Fact-checked by Grok 2 weeks ago

The Last Chase

The Last Chase is a Canadian-American dystopian directed and produced by Martyn Burke, starring as Franklyn Hart, a former professional race car driver living under a totalitarian that has banned private automobiles amid widespread shortages. Set in the year 2011, the story depicts Hart secretly rebuilding a 917 racing car in a society reliant on bicycles and mass transit, then fleeing eastward toward the independent "Free " with the aid of a resourceful teenage boy, Chris Makepeace's character , while evading pursuit by federal agents, including a relentless captain portrayed by who deploys military jets in the chase. The film explores themes of personal versus overreach, drawing on a screenplay co-written by Burke and Mark Rosati, with supporting roles filled by actors such as and George Touliatos. Produced on a modest budget by Argosy Films in association with the Canadian Film Development Corporation, it premiered to generally unfavorable critical reception, earning a 4.4/10 rating on from over 1,200 user votes and limited praise for its action sequences amid criticisms of wooden dialogue and implausible plotting. Despite its commercial underperformance and B-movie status, The Last Chase has achieved niche appeal, notably through its feature in an episode of , where its low-fi spectacle and prescient elements—like fuel scarcity and vehicular restrictions—have been riffed upon for entertainment value.

Synopsis

Plot Summary

In a dystopian future America ravaged by a plague that decimated much of the population and an ensuing energy crisis, the federal government has outlawed private automobile ownership, enforcing strict state control over all transportation via buses and trains. Franklyn Hart, a former professional race car driver played by Lee Majors, secretly reassembles his confiscated Porsche 917/10 racing car in defiance of these regulations. Seeking personal freedom, Hart embarks on a cross-country drive from Boston toward the independent "Free California" in the West, picking up a teenage runaway named Chris Ring (Chris Makepeace) who joins him after witnessing his escape. The journey draws the attention of federal authorities led by the authoritarian Transportation Commissioner (Christopher Lee), who launches a nationwide manhunt involving ground patrols, helicopters, and eventually a military jet piloted by a grizzled veteran (Burgess Meredith). Hart and Chris evade pursuers through high-speed chases, mechanical ingenuity, and aid from sympathetic locals, including a former soldier who provides temporary refuge and assistance. Culminating in their arrival at the California border, the duo crosses into Free California, greeted by jubilant crowds in a region that has seceded from federal control, representing a society preserving individual liberties and private vehicle use.

Production

Development and Pre-Production

The screenplay for The Last Chase originated in the 1970s, with an initial version attributed to Christopher Crowe, as reported in trade publications; however, Crowe received no onscreen credit in the final film. Gene Slott Productions acquired the property and announced plans for production as early as late 1977. The project advanced under Argosy Films, with as producer and Martyn Burke directing while co-producing alongside Fran Rosati. The final screenplay was credited to Burke, Ray Moore, and C.R. O'Christopher, adapted from O'Christopher's original story. Financing involved the Canadian Film Development Corporation, supporting a budget estimated at $5–6 million. Pre-production preparations included scheduling to commence on October 8, 1979, with locations scouted in , , for urban sequences and for desert chase scenes, including the closure of 21 miles of highway. Lead actor trained at a in to handle the 917 race car central to the narrative. Additional assets, such as three jet rented from a firm and set construction by an design team in the desert, were arranged to depict the film's dystopian pursuit elements.

Filming and Locations

Principal photography for The Last Chase occurred from October 9, 1979, to December 4, 1979. The production, a Canadian-American co-venture involving Argosy Films and the Canadian Film Development Corporation, utilized locations in Canada and the United States to depict a dystopian future America. Urban and interior scenes were primarily shot in Toronto, Ontario, Canada, which substituted for the film's fictional U.S. settings, including sites such as the Allen Expressway, 52 Division police station interiors, Dupont Station, Spadina Station, Yorkdale Station, First Canadian Place, and Scarborough Civic Centre. Desert chase sequences and other exterior action footage were filmed in Arizona, , to capture arid landscapes essential to the plot's high-speed pursuits, with principal sites in Tucson, Flagstaff, and Scottsdale. These locations provided the visually striking highlighted in reviews for its effective portrayal of the film's vehicular freedom theme. The choice of Canadian urban proxies reflected cost efficiencies from local support, while U.S. exteriors ensured for the story's American-centric narrative.

Technical Details and Vehicles

The film was produced using standard 35mm typical of early 1980s , resulting in a color presentation with a mono sound mix and a runtime of 101 minutes. emphasized practical effects for sequences, including on-location driving stunts across rural Canadian landscapes to simulate dystopian American highways, without reliance on digital enhancements unavailable at the time. Central to the narrative's chase elements is the protagonist Frank Hart's vehicle, a replica of the 1972 917/10 (numbered #6), sourced from dealer and collector parts in the area to enable high-speed sequences portraying forbidden automotive freedom. This turbocharged racer, evoking real prototypes with over 1,000 horsepower potential in period variants, contrasts sharply with the regime's enforced transport limitations. Pursuit vehicles include multiple 500 three-wheeled prototypes from the , repurposed as futuristic cruisers to symbolize inefficient state control, featuring exposed rear-mounted engines and limited speed capabilities that heighten the Porsche's evasion realism. Additional ground vehicles appear in supporting roles, such as a 1950 for civilian depictions and a 1976 Ferrari 312 T2 in the opening racetrack prologue, underscoring pre-ban automotive culture. Aerial chases incorporate for dramatic escalation, notably a jet piloted by the to intercept the , alongside appearances of a , Curtiss-Wright C-46 Commando, , and Lockheed P2V-7 Neptune, filmed using and practical models to represent authoritarian overreach. These elements prioritize tangible mechanics over effects, aligning with the era's stunt-driven action filmmaking.

Cast and Crew

Principal Cast

The Last Chase features in the lead role of Franklyn Hart, a former race car driver who defies a dystopian government's ban on private automobiles by embarking on a cross-country pursuit in his vintage . portrays Captain J.G. Williams, a grizzled Air Force officer tasked with apprehending Hart using advanced military aircraft. plays Ring, a resourceful teenage inventor and Hart's ally who provides technical expertise during the chase.
ActorRoleDescription
Franklyn HartProtagonist and rebel driver seeking freedom beyond government control.
Captain J.G. WilliamsPursuing military commander employing aerial surveillance and attack.
RingYoung aiding in evasion tactics and vehicle modifications.
Additional key cast members include as Eudora, Hart's wife who initially opposes his rebellion, and Diane D'Aquila as Santana, a fellow encountered during the journey. These performances emphasize the film's themes of individual resistance against centralized , with Majors drawing on his action-hero from contemporary roles.

Key Crew Members

Martyn Burke served as director and producer of The Last Chase, marking his debut in both capacities after prior work in documentary filmmaking. He co-wrote the screenplay with and Crowe, adapting an original story by Crowe that envisioned a dystopian future restricting personal vehicle use. Fran Rosati co-produced the film with under Argosy Films, contributing to its independent production amid Canadian-American financing from the Canadian Film Development Corporation and Gene Slott Productions. Paul Van der Linden handled , capturing the film's action sequences across Canadian locations that stood in for a futuristic . Steve Weslak edited the 101-minute feature, focusing on the high-speed chases central to the . Gil Mellé composed the original score, blending electronic and orchestral elements to underscore the themes of rebellion and pursuit; his work, released posthumously in expanded form, highlighted innovative typical of his career in sci-fi scoring.

Themes and Analysis

Dystopian Elements and Societal Critique

The film depicts a near-future under authoritarian rule, where petroleum reserves are claimed to have been depleted, leading to a nationwide ban on internal combustion engines and the confiscation of private vehicles. Citizens are compelled to rely on state-provided electric transport or bicycles, enforced by a that prioritizes collective over personal . This setting serves as a cautionary portrayal of how scarcity-driven policies can erode , with the regime maintaining control through pervasive and suppression of dissent. Key dystopian tropes include state disseminated via controlled , which frames the protagonist's as criminal , while independent broadcasts from "Free "—a secessionist enclave preserving individual freedoms—challenge the official narrative. The government's deployment of advanced military assets, such as a and a militarized , to pursue a lone driver underscores themes of disproportionate force against non-conformists, highlighting a society where mobility symbolizes resistance to regimentation. Reviewers have noted the film's reflection of early concerns over energy crises, portraying environmental imperatives as pretexts for "eco-totalitarianism" that stifles personal expression and innovation. The societal critique centers on the causal link between resource rationing and expanded state power, arguing that prohibitions on fossil fuels, ostensibly for , result in homogenized living under bureaucratic oversight rather than genuine . In the narrative, the regime's policies foster conformity and dependency, contrasting sharply with the libertarian haven in , where private vehicle use persists amid abundance. This framing critiques collectivist approaches to as inherently prone to overreach, prioritizing empirical outcomes of freedom's erosion over ideological justifications, though the film's low-budget execution limits nuanced exploration.

Individual Liberty vs. State Control

In The Last Chase, the central conflict pits the protagonist Franklyn Hart's pursuit of personal autonomy against a totalitarian that enforces strict prohibitions on individual mobility and . Set in a near-future following a purported global , the government mandates the dismantling of all vehicles, replacing them with state-approved electric alternatives and centralized transport systems to ostensibly conserve resources and prevent environmental collapse. This policy extends to pervasive and enforcement mechanisms, including informants and militarized pursuit units, which brook no deviation from collective compliance, framing private vehicle ownership as a subversive threat to societal order. Frank's rebellion begins with the clandestine reconstruction of his high-performance 917/10 racer, hidden in a rural shed, symbolizing a defiant reclamation of pre-regulatory associated with the automobile as an emblem of entrepreneurial and personal . His cross-country flight to the seceded "Free "—a libertarian enclave beyond federal reach—escalates into a high-stakes evasion, pursued by government agents deploying advanced aerial interceptors and ground forces, underscoring the state's willingness to deploy lethal force against isolated acts of nonconformity. The narrative critiques this dynamic as an erosion of foundational liberties, where resource scarcity justifies expansive state authority that prioritizes uniformity over voluntary choice, with Frank's teenage accomplice representing the transmission of resistant individualism to the next generation. The film's portrayal aligns with dystopian tropes of bureaucratic overreach, portraying the regime's vehicle ban not merely as pragmatic but as a mechanism for ideological , evoking real-world concerns over in personal transportation amid energy constraints. While the simplifies causal links between and , it emphasizes empirical outcomes: enforced stifles and , contrasting sharply with the visceral evoked by Frank's roaring engine amid desolate highways. This tension culminates in symbolic victories for , such as improvised repairs and alliances with marginal outcasts, highlighting resilience against systemic suppression without romanticizing chaos.

Environmental Policy and Resource Management

In the dystopian world of The Last Chase, set in a future following a devastating and around 2006, the federal government enacts sweeping environmental policies framed as necessary for resource conservation amid scarcity. Private automobile ownership is outlawed, with all personal vehicles confiscated and repurposed or destroyed to prioritize collective transportation systems like electric buses and regulated rail networks. This ban stems from a purported exhaustion of supplies after a 1980s-era escalates into long-term , compelling citizens to rely on state-controlled mass transit that enforces scheduled routes and . The film's portrayal critiques these measures as pretextual, suggesting that masks authoritarian consolidation of power rather than genuine ecological stewardship. Hart, a former race car driver who loses his family to the , secretly rebuilds a 917 from salvaged parts hidden during the confiscations, highlighting how such policies dismantle individual agency under the guise of . Government agents, including a pursuing equipped with advanced jets, embody enforcement of these edicts, depicting environmental regulation as enabling a surveillance state where —symbolized by unauthorized fuel use or mobility—is criminalized. Reviewers have interpreted this as a cautionary stance against policies that, while invoking resource limits, erode personal freedoms, with the narrative contrasting the vitality of pre-ban automotive culture against a homogenized, urban-centric society confined to eastern megacities. Resource allocation in the film extends beyond fuels to broader societal controls, such as restricted travel to "Free California"—a rumored libertarian enclave evading oversight—underscoring themes of driven by policy failures. The government's on distribution, including experimental high-tech pursuits like laser-armed , is shown as inefficient and extravagant, contrasting with Hart's resourceful using scavenged that defies official narratives. This setup aligns with 1980s-era anxieties over dependencies and regulatory expansion, positioning not as empirical but as a vector for central that stifles innovation and .

Release

Theatrical and Initial Distribution

The Last Chase was theatrically released in the United States on April 10, 1981, by Crown International Pictures, opening in 110 theaters nationwide. In Canada, distribution was handled by Saguenay Films, with a release date of June 5, 1981. Prior to the U.S. theatrical rollout, international sales were managed by Carolco Pictures, and cable television rights had been acquired by Home Box Office (HBO) as reported in industry trade publications in June 1980. Subsequent releases included the United Kingdom on July 10, 1981, and Australia on November 5, 1981, through local distributors such as Roadshow Films.

Marketing and Promotion

Crown International Pictures oversaw domestic theatrical distribution for The Last Chase, launching the film on April 24, 1981, in 110 theaters concentrated in , , , , and . This limited rollout reflected the distributor's focus on regional markets, typical for mid-budget independent releases of the era. Carolco Pictures handled international sales, securing distribution deals abroad as announced in trade publications on June 10, 1980. Pre-release, the film was sold to Home Box Office (HBO) for cable television rights, providing early ancillary revenue and broader exposure beyond theaters. Promotion leveraged Lee Majors' star power from roles in The Six Million Dollar Man and The Fall Guy, positioning the film as a high-octane dystopian actioner. Trailers highlighted vehicular pursuits, including sequences with a Porsche 917 and jet fighters, to appeal to audiences interested in automotive spectacle and libertarian themes. Trade advertisements appeared in entertainment industry magazines in 1980, building anticipation for the 1981 release. Posters and lobby cards emphasized the chase motif, dystopian setting, and cast, serving as key visual marketing tools.

Reception

Critical Reviews

"The Last Chase" garnered limited critical attention upon its 1981 theatrical release, reflecting its status as a low-budget production. Available contemporary reviews were mixed, often praising the action-oriented chase sequences while critiquing the uneven script, underdeveloped characters, and modest production values. A review in Starburst magazine highlighted the film's "fine" pace, "very special" effects, and "simply terrific" footage shot in the desert, though it noted the picture's "few delusions of grandeur." Critics frequently dismissed the film as formulaic or derivative of dystopian tropes, with insufficient depth to elevate its libertarian-leaning premise beyond B-movie fare. On aggregate sites, it holds a 45% approval rating from a small sample of 12 critic reviews. The scarcity of major outlet coverage, such as from Variety or The New York Times, underscores the film's marginal distribution and lack of mainstream buzz at the time. Retrospective critical assessments have echoed these sentiments, portraying "The Last Chase" as cheesy and low-octane, yet occasionally valuing its early-1980s anxieties over fuel shortages and authoritarian control. Its inclusion in an episode of Mystery Science Theater 3000 cemented its reputation as unintentionally campy "so-bad-it's-good" cinema, though some commentators appreciate the Porsche-centric rebellion as a fun, if simplistic, ode to automotive freedom.

Audience and Commercial Performance

The Last Chase achieved limited commercial success, underperforming at the relative to its production scale as a Canadian-American co-production with modest distribution. Reports indicate poor theatrical returns, which hindered its path to mainstream profitability and contributed to its niche status rather than widespread release. Audience reception has been predominantly unfavorable, as evidenced by aggregate user ratings. On , the film holds a 4.4 out of 10 rating based on 1,294 votes, reflecting of its scripting, pacing, and execution despite appreciation for the action premise among some viewers. On , it scores 43% from audience ratings, with reviewers often noting underdeveloped characters and unconvincing dystopian elements outweighing the chase sequences. users rate it 2.8 out of 5 from 446 logs, aligning with sentiments of it being a low-energy rather than a high-stakes thriller. These metrics underscore a divide, where a subset of fans value its anti-authoritarian themes and vehicle stunts, but broader audiences found it derivative of contemporaries like .

Retrospective Assessments

In subsequent decades, The Last Chase has been reevaluated by film critics and commentators for its portrayal of a fossil fuel-banned society enforced by centralized authority, with some observers highlighting its alignment with modern policy debates on restricting private vehicle ownership and promoting alternatives like electric vertical takeoff vehicles or urban containment zones. For instance, a described the film's premise as foreshadowing contemporary "30-minute city" initiatives and pandemic-era mobility controls, framing the narrative's resistance to such measures as a libertarian against incremental erosions of personal autonomy. Similarly, user assessments on platforms aggregating viewer feedback have noted the story's prescience in light of post-2020 restrictions on individual travel, positioning the protagonist's flight as symbolic of broader tensions between state mandates and . Thematically, retrospective examinations emphasize the film's roots in 1970s oil crisis anxieties, portraying cars not merely as transport but as emblems of liberty in a bureaucratic dystopia, a motif echoed in science fiction encyclopedic entries that critique its execution while acknowledging the enduring appeal of its anti-authoritarian stance. Reviews from the 2010s onward often fault the production for sluggish pacing, underdeveloped action sequences, and implausible logistics—such as a 20-year-dormant Porsche operating flawlessly—but commend isolated spectacle like high-speed aerial pursuits and early depictions of computer hacking as forward-looking. A 2019 critique rated it poorly overall (4/10) for its "awful" premise and lack of tension, yet situated it within dystopian cinema's tradition of critiquing environmentalist-driven prohibitions on technology. Its cult status has been bolstered by inclusion in the inaugural season of in 1988, where the hosts' satirical riffing amplified its reputation as a campy, low-budget curiosity for audiences appreciating ironic enjoyment of flawed sci-fi. Despite persistent low aggregate scores—such as 4.4/10 from over 1,200 ratings—the film retains niche interest among automotive enthusiasts for featuring a rare 917/30 in chase sequences, occasionally prompting calls for remakes amid renewed focus on vehicular freedom in popular discourse.

Legacy

Cultural Impact and Interpretations

The film has achieved cult status among niche audiences interested in dystopian and automotive , with retrospective analyses highlighting its thematic prescience regarding state-imposed restrictions on personal mobility. Reviewers have noted its portrayal of a post-plague society enforcing electric vehicles and mass transit as a for "eco-totalitarianism," where environmental mandates erode individual . This posits the protagonist's —restoring a gasoline-powered 917 to evade aerial pursuit—as a of personal liberty against centralized control, resonating with viewers who view modern concepts, such as 15- or 30-minute cities, as analogous threats to free movement. Interpretations often emphasize the film's critique of causal links between crisis response and authoritarianism, drawing from its depiction of a pandemic justifying vehicle bans and surveillance. The Science Fiction Encyclopedia describes the narrative as presenting "clear" evidence of America devolving into a "freedom-destroying Dystopia," with the hero's cross-country flight symbolizing resistance to conformity. Automobilia enthusiasts interpret the central Porsche not merely as a plot device but as an emblem of mechanical ingenuity and rebellion, contrasting the regime's sterile electric alternatives with the visceral appeal of internal combustion engines. Some audience reflections, such as those from childhood viewers in the 1980s, credit the story with shaping long-term skepticism toward policies prioritizing collective resource management over personal choice. Broader cultural echoes appear in parallels to contemporaneous works, including Rush's 1981 song "," which similarly envisions a future outlawing combustion-engined cars under environmental pretexts, though the film predates widespread academic discourse on such themes. Unlike more influential dystopias like (1979), The Last Chase exerts minimal mainstream influence, confined largely to online forums and retrospectives among car culture preservationists, where it serves as an early cinematic warning against conflating ecological conservation with prohibitive governance. Its low-budget aesthetics and overt messaging have drawn criticism for propagandistic simplicity, yet proponents argue this underscores unvarnished first-principles advocacy for vehicular freedom amid rising mandates by 2025.

Availability and Modern Relevance

The film remains available primarily through , with DVD releases including a 2011 30th anniversary edition from Productions featuring the director's cut, and various DVD-R backups sold by specialty retailers such as RareFilmsOnDVD and Movie Store. These editions are often out-of-print or limited, available via online marketplaces like and , but no official Blu-ray release has been issued. Streaming options are absent from major platforms, limiting accessibility to collectors and secondhand purchases. In contemporary discussions, The Last Chase holds niche appeal among fans of 1980s dystopian B-movies and automotive enthusiasts, evidenced by retrospective reviews and online forums highlighting its themes of individual rebellion against technological conformity and vehicle restrictions. Recent analyses, such as a 2025 review by GT Motorsports Club, emphasize its exploration of autonomy and surveillance in a carless society, drawing parallels to modern regulatory pushes against internal combustion engines, though the film's 2011 setting proved inaccurate in its political predictions. YouTube uploads of trailers and full viewings have sustained visibility since 2020, alongside user reviews on IMDb and Letterboxd critiquing its made-for-TV aesthetics while noting its cult-like curiosity value, with an average rating of 4.4/10 from over 1,200 votes. Despite this, it lacks broad mainstream revival, remaining an obscure entry in sci-fi cinema rather than a widely referenced cultural artifact.

References

  1. [1]
    The Last Chase (1981) - IMDb
    Rating 4.4/10 (1,294) A former race car driver's car is confiscated. He rebuilds it and drives to Free California with a teen's help. Agents dispatch a jet pilot to stop him.
  2. [2]
    The Last Chase (1981) - Moria Reviews
    Nov 20, 2014 · The Last Chase is a dystopian action where Lee Majors defies a totalitarian system where vehicles are banned by setting out in his racing ...Missing: summary | Show results with:summary
  3. [3]
    SFE: Last Chase, The - SF Encyclopedia
    Film (1981). Argosy Films/Canadian Film Development Corporation/Crown International Pictures. Produced by Martyn Burke and Fran Rosati.
  4. [4]
    The Last Chase (film) - MST3K | Fandom
    For the MST3K episode, see MST3K K20 - The Last Chase. The Last Chase is a 1981 adventure movie. Contents. 1 Plot; 2 Cast; 3 Notes; 4 MST3K Connections; 5 ...Missing: summary | Show results with:summary
  5. [5]
    The Last Chase (1981) - Plot - IMDb
    A former race car driver yearns again for his ability to choose his own roads and destiny. He reassembles his race car hidden from confiscation, and sets out ...
  6. [6]
    The world's most comprehensive Film database - AFI Catalog
    The 14 Jul 1977 HR and the 12 Sep 1979 Var reported that Christopher Crowe wrote the screenplay for The Last Chase, however Crowe does not receive onscreen ...Missing: summary plot
  7. [7]
    The Last Chase (1981) - Filming & production - IMDb
    ... , and George Touliatos in. Filming & production. The Last Chase. Jump to. Filming locations (20), Filming dates (1). Edit. Filming locations. Tucson, Arizona, ...
  8. [8]
    The Last Chase - Toronto's Classic B-movie - Reddit
    Feb 3, 2025 · <! The Allen Expressway, 52 Division (interiors), Dupont Station, Spadina Station, Yorkdale Station, First Canadian Place (multiple cameos), ...The Porsche #6 car in the 1981 movie "The Last Chase" was a 1972 ...Fear No Evil (1981) Rochester filming locations - RedditMore results from www.reddit.com
  9. [9]
    The Last Chase - Reviewed! - GT Motorsports Club
    Jul 15, 2025 · The Last Chase (1981) is a dystopian sci-fi road movie that imagines a future America where personal vehicles have been outlawed.Missing: summary - | Show results with:summary -
  10. [10]
    CBC: Car Ban makes Park LESS Accessible - DEMARAS RACING
    Aug 15, 2023 · There's a dystopian race car movie from 1981 called 'The Last Chase' filmed at the futuristic looking Scarborough Civic Centre (plus racing ...
  11. [11]
    The Last Chase - Rotten Tomatoes
    Rating 45% (12) Awkward B movie about a futuristic America where cars are outlawed by the totalitarian regime. The protagonist fixed up an old car and began to travel to oppose ...
  12. [12]
    1972 Porsche 917/10 Replica in "The Last Chase, 1981" - IMCDb.org
    Listened to the commentary on this a few years ago, director said they made copies of a car from a Porsche dealer/collector in the Los Angeles area. 993cc VA. ◊ ...
  13. [13]
    Movie Review: The Last Chase, Starring a Porsche 917 (and Lee ...
    Jun 17, 2016 · Actually, The Last Chase might not have been able to be made by Hollywood in 1981 either, since director Martyn Burke's movie was partially ...
  14. [14]
    "The Last Chase, 1981": cars, bikes, trucks and other vehicles
    The Last Chase, Movie, 1981 IMDB ; 31449 · Chevrolet Bel ; 31450 Davis 500 ; 31451 Davis 500 ; 31446 · Ferrari 312 ; 31448 · Ford Econoline ...
  15. [15]
    The Last Chase - The Internet Movie Plane Database
    Apr 6, 2022 · 1 North American F-86 Sabre · 2 Northrop F-89 Scorpion · 3 Curtiss-Wright C-46 Commando · 4 Douglas DC-8 · 5 Lockheed P2V-7 Neptune. 6 See also.<|separator|>
  16. [16]
    A Porsche 917 Can-Am Spyder Stars in the Nuttiest Car Movie Ever ...
    Ever wanted to watch a Porsche-wheeling Lee Majors square off against Burgess Meredith in an F-86 Sabre? Of course you have—so watch 1981's 'The Last Chase.'
  17. [17]
    The Last Chase - Full Cast & Crew - TV Guide
    Actor ; Lee Majors. Franklyn Hart ; Burgess Meredith. Captain J.G. Williams ; Chris Makepeace. Ring ; Alexandra Stewart. Eudora ; Diane D'Aquila. Santana.Missing: film principal
  18. [18]
    Full cast & crew - The Last Chase (1981) - IMDb
    The Last Chase (1981) - Cast and crew credits, including actors, actresses, directors, writers and more.
  19. [19]
    The Last Chase | Cast and Crew - Rotten Tomatoes
    Cast & Crew ; Martyn Burke ; Lee Majors · Franklyn Hart ; Chris Makepeace · Ring ; Burgess Meredith · Captain J.G. Williams ; Alexandra Stewart · Eudora.Missing: principal | Show results with:principal
  20. [20]
    Gil Melle - Soundtrack.Net
    with: Jimmie Haskell (composer). 1981. The Intruder Within [TV Movie] · The Last Chase. 1980. Borderline, *. 1979. Gold of the Amazon Women [TV Movie], *. 1977.
  21. [21]
    THE GIL MELLE COLLECTION VOLUME 2 - Intrada
    2, featuring the world premiere releases of two scores composed by Gil Mellé from his lengthy filmography. Released in 1981, THE LAST CHASE is a dystopian ...
  22. [22]
    Film Review: The Last Chase (1981) - Talking Pulp - WordPress.com
    May 13, 2019 · Release Date: April 10th, 1981 Directed by: Martyn Burke Written by: A. Roy Moore, C.R. O'Christopher Music by: Gil Melle Cast: Lee Majors, ...
  23. [23]
    Car-mageddon! 'The Last Chase' (1981) - We Are Cult
    Apr 21, 2020 · ❉ 'The Last Chase' (1981, Park Circus/StudioCanal). Director: Martyn Burke. Cast: Lee Majors, Burgess Meredith, Chris Makepeace, Alexandra ...Missing: summary | Show results with:summary<|control11|><|separator|>
  24. [24]
    The Last Chase (1981) - Fante's Inferno
    May 6, 2016 · The film begins with a Porsche race car pulling up to a racetrack, out of gas. Former racer Frank Hart (Lee Majors) tries to fill up his car, ...Missing: production | Show results with:production
  25. [25]
    The Last Chase - Basement Medicine
    Apr 12, 2021 · To be fair to Crowe, the political climate was much different in the eighties, and “The Last Chase” certainly reflects that–in 2012, film critic ...Missing: elements societal
  26. [26]
    Anyone recall "The Last Chase" (1981) with Lee Majors and ... - Reddit
    Jan 27, 2016 · A former race car driver yearns again for his ability to choose his own roads and destiny. He reassembles his race car hidden from confiscation.The Last Chase - Toronto's Classic B-movie - RedditReview: The Last Chase (1981) - Lee Majors (6 Million Dollar Man ...More results from www.reddit.comMissing: dystopian critique<|separator|>
  27. [27]
    The Last Chase (1981) | MissLiberty.com
    The automobile is both a product of free enterprise and a symbol of personal freedom. ... government bureaucrats to find and kill the country's last motorist. The ...
  28. [28]
    Race Cars, Laser Cannons, and 80s Dystopian Madness in "The ...
    Sep 17, 2024 · The Last Chase delivers a high-speed adventure where a defiant ex-race car driver escapes a dystopian regime in his Porsche.
  29. [29]
    The Last Chase (1981) Action starring Lee Majors and ... - YouTube
    Sep 17, 2024 · The Last Chase (1981), directed by Martyn Burke, is a dystopian action film that delves into themes of freedom and oppression.
  30. [30]
    The Last Chase (1981) - Company credits - IMDb
    Distributors · Saguenay Films. (Canada, 1981)(theatrical) · Crown International Pictures. (United States, 1981)(theatrical) · Roadshow Films. (Australia, 1981)( ...
  31. [31]
    The Last Chase (1981) - Release info - IMDb
    Release date · United States. April 10, 1981 · Canada. June 5, 1981 · Norway. June 26, 1981 · United Kingdom. July 10, 1981 · Australia. November 5, 1981.Missing: theatrical distribution
  32. [32]
    The Last Chase (1981) - Trailer - YouTube
    Feb 19, 2020 · The Last Chase is a 1981 Canadian-American dystopian science fiction film directed by Martyn Burke who was also the producer on the film, ...
  33. [33]
    THE LAST CHASE - Original 1980 Trade AD / ADVERT _ Lee Majors
    $$16.99 In stockRare original print advertisement carefully removed from a 1980 entertainment trade magazine announcing the 1981 film The Last Chase. Details:.
  34. [34]
    The Last Chase-original Vintage Movie Poster of Crown ... - Etsy
    $$120.00 In stock Rating 5.0 (274) This vintage poster marketed the film's release in Canada in 1981 and has a piece of vintage white tape covering the American Rating in the lower left corner. ...Missing: promotional | Show results with:promotional
  35. [35]
  36. [36]
    The Last Chase (1981) - Mark David Welsh
    Apr 11, 2023 · The thoughtful quality of the opening scenes is sacrificed to the familiar tropes of a surrogate father and son bonding exercise. Majors does ...
  37. [37]
    The Last Chase (1981) - Martyn Burke - Letterboxd
    Rating 2.8 (446) In a future nearly devoid of fossil fuels, Lee Majors drives a fast car and Burgess Meredith chases him in a jet. This is the rare dystopian sci-fi epic.
  38. [38]
    The Last Chase (1981) - User reviews - IMDb
    A professional race car driver forced to give up his career and dismantle his car by a US government which has outlawed petroleum use.Missing: individual | Show results with:individual
  39. [39]
    Fast Film Friday: The Last Chase - DEMARAS RACING
    Dec 11, 2020 · The movie is set in 2011, twenty years after a deadly virus swept across the world. In the panic that folllowed, Amercan democracy crumbled.
  40. [40]
    Dystopian Future Themes in 1981 Movie and Song - Facebook
    Mar 8, 2024 · It is 1981 and seven year old me watches "The Last Chase", a movie about a dystopian future where automobiles are outlawed.Dystopian film about driving to free California - FacebookIs the plot of The Last Chase similar to the song Red Barchetta by ...More results from www.facebook.comMissing: interpretations | Show results with:interpretations
  41. [41]
    The Last Chase (DVD, 2011, 30th Anniversary) for sale online - eBay
    In stockRare and out of print audio corrected DVD from 2011 on Code Red of the Lee Majors action film originally from 1981 of The Chase.Missing: streaming | Show results with:streaming<|separator|>
  42. [42]
    The Last Chase 1981 DVD - RareFilmsOnDVD
    This DVD is a High Quality DVD-R BACKUP. This title is very rare, out of print and has NO FUTURE RELEASE DATE pending.Missing: streaming | Show results with:streaming
  43. [43]
    The Last Chase DVD Lee Majors Burgess Merideth WS Directors ...
    Free 90-day returnsBuy The Last Chase DVD Lee Majors Burgess Merideth WS Directors Cut by CODE ... Martyn Burke On Camera Interview With Co-Star George Touliatos Code Red Trailers.
  44. [44]
    The Last Chase DVD - Blu-ray.com
    The Last Chase. (1981) A former racing champ reassembles his old Porsche and drives to California in a world where cars have been outlawed by the powers ...