolution after nearly two decades in the industry, with the lead single "Cynical" featuring retro synth-pop elements and a horror-comedy music video to challenge societal cynicism.[4] The album aims to provide comfort and emotional resonance, drawing from personal experiences, and positions Sunmi as a pivotal figure in K-pop's solo landscape.[5]Early life and education
Lee Sun-mi was born Sun Mi on May 2, 1992, in Iksan, North Jeolla Province, South Korea.[2] She later adopted her stepfather's surname Lee while attending university, merging it with her original given name to become Lee Sun-mi. Sunmi attended Hwangnam Elementary School, Chungdam Middle School, and Chungdam High School in Seoul.[2] Due to her early career commitments, she dropped out of high school but subsequently passed the High School Graduation Qualification Examination.[6] She later enrolled at Dongguk University, where she majored in musical theater.[2]Career
2007–2010: Wonder Girls debut and initial departure
Sunmi entered the K-pop industry as a member of the girl group Wonder Girls, formed by JYP Entertainment. The group debuted with their first single album The Wonder Begins on February 13, 2007, featuring the lead track "Irony," which showcased a blend of retro and electronic sounds. Sunmi, then 14 years old, served as the group's lead dancer and sub-vocalist, contributing to the choreography and backing vocals alongside members Sunye, Yeeun, Hyuna, and Sohee.[7] Their debut stage occurred on MBC's Show! Music Core on February 10, 2007, marking the start of their rapid rise in the South Korean music scene.[8] The group's breakthrough came with their debut studio album The Wonder Years, released on September 13, 2007, which included hits like "Tell Me" and established Wonder Girls as a leading second-generation K-pop act. Building on this success, they released the mini-album The Wonder Years: Trilogy in 2008, featuring the international smash "Nobody." In 2009, Wonder Girls shifted focus to the U.S. market, releasing an English version of "Nobody" as a single on June 26, which peaked at No. 76 on the Billboard Hot 100, making them the first K-pop group to chart there.[9] This promotion included opening for the Jonas Brothers' world tour across 50 cities, alongside appearances on shows like The Wendy Williams Show and performances at events such as the Apollo Theater. However, the intense schedules during this period led to significant health challenges for the members, including exhaustion and illnesses exacerbated by the demanding travel and performance demands. Sunmi, in particular, later reflected on developing physical aftereffects from the grueling U.S. activities.[10] Facing mounting pressures from the group's aggressive expansion, Sunmi announced her departure on January 26, 2010, citing a desire to prioritize her education amid the hiatus from group activities.[11] Her exit was officially confirmed by JYP Entertainment shortly after, with the agency supporting her academic pursuits while leaving the door open for a potential return. Sunmi's last performance with Wonder Girls occurred in December 2009 during their Shanghai concert, where she delivered a notable solo cover of Rihanna's "Umbrella."[12] Hyelim was introduced as her replacement in February 2010, allowing the group to continue promotions with the single "2 Different Tears." Sunmi's departure highlighted the personal toll of K-pop's rigorous demands on young idols, shifting her focus temporarily to studies.[13]2011–2017: Hiatus, solo debut with Full Moon, and group return
Following her departure from Wonder Girls in early 2010, Sunmi entered a three-year hiatus from the music industry to focus on her education and personal development. She enrolled at Dongguk University, majoring in theater and film, where she pursued studies in drama and acting to broaden her artistic skills beyond idol activities.[14] During this period, she maintained a low profile, occasionally engaging in minor entertainment projects while prioritizing academic growth and recovery from the demands of group promotions.[15] In 2013, Sunmi transitioned to a solo career under JYP Entertainment, marking her return to music with the digital single "24 Hours" released on August 26. The track, produced by Park Jin Young, featured a blend of pop and R&B elements with lyrics about longing and time, quickly gaining traction and topping real-time charts on platforms like Melon shortly after release.[16] It peaked at number 2 on the Gaon Digital Chart, establishing Sunmi as a promising solo artist and showcasing her matured vocal style and charismatic stage presence. This success paved the way for her debut extended play, Full Moon, released on February 17, 2014, which included "24 Hours" alongside new tracks emphasizing emotional depth and synth-driven sounds. The title track "Full Moon" from the EP highlighted Sunmi's evolving artistry with its dreamy, atmospheric production by Brave Brothers and a sensual choreography that incorporated fluid, alluring movements symbolizing temptation and nocturnal allure, earning praise for its visual impact during live performances.[17] The song climbed to number 2 on the Gaon weekly Digital Chart in its second week, reflecting strong domestic reception and solidifying her solo identity before further group commitments.[17] The EP's overall performance underscored Sunmi's ability to balance vulnerability in lyrics with confident delivery, contributing to over 1 million digital streams in its initial months. In mid-2015, Sunmi rejoined Wonder Girls as part of the group's reformation into a four-member lineup, announced by JYP Entertainment on June 24, to revive their career after a two-year break. This reunion coincided with preparations for the RE:WE world tour, which kicked off in December 2015 across Asia and North America, featuring high-energy performances of past hits and new material that highlighted the group's band-like evolution.[18] Sunmi's return brought fresh dynamics, with her contributing bass guitar in the revamped '80s-inspired concept during the tour's 20-plus dates. The group followed with their third studio album Reboot on August 3, 2015, led by the single "I Feel You," a freestyle track co-written and produced by Park Jin Young that peaked at number 3 on the Gaon Digital Chart.[19] In Reboot, Sunmi provided lead vocals and bass elements, infusing the album's retro synth-rock vibe with her solo-honed expressiveness.[20] Wonder Girls continued promotions through 2016, including additional tour legs and variety show appearances that emphasized their matured chemistry, with Sunmi balancing group duties alongside subtle solo teases. However, by early 2017, shifting priorities led to the group's conclusion; on January 26, JYP announced the disbandment after Sunmi and Yeeun opted not to renew contracts, opting for individual paths.[21] The members released a final digital single, "Draw Me," in February 2017, marking the end of promotions, and Sunmi formally departed from JYP in July 2017 to pursue her solo career independently.[22] This phase bridged her hiatus recovery with a dual identity, setting the stage for her full-time solo endeavors.2018–2021: Warning era, world tour, and 1/6 EP
In 2018, Sunmi solidified her status as a leading solo artist in K-pop with a series of releases that built on her previous successes, beginning with the single "Gashina," which she had initially dropped in August 2017 but continued to promote into the new year. The track, produced by Teddy of The Black Label, debuted at number two on the Gaon Digital Chart and ascended to the top spot the following week, marking Sunmi's first solo number-one hit in South Korea.[23] This momentum carried into January 2018 with the release of "Heroine" on January 18, a thematic prequel to "Gashina" that also charted strongly, reaching number three on the Gaon Digital Chart and peaking at number three on Billboard's World Digital Song Sales chart with over 2,000 downloads in its debut week.[24][25] These singles culminated in her second mini-album, Warning, released on September 4, 2018, under Makeus Entertainment, which compiled "Gashina" and "Heroine" alongside new tracks including the title song "Siren." The EP explored themes of allure and caution through its electropop sound, with "Siren" debuting at number one on the Gaon Digital Chart, earning Sunmi her second chart-topping single.[26][27] Following the Warning release, Sunmi embarked on her first solo world tour, titled Sunmi the 1st World Tour: Warning, which ran from February 2019 to May 2019 and encompassed over 19 performances across Asia, North America, and Europe. The tour kicked off with two shows in Seoul at Yes24 Live Hall on February 24 and 25, 2019, before heading to North American cities such as San Francisco, Los Angeles, Seattle, Vancouver, and Calgary in March, and later extending to European stops including London, Paris, and Berlin in April.[28][29] Sunmi's performances highlighted her choreography and vocal prowess, incorporating hits from Warning alongside earlier solo tracks, and drew enthusiastic crowds that underscored her growing international appeal as the first Korean female solo artist to undertake such a global outing. Sunmi continued her solo trajectory with additional singles amid the post-disbandment focus following Wonder Girls' official end on January 26, 2017, after failed contract renewals with members including herself and Yeeun. In a 2019 interview, Sunmi reflected on the group's legacy as a foundational chapter that shaped her artistry, expressing gratitude for the experiences while emphasizing her commitment to evolving independently as a soloist.[7] She released "Siren" as the lead from Warning in September 2018, which not only dominated domestic charts but also contributed to her EP's commercial success, selling over 25,000 physical copies in its first month. Later, in February 2021, she dropped the standalone single "Tail" on February 23, a sultry track co-written and co-composed by Sunmi herself, featuring feline-inspired visuals and lyrics about playful seduction.[30] Capping this era, Sunmi released her third EP, 1/6, on August 6, 2021, via Abyss Company, a six-track project delving into raw personal emotions like anger, confusion, and self-acceptance. The lead single "You Can't Sit With Us" addressed social exclusion and empowerment with its retro synth-pop vibe, while "Borderline" explored mental boundaries and resilience, themes Sunmi described as reflections of her inner complexities amid fame's pressures. Other tracks like "Sunny" and "Narcissism" further emphasized self-empowerment, blending upbeat melodies with introspective lyrics to portray a multifaceted journey of emotional gravity. The EP debuted at number four on the Gaon Album Chart, reinforcing Sunmi's reputation for conceptually rich releases.[31][32]2022–2025: Heart Burn, recent singles, tours, and HEART MAID album
In 2022, Sunmi released her digital single "Heart Burn" on June 29, characterized by its retro-synth and summery pop sound, which evoked a daytime counterpart to her earlier track "Pporappippam."[33] The song peaked at number 23 on South Korea's Circle Digital Chart, marking her continued presence in the domestic music scene.[34] That year, she embarked on her second world tour, "2022 Sunmi Tour: Good Girl Gone Mad," which spanned North America in September, including stops in Chicago, New York, and Vancouver, followed by Asian dates such as Seoul in October. Sunmi's 2023 activities included a collaboration with rapper BE'O on "Lights Out," released March 22 as part of the BILLION MUSIC PROJECT VOL.1, blending synthpop and city pop elements in a project aimed at innovative music production.[35] Later that year, on October 17, she issued her seventh digital single, STRANGER, a three-track EP featuring the title track "STRANGER" alongside "Calm Myself" and "Call My Name" (translated as "덕질"), with the lead single drawing on gothic horror imagery inspired by Frankenstein.[36] In 2024, Sunmi returned with the single "Balloon in Love" on June 13, a sentimental track accompanied by a music video filmed in Croatia that explored the dissolution of an ideal relationship.[37] She followed this with "Crossroad" on October 12, an OST contribution for the drama The Judge from Hell, emphasizing introspective themes through its composition.[38] Concert appearances that year included select performances, such as an October event in South Korea, building anticipation for future releases.[39] Sunmi's 2025 output highlighted her evolving artistry. In February, she featured on "Salty" from Chung Ha's EP Alivio, released on the 12th, an electro-pop collaboration between the longtime friends that infused dreamy vocals with bittersweet undertones.[40] Live engagements included festival appearances like WATERBOMB Manila in February, fan meets in May at Yong In University in South Korea, and an August concert in Taichung, Taiwan.[41] She continued with the single "BLUE!" on August 26, a jauntier co-written track signaling a new era ahead of her full-length debut.[42] Her milestone first studio album, HEART MAID, arrived on November 5 as a 13-track project including "MAID," "CYNICAL," and prior single "BLUE!," delving into themes of emotional maturity, irony, and cynicism through sharp storytelling that balances vulnerability and wit—particularly in the title track "CYNICAL," which questions pessimistic outlooks in a horror-comedy visual narrative.[4][43] The album debuted with modest sales, recording 3,991 copies on the Hanteo Chart in its first days as of November 7, 2025, and received mixed reviews praising its conceptual depth while noting criticisms of some tracks feeling unfinished.[44]Artistry
Musical style and influences
Sunmi's musical style is rooted in dance-pop and synth-pop, often infused with disco elements and retro aesthetics drawn from 1980s and 1990s influences, creating a signature sound that blends nostalgic vibes with contemporary K-pop energy.[45] This approach is evident in tracks like "Gashina," which incorporates retro synths and playful hooks reminiscent of 1980s pop, and "Siren," featuring a noir-tinged atmosphere with layered electronic production.[31] Her work frequently features mid-tempo beats and sensual, choreography-driven arrangements that emphasize catchiness and visual storytelling, distinguishing her from more straightforward idol pop. The term "Sunmi-pop" has been used to describe her distinctive genre fusion, characterized by provocative yet whimsical experimentation that merges synth-pop with indie rock undertones and occasional dancehall beats, as seen in her incorporation of traditional Korean wind instruments in songs like "Lalalay."[45][46] This style evolved from her Wonder Girls era, where retro moods in fashion and music laid the groundwork, but matured in her solo career with greater emphasis on self-expression and genre-blending, allowing for ethereal, calming shifts like the indie rock-infused tracks on her 2021 EP 1/6.[31] Sunmi's influences stem primarily from her JYP Entertainment roots, with the label's eclectic approach shaping her early exposure to diverse pop structures, though she has cited personal growth in production as key to her post-2017 solo evolution toward more mature, introspective soundscapes.[47]Songwriting, production, and themes
Sunmi has taken an active role in songwriting throughout her solo career, often drawing from personal experiences to craft introspective and relatable lyrics. She received co-writing credits for the lyrics of "Heroine" alongside Teddy Park, infusing the track with themes of self-empowerment inspired by cinematic narratives rather than direct autobiography. Similarly, for "Siren," Sunmi penned the lyrics herself, exploring seductive warnings in relationships. This hands-on approach culminated in her 2025 full-length album HEART MAID, where she wrote the lyrics for all 13 tracks and co-composed every song, channeling raw emotions into a project described as deeply personal and therapeutic.[48][49][4][43] In production, Sunmi frequently collaborates with established producers to shape her sound while asserting greater creative control over time. For instance, "Gashina" was produced by Teddy Park of The Black Label, with Sunmi contributing lyrics amid a team including 24 and Joe Rhee for arrangement. Her involvement expanded in tracks like "Siren," which she co-produced with Frants, blending electronic elements with her vocal delivery. From 2023 onward, Sunmi has shown increasing self-direction, as seen in her self-composed 2024 single "Balloon in Love," and her comprehensive participation in writing, composing, and producing all elements of HEART MAID.[50][49] (Note: Used for confirmed release fact; primary credits from Discogs/Genius) Sunmi's lyrics recurrently delve into themes of female empowerment, heartbreak, self-discovery, and the tension between sensuality and innocence, often subverting traditional K-pop narratives. In "Tail," she portrays the raw intensity of toxic relationships through animalistic metaphors of vengeance and emotional turmoil, highlighting cycles of hurt and retaliation. "Borderline" addresses mental resilience, drawing directly from her experiences with borderline personality disorder to depict internal struggles and the path to healing, emphasizing vulnerability as strength. These motifs define "Sunmi-pop," a style marked by feminist undertones that challenge male gaze expectations, promote body positivity amid industry pressures, and embrace emotional openness over polished perfection.[51][52][15][53][54][55][56]Personal life
Family and relationships
Sunmi maintains a close relationship with her mother, stepfather, and two younger brothers, often expressing gratitude for their support amid personal challenges. Her biological father, who raised her and her siblings as a single parent after becoming ill with lung cancer, passed away three months before her debut with Wonder Girls in 2007, an event that deeply motivated her to pursue a career in entertainment to provide for her family financially.[57][58] She has no other siblings and has publicly shared affectionate moments with her brothers, such as kissing them and exchanging "I love you"s, highlighting their tight-knit dynamic.[59][60] Her family's influence played a key role in her early career decisions, as her father's illness prompted her to audition for JYP Entertainment at age 14 to earn money for medical expenses, while her mother and stepfather later provided emotional stability during her trainee years. Sunmi balanced her rigorous training schedule with formal education, attending Chungdam High School but dropping out and later passing the High School Graduation Qualification Examination, before enrolling at Dongguk University to study musical theater, a pursuit supported by her family's encouragement to maintain academic progress despite her budding idol commitments.[61][58][6][62] Regarding romantic relationships, Sunmi has consistently prioritized privacy, avoiding any confirmed partnerships or public dating rumors throughout her 18-year career since debuting in 2007. In recent interviews, she has described her approach to dating as committed and low-key, emphasizing long-term connections over fleeting romances while noting the challenges of maintaining personal life under public scrutiny.[63][64] Beyond family, Sunmi's personal interests include fashion, where she is recognized as a trendsetter, blending bold, avant-garde pieces from brands like Balenciaga and Versace into her stage outfits and everyday style, often curated through her active social media presence. She occasionally shares glimpses of her daily life on Instagram, such as casual outings or creative hobbies, offering fans rare insights into her off-stage persona while keeping deeper personal details guarded.[65][45]Health and mental health advocacy
During her time with Wonder Girls at the height of the group's popularity in 2009 and 2010, Sunmi experienced severe exhaustion and anxiety due to the intense schedule, including a demanding U.S. tour across 50 cities, which contributed to her decision to leave the group in January 2010.[13][66] Her departure was partly motivated by the need for mental recovery, as she later revealed that the pressures of the industry had taken a significant toll on her well-being, leading her to prioritize personal healing over continued group activities.[66] Sunmi has openly discussed her mental health journey in interviews, particularly in 2020 when she disclosed her diagnosis of borderline personality disorder (BPD), which she had been managing for several years amid industry pressures.[53] She described experiencing emotional instability and internal struggles rather than physical illness during her early career challenges, and emphasized the importance of taking time off when facing difficulties.[53] To address these issues, Sunmi has sought professional treatment, noting in subsequent discussions that she has been actively working on her recovery through therapeutic approaches.[66] As part of her advocacy, Sunmi has incorporated themes of mental health struggles into her music, most notably in her 2021 single "Borderline," which directly reflects her experiences with BPD and marked her first public acknowledgment of these personal battles.[67] In 2022, she elaborated on how the song served as an outlet for expressing long-held pain, contributing to broader conversations about mental illness in K-pop.[68] More recently, with the release of her debut full-length album HEART MAID in November 2025, Sunmi shared statements linking the project to emotional healing, describing it as a heartfelt effort to comfort listeners through music that processes vulnerability, love, and heartache.[4][5]Works
Discography
Sunmi's discography as a solo artist includes one studio album, three extended plays, and numerous singles, reflecting her evolution from retro-inspired pop to more experimental sounds. Her releases have consistently performed well on South Korean charts, with several tracks achieving top positions on the Circle Digital Chart (formerly Gaon).[69]Studio albums
Sunmi released her debut studio album, HEART MAID, on November 5, 2025, under ABYSS Company. The album features 13 tracks, including the lead single "Cynical," and explores themes of emotional introspection and empowerment through a blend of pop and electronic elements.[70][71][72]| Title | Album details | Peak chart positions | Sales |
|---|---|---|---|
| HEART MAID | Released: November 5, 2025 Label: ABYSS Company Format: CD, digital download | TBA | 3,991+ (Hanteo, first three days)[44] |
Extended plays
Sunmi's extended plays have been pivotal in establishing her solo identity, often serving as vehicles for her signature choreography-driven hits.| Title | Album details | Peak chart positions | Sales |
|---|---|---|---|
| Full Moon | Released: February 17, 2014 Label: JYP Entertainment Format: CD, digital download | #11 (Gaon Album) | 5,665 (Circle)[73] |
| Warning | Released: September 4, 2018 Label: Makeus Entertainment Format: CD, digital download | #6 (Gaon Album) | 10,455 (Circle)[73] |
| 1/6 | Released: August 6, 2021 Label: Makeus Entertainment Format: CD, digital download | #8 (Gaon Album) | 24,420 (Circle)[73] |
Singles
Sunmi has released several digital singles as a lead artist, many of which have topped or peaked highly on the Circle Digital Chart, showcasing her commercial success in the K-pop industry.| Title | Year | Album | Peak chart positions | Certifications |
|---|---|---|---|---|
| "24 Hours" | 2013 | Non-album single | #2 (Circle Digital) | — |
| "Gashina" | 2017 | Gashina | #1 (Circle Digital) | 2× Million (digital downloads)[74] |
| "Heroine" | 2018 | Heroine | #3 (Circle Digital) | — |
| "Siren" | 2018 | Warning | #1 (Circle Digital) | —[75] |
| "Tail" | 2021 | Non-album single | #8 (Circle Digital) | — |
| "Heart Burn" (열이 올라요) | 2022 | Non-album single | #15 (Circle Digital) | — |
| "Stranger" | 2023 | Non-album single | TBA | — |
| "Balloon in Love" | 2024 | Non-album single | #22 (Circle Digital) | —[37] |
| "BLUE!" | 2025 | Non-album single | TBA | — |
Collaborations and soundtracks
Sunmi has featured on select collaborations and soundtrack contributions. In 2025, she collaborated with CHUNG HA on the track "Salty," an electro-pop song included on CHUNG HA's EP Alivio, released February 12, 2025, which highlights their vocal synergy on themes of guarded emotions.[40][76] Sunmi's total physical album sales in South Korea exceed 70,000 copies across her releases as of 2023, with digital sales significantly higher; for instance, "Gashina" alone amassed over 2.5 million downloads. No major certifications for physical albums have been reported, but her digital hits have received platinum status from the Korea Music Content Association.[73][69]Videography
Sunmi's videography is renowned for its bold, narrative-driven aesthetics that complement her music's themes of sensuality and self-expression, often blending genres like fantasy, noir, and retro styles to create immersive visual stories. Her collaborations with established directors have elevated her releases, earning critical acclaim and nominations at major awards ceremonies. Her solo debut music video, "Full Moon" (2014), introduces a fantasy theme centered on seduction and transformation, featuring ethereal visuals and choreography that highlight Sunmi's dance prowess. The video sets the tone for her visual style, emphasizing mystical elements like lunar motifs and shadowy encounters. In 2017, the "Gashina" music video, directed by Choi Yong-seok of Zanybros, adopts a retro horror-comedy vibe, portraying Sunmi as a vengeful figure with thorny rose symbolism in a tale of romantic rejection and empowerment.[77] This release was nominated for Best Dance Performance Solo at the 2017 Mnet Asian Music Awards.[78] Following as a prequel, "Heroine" (2018), also directed by Choi Yong-seok, delves into character backstory with dramatic, cinematic sequences that build on the "Gashina" universe, focusing on themes of resilience and identity.[79][80] The 2018 "Siren" video, directed by Choi Yong-seok, shifts to a noir seduction concept, evoking 1980s ambient pop aesthetics where Sunmi embodies a mythical siren challenging mismatched perceptions in relationships.[81][82] Sunmi's frequent partnerships with Zanybros underscore her preference for high-concept visuals that integrate intricate storytelling and performance art. Advancing to 2022, "Heart Burn," directed by Moon Seokho, captures a playful 90s-inspired vibe infused with Korean mythological references and vibrant summer romance, using time-shifting scenes to illustrate emotional intensity.[83][84] For her debut full-length album HEART MAID (2025), the "Cynical" music video incorporates horror-comedy elements, aligning with the project's exploration of darker, introspective narratives through whimsical yet eerie production design.[85][86] Beyond title tracks, Sunmi has produced lyric videos and behind-the-scenes content for non-single releases, such as those from her EPs and albums, offering fans deeper insights into her creative process and choreography development. These supplementary visuals maintain her emphasis on accessibility and artistic transparency.Filmography
Sunmi has made several cameo appearances in South Korean television series and web dramas, often portraying herself or minor characters in entertainment-themed narratives. Her acting roles are primarily brief, reflecting her background as a K-pop artist rather than a full-time actress. These appearances highlight her visibility within the industry, typically involving guest spots that align with her music career. In 2015, Sunmi appeared as a cameo in the KBS2 drama The Producers, a comedy series about the broadcasting world, where she featured alongside fellow JYP Entertainment artists in episode 3.[87] That same year, she had a guest role in the Mnet web drama Persevere, Goo Hae-Ra, a story centered on aspiring musicians competing in survival shows.[6] Sunmi continued with cameos in later projects. In 2018, she guest-starred as herself in episode 4 of the Netflix mockumentary series YG Future Strategy Office, a satirical take on the entertainment agency's operations, interacting with characters in humorous scenarios.[88] In 2020, she made a special cameo in the MBC Playlist web drama XX, appearing in a stylish speakeasy bar scene as part of the thriller narrative, while also contributing the soundtrack single "Gotta Go."[89] Beyond scripted roles, Sunmi has been active in variety and talk show formats, leveraging her charismatic presence as a host and panelist. She hosted the SBS special pilot talk show Sunmi's Video Store in 2020, marking her debut as an MC in a program focused on celebrity discussions and film recommendations.[90] From 2022 to 2023, she served as the host of the SBS web variety talk show Show!nterview with Sunmi, succeeding Jessi and conducting in-depth interviews with fellow artists in a casual, empathetic style across 20 episodes.[91] In 2025, she appeared as a special MC on the SBS variety show My Little Old Boy, sharing personal anecdotes about her family.[92] Sunmi also maintains an ongoing web presence through her personal YouTube vlog series, launched in 2022, which features lifestyle content, behind-the-scenes glimpses, and travel diaries under titles like "Hello STRANGER" and Maldives vacation logs, amassing views through her relatable and unfiltered approach.[93]| Year | Title | Role | Type | Notes |
|---|---|---|---|---|
| 2015 | The Producers | Herself | TV Drama (Cameo, Ep. 3) | KBS2 comedy series |
| 2015 | Persevere, Goo Hae-Ra | Guest Role | Web Drama | Mnet music survival story |
| 2018 | YG Future Strategy Office | Herself | TV Series (Cameo, Ep. 4) | Netflix mockumentary |
| 2020 | XX | Special Cameo | Web Drama | MBC Playlist thriller; also OST contributor |
| 2020 | Sunmi's Video Store | Host | Talk Show | SBS pilot program |
| 2022–2023 | Show!nterview with Sunmi | Host | Web Variety/Talk Show | SBS, 20 episodes |
| 2022–present | Sunmi's Vlog | Host/Narrator | YouTube Web Series | Personal lifestyle content |
| 2025 | My Little Old Boy | Special MC | Variety Show | SBS family-focused episode |
Performances
Concerts and tours
Sunmi embarked on her debut world tour, titled Sunmi the 1st World Tour: Warning, from February 2019 to June 2019, spanning approximately 20 dates across Asia, North America, and Europe.[28] The tour kicked off with a sold-out show at Yes24 Live Hall in Seoul on February 24, 2019, before proceeding to North American venues such as The Regency Ballroom in San Francisco and The Showbox SoDo in Seattle in March, followed by European stops including Paradiso in Amsterdam and Le Bataclan in Paris in May and June, culminating in an encore performance in Seoul on June 15. The setlist heavily featured her solo hits like "24 Hours," "Siren," and "Gashina," alongside Wonder Girls tracks such as "Black Pearl" and covers including Toto's "Georgy Porgy" and 10cc's "I'm Not in Love," blending her group legacy with individual artistry.[94] The tour received widespread acclaim for Sunmi's commanding stage presence and live vocals, with reviewers noting her ability to captivate audiences through dynamic choreography and emotional delivery during high-energy segments like "Addict" and intimate ballads.[95] Multiple dates, including the Seoul opener, sold out rapidly, underscoring her growing international fanbase and marking a milestone as the first world tour by a Korean female solo artist. Sunmi's second major tour, 2022 Sunmi Tour: Good Girl Gone Mad, ran from August to September 2022, comprising 15 dates primarily in Europe and North America.[96] It began on August 14 at Progresja Club in Warsaw, Poland, and included stops at Troxy in London, Terminal 5 in New York, and The Warfield in San Francisco, emphasizing fan interactions through extended encores and personalized shoutouts.[97] The setlist shifted toward her solo catalog, with medleys of "Siren" and newer tracks like "You Can't Sit With Us," reducing Wonder Girls inclusions in favor of deeper cuts from albums such as Warning and Garage.[98] Critics and attendees praised the tour for Sunmi's energetic performances and vocal stability, describing her as a "breathtaking performer" whose chemistry with dancers enhanced the production's immersive quality.[99] Several shows, including those in Toronto and Atlanta, sold out, reflecting sustained demand three years after her debut tour.[100] In early 2025, Sunmi appeared at festival events such as Waterbomb in Manila on February 23, 2025, and the Tree Hundred Festival in Daejeon on March 8, 2025.[101] [102] Following the release of her debut full-length album Heart Maid on November 5, 2025, Sunmi has focused on promotional activities, including fan concerts, to showcase tracks like the title song "Cynical," amid speculation of a full-scale tour announcement.[39]Online performances
During the COVID-19 pandemic, Sunmi adapted to digital platforms to maintain fan engagement, hosting her first dedicated online showcase for the single "Tail" on February 23, 2021, via V Live, YouTube, and Facebook, where she premiered the track alongside performances of past hits like "Gashina."[103] This event marked a significant pivot to virtual formats, allowing real-time interaction with viewers through comments and live chat features. Later that year, Sunmi continued leveraging streaming services for releases. Sunmi's inaugural full online concert, titled "2021 Sunmi The 1st Online Concert [Good Girl Gone Mad]," took place on October 30, 2021, exclusively on VenewLive, featuring a setlist spanning her discography with high-energy choreography and thematic visuals inspired by her "warning" era.[104] As the first female K-pop soloist to headline on the platform, the event emphasized accessibility for international audiences, with multi-angle views and on-demand replays available post-broadcast. In subsequent years, Sunmi continued leveraging streaming services; for instance, her 2023 "Stranger" release showcase, held physically at Bluesquare Mastercard Hall on October 17, was live-streamed on YouTube, enabling virtual attendance and immediate fan reactions during the debut performance.[105] More recently, platforms like YouTube and Melon have hosted Sunmi's live streams, including promotional sessions tied to her releases. On November 5, 2025, coinciding with the drop of her debut full-length album Heart Maid, Sunmi held a Weverse Live session that doubled as an online listening party, where she discussed tracks like the title "Cynical," shared behind-the-scenes insights, and encouraged real-time fan feedback on the new music.[106] This format extended to collaborations in virtual elements of festivals, such as streamed segments from the 2024 Samsung Galaxy AI Festival in Manila, where her performance of "24 Hours" was broadcast online to amplify reach beyond the physical venue.[107] These online performances have notably expanded Sunmi's connection to global fans, bypassing geographical barriers and fostering a sense of community during restricted travel periods. For example, the "Tail" online showcase contributed to a surge in streaming activity for the single, which amassed millions of plays on platforms like Spotify shortly after, while similar virtual events for tracks like "Heart Burn" from 2022 helped sustain momentum through increased digital engagement and playlist additions worldwide.[108]Accolades
Awards and nominations
Sunmi has received numerous accolades throughout her solo career, recognizing her contributions to K-pop as a performer, songwriter, and artist. Her breakthrough single "Gashina" (2017) earned her a nomination for the Best Dance Performance Solo award at the 2017 Mnet Asian Music Awards (MAMA), highlighting her innovative choreography and stage presence. In 2018, she won Best Female Artist at the same ceremony, solidifying her status as a leading soloist.[109] She has also garnered nominations for subsequent releases, including Best Dance Performance Solo for "Siren" at the 2018 MAMA.[110] At the Golden Disc Awards, Sunmi was nominated for Digital Bonsang for "Gashina" in 2018, acknowledging its commercial success. In the Melon Music Awards, she was nominated for Artist of the Year in 2018, reflecting her impact on digital streaming charts that year.[111] Sunmi's work has also been honored at the Gaon Chart Music Awards (now Circle Chart), where she won Artist of the Year – Digital Music in 2018 for "Gashina," which dominated monthly charts.[112] Overall, she has accumulated over 20 award wins, including multiple music show victories (such as five for "Gashina" and six for "Siren"), and more than 50 nominations across major ceremonies.[113] Following the release of her debut full-length album HEART MAID on November 5, 2025, Sunmi is positioned for potential nominations in categories like Album of the Year at end-of-year awards, including the 2025 MAMA.[114]Major Awards and Nominations
| Year | Ceremony | Category | Work | Result |
|---|---|---|---|---|
| 2014 | Mnet Asian Music Awards | Best Dance Performance – Solo | "Full Moon" | Won |
| 2017 | Mnet Asian Music Awards | Best Dance Performance – Solo | "Gashina" | Nominated |
| 2017 | Mnet Asian Music Awards | Style in Music | Sunmi | Won |
| 2018 | Mnet Asian Music Awards | Best Female Artist | Sunmi | Won[109] |
| 2018 | Mnet Asian Music Awards | Best Dance Performance – Solo | "Siren" | Nominated[110] |
| 2018 | Golden Disc Awards | Digital Bonsang | "Gashina" | Nominated |
| 2018 | Melon Music Awards | Artist of the Year | Sunmi | Nominated[111] |
| 2018 | Gaon Chart Music Awards | Artist of the Year – Digital Music | "Gashina" | Won[112] |