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The Reichenbach Fall

"The Reichenbach Fall" is the third and final episode of the second series of the British crime drama television series , first broadcast on on 15 January 2012. Written by Steve Thompson and directed by , it stars as the titular detective , alongside as his companion Dr. John Watson, and Andrew Scott as the criminal mastermind Jim Moriarty. In the episode, returns with an audacious plan involving impossible crimes at iconic London landmarks, including the , the , and Pentonville Prison, all aimed at dismantling 's reputation and isolating him from his allies. As public opinion turns against him and pressure mounts, Sherlock must unravel Moriarty's scheme while grappling with questions about his own identity and methods, culminating in a high-stakes psychological battle that echoes the duo's earlier encounters. The episode adapts and modernizes elements from Arthur Conan Doyle's 1893 short story "The Final Problem," transposing the legendary confrontation between Holmes and Moriarty at Switzerland's Reichenbach Falls to contemporary London rooftops and digital intrigue. Running approximately 90 minutes, it features supporting performances by Una Stubbs as Mrs. Hudson, Rupert Graves as Detective Inspector Lestrade, and Louise Brealey as Molly Hooper, emphasizing themes of loyalty, deception, and the cost of genius. "The Reichenbach Fall" garnered widespread critical acclaim for its tense scripting, emotional intensity, and innovative storytelling, achieving a 100% Tomatometer score on based on 18 reviews, with critics praising its "deliciously twisty" cat-and-mouse dynamic and tragic elements. It also holds an IMDb user rating of 9.6/10 from over 42,000 votes, often cited as a highlight of the series for its bold narrative risks and memorable . The episode's impact extended to fan speculation and cultural discussions, solidifying 's reputation as a fresh take on Conan Doyle's canon.

Production

Development and Writing

"The Reichenbach Fall" is the third episode of the second series of the series , written by Steve Thompson and directed by . The episode's development centered on a direct adaptation of Arthur Conan Doyle's "," reimagining the iconic confrontation between and for a contemporary audience by incorporating modern elements such as media scandals and cyber hacking to drive the plot. Thompson's script emphasized Moriarty's return as a central , building on his introduction in the series premiere "," while drawing from Doyle's motif of Holmes faking his death to outmaneuver his foe. The writing process involved close collaboration with co-creators and , who approved the script and facilitated consultations, including with illusionist to conceptualize the episode's climactic fake death sequence. Key creative decisions during scripting heightened the focus on Sherlock's and the of his public image, diverging from Doyle's original by integrating like viral media and digital security breaches to amplify themes of and . aimed to create a "watercooler moment" with the extended climax, which contributed to the episode's 88-minute runtime, allowing space for character-driven tension and the psychological showdown at the equivalent. This structure enabled a deeper exploration of Sherlock's relationships and vulnerabilities, setting the stage for future series arcs.

Filming and Locations

Principal photography for "The Reichenbach Fall" took place primarily in , , under the production of Wales, with additional location shooting in to capture authentic urban environments. Interiors, including sets for and other key rooms, were filmed at studios in , allowing for controlled replication of settings while leveraging the region's film infrastructure. Several Welsh landmarks served as principal locations to represent London sites. Tredegar House in Newport stood in for the private pool where Moriarty holds hostages during his interrogation sequence, providing a grand, isolated estate for the tense standoff. Cardiff City Hall doubled as the interior of the courtroom for Moriarty's trial, its ornate architecture lending historical gravitas to the legal proceedings. Newport Cemetery featured in poignant emotional scenes, including John's visit to what appears to be Sherlock's gravesite, evoking a somber atmosphere amid the tombstones. Cardiff Castle's interiors represented the Tower of London during the crown jewels heist flashback, with its medieval halls adapted to depict secure vaults. Additional Cardiff spots, such as a Grangetown flat for journalist Kitty Riley's residence and West Bute Street for street-level action, filled out the modern London backdrop. The episode's climactic rooftop confrontation and fall sequence at in London's West Smithfield required meticulous stunt coordination. performed several of his own stunts, including jumps from the rooftop onto safety mats below, to ensure realistic physicality, while professional stunt performers handled higher-risk elements like window impacts using practical effects such as . The 88-minute runtime necessitated efficient scheduling, with the production emphasizing practical setups over extensive to maintain pacing in the high-stakes action. Filming faced logistical challenges, particularly with night shoots at to capture the dramatic fall under streetlights and emergency illumination, requiring coordination with local authorities to manage crowds and secure the historic site after dark. Visual parallels to Arthur Conan Doyle's original were achieved through camera angles and subtle enhancements to the descent, heightening the peril without on-location Swiss filming. Budget priorities focused on these action sequences, allocating resources for stunt teams and location permits to deliver the episode's visceral intensity, though specific figures remain undisclosed by the .

Synopsis

Act One: Moriarty's Plan

The episode's opening act establishes James as Sherlock Holmes's primary antagonist, launching a meticulously orchestrated scheme to undermine the detective's credibility through a series of audacious crimes. simultaneously executes three seemingly impossible feats: breaking into the to steal the Crown Jewels, robbing the , and breaking out dangerous criminals from Pentonville Prison. These "crimes within crimes" are designed to showcase 's vast criminal network and directly implicate , who quickly deduces 's involvement upon examining the scenes, noting the theatrical flair and impossible logistics that mirror their prior encounters. Following Moriarty's arrest, the action shifts to his trial, where Sherlock serves as a key witness, providing forensic insights into the crimes' execution via advanced and insider access. Moriarty, representing himself, pleads not guilty without offering a , instead subtly intimidating the members—whispering personalized threats that force their , allowing him to walk free and escalating the personal against . This courtroom appearance highlights Moriarty's manipulative prowess, setting the stage for further attacks on Sherlock's reputation. Two months later, the plot intensifies with the of two children from their elite , initially presented as a high-security targeting the children of the U.S. ambassador. Sherlock and John Watson investigate the scene, where Sherlock uncovers clues such as traces of on a shoe print and discarded paint chips, linking the abduction directly to Moriarty's network and revealing it as another fabricated scandal meant to portray as complicit or incompetent. Sherlock consults his brother , who discloses intelligence on Moriarty's expanding web of corruption, including four international assassins converging on to eliminate Sherlock. Mycroft explains that Moriarty's overarching goal is to dismantle Sherlock's public image through these escalating scandals, forcing the detective into isolation. Meanwhile, John's blog post detailing the unfolding plot inadvertently amplifies Sherlock's fame, sparking a media frenzy that portrays him as a sensationalized , further complicating the threats. A brief reference to Irene Adler's lost phone—containing sensitive codes from a previous case—surfaces as a potential vulnerability in Moriarty's scheme, tying back to unresolved elements and heightening the act's tension. The sequence builds suspense through these layered threats, culminating in the realization of Moriarty's courtroom victory as the catalyst for the relentless pursuit.

Act Two: The Confrontation

In the midst of the escalating conflict, arrives at an abandoned indoor , where reveals himself as the behind the recent crimes. has taken hostage, strapping an vest to him and positioning snipers to both men, heightening the immediate danger and forcing into a vulnerable position. During the intense standoff, engages in negotiation with , who hints at a larger geopolitical intrigue involving a mutual seeking to exploit their unique talents for criminal enterprises, such as accessing confidential defense plans. This leads to a fleeting moment of proposed between the two adversaries, though it quickly dissolves as 's true intent—to dismantle 's life and reputation—becomes clear. departs dramatically by detonating a jacket, escaping while leaving the snipers' threat unresolved, and delivers the ominous line, "I owe you a fall, ," the personal destruction to come. With Moriarty's escape, the snipers stand down, allowing John to be freed from the vest, and the two friends hurriedly flee the scene to evade immediate pursuit. The tension mounts as Moriarty's scheme advances, with fabricated evidence surfacing that portrays Sherlock as a charlatan who invents crimes for fame and profit. Central to this framing is Moriarty's alias, Richard Brook, presented through manipulated flashbacks as an out-of-work actor allegedly hired by Sherlock to pose as the criminal mastermind and fabricate cases. These vignettes depict Brook's supposed recruitment and role in staging events, effectively blurring the boundaries between truth and deception to cast doubt on Sherlock's legitimacy. The ploy succeeds in drawing police scrutiny, with Detective Inspector Lestrade initially resisting but ultimately compelled to arrest Sherlock amid mounting pressure, while public skepticism grows through sensational media coverage.

Act Three: The Fall

On the rooftop of , confronts , who has orchestrated a scheme to discredit him as a by framing him for fabricating an international crime network. reveals that his alias "Rich Brook" is a play on "Reichenbach," referencing their inevitable clash, and admits to using ordinary locks and bribes rather than the purported computer code for his break-ins, undermining 's deductions. To force 's hand, threatens the lives of John Watson, , and Detective Inspector Lestrade, activating snipers poised to kill them unless proves his innocence by committing suicide in public view. Sherlock deduces Moriarty's ultimate bluff: the villain's plan hinges on a "suicidal fake-out," where Moriarty will kill himself to eliminate any corroborating witness, leaving 's claims unverifiable and cementing his reputation as a hoaxer. With no alternative to save his friends, Moriarty shoots himself in the head, his body crumpling dramatically as he laughs maniacally. , phone in hand, bids a poignant farewell to below, apologizing for past deceptions and affirming their friendship before leaping from the rooftop. John races to the hospital upon hearing Sherlock's call, arriving just in time to witness the fall from a distance. A cyclist collides with him en route to the body, knocking him unconscious and disorienting him; when John recovers, paramedics are already covering the form on the pavement, identified as Sherlock's, and wheel it away before he can inspect it closely. Devastated, John later stands at Sherlock's , delivering a grief-stricken that contrasts his own emotional vulnerability with Sherlock's apparent detachment, declaring him the best and wisest friend he ever knew while lamenting the detective's isolation. Unbeknownst to , 's survival is secured through a meticulously planned deception involving accomplices, including pathologist Molly Hooper, who aids in substituting a body to simulate the fatal impact. The closes on a as , alive and observing from a distance across the , watches John's mourning with calculated resolve, his identity and future shrouded in secrecy.

Cast and Characters

Main Cast

Benedict Cumberbatch stars as , the brilliant consulting detective facing his greatest challenge. In "The Reichenbach Fall," Cumberbatch's portrayal reveals Holmes' vulnerability amid mounting threats, showcasing a broader emotional range as he navigates isolation and deception to outmaneuver his foe. His performance captures the strategic genius required to orchestrate his , blending intellectual prowess with subtle emotional depth. Martin Freeman portrays Dr. John Watson, Holmes' steadfast companion and blogger. Freeman emphasizes Watson's profound loyalty through moments of fierce defense against Moriarty's schemes, culminating in raw emotional devastation after the rooftop incident. His nuanced depiction of repressed grief and unwavering devotion anchors the episode's interpersonal stakes. Andrew Scott embodies Jim Moriarty, the criminal mastermind determined to dismantle Holmes' reputation. Scott infuses the character with manic energy during explosive confrontations, his natural Irish accent and erratic mannerisms heightening the sense of orchestrated chaos. For his work as Moriarty across the series, including this episode, Scott received the BAFTA Television Award for Best Supporting Actor in 2012. Rupert Graves plays Detective Inspector Greg Lestrade, the pragmatic officer who collaborates with Holmes on investigations. In the , Graves conveys Lestrade's frustration and loyalty as he balances official duties with the unfolding crisis, highlighting the detective's role in bridging institutional and personal conflicts. plays , the warm-hearted landlady of . Her brief appearance underscores the personal toll of Moriarty's terror campaign, as the threats against her elicit a rare, heartfelt response from Holmes, highlighting the episode's domestic repercussions.

Guest Appearances

In "The Reichenbach Fall," reprises her role as Molly Hooper, the forensic pathologist at whose expertise in pathology supports the episode's investigative elements. Her performance highlights Hooper's professional skills and subtle emotional depth in interactions with the central characters. returns as , Sherlock's elder brother and a high-ranking government official, contributing to the narrative through his intelligence resources and a brief exploration of familial tensions. Gatiss's portrayal underscores Mycroft's strategic influence without dominating the primary storyline. Katherine Parkinson appears as Kitty Riley, an investigative journalist whose role adds a layer of media scrutiny to the episode's events. Other supporting guests include as Sergeant Sally Donovan and as Detective Sergeant Anderson, both recurring police figures who facilitate procedural aspects. Minor roles such as as the Chief Superintendent and as the Prosecuting Barrister provide institutional context. Notable cameos include voicing in a brief phone reference, linking back to her prior appearance in the series. Additionally, veteran actor , known for portraying in 1960s films, makes an uncredited appearance as an elderly member of the . These elements, along with various extras portraying reporters, court officials, and crowd scenes, enrich the episode's atmospheric tension without overshadowing the main ensemble.

Themes and Analysis

Adaptation from Doyle

"The Reichenbach Fall" serves as a contemporary reimagining of Arthur Conan Doyle's 1893 short story "The Final Problem," the penultimate tale in The Memoirs of Sherlock Holmes, where Sherlock Holmes confronts his arch-nemesis Professor James Moriarty at the Reichenbach Falls in Switzerland, leading to the apparent death of both characters. In the BBC series, this adaptation updates the core conflict for a 21st-century audience, centering Moriarty's elaborate scheme to dismantle Sherlock's reputation and force his suicide, paralleling the original's intellectual duel that culminates in a fatal struggle. The episode retains the narrative arc of Moriarty as the "Napoleon of crime," orchestrating a web of criminal activity to trap Holmes, but relocates the showdown from the remote Alpine falls to the bustling streets and institutions of modern London. Key modern twists replace the Victorian-era physical combat with elements of digital sabotage, media manipulation, and psychological manipulation, reflecting contemporary threats like cybercrime and public shaming. Moriarty hacks into secure systems and stages high-profile crimes to frame Sherlock, escalating the conflict through a courtroom trial and viral disinformation campaigns, rather than a private pursuit across Europe. The iconic "fall" is symbolized not by a literal plunge into a waterfall but by Sherlock's leap from the rooftop of St. Bartholomew's Hospital, a site chosen for its proximity to his past and the dramatic visibility it affords in a media-saturated world. This shift amplifies the personal stakes, as Sherlock must navigate betrayal from allies and the erosion of his public image before the confrontation. The episode draws additional inspiration from earlier adaptations, particularly the 1945 film , starring as Holmes, for specific visual and dramatic elements such as the tense encounter at where Sherlock plays the violin to signal his awareness of Moriarty's approach, pausing as the villain ascends the stairs. This sequence echoes the film's hypnotic tension between the adversaries, blending homage with the series' stylistic flair. Notable deviations include the premeditated nature of Sherlock's survival, which was scripted from the outset to allow for his return in subsequent episodes, contrasting Doyle's initial intent to permanently retire Holmes amid public outcry that later prompted a in "The Adventure of the Empty House." Moriarty's backstory is significantly expanded, establishing him as a "consulting criminal" who mirrors Sherlock's deductive genius but applies it to chaos, a characterization built across the series rather than introduced fully formed as in Doyle's narrative. Despite these changes, the episode upholds fidelity to Doyle's themes of a battle of minds between equals, where intellect triumphs over , though it heightens the spectacle through cinematic pacing and emotional depth suited to television format, emphasizing Sherlock's growth from detached observer to sacrificial hero.

Moral and Psychological Elements

The episode's central moral theme revolves around sacrifice for the greater good, as orchestrates his apparent suicide to dismantle James Moriarty's criminal network and shield his closest allies from targeted threats. This act underscores a profound ethical , where personal loss is weighed against collective safety, highlighting Holmes's evolution from detached observer to protector. Psychologically, the narrative delves into Holmes's sociopathic tendencies, portraying his high-functioning detachment as both a strength and a intensified by emerging emotional bonds. His covert of John Watson's graveside grief reveals an , where intellectual superiority clashes with unacknowledged , testing the limits of his . serves as a dark psychological mirror, embodying the unchecked that Holmes could become without anchors, their exposing shared traits of and while diverging in ethical intent. Moral ambiguity permeates the through the tension between public perception and private reality, with Holmes deliberately courting as a to outmaneuver , blurring lines between heroism and . This strategic embrace of villainy raises questions about the of ends justifying means, as Holmes's deductions become a instrument for rather than mere puzzle-solving. The titular "fall" symbolizes a metaphorical rebirth, representing psychological into followed by renewal through self-imposed .

Broadcast and Release

Initial Airing and Viewership

"The episode 'The Reichenbach Fall' premiered in the on on 15 January 2012, airing in the 9:00 PM time slot." "Initial overnight viewership reached 7.9 million, securing a 30% share of the audience during its broadcast window. Consolidated ratings, including timeshifted viewing, later confirmed 9.78 million viewers, marking it as the highest-rated installment of Sherlock's second series and surpassing the previous episode's figures." "In the United States, the episode debuted on PBS's Masterpiece Mystery! on 20 May , contributing to the strong performance of the second series overall, whose premiere drew 3.2 million viewers. It was distributed internationally through to various broadcasters. The episode's broadcast benefited from heightened anticipation surrounding the season's central storyline, outperforming earlier episodes in consolidated metrics despite a slight dip in overnight numbers compared to the prior installment." "Online engagement was robust, with the episode generating over 1.9 million iPlayer requests by May 2012, reflecting significant catch-up viewing interest."

International Distribution and Home Media

The second series of , featuring "The Reichenbach Fall" as its finale, was distributed internationally through (now ) partners, reaching over 240 territories worldwide. Key markets included , where the series premiered on in February 2012, and , where it aired on later that year. This broad distribution contributed to the franchise's global success, with the series accumulating tens of millions of viewers across platforms by the mid-2010s. Home media releases for series 2, including "The Reichenbach Fall," were issued on DVD and Blu-ray formats shortly after the UK broadcast. In the United Kingdom, the complete series 2 box set was released on 23 January 2012 by 2 Entertain. In the United States, Warner Home Video distributed the set on 22 May 2012. The UK release performed strongly in sales, reflecting sustained demand for the program. Streaming availability expanded access to the episode post-premiere. "The Reichenbach Fall" has been perpetually available on in the UK since its debut. It joined in the UK in 2014, though regional licensing has led to varying availability over time. By 2025, the episode streams on in select regions, enhancing global accessibility without major format changes since 2012.

Reception and Impact

Critical Reviews

"The Reichenbach Fall" received universal critical acclaim, earning a 100% approval rating on based on 18 reviews, with the Critics Consensus describing it as "beautifully written, deliciously twisty, and tragically mortifying." Critics praised the episode's intense psychological tension and the standout performances, particularly in its adaptation of Doyle's "." The Guardian awarded the episode five out of five stars, lauding its gripping on the hospital roof and the emotional interplay between and Dr. John , which heightened the suspense surrounding Holmes's apparent suicide. gave it a perfect 10 out of 10, calling it a "masterpiece" and a "grandstanding conclusion" to the season, filled with smart dialogue, audacious plotting, and stylish direction that masterfully built to the fall sequence. The Telegraph highlighted the episode's emotional depth, noting the sophisticated chemistry between and , which sustained engagement through the high-stakes confrontation with . Reviewers frequently commended Andrew Scott's portrayal of Jim Moriarty as a chaotic, charismatic force, with his manic energy and against Holmes earning widespread acclaim; this secured Scott a BAFTA Television Award for Best Supporting Actor in 2012. The direction by was noted for its cinematic flair in the rooftop sequence, blending vertigo-inducing visuals with intimate character moments. The writing by Steve Thompson was celebrated for balancing sharp humor—such as Moriarty's playful taunts—with dramatic , particularly in Holmes's unraveling under . While overwhelmingly positive, some critics offered minor reservations about the pacing in the episode's early courtroom scenes. The episode's critical success contributed to the broader acclaim for Sherlock's second series, which helped the show secure multiple BAFTA nominations and wins, including for production design, though episode-specific recognition was primarily limited to Scott's award. Its high viewership of 9.78 million in the UK underscored its immediate impact.

Fan Speculation and Cultural Legacy

Following the airing of "The Reichenbach Fall" on 15 January 2012, fans immediately engaged in widespread speculation about how survived his apparent suicide by jumping from roof. Online forums and platforms exploded with theories, including the use of a , a hidden , or a to cushion the fall, often dissecting the episode frame by frame for clues. Series co-creator fueled the debate by stating that viewers had overlooked a key clue explaining the survival, prompting even more detailed analyses. The episode's cliffhanger was quickly hailed as one of television's most gripping, comparable to the "Who shot J.R.?" mystery from Dallas, and it inspired grassroots campaigns such as "I Believe in Sherlock" posters distributed by fans to affirm Holmes's survival. This fervor led to a surge in the Sherlock fandom, with increased participation in cosplay events and fan fiction writing centered on the unresolved plot. By mid-2012, the episode had become a cultural touchstone, referenced in broader media discussions about narrative suspense in modern television. The resolution arrived in the series 3 premiere "," broadcast on 1 January 2014, which directly addressed fan speculation by presenting multiple hypothetical explanations for Holmes's survival, such as an elastic or a concealed truck, though the canonical method remained partially ambiguous to honor the original story. This meta-approach not only satisfied audiences but also highlighted the episode's role in elevating the series to global cult status, with promotional apps encouraging users to submit their own Reichenbach theories. By 2025, "The Reichenbach Fall" endures as an iconic moment in , maintaining strong viewership on streaming platforms like and , where it continues to draw new audiences and spark discussions. Retrospectives as of September 2025 praise it as a peak while noting it marked the onset of the series' later challenges and declining . Its influence extends to conversations about fake deaths as a dramatic device in television, contributing to the trope's prominence in subsequent shows by emphasizing emotional stakes and audience engagement.

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