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Visual literacy

Visual literacy is a set of abilities that enables an individual to effectively find, interpret, evaluate, use, and create images and visual media, while understanding their contextual, cultural, ethical, aesthetic, intellectual, and technical components.^[1] The concept encompasses the skills to comprehend and produce visual messages, akin to reading and writing in textual forms, and has roots in the recognition that humans convey meaning through diverse visual representations such as photographs, charts, infographics, and digital interfaces.^[2] Coined in 1969 by John L. Debes, then director of the Education and Visual Aids Service at Eastman Kodak Company, the term originally referred to "a group of vision-competencies a human being can develop by seeing and at the same time having and integrating other sensory experiences from the environment."^[3] Debes' definition emphasized the integration of visual perception with broader sensory and cognitive processes to discriminate and interpret visual actions, objects, and symbols.^[4] In educational contexts, visual literacy has evolved into a critical competency, particularly in higher education, where it supports interdisciplinary learning and prepares students for a visually saturated world.^[5] The Association of College & Research Libraries (ACRL) formalized this through its 2011 Visual Literacy Competency Standards for Higher Education, which outline seven standards, including the ability to access needed visual materials, analyze their meanings, and create ethical visual communications.^[1] In 2022, ACRL approved a companion Framework for Visual Literacy in Higher Education to integrate these standards with broader information literacy practices.^[6] These standards highlight how visual literacy fosters critical analysis of images in academic work, such as evaluating sources in research or designing multimedia presentations.^[5] Scholars underscore its role in enhancing student engagement with complex ideas, improving memory retention through visual aids, and developing creativity across disciplines like science, art, and communication.^[7]^[8] The proliferation of digital technologies has amplified the necessity of visual literacy, as individuals navigate an environment flooded with visual content from social media, advertising, and data visualizations.^[9] In this landscape, it equips learners to critically assess biases, manipulations, and ethical implications in visuals, such as detecting misinformation in images or understanding cultural representations.^[1] Educational practices increasingly incorporate visual literacy to bridge multimodal communication, enabling students to not only consume but also produce effective visual narratives in professional and civic contexts.^[10] Despite its importance, implementation remains uneven, with calls for integrated curricula to address gaps in traditional literacy education.^[11]

Definition and Scope

Core Definition

Visual literacy is the ability to interpret, negotiate, and derive meaning from information presented in visual forms, such as images, graphics, and multimedia. This encompasses not only decoding visual elements but also evaluating their cultural, contextual, and rhetorical implications to form informed understandings.^[12] As an extension of traditional literacy, visual literacy parallels the processes of "reading" and "writing" applied to non-textual media, enabling individuals to construct and deconstruct meaning from visual representations of both contemporary and historical contexts. It recognizes visuals as a primary mode of communication in modern society, where images convey complex ideas, emotions, and narratives akin to written language.^[12] The core components of visual literacy include perceiving visual stimuli through sensory engagement, interpreting their context, intent, and potential biases, and producing effective visual communications that align with intended audiences and purposes. These skills foster critical engagement with visuals, bridging perception with deeper analysis and creation. Definitions of visual literacy have varied over time, reflecting evolving understandings of visual communication. The term was coined in 1969 by John Debes, who described it as "a group of vision-competencies a human being can develop by seeing and at the same time having and integrating other sensory experiences."^[13] By 2011, the Association of College and Research Libraries (ACRL) updated the framework for higher education, defining visual literacy as "a set of abilities that enables an individual to effectively find, interpret, evaluate, use, and create images and visual media," emphasizing practical competencies in academic and professional settings.

Importance in Contemporary Society

In the information age, visuals have become the dominant mode of communication, permeating social media, advertising, and news dissemination, which underscores the necessity of visual literacy for critically engaging with and consuming visual content. Contemporary society is increasingly visual, with digital technologies enabling the rapid creation, sharing, and manipulation of images that shape public discourse and personal understanding. For instance, platforms like Instagram and TikTok prioritize visual narratives, where infographics and memes serve as primary vehicles for information, often condensing complex ideas into shareable formats that influence opinions and behaviors. This dominance necessitates visual literacy to navigate the overload of visual data effectively, as images now constitute a core component of how knowledge is transmitted and interpreted. Visual literacy plays a pivotal societal role by equipping individuals to identify bias, propaganda, and misinformation in visual media, thereby mitigating the risks posed by manipulated images in an era of digital deception. On social media, where visual content drives much of the news consumption—such as the billions of hours of video watched daily on YouTube—misinformation spreads rapidly through altered photographs and deepfakes, exacerbating public distrust and polarization.^[14] Educational strategies in visual media literacy, including source verification and bias analysis, empower users to counteract these threats, as evidenced by interventions that reduce belief in false visual claims. Furthermore, it promotes inclusivity by dismantling visual barriers for diverse learners, including those with disabilities or varying cultural backgrounds, ensuring equitable participation in visual-heavy environments. The broader implications of visual literacy extend to enhanced problem-solving in visual-dependent fields like design and data visualization, where interpreting and creating effective visuals is essential for conveying complex information accurately. In data visualization, for example, understanding perceptual hierarchies—such as the efficiency of position over color—allows professionals to craft accessible representations that reveal patterns and support decision-making. Additionally, it bolsters democratic participation by enabling the critical evaluation of visual rhetoric in politics and media, where images construct "visual truths" that influence elections and policy debates. As memes and infographics rise as informal yet influential information sources, particularly in political contexts, visual literacy fosters informed citizenship capable of dissecting persuasive visuals to uphold democratic processes.

Historical Development

Early Foundations

The concept of visual literacy traces its earliest roots to prehistoric forms of communication, where images served as fundamental tools for conveying meaning in non-literate societies. Cave paintings, such as those in Lascaux, France, dating back approximately 17,000 years, represent some of the oldest known examples of visual expression, depicting animals and human figures in ways that likely communicated hunting strategies, spiritual beliefs, or narratives within hunter-gatherer communities.^[15] These artworks highlight how visual symbols enabled knowledge transmission in indigenous systems, where oral traditions intertwined with pictorial representations to preserve cultural and environmental insights across generations.^[16] In non-literate societies, such symbols—ranging from totemic icons in Australian Aboriginal art to petroglyphs in Native American traditions—functioned as mnemonic devices and epistemological frameworks, embedding ecological and social knowledge without reliance on written language.^[17] This reliance on visual cues underscores the foundational role of imagery in human cognition and communal memory long before formalized education.^[18] In classical antiquity, visual mnemonics emerged as a structured approach to enhancing memory and understanding through spatial imagery, laying philosophical groundwork for later literacy concepts. The method of loci, attributed to the Greek poet Simonides of Ceos in the 5th century BCE, involved associating information with imagined locations in familiar buildings or landscapes to aid recall, a technique widely adopted by Greek and Roman orators. Roman rhetorician Cicero further refined this in his De Oratore, describing how vivid mental images placed along a "memory palace" enabled speakers to retrieve complex arguments sequentially during public addresses. This practice extended into medieval Europe, where scholars like Thomas Aquinas integrated visual mnemonics into theological education, using architectural loci in cathedrals or imagined biblical scenes to organize doctrinal knowledge and sermons. Such techniques emphasized the interpretive power of visuals, treating images not merely as decorations but as cognitive tools for analysis and retention in oral and philosophical traditions. The Enlightenment era marked a pivotal shift toward systematic use of visual aids in education, propelled by advancements in print technology that democratized access to diagrams and illustrations. The invention of the printing press in the 15th century, refined through woodcuts and engravings, allowed for the mass production of illustrated texts, transforming abstract ideas into accessible visuals for broader audiences.^[19] By the 17th century, Czech philosopher and educator John Amos Comenius championed image-based learning in his seminal work Orbis Sensualium Pictus (1658), the first illustrated encyclopedia for children, which paired simple woodcut images with bilingual text to teach sensory concepts and foster intuitive understanding.^[20] Comenius argued that visuals bridged linguistic barriers and engaged the senses directly, advocating their integration into curricula to make education universal and experiential rather than rote.^[21] This approach reflected Enlightenment ideals of empirical knowledge, where diagrams in scientific treatises—such as those in Isaac Newton's Principia—clarified mathematical and physical principles for non-specialists.^[22] By the 19th century, visual tools became more deeply embedded in European and North American educational systems, particularly in science instruction, as reformers sought to enhance comprehension through illustrative methods. In Britain, anthropologist and politician Sir John Lubbock (later Lord Avebury) promoted the use of diagrams in teaching prehistoric and natural history, as seen in his illustrated Prehistoric Times (1865), where engravings of artifacts and evolutionary sequences aided students in grasping chronological and anatomical concepts.^[23] Lubbock's emphasis on visual representation aligned with broader pedagogical reforms, such as those in Prussian and American schools, where charts and models supplemented lectures to visualize geological strata or biological processes.^[24] These integrations built on Enlightenment foundations, adapting visuals to industrial-era demands for scientific literacy while echoing ancient mnemonic practices in modern contexts.

20th Century Emergence

The concept of visual literacy was formally coined in 1969 by John Debes, a researcher at Eastman Kodak, who defined it as "a group of vision-competencies a human being can develop by seeing and at the same time having and integrating other sensory experiences."^[25] This definition emphasized the integration of visual perception with other senses to foster competencies in interpreting and creating visual messages, marking a shift toward recognizing visuals as a core communication mode amid growing media influence. That same year, Debes co-founded the International Visual Literacy Association (IVLA), with its inaugural conference held in Rochester, New York, drawing over 350 attendees and establishing a dedicated forum for advancing the field through research and education.^[3] In the 1970s, visual literacy expanded significantly within education and media studies, driven by concerns over television's impact on learning and cognition. Scholars like Robert Fransecky and Debes published influential works, such as their 1972 guide "Visual Literacy: A Way to Learn—A Way to Teach," which advocated for visual skills in classroom instruction to enhance comprehension and critical thinking. This period saw visual literacy integrated into curricula, particularly in response to the proliferation of audiovisual media, with studies highlighting its role in developing perceptual abilities among students. By the 1980s and 1990s, the field grew further alongside the rise of television as a dominant medium and the advent of personal computers, which introduced digital visuals and necessitated skills in decoding complex imagery.^[3] Influential contributions included John A. Hortin's 1980 exploration of visual literacy as "thinking visually," framing it as a cognitive process for problem-solving and image-based reasoning that extended beyond mere perception.^[26] A refined definition emerged in a 2004 white paper, describing visual literacy as "understanding how people perceive objects, interpret what they see, and what they learn from them,"^[27] underscoring its perceptual and interpretive dimensions in an increasingly image-saturated environment. This evolution continued into library and information science, where the Association of College and Research Libraries (ACRL) adopted Visual Literacy Competency Standards for Higher Education in 2011, integrating visual skills into information literacy frameworks to address evaluation and creation of visual resources.^[1] Post-2011 developments included the 2022 ACRL Companion Document to the Framework for Information Literacy for Higher Education, which expanded on digital visual standards by emphasizing ethical use, multimodal interpretation, and production in online contexts, reflecting adaptations to web-based and AI-generated imagery up to the early 2020s.^[28]

Theoretical Foundations

Key Theories and Models

Semiotics provides a foundational framework for visual literacy by conceptualizing visuals as systems of signs that convey meaning through denotative and connotative levels. In this theory, denotation refers to the literal, identifiable elements of an image, such as objects or actions, while connotation involves culturally coded interpretations that evoke associations like identity or ideology. Roland Barthes' seminal analysis in "Rhetoric of the Image" (1964) exemplifies this by dissecting a Panzani advertisement, where the denotative message presents everyday items like tomatoes and pasta, but the connotative layer signifies "Italianicity" through symbolic cues drawn from cultural knowledge.^[29] This dual-layered approach underscores how visual literacy requires decoding both surface and implied meanings to navigate persuasive or ideological content in images.^[29] Cognitive models further elucidate visual literacy by explaining how the brain processes visual information alongside verbal cues to enhance comprehension and memory. Allan Paivio's dual-coding theory (1971) posits two interconnected subsystems: one for verbal (logogenic) processing and another for nonverbal imagery (imagic), which operate through representational, referential, and associative connections.^[30] This theory highlights that integrating visual and verbal representations strengthens learning outcomes, as evidenced by faster recall in tasks combining images and words compared to verbal-only stimuli.^[30] In the context of visual literacy, it provides a mechanism for understanding why multimodal materials—such as diagrams with captions—facilitate deeper interpretation and retention of complex ideas.^[30] Key models operationalize visual literacy through structured competencies. John L. Debes, who coined the term in 1969, defined visual literacy as "a group of vision-competencies a human being can develop by seeing and at the same time having and integrating other sensory experiences," enabling individuals to discriminate, interpret, and communicate via visual symbols in their environment.^[25] This vision-competencies model emphasizes creative and appreciative uses of sight, integrating multisensory input to foster communication and enjoyment of visual works. Building on such foundations, the Association of College and Research Libraries (ACRL) introduced the Visual Literacy Competency Standards for Higher Education in 2011, which were updated in 2022 with a companion document to the Framework for Information Literacy for Higher Education that re-envisions these competencies across six core frames.^[1] The 2011 standards outlined seven performance indicators: determining the need for visuals, finding and accessing them, interpreting meanings, evaluating sources, using images effectively, designing new visuals, and addressing ethical issues like citation and access rights.^[1] This framework structures visual literacy as an interdisciplinary skill set, with measurable outcomes that guide higher education practices in interpreting and producing visual media ethically.^[1] Multimodal theory extends these ideas by examining visuals within broader communicative ensembles, drawing on social semiotics to analyze "visual grammar." Gunther Kress and Theo van Leeuwen's work (1996) treats images as semiotic modes with their own syntax, where elements like framing—using lines or space to connect or separate components—convey relationships and meanings akin to linguistic structure.^[31] In their social semiotic approach, visuals in texts (e.g., advertisements or websites) interact with writing and layout to produce representational (depicting reality), interactive (viewer engagement), and compositional (organizational) meanings.^[31] This model is pivotal for visual literacy, as it equips individuals to dissect how multiple modes collaborate in contemporary media, reflecting shifts from monomodal to hybrid forms in digital communication.^[31]

Multidisciplinary Perspectives

Visual literacy intersects with multiple disciplines, each offering distinct lenses for understanding how individuals perceive, interpret, and engage with visual information. In art and design, it emphasizes aesthetic interpretation and the principles of visual composition that guide how viewers organize and make sense of images. Gestalt theory, developed by psychologists Max Wertheimer, Kurt Koffka, and Wolfgang Köhler in the early 20th century, plays a central role here, positing that the human mind perceives visual elements as holistic wholes rather than isolated parts, influencing composition through principles like proximity, similarity, and closure.^[32] These principles, popularized in design education by works such as Rudolf Arnheim's Art and Visual Perception (1954), enable artists and designers to create compositions that intuitively convey meaning and balance.^[33] Visual literacy in this field thus fosters the ability to decode and produce visuals that align with perceptual tendencies, as outlined in Donis A. Dondis's A Primer of Visual Literacy (1973), which applies Gestalt grouping to enhance compositional value in visual language.^[34] In media studies, visual literacy provides a framework for critically analyzing how images function in propaganda and advertising, revealing the persuasive power embedded in visual forms. Marshall McLuhan's concept of "the medium is the message," introduced in Understanding Media (1964), underscores how the structure of visual media shapes societal perceptions beyond mere content, a idea central to dissecting visual rhetoric in advertisements and political imagery.^[35] This perspective highlights the ethical dimensions of visual manipulation, where images exploit perceptual cues to influence audiences, as explored in studies of visual persuasion that emphasize the role of images in constructing narratives for commercial or ideological ends.^[36] By applying visual literacy, media scholars equip individuals to identify biases and affordances in visual content, promoting awareness of how such media extends human cognition and alters social discourse.^[37] Library and information science integrates visual literacy through standards that guide the evaluation and use of visual resources in research, recognizing images as primary information sources. The Association of College and Research Libraries (ACRL) Visual Literacy Competency Standards for Higher Education (2011, updated 2022 as a companion to the Framework for Information Literacy) define visual literacy as a set of abilities to find, interpret, evaluate, use, and create images and visual media, with specific emphasis on assessing reliability, context, and ethical implications of visual materials.^[1] These standards include competencies such as evaluating images for credibility and effectiveness in research contexts, enabling librarians to teach users how to integrate visuals into scholarly work without misrepresentation.^[1] In practice, this disciplinary lens supports information professionals in curating visual archives and fostering skills for ethical visual resource management, bridging traditional textual literacy with multimodal research demands. From a psychology and neuroscience viewpoint, visual literacy aligns with perceptual processing theories that explain how the brain prioritizes and interprets visual stimuli. Theories like feature integration theory describe how the brain binds visual features into coherent objects through attention and parallel processing.^[38] This perspective underscores the brain's holistic processing of visuals, as in Gestalt-inspired models, where perceptual organization influences learning and decision-making across sensory experiences. Emerging fields like data visualization in STEM further expand visual literacy's scope, emphasizing the interpretation and creation of graphical representations to convey complex scientific data. Recent surveys of visualization literacy research highlight its growing importance in STEM education, where competencies in consuming, constructing, and critiquing data visuals enable better scientific communication and analysis.^[39] For instance, tools like the Visualization Literacy Assessment Test (VLAT) assess foundational skills in reading charts and graphs, addressing gaps in how STEM professionals engage with visual data to avoid misinterpretation.^[39] This interdisciplinary intersection promotes visual literacy as a tool for evidence-based reasoning in technical domains, with interventions focusing on design principles to enhance clarity and accessibility in scientific visuals.

Core Skills and Competencies

Interpretation and Analysis

Interpretation and analysis in visual literacy encompass the cognitive processes of decoding visual information to uncover its meanings, contexts, and intentions. This involves identifying key visual elements such as color, composition, and form, which convey symbolic or literal significance within an image or visual media. For instance, color can evoke emotions or cultural associations, while composition directs the viewer's attention and implies narrative structure. These elements must be examined alongside the broader context, including cultural, historical, and social factors that shape interpretation, as well as the creator's intent—whether the visual aims to inform, persuade, or entertain.^[40] Analytical techniques unpack visual content to prompt observation of actions, relationships, and details depicted. Filmmaker Martin Scorsese advocates inferring meaning from techniques like light, movement, and juxtaposition, as seen in his analysis of films where empty frames or combined shots raise questions about reality and hallucination, such as in Shutter Island. Further evaluation involves assessing credibility and bias by scrutinizing source authority, potential alterations, and manipulative devices; for example, detecting editing signs or production techniques that distort reality. This critical scrutiny helps distinguish informative visuals from those designed to mislead.^[41]^[40] Frameworks like the Association of College and Research Libraries (ACRL) Framework for Visual Literacy provide structured guidance for these skills, particularly through the theme of learners practicing visual discernment and criticality, which focuses on interpreting and analyzing the meanings of images and their contextual, cultural, ethical, aesthetic, intellectual, and technical components. Under this theme, learners identify relevant information by observing details, reading metadata, and examining image relationships; situate visuals in cultural and historical contexts by exploring production choices and audience impacts; and analyze physical components like aesthetic elements and technical alterations. Validation occurs through discourse, such as seeking expert perspectives or applying disciplinary lenses to refine interpretations. These indicators ensure rigorous evaluation of image authority and reliability.^[40] In practice, these processes apply to dissecting infographics for data accuracy, where visual literacy skills enable questioning the validity of charts or maps that may manipulate scales or omit data to mislead, as highlighted in analyses of infographic reliability requiring cross-verification with prior knowledge. Similarly, advertisements often employ manipulative techniques like low-angle camera shots to exaggerate power or associational juxtapositions to transfer positive attributes to products, such as linking a preserve to rural wholesomeness; visual literacy counters this by recognizing these covert persuasion tactics and evaluating their intent. Semiotics briefly underpins such analysis by treating visuals as signs whose meanings depend on cultural codes.^[42]^[43]^[44]

Creation and Production

Creation and production in visual literacy encompass the competencies required to generate visual content that communicates ideas effectively and responsibly. Key skills include designing visuals with clear intent, such as employing visual grammar—principles like balance, contrast, and hierarchy—to ensure clarity and engagement for the intended audience.^[40] These competencies connect to the ability to interpret visuals.^[45] Ethical considerations are integral to this process, emphasizing the avoidance of stereotypes and biases that could misrepresent groups or perpetuate harm in visual outputs.^[46] Creators must also navigate intellectual property issues, such as copyright and fair use, to attribute sources properly and respect privacy in visual media.^[40] For instance, in producing graphics, individuals apply these ethics by selecting diverse representations that challenge rather than reinforce cultural assumptions. Tools and techniques for creation often involve accessible software for graphic design, enabling the manipulation of images, layouts, and text to produce polished outputs.^[40] Central to effective production are principles of visual storytelling, such as using sequence, emphasis, and context to convey narratives without relying solely on words, fostering deeper audience connection.^[47] These approaches support ethical and socially just visual practices, as emphasized in the ACRL Framework.^[40] Assessment of created visuals typically employs rubrics that evaluate effectiveness, originality, and alignment with goals, scoring aspects like technical quality, communicative impact, and ethical adherence.^[48] For example, a rubric might rate a project's clarity on a scale from basic representation to innovative synthesis that enhances understanding.^[49] Representative examples illustrate these skills in practice: producing memes allows creators to layer text over images for social commentary, critiquing issues like inequality through humor and cultural resonance while adhering to ethical sourcing.^[50] Similarly, designing diagrams for scientific explanation, such as flowcharts depicting biological processes, demands precise visual grammar to simplify complex data without distortion, improving comprehension in educational contexts.^[51]

Applications

In Education

Visual literacy is integrated into educational curricula through pedagogical approaches that emphasize the analysis and interpretation of visual materials across disciplines. In K-12 settings, teachers incorporate visual literacy by using strategies such as book walks, where students preview illustrations to predict narratives and discuss elements like setting and character traits before engaging with text, fostering observation and critical thinking skills.^[52] For instance, in history classes, students analyze historical images or photographs to interpret cultural contexts and biases, aligning with standards like the Common Core State Standards that promote critical evaluation of multimedia.^[53] Filmmaker Martin Scorsese has advocated for early visual skill development, arguing that visual media shapes young minds more profoundly than verbal language in a visually saturated world, and urging schools to teach the "language of cinema" through film analysis to train students' interpretive abilities from middle school onward.^[54] In both K-12 and higher education, interactive media and structured programs enhance visual literacy instruction. Programs like Visual Thinking Strategies (VTS) train educators to facilitate open-ended discussions around artworks using questions such as "What's going on here?" and "What do you see that makes you say that?", promoting evidence-based reasoning and collaborative visual interpretation in classroom settings.^[55] At the college level, the Association of College and Research Libraries (ACRL) Visual Literacy Competency Standards, adopted in 2011 and updated with a companion framework in 2022, guide visual research by outlining competencies including finding and evaluating visual materials, designing meaningful images, and understanding ethical issues in their use, often integrated through interdisciplinary partnerships between librarians, faculty, and technologists.^[1] Post-2020 advancements, such as virtual reality (VR), have expanded these tools; studies show VR immersive environments improve visual literacy by enhancing spatial awareness, engagement, and critical interpretation of visual elements in subjects like art and design.^[56] Recent developments as of 2025 emphasize visual literacy's role in addressing AI-generated images in education. Interventions using tools like AI image generators (e.g., DALL-E) help students critically evaluate synthetic visuals for biases, authenticity, and ethical implications, aligning with ACRL frameworks to foster AI literacy alongside traditional skills. Studies indicate such approaches enhance detection of AI content and deepen understanding of visual manipulation in curricula.^[57]^[58] The benefits of visual literacy in education include heightened student engagement and improved retention, particularly through dual-coding theory, which posits that combining verbal and visual information creates dual mental representations for deeper processing and recall.^[59] This approach, rooted in Allan Paivio's 1971 framework, supports lessons where visuals reinforce textual content, leading to better comprehension and long-term memory in diverse learners.^[60] Despite these advantages, implementing visual literacy faces challenges, including gaps in teacher training and difficulties in assessment. Many educators lack specialized preparation, with surveys indicating over 76% of higher education instructors in some regions received no recent visual literacy training, compounded by resistance to new methods and resource constraints like limited technology access.^[7] Assessment proves particularly problematic due to the subjective nature of visual interpretation, requiring rubrics that evaluate skills like analysis and creation but often overwhelming instructors without clear guidelines, hindering standardized evaluation in formal curricula.^[7]

In Media and Communication

Visual literacy plays a crucial role in media consumption by enabling audiences to critically evaluate images and videos for inherent biases and manipulations, particularly in news contexts. For instance, photo manipulation in journalism, such as altering images to exaggerate events or selectively frame subjects, can distort public perception of reality, yet consumers often fail to detect these alterations without strong interpretive skills.^[61] Research shows that even aware individuals respond positively to manipulated visuals in persuasive communication, highlighting the need for visual literacy to mitigate cognitive biases in news viewing.^[62] This skill draws on interpretation abilities to analyze how visuals construct narratives, fostering skepticism toward potentially misleading content like out-of-context images in reports.^[63] In media production, visual literacy informs ethical practices in visual storytelling, ensuring authenticity and fairness in fields like advertising and film. Producers must adhere to standards for digital media literacy, such as verifying image integrity and providing context to avoid deception, as images carry ethical responsibilities in shaping audience understanding.^[37] In advertising, for example, ethical guidelines emphasize transparency in visual enhancements to prevent misleading consumers, while in film, visual literacy guides directors to balance artistic intent with truthful representation.^[64] These practices promote responsible creation, where creators anticipate the affordances of images— their potential to influence perceptions—and integrate ethical considerations into production workflows.^[37] A prominent example of visual literacy's application is the analysis of deepfakes on social media, where manipulated videos can spread misinformation rapidly. Media literacy interventions, including visual training, have been shown to improve detection rates of deepfakes by teaching users to identify inconsistencies in lighting, facial movements, or audio-visual synchronization.^[65] Similarly, in public relations, visual literacy supports ethical visual branding by ensuring images align with organizational values without exaggeration, helping to build trust amid algorithmic amplification.^[66] As of 2025, visual literacy extends to discerning AI-generated images in media, with interventions focusing on spotting artifacts like unnatural textures or inconsistencies to combat misinformation from generative tools. This includes educational strategies to analyze AI visuals for cultural biases and ethical use in content creation.^[67]^[68] In the 2020s, social media algorithms have intensified the need for visual literacy by prioritizing and amplifying visually engaging content, often at the expense of accuracy. Platforms' recommendation systems favor eye-catching images and videos, which can exacerbate the spread of biased or manipulated visuals, complicating consumers' ability to discern reliable information.^[69] This algorithmic bias underscores the importance of visual literacy in navigating hyper-visual feeds, where users must critically assess amplified content to counter misinformation.^[70]

In Other Fields

In business and design, visual literacy enables professionals to create and interpret data visualizations that support informed decision-making, such as using charts and graphs in reports to identify trends and allocate resources efficiently.^[71] For instance, effective data visualization reduces cognitive load by presenting complex datasets in intuitive formats, allowing executives to detect outliers and correlations that inform strategic choices.^[72] In user experience (UX) and user interface (UI) design, visual literacy underpins principles like hierarchy, contrast, and balance, ensuring interfaces are intuitive and user-centered by guiding attention to key elements without overwhelming the viewer.^[73] In science and medicine, visual literacy is crucial for interpreting complex diagrams and medical imaging, such as magnetic resonance imaging (MRI) scans, where accurate analysis can lead to precise diagnoses and treatment plans.^[74] Physicians trained in visual thinking strategies demonstrate improved observational skills for identifying subtle anomalies in scans, enhancing diagnostic accuracy through structured interpretation of visual cues.^[75] Similarly, scientists rely on visual literacy to decode diagrams representing molecular structures or experimental data, fostering deeper understanding of phenomena like ecological systems or chemical reactions.^[76] Beyond these domains, visual literacy applies in legal contexts through the evaluation of evidence photos, where attorneys must discern authenticity and relevance in images to build compelling cases without misinterpretation.^[77] In environmental advocacy, infographics leverage visual literacy to distill climate data into persuasive narratives, such as illustrating deforestation impacts to mobilize public support for policy changes.^[78] In design and science fields, 2025 applications increasingly involve visual literacy for AI-generated visuals, such as evaluating synthetic diagrams for accuracy in research or using AI tools ethically in UX prototyping to avoid biases in representations.^[79] Professionals across fields enhance persuasion in presentations by incorporating visuals that align with audience cognition, where images reinforce arguments more effectively than text alone, increasing retention and influencing outcomes.^[80] Additionally, visual literacy informs accessibility standards in public policy, ensuring visuals like charts in government reports comply with guidelines for color contrast and alt text, promoting equitable information access for diverse populations.^[81]

Challenges and Future Directions

Current Challenges

One of the primary challenges in visual literacy today is the proliferation of misinformation and manipulation through edited images and AI-generated content, which erodes public trust in visual media. Advances in generative AI have produced highly realistic images that serve as compelling but false evidence for misleading headlines, significantly increasing susceptibility to misinformation; for instance, studies show that realistic AI-synthesized images are associated with a significant increase in belief in false claims (b = 0.36, p < .001), compared to less realistic ones.^[82] This issue is exacerbated by the difficulty even visually literate individuals face in detecting such content, as the realism of AI outputs often overwhelms traditional discernment skills, leading to widespread erosion of trust in visual information across media platforms.^[83] Access and equity remain significant barriers, as the digital divide limits access to essential visual tools and resources, particularly in under-resourced educational and community settings. Disparities in software, hardware, and broadband availability between affluent and low-income institutions hinder equitable development of visual literacy skills, with wealthier environments offering advanced tools that poorer ones lack. Cultural biases further complicate this, as visual representations often perpetuate stereotypes and power imbalances, such as the overrepresentation of dominant cultural groups or appropriation of Indigenous imagery, which can marginalize diverse interpretations and reinforce inequities in visual communication.^[9] Measuring visual literacy poses ongoing difficulties due to the scarcity of standardized assessments beyond frameworks like the ACRL Visual Literacy Competency Standards, which emphasize observable outcomes but lack widespread, formalized evaluation tools for integration into curricula. This gap makes it challenging to quantify progress or advocate for its inclusion in education, as empirical measurement remains underdeveloped. Additionally, many teachers report unpreparedness in delivering visual literacy instruction, with studies indicating a need for targeted training in teacher preparation programs to equip educators with the necessary skills for fostering critical visual analysis in classrooms.^[1]^[9]^[84] Post-2020 developments have intensified these issues through visual overload on social media, where an influx of short-form videos and images overwhelms users, promoting superficial engagement and cognitive strain that undermines deep visual interpretation. College students, in particular, face heightened challenges from this constant barrage, which facilitates the rapid spread of inaccurate visuals and reduces the capacity for critical discernment amid platform algorithms that prioritize volume over quality.^[85]

Emerging Trends

In recent years, the integration of artificial intelligence (AI) into visual literacy has emerged as a pivotal trend, particularly through tools designed to detect deepfakes and AI-generated imagery. Tools that analyze unique patterns in Generative Adversarial Networks (GANs), such as GAN fingerprinting techniques, can identify synthetic visuals by detecting distinct artifacts left by the generation process, enhancing users' ability to discern authentic from fabricated content.^[86] Research indicates that even individuals with high visual literacy struggle to distinguish AI-generated images due to their increasing realism, underscoring the need for AI-assisted detection in educational and professional settings.^[83] This integration addresses challenges like AI misinformation by combining technological safeguards with literacy training, promoting critical evaluation of visual media.^[87] Virtual reality (VR) and augmented reality (AR) are transforming visual literacy through immersive learning environments that enable hands-on interaction with visual concepts. These technologies allow learners to engage with dynamic simulations, such as exploring historical artifacts in 3D or manipulating molecular structures, fostering deeper comprehension beyond traditional methods.^[88] Studies show that VR/AR improves knowledge retention by engaging multiple senses, making abstract visual ideas tangible and applicable across disciplines.^[89] As adoption grows, these tools are projected to become standard in curricula, emphasizing experiential visual analysis and creation.^[90] Global and inclusive approaches to visual literacy are gaining prominence, with efforts to adapt frameworks to diverse visual cultures and prioritize ethical AI visuals. Frameworks for inclusive AI learning design incorporate cultural nuances, ensuring visuals respect linguistic and societal variations to avoid biases in representation.^[91] Ethical considerations in AI-generated visuals emphasize multisensory content that accommodates diverse learners, such as generating accessible formats for neurodiverse or culturally varied audiences.^[92] This trend promotes equitable visual communication by integrating principles like cultural awareness into AI systems, reducing exclusionary biases.^[93] Research directions in visual literacy increasingly focus on metaverses, where immersive environments blend visual cognition with interactive learning. Studies explore how metaverse platforms enhance visual literacy by integrating poetry, arts, and digital creation, allowing users to co-produce multimodal content in virtual spaces.^[94] Frameworks for metaverse literacy hypothesize that greater engagement in these realms boosts social impact through improved visual interpretation and ethical navigation of virtual visuals.^[95] Emerging work also links AI literacy in visual subjects to positive attitudes toward metaverse-based digital art, signaling interdisciplinary research potential.^[96] Post-2011, the Association of College & Research Libraries (ACRL) has advanced visual literacy standards through companion documents that re-envision competencies for higher education. The 2018 Framework for Visual Literacy, developed by the Image Research Interest Group, updates the original standards by aligning them with broader information literacy frames, emphasizing contextual and ethical visual analysis in digital eras.^[6] A 2022 companion document further integrates these with ACRL's Framework for Information Literacy, promoting adaptable standards for evolving visual technologies.^[97] These updates guide educators in fostering competencies like visual creation and evaluation amid rapid technological shifts.^[98] Interdisciplinary curricula expansions are anticipated to embed visual literacy across fields like design, business, and environmental studies, using hybrid models to develop documentation and storytelling skills.^[99] As workplaces evolve, these curricula will emphasize visual literacy to bridge disciplinary gaps, enhancing professional adaptability in visually rich, technology-driven settings.

References

[1]
ACRL Visual Literacy Competency Standards for Higher Education
Visual literacy is a set of abilities that enables an individual to effectively find, interpret, evaluate, use, and create images and visual media.
[2]
[PDF] The Visual Literacy White Paper - Aperture Foundation
Visual literacy can be defined as the “ability to construct meaning from visual images” (Giorgis, Johnson, ... consideration of images from a multitude of sources ...<|control11|><|separator|>
[3]
A short history of visual literacy: the first five decades
Apr 5, 2017 · The origins and history of Visual literacy (VL) are summarized in this article, from the 1960s writings of John L. Debes, Marshall McLuhan ...
[4]
The three waves of visual literacy - Taylor & Francis Online
Feb 5, 2025 · At the time, John Debes was either the Coordinator or Director of Education Projects of Eastman Kodak (Debes, Citation1969; Johnson, Citation ...<|control11|><|separator|>
[5]
Visual Literacy in Practice: Use of Images in Students' Academic Work
Anne Morgan Spalter and Andries van Dam proposed a definition of digital visual literacy that encompasses abilities in evaluating and interpreting images as ...
[6]
[PDF] The Power of Visuals: The Significance of Higher Education Teacher ...
Mar 14, 2024 · Visual literacy plays a vital role in education, as it enables students to effectively interact with intricate concepts and express thoughts in ...
[7]
Full article: Visual literacy practices in higher education: what, why ...
Mar 26, 2019 · Teaching visually helps develop the students' creativity, and thus, opens new learning possibilities. Images enhance memory, which benefits the ...
[8]
[PDF] Trends, Obstacles, and Opportunities for Visual Literacy
Visual literacy equips learners with the dispositions to critically create, analyze, use, and share visual information. As one component of a discerning, ...
[9]
Making Space for Visual Literacy in Literacy Teacher Preparation - NIH
Jul 24, 2021 · Visual literacy includes the ability to communicate through multiple modes (e.g., digital, visual, spatial) and spaces, such as blogs, social ...
[10]
https://pmc.ncbi.nlm.nih.gov/articles/PMC8308078/
[11]
Visual Literacy
### Summary of Visual Literacy Definitions and Evolution
[12]
The Loom of Visual Literacy--An Overview. - Semantic Scholar
@inproceedings{Debes1969TheLO, title={The Loom of Visual Literacy--An Overview.}, author={John L. Debes}, year={1969 ... PDF. Add to Library. Alert. 6 ...
[13]
Lascaux (ca. 15,000 B.C.) - The Metropolitan Museum of Art
Oct 1, 2000 · The painted walls of the interconnected series of caves in Lascaux in southwestern France are among the most impressive and well-known artistic creations of ...
[14]
What Prehistoric Cave Paintings Reveal About Early Human Life
Oct 5, 2021 · Some of the oldest known art may hint at the beginning of language development, while later examples portray narratives with human and animal figures.
[15]
Indigenous knowledges and ways of knowing for a sustainable living
Indigenous knowledges and ways of knowing for a sustainable living programme and meeting document. Person as author. Series title and vol / issues.<|control11|><|separator|>
[16]
Visual Metaphor, Cultural Knowledge, and the New Rhetoric
Indigenous ways of thinking are based on oral culture that tends to use visual metaphors. This paper focuses on the Quaternity, a common recurring theme.
[17]
History of publishing - Printing, Illustrations, History - Britannica
Printers used woodcuts to print illustrations by the relief process and experimented with intaglio in copper engravings.
[18]
In the Image of God: John Comenius and the First Children's Picture ...
May 14, 2014 · In the mid 17th-century John Comenius published what many consider to be the first picture book dedicated to the education of young children.
[19]
[PDF] The concept of image according to John Amos Comenius and new ...
John Amos Comenius, as a reformer of the educational system in the modern era, was also a precursor of the use of images in education. We are facing a similar ...
[20]
The Culture of Diagram - Department of English - Stanford University
It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the ...
[21]
(PDF) Illustrating 'savagery': Sir John Lubbock and Ernest Griset.
They shaped nineteenth-century science not only by what they achieved as scholars but by what they contributed as Presidents, Treasurers and Council Members ...
[22]
Voluntary Science in Nineteenth Century Cambridge - jstor
In recent years, historians have come to question earlier Whig interpretations that there was lit science or science teaching done at Cambridge University ...
[23]
What is Visual Literacy?
Visual literacy is the ability to read, write and create visual images. It is a concept that relates to art and design but it also has much wider applications.Missing: original | Show results with:original
[24]
ED214522 - Visual Literacy and Visual Thinking., 1980 - ERIC
... thinking visually. An. ... Hortin, John A. It is proposed that visual literacy be defined as the ability to understand (read) and use (write) images and to ...Missing: 1983 | Show results with:1983
[25]
Companion Document to the ACRL Framework for Information ...
May 11, 2022 · Visual literacy is a set of abilities that enables an individual to effectively find, interpret, evaluate, use, and create images and visual media.
[26]
[PDF] Barthes-Rhetoric-of-the-image
It is as though the image presented itself to the reading of several different people who can perfectly well co-exist in a single individual: the one lexia ...
[27]
Dual Coding Theory (Allan Paivio) - InstructionalDesign.org
Nov 30, 2018 · The dual coding theory proposed by Paivio attempts to give equal weight to verbal and non-verbal processing.
[28]
Kress and van Leeuwen on Multimodality - New Learning Online
Gunther Kress and Theo van Leeuwen describe the concept of multimodality. They challenge their readers to consider the varied forms of meaning making that ...
[29]
None
### Summary of Gestalt Theory's Influence on Art and Design, and Relation to Visual Literacy/Perception
[30]
https://www.instructionaldesign.org/theories/dual-coding/
[31]
[PDF] A PRIMER OF VISUAL LITERACY Donis A. Dondis
Gestalt principle with great compositional value, the law of grouping. It has two levels of significance to the visual language. It is a visual. FIGURE 2.52.
[32]
[PDF] The Medium is the Message - MIT
Specialized segments of attention have shifted to total field, and we can now say, “The medium is the message” quite naturally. Before the electric speed and ...
[33]
[PDF] Visual Persuasion / Persuasion and the Moving Image
Apr 1, 2025 · Visual images are truly pervasive in persuasive communication. Most persuasive messages – which mainly means advertising, propaganda, and, in ...
[34]
View of Visual media literacy and ethics: Images as affordances in ...
This article argues for the adoption of an affordance model for media literacy. Media literacy efforts have largely evolved separately from visual literacy ...
[35]
The Rise of Visual Content Online - MIT Sloan Management Review
Jan 4, 2016 · Sight is our strongest sense: 90% of information transmitted to the brain is visual, and 40% of nerve fibers to the brain are connected to the ...
[36]
What visual perception tells us about mind and brain - PNAS
Recent studies of visual perception have begun to reveal the connection between neuronal activity in the brain and conscious visual experience.
[37]
https://firstmonday.org/ojs/index.php/fm/article/view/13233/11051
[38]
Scorsese and the four key elements of visual literacy
### Summary of Martin Scorsese's Views on Visual Literacy
[39]
[PDF] THE RELATION BETWEEN INFOGRAPHIC AND VISUAL LITERACY
perception and interpretation (Barnard, 1998; Lester, 2000; Parsa, 2004; Sartori, 2004). ... Visual literacy can be defined to be the abilities to define ...
[40]
None
### Summary of Visual Manipulation in Advertising and Visual Literacy
[41]
Reading Images | The Grammar of Visual Design | Gunther Kress ...
Nov 25, 2020 · Reading Images presents a detailed outline of the 'grammar' of visual design and provides the reader with an invaluable 'tool-kit' for reading ...
[42]
Visual Literacy Defined - IVLA
Visual literacy skills equip a learner to understand and analyze the contextual, cultural, ethical, aesthetic, intellectual, and technical componentsMissing: 2004 | Show results with:2004<|control11|><|separator|>
[43]
15.4 Ethical Considerations in Visual Communication - Fiveable
Ethical visual communication involves honesty, accuracy, respect, avoiding manipulation, misrepresentation, bias, and considering diverse perspectives and ...
[44]
Introduction to Visual Literacy: Visual Design
Apr 11, 2025 · This guide introduces visual literacy and why it is important. It discusses how to think about, use, and create images and visual media, and provides links to ...
[45]
NAEA Position Statement on Visual Literacy
Visual literacy is the ability to interpret, comprehend, appreciate, use, and create visual media, using conventional as well as contemporary and emerging media ...Missing: 2004 | Show results with:2004
[46]
[PDF] VISUAL LITERACY CORE ASSESSMENT RUBRIC
VISUAL LITERACY CORE ASSESSMENT RUBRIC. Definition: Visual literacy includes the ability to create a visual aid to convey information or express an idea.
[47]
[PDF] Quinnipiac University Visual Literacy Essential Learning Outcome ...
Quinnipiac University Visual Literacy Essential Learning Outcome Rubric. The learned ability to interpret visual messages and/or to create such messages in ...
[48]
Using Social Media to Teach Visual Literacy in the 21st-Century ...
Mar 3, 2014 · Memes require this same level of analysis and application to share one's intended message with social stickiness. Lending itself more to ...
[49]
Creating visual explanations improves learning - PMC
Dec 7, 2016 · External visual representations, including diagrams, photographs, illustrations, flow charts, and graphs, are often used in science to both ...
[50]
How to Incorporate Visual Literacy in Your Instruction - Edutopia
Nov 15, 2021 · A book walk is a great way to incorporate visual literacy into your instruction. Before reading a book, you can show students the cover and have ...
[51]
Integrating Visual Literacy Skills into PK-12 Education by Teresa ...
Dec 28, 2016 · A particular focus is on Visual Literacy and its relevancy to PK-12 education in regard to critical thinking, the Common Core State Standards ( ...
[52]
Martin Scorsese: Teaching Visual Literacy | Edutopia
Their conversation ranged from the importance of teaching visual literacy to violence in films to the preservation of classic movies.
[53]
VTS Training: facilitate Visual Learning & Critical Thinking
Visual Thinking Strategies (VTS) trains educators to lead discussions about art. Participants learn to look closely, support their ideas with evidence, and ...Research and Resources · About Us · Training · Curriculum
[54]
(PDF) Virtual Reality in Visual Literacy - ResearchGate
May 14, 2025 · This research aims to evaluate the impact of using Voice Control Recognition (VCR)-based sound technology in visual literacy learning for ...
[55]
https://vtshome.org/
[56]
[PDF] The Dual-Coding and Multimedia Learning Theories
Aug 8, 2019 · The theory was proposed by Allan Paivio in 1971 and explains the powerful effects of mental imagery on the mind and memory.
[57]
Impact of photo manipulation and visual literacy on consumers ...
... manipulation techniques might alter the way audiences ... ANOVA analysis results show longer gaze fixation duration for simple, clear designs, manipulative ...
[58]
How images influence perceptions of truth and what can be done ...
We organize image types by their substantive relationship with textual claims and discuss their impact on attention, comprehension, memory, and judgment.
[59]
[PDF] revised 6/08 Critical Perspectives on Visual Imagery in Media and ...
I'm going to suggest that gaining power over images so we construct their meanings and they don't construct us requires a critical visual literacy.
[60]
[PDF] Ethical Issues in Visual Research - NCRM EPrints Repository
Key ethical issues in visual research include consent, confidentiality, anonymity, the construction of images, and how images are consumed.
[61]
https://www.researchgate.net/publication/340104816_Impact_of_photo_manipulation_and_visual_literacy_on_consumers%27_responses_to_persuasive_communication
[62]
The Effect of Media Literacy on Misinformation and Deep Fake ...
Aug 13, 2023 · This study aims at examining how media literacy can mitigate the effect of misinformation and deepfake technology in the digital era. The review ...
[63]
[PDF] Rethinking Media Literacy: A New Ecosystem Model for Information ...
It aims to provide a framework for mapping the range of interventions needed and optimizing efforts to mitigate the proliferation and impact of disinformation.
[64]
(PDF) The Role of Social Media Algorithms in Amplifying COVID-19 ...
Oct 15, 2025 · This article examines the critical role of social media algorithms in amplifying COVID-19 misinformation. It explores how algorithmic systems- ...Missing: 2020s | Show results with:2020s
[65]
Data Visualization and its impact in decision making in business
Mar 31, 2023 · The research findings suggest that data visualization can significantly impact business decision making, leading to better-informed decision ...
[66]
The effects of visualization on judgment and decision-making
Aug 25, 2021 · The study shows that information visualization can improve decision quality as well as speed, with more mixed effects on other variables, for instance, ...
[67]
Visual-Design Principles and UX Design Best Practices - UXmatters
May 22, 2023 · 7 Visual Design Principles for UX Design · 1. Scale · 2. Balance · 3. Contrast · 4. Visual Hierarchy · 5. Gestalt Principles · 6. Dominance · 7. Color.
[68]
The Art of Medicine: Applying the Visual Thinking Strategy to ...
Aug 25, 2024 · Interpretation of medical imaging is a complex cognitive process that requires identification, summation, and efficient communication, which is ...
[69]
Visual Thinking Strategies in medical education: a systematic review
Jul 27, 2023 · Visual Thinking Strategies (VTS) is a research-based, constructivist teaching methodology that aims to improve visual literacy, critical thinking, and ...
[70]
[PDF] Visual Literacy and Learning in Science. ERIC Digest. - GovInfo
ABSTRACT. This digest explains the concept of visual literacy in science and provides a guide to resources for further study. The case is made.
[71]
[PDF] TAKING IMAGES SERIOUSLY - Columbia Law Review -
One of those upheavals involved the integration of photographs and other visual evidence into trial practice beginning in the last quarter of the nineteenth ...
[72]
Infographic creation as an essential skill for highly visual Gen Alpha
May 9, 2024 · In a sense, learners objectively explain a point about environmental advocacy and reinforce it subjectively with a visual metaphor. We can ...
[73]
The impacts of presentation visuals on persuasion - ScienceDirect
This research explores the impact of presentation visuals, including color and animation, on persuasion, using experimental studies to investigate use versus ...
[74]
Web Content Accessibility Guidelines (WCAG) 2.1 - W3C
May 6, 2025 · Web Content Accessibility Guidelines (WCAG) 2.1 covers a wide range of recommendations for making Web content more accessible.Missing: literacy | Show results with:literacy
[75]
People are more susceptible to misinformation with realistic AI-synthesized images that provide strong evidence to headlines | HKS Misinformation Review
### Summary of Key Findings on AI-Generated Images and Misinformation Susceptibility
[76]
Detection of Images Generated by Artificial Intelligence, Literacy ...
Sep 26, 2025 · There is some research on the detection of images created by artificial intelligence or the recognition of deepfakes , such as that carried out ...
[77]
Visual Literacy (VL) in Teacher Preparation: Measurement to Direction
Feb 29, 2016 · Results of this study indicate there may be a need for purposeful VL instruction in teacher preparation programs to better equip teachers in K- ...Missing: preparedness challenges
[78]
The Impact of Social Media on Visual Literacy of College Students
Aug 8, 2025 · The analysis reveals a dual impact of social media on visual literacy. These social media platforms can foster creativity, digital storytelling, ...Missing: 2020 | Show results with:2020
[79]
Addressing the Societal Impact of Deepfakes in Low-Tech ... - arXiv
Aug 13, 2025 · For example, GAN Fingerprinting helps identify deepfakes by analyzing patterns unique to Generative Adversarial Networks (GANs), allowing ...2. Methodology · 2.2. Framework Design · 3. Framework
[80]
Defending Against Deep Fakes Through Technological Detection ...
Jul 12, 2025 · 13 “Deep Fakes and National Security,” 2. 14 Connor Collins, “DARPA Tackles Deepfakes With AI,” GovernmentCIO Media and Research, March 11, 2019 ...Missing: scholarly | Show results with:scholarly
[81]
AR/VR in Higher Education: Immersive Learning Future
Apr 1, 2025 · AR/VR introduces unprecedented immersion, enabling students to explore abstract concepts through dynamic simulations.
[82]
VR And AR In eLearning For Immersive Learning Experiences
Aug 3, 2023 · VR and AR provide interactive and immersive learning environments that can engage students and improve knowledge retention.
[83]
Immersive Learning and Training Using AR & VR - BrandXR
Jan 26, 2025 · Learn how AR and VR are transforming training with immersive, hands-on experiences that enhance skill development and retention.
[84]
A framework for inclusive AI learning design for diverse learners
This paper proposes a novel framework to guide the design of inclusive AI learning experiences. This paper presents an illustrative example of applying our ...
[85]
Integrating AI for Inclusive Education: Ethics and Equity
Jul 26, 2025 · AI could also facilitate multisensory learning by generating diverse content formats, such as visuals, hands-on activity ideas, or ...
[86]
10 Best Principles for Inclusive and Bias-Mitigated AI Systems
Mar 19, 2025 · Cultural awareness isn't just about avoiding offense; it's about creating AI systems that truly serve all users equitably. This means ...<|separator|>
[87]
Innovative Integration of Poetry and Visual Arts in Metaverse for ...
This study investigates the application of metaverse technology to integrate contemporary poetry and visual arts, aiming to enhance university-level education.
[88]
Development and validation of a framework for promoting metaverse ...
This study proposes a framework for promoting metaverse literacy, hypothesising that increased engagement in metaverses can enhance their social impact both ...
[89]
Examining High School Students' Artificial Intelligence Literacy in ...
Sep 1, 2025 · Regression analysis revealed that AI literacy in visual subjects significantly and positively predicted metaverse-based digital art attitudes, ...<|separator|>
[90]
[PDF] The Framework for Visual Literacy in Higher Education (8/26)
The Association of College and Research Libraries (ACRL) groups and task forces regularly review existing literacy guidelines and standards.1 As a component ...
[91]
(PDF) ACRL Framework for Visual Literacy in Higher Education, a ...
Apr 14, 2022 · Visual literacy equips learners with the dispositions to critically create, analyse, use, and share visual information. As one component of a ...
[92]
Frameworks and Standards - Visual Literacy Today
... 2011 ACRL Visual Literacy Competency Standards for Higher Education and the ACRL Visual Literacy Standards Task Force (VLTF) was convened for this purpose.
[93]
An interdisciplinary workshop of 'Visual Storytelling' to develop ...
May 29, 2019 · Hybrid solutions for didactics in higher education: An interdisciplinary workshop of 'Visual Storytelling' to develop documentation competences.
[94]
Bridging Disciplines: Exploring Interdisciplinary Curriculum ... - MDPI
Aug 18, 2025 · The present study responds directly to these complexities by examining how interdisciplinary curriculum work shapes professional identity among ...