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Elphaba

Elphaba Thropp is a fictional character and the protagonist of Gregory Maguire's 1995 novel Wicked: The Life and Times of the , a revisionist backstory that reimagines the from L. Frank Baum's as a complex, misunderstood antiheroine born with emerald-green skin in the . Depicted as highly intelligent, fiercely independent, and allergic to water, Elphaba grows up facing severe discrimination and social ostracism due to her unusual appearance, which her family attributes to a mishandled during her birth. Throughout the novel, she attends Shiz University, where she studies , develops a passion for —particularly defending sentient like the goat professor Doctor Dillamond—and uncovers in Oz under the Wizard's regime, ultimately leading her to embrace a rebellious path that earns her the "wicked" moniker. In the 2003 Broadway musical Wicked, with book by and music and lyrics by , Elphaba is portrayed as a smart, fiery young woman ridiculed for her green skin and unconventional nature, who forms an unlikely friendship with the popular, blonde sorcery student Upland after being roommates at Shiz. The musical emphasizes her extraordinary magical talents, her advocacy against the oppression of , and her romantic entanglement with Fiyero Tigelaar, while softening some of the novel's darker cynicism to make her more sympathetic and relatable. This adaptation, which premiered on October 30, 2003, at the , has become one of Broadway's longest-running shows, with Elphaba's signature song "Defying Gravity" symbolizing her embrace of defiance and self-empowerment. Elphaba's name originates from the initials of —"L.F.B."—phonetically rendered as "Elphaba" as a homage by Maguire to the original author. Her surname, Thropp, is an onomatopoeic reference to the sound a house makes when it falls on her sister Nessarose, as revealed by Maguire. The character has since inspired a two-part directed by , with the first part released in 2024 and the second part scheduled for November 21, 2025, starring as Elphaba.

Creation and Development

Literary Origins

Elphaba Thropp serves as the protagonist of Gregory Maguire's novel Wicked: The Life and Times of the , published in 1995 by ReganBooks, an imprint of , as a delving into the of L. Frank Baum's . The character reimagines the from Baum's 1900 children's novel as a multifaceted individual whose perceived villainy stems from societal prejudice rather than innate malevolence. In Maguire's narrative, Elphaba's emerald-green skin is presented as a congenital condition arising from her mother Melena Thropp's ingestion of a green elixir during pregnancy—possibly linked to an affair with the —marking her from birth as an aberration in Ozian society. Maguire derived Elphaba's name from the initials of (L.F.B.), experimenting with phonetic variations like "Lafaba" before settling on "Elphaba" to evoke an otherworldly quality while honoring the original creator. This naming choice underscores the novel's revisionist approach, transforming the unnamed, monstrous witch of Baum's tale into a named, sympathetic figure whose hue symbolizes marginalization rather than evil. Elphaba is born in Rush Margins, a rural region of Munchkinland, to Thropp, a descendant of Munchkinland's ruling family, and Frex, a traveling Unionist minister. Her unusual appearance prompts immediate familial rejection; as an infant, she exhibits feral behavior, biting those who approach her, including during her ceremony, which exacerbates her isolation and her parents' shame. , the family servant, fashions a muzzle for the child to contain her aggression, highlighting the early trauma that defines Elphaba's outcast status. Maguire's conception of Elphaba drew from personal experiences of during his Catholic childhood, including guilt over his mother's in , which mirrored elements of Elphaba's family dynamics and sense of otherness. The incorporates political , with the of sentient Animals in representing civil rights struggles and the rise of , influenced by 1990s events such as the and propaganda tactics that demonize minorities, as well as the 1993 , which prompted Maguire's reflection on the nature of . These themes position Elphaba as a defender of the oppressed, her "wickedness" emerging from resistance against systemic injustice rather than personal malice.

Musical Adaptation

The adaptation of Elphaba from Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West to the stage musical Wicked, with music and lyrics by Stephen Schwartz and book by Winnie Holzman, involved significant modifications to suit the theatrical format, including a softening of the novel's darker, more ambiguous elements. While the novel delves into complex sorcery origins and moral ambiguity, the musical emphasizes Elphaba's personal growth through her unlikely friendship with Galinda (later Glinda), transforming her from a solitary, politically radical figure into a more relatable protagonist whose isolation stems from societal prejudice against her green skin. This shift prioritizes emotional accessibility and ensemble dynamics to engage audiences in a live performance setting. The development process began with workshops from 1998 to 2000, where and Holzman collaborated to structure the narrative around key relationships and iconic Wizard of Oz elements, drawing inspiration from the novel but streamlining its sprawling scope. The musical premiered out-of-town at the in on June 10, 2003, following previews starting May 28, allowing for refinements before its Broadway debut. It officially opened on October 30, 2003, at the , where it has since become a long-running hit. Key changes to Elphaba's character include a simplified backstory: her green skin is attributed to her mother consuming a green provided by the during pregnancy, rather than the novel's more intricate genetic and mystical explanations involving detailed family history and . This alteration, revealed in the opening number, underscores themes of otherness without the novel's esoteric depth. Additionally, the musical introduces ensemble sequences that amplify her alienation, such as group interactions at Shiz University that highlight and exclusion, contrasting with the novel's more introspective tone. Thematically, the heightens focus on and anti-bullying messages, positioning Elphaba as a proto-feminist icon who defies conformity and champions the oppressed, such as the silenced of . Schwartz and Holzman's contributions emphasize her arc of and resistance against propaganda, evolving the novel's political into a celebratory of standing up to , which has inspired real-world anti-bullying initiatives tied to the .

Physical Appearance and Traits

Visual Description

Elphaba's physical appearance is a defining feature that underscores her marginalization in Ozian society, marking her as an inherent outsider from birth. In Gregory Maguire's novel Wicked: The Life and Times of the , she is depicted with vibrant green skin resulting from her mother Thropp's consumption of a green elixir provided by the (traveling as a salesman) during the night of her conception via an extramarital affair, which affected her fetal development. This "emerald" hue, combined with her full set of sharp teeth at birth and being born (initially perceived as male but reassigned female), elicits immediate revulsion and , isolating her within her and community.) Elphaba also possesses long, straight and piercing brown eyes. Her tall, lanky, and angular build further accentuates an ungainly silhouette, amplifying perceptions of her as awkward and unnatural. The novel portrays Elphaba's aversion to water as a painful dermatological sensitivity that causes burning and blistering upon contact, leading her to bathe with oil or milk instead; this ultimately causes her demise in a weakened state, melting her away painfully when exposed, though rumors exaggerate it as an instant, monstrous weakness akin to the original Oz tale. In terms of dress, Elphaba opts for practical, unadorned attire throughout much of the story, favoring simple dark fabrics and eventually adopting a black cloak as she embraces her role in resistance efforts, eschewing ostentation in favor of functionality. In the musical adaptation by and , Elphaba's core traits remain consistent, with her green skin originating from the same elixir consumption by her , as referenced in the opening number "No One Mourns the Wicked." Her black hair and dark eyes are retained for dramatic effect, enhancing her intense, otherworldly presence on stage. Costume designer evolved Elphaba's wardrobe from the blue-and-white uniformity of Shiz University to the signature Act II ensemble: a form-fitting black corseted dress with layered, textured fabrics evoking coal and embedded gemstones, paired with heavy boots and a tall , all optimized for visibility under theatrical lighting while symbolizing her grounded, rebellious essence.

Symbolic Elements

Elphaba's skin functions as a profound for otherness and societal , marking her as an inherent outsider from birth in Gregory Maguire's novel Wicked: The Life and Times of the . This trait, resulting from her mother's consumption of a green elixir provided by the during the night of her conception via an affair, visually distinguishes Elphaba and invites , , and rejection, reflecting broader themes of identity and marginalization. Maguire intended the green hue to evoke amid societal scorn, critiquing how perceptions of difference can label individuals as "wicked" or , with parallels to racial and discriminatory allegories. In the novel, it also symbolizes , tying Elphaba to Oz's through her defense of sentient against exploitation, positioning her as a guardian of the natural world. The green skin thus underscores her magical powers while highlighting the personal toll of , fostering a of against exclusion. The vulnerability to water, culminating in the melting trope, subverts and reinterprets the fatal weakness from L. Frank Baum's , transforming it into a symbol of fabricated fear and . In the novel, Elphaba suffers a genuine to water that irritates her skin and ultimately causes her demise by melting her away, but this is exploited by Oz's authorities to propagate myths that demonize her as a monstrous , reinforcing themes of suppression and institutional .) The musical adaptation heightens this for dramatic irony: the water phobia is revealed as a widespread , enabling Elphaba to stage her own death and escape persecution, a twist that empowers her arc of defiance. This element critiques how vulnerabilities—real or invented—can be weaponized to marginalize dissenters, aligning with the story's exploration of . Additional symbols enrich Elphaba's character, including her name and attire. The name "Elphaba" derives phonetically from the initials "L.F.B." of , Oz's creator, as Maguire crafted it to honor the source material while embedding Elphaba within its legacy, symbolizing her complex reinterpretation of canonical villainy. Her consistent choice of black clothing signifies mourning for her mother's death during childbirth and embodies against Oz's conformist , with the stark, rigid designs reflecting her introverted outsider status and evolving into flowing garments that denote and power. Across the and musical, these symbols maintain thematic consistency while adapting for medium-specific emphasis. The green skin, for instance, is amplified through theatrical in the musical—particularly in "Defying Gravity," where vibrant illumination transforms the hue from a mark of into one of radiant , visually underscoring Elphaba's embrace of her identity and flight from . This evolution preserves the core motifs of and , allowing the symbols to resonate universally in critiques of .

Role in the Novel Wicked

Early Life and Background

Elphaba Thropp was born in the provincial town of Rush Margins in Munchkinland to Thropp, a descendant of the region's original ruling family, and , a traveling devoted to the Unionist of the Unnamed . Her birth occurred amid personal and regional turmoil, with Melena having consumed a green elixir—possibly during an affair with the Quadling glassblower Turtle Heart—resulting in Elphaba emerging with vivid green skin, sharp teeth, and an aversion to water that manifested immediately when she bit Frex's hand during an attempt to bathe her. Frex, expecting a son and viewing the child's appearance as a divine , largely rejected her, while Melena descended into and neglect, leaving Elphaba primarily in the care of the family servant from infancy. This early rejection shaped her isolated childhood, marked by societal prejudice against her unusual appearance in a conservative Munchkinland community. As Elphaba grew, family dynamics intensified her hardships; when she was around five years old, her sister Nessarose was born without arms after Melena ingested preventive elixirs to avoid another "monstrous" child, leading the parents to dote excessively on the "perfect" but disabled Nessarose while further sidelining Elphaba. Nanny remained her steadfast caregiver, shielding her from mockery and providing the only consistent affection in a strained by Frex's religious zeal and Melena's indiscretions. Elphaba's education began in local Munchkinland schools, where over her green skin exacerbated her sense of otherness, prompting her to withdraw into books and solitary pursuits that hinted at her latent magical aptitude, such as an instinctive grasp of spells from forbidden texts. A pivotal childhood revealed early signs of her powers when she unintentionally levitated objects in anger, foreshadowing the she would later hone, though her family dismissed it as further evidence of abnormality. Elphaba's formative years unfolded against the backdrop of Oz's burgeoning socio-political tensions, including Munchkinland's push for from the Wizard's central authority and rising of intelligent , which Frex's ministry indirectly fueled through anti-Wizard sermons. Born during a period of and revolutionary fervor, she internalized the era's themes of marginalization, mirroring her personal exclusion. These childhood experiences are further explored in the 2025 prequel novel Elphie: A Wicked Childhood by . By , after Melena's death in childbirth to her son Shell when Elphaba was eight, the family relocated, culminating in her enrollment at Shiz University, where institutional prejudice would test her resilience further.

Plot Involvement and Arc

Elphaba's journey in the novel commences at Shiz University, where she enrolls to study sorcery and the , seeking to escape the stemming from her green skin. Assigned as roommates with the affluent and socially adept Galinda Upland, their initial antagonism—fueled by class differences and Elphaba's ostracized status—gradually transforms into a profound friendship, with Galinda adopting the name as a to her influence. This period marks Elphaba's emergence as an intellectually brilliant but socially isolated figure, driven by a burgeoning sense of . Under the mentorship of Doctor Dillamond, a Goat professor researching the mysterious loss of speech among intelligent Animals, Elphaba immerses herself in against the marginalization of these beings by Oz's ruling powers. Her passion intensifies upon discovering the Wizard's administration's role in suppressing , leading her to assist in clandestine experiments and protest the regime's policies. A pivotal romance develops with Fiyero Tigelaar, a charismatic but married Winkie prince, resulting in the secret birth of their son, Liir, whose fate becomes entangled in the ensuing chaos. The brutal murder of Dillamond, which Elphaba witnesses, shatters her illusions and propels her to steal the Grimmerie, an ancient spellbook of immense power, marking her shift from observer to active resistor. Following Fiyero's abduction and presumed death—tortured by the Wizard's guards for aiding Elphaba's —she seeks at Kiamo Ko with Fiyero's widow, Sarima, and their children, where she grapples with profound grief while attempting to protect the family and unravel the Grimmerie's secrets. Elphaba's arc escalates as she uncovers the Wizard's fraudulent rule and his alliance with figures like Madame Morrible in a of and control, compelling her to join an dedicated to exposing these injustices. Framed for a series of murders and vilified through state-sponsored narratives as the , she embodies the novel's critique of power, evolving from a prejudiced-against idealist into a defiant revolutionary whose actions challenge Oz's corrupt hierarchies. The narrative culminates in her confrontation with Gale's party, where the house's fall upon her suggests death but leaves ambiguous hints of survival or spiritual evasion, underscoring her enduring legacy as a misunderstood force for change.

Role in the Musical Wicked

Key Narrative Elements

In the musical , Elphaba's narrative unfolds across two acts, beginning with her arrival at Shiz University as a young woman born with green skin, marking her as an outcast from birth due to her mother's consumption of a green during . There, she encounters Galinda (later ), a popular and bubbly student, leading to an initial rivalry that evolves into a profound after they are forced to room together. After the initial rivalry and rooming with Galinda, Elphaba's talents become evident in her studies, particularly in classes with Madame Morrible. A pivotal event occurs when Elphaba and Fiyero rescue a lion cub from experimentation in Doctor Nikidik's class using her , an act that showcases her abilities and draws further attention from Madame Morrible, who begins training her. Later, during a visit from to Shiz, Elphaba inadvertently demonstrates her power publicly. The second act escalates Elphaba's conflicts as she develops a romance with Fiyero, the charming Winkie prince who initially courts but is drawn to Elphaba's passion for justice. Following her training, Elphaba leaves Shiz to join the in the , where she uncovers his fraudulent nature and his role in oppressing Oz's sentient , prompting her to defy his orders publicly. Betrayed and branded a , she performs a transformative flight on her broomstick, declaring her independence in a moment of empowerment. Labeled the , Elphaba goes into hiding, pursued by Oz's forces, and reunites with amid growing tensions; her story culminates in a sacrificial confrontation with Dorothy's group, where she appears to melt from water but secretly survives alongside Fiyero, who has been transformed into the by her protective spell. Compared to Gregory Maguire's novel, the musical streamlines Elphaba's backstory by minimizing detailed explorations of her family history, such as the full extent of her illegitimate birth and parental dynamics, to prioritize dramatic pacing and emotional arcs. It heightens the sisterly bond between Elphaba and her disabled sibling Nessarose, portraying the latter as the appointed governor of Munchkinland whose dependency and eventual resentment add tension to their relationship, a dynamic more emphasized for theatrical contrast than in the book's broader political context. Additionally, Fiyero's transformation into the is revealed explicitly and earlier in the musical to heighten romance and redemption themes, diverging from the novel where his death remains ambiguous and the scarecrow serves as a symbolic reminder rather than a literal resurrection. Central to Elphaba's arc are narrative themes of empowerment through defiance, as she rejects societal conformity to champion the marginalized, contrasting sharply with Glinda's path of accommodation and popularity within Oz's power structures. This portrayal underscores Elphaba's radicalism as a force for moral awakening, transforming her from a misunderstood outsider into a symbol of resistance against deception and . The musical's structure adapts these elements from the novel for stage dynamics, focusing on interpersonal growth over expansive world-building.

Musical Numbers and Themes

In the musical , Elphaba's is deeply intertwined with Stephen Schwartz's score, which uses key songs to trace her path from isolation and aspiration to empowerment and resolve. The production had its world premiere on May 28, 2003, at the in , with the Broadway opening on October 30, 2003. Early in the story, "The Wizard and I" captures Elphaba's youthful dreams of acceptance and collaboration with the , introducing the recurring "Unlimited" that symbolizes her boundless potential despite societal . This number establishes her optimism, blending soaring melodies with lyrics that reflect her desire to prove her worth in a world that fears her green skin. As the narrative progresses at Shiz University, songs like "Dear Old Shiz," an ensemble number led by , underscore Elphaba's sense of alienation as she enters the welcoming crowd alone, highlighting her outsider status in contrast to Glinda's superficial charm. In contrast, Fiyero's "Dancing Through Life" provides a to Elphaba's , emphasizing her outsider status through musical , where carefree rhythms give way to her more introspective underscoring. The score's for Elphaba, representing themes of fate and inherent otherness tied to her green appearance, recurs in keys during these early scenes to evoke and predestined villainy. The emotional climax arrives in "Defying Gravity," Elphaba's empowerment anthem at the end of Act I, where she rejects and embraces her power, accompanied by that shifts from tense strings to triumphant brass evoking flight and liberation. Later, "No Good Deed" delves into her despair and unyielding resolve amid betrayal and loss, reprising elements of the "Unlimited" to contrast her initial hopes with hardened determination. A moment of vulnerability emerges in the duet "As Long as You're Mine" with Fiyero, where lush, romantic harmonies reveal Elphaba's capacity for love beneath her defiant exterior, advancing both plot and character by humanizing her amid rising conflict. These numbers integrate thematically by propelling the story forward while layering Elphaba's psychological depth, with motifs like "Unlimited" evolving from hopeful to bittersweet across the score. In revivals and international productions, the core songs and motifs have remained intact, with only minor tweaks to vocal arrangements for performer ranges, preserving Schwartz's original vision.

Portrayals and Adaptations

Stage Performances

The role of Elphaba in the original production of premiered on October 30, 2003, at the , with originating the character and performing alongside as . Menzel portrayed Elphaba until January 2, 2005, during which she introduced the iconic Act I finale "Defying Gravity," a demanding number that showcases the character's emotional and vocal transformation. Several notable actresses succeeded Menzel in the Broadway production, each bringing distinct interpretations to the role amid its ongoing run. initially served as standby for Elphaba before taking over as principal from January 2005 to October 2006, followed by from October 10, 2006, to January 7, 2007. then assumed the role on January 9, 2007, continuing through much of 2007 and emphasizing the character's vocal intensity in performances. Later notable Broadway Elphabas include (2009), who brought a rock-infused energy, and more recently, Lencia Kebede in 2025, marking the first Black actress to play the role as principal. As of November 2025, Jessie Davidson portrays Elphaba on Broadway. Internationally, has featured prominent Elphabas in various tours and productions, highlighting the role's global appeal. In , played Elphaba across multiple engagements, including the 2008-2010 national tour and the 2011-2013 tour, accumulating over 1,200 performances and earning acclaim for her commanding stage presence. In , became renowned for her multilingual portrayals, debuting as Elphaba in the original production in in 2007, then in the production in 2011, and later on the West End and ; she performed the role in German, Dutch, and English, making her the first actress to do so across three languages. By November 2025, has sustained over 20 distinct productions worldwide, including sit-down runs and tours across more than 15 countries, while the production alone has exceeded 8,500 performances since its opening. The role's vocal requirements, which include belting up to high E5 notes in songs like "Defying Gravity" and "No Good Deed," have shaped casting toward versatile mezzo-sopranos with strong and musical theater training to handle the eight-shows-a-week schedule. Additionally, the makeup application for Elphaba, essential to her outcast identity, originally took up to two hours in the early production but has been refined to approximately 20-30 minutes using water-based paints and sponges for efficiency and skin safety. A landmark moment came at the 2004 , where Menzel won Best Performance by a Leading Actress in a Musical for her portrayal, performing "Defying Gravity" to widespread acclaim despite vocal challenges from an flare-up.

Film Depiction

In the 2024 film adaptation of Wicked, directed by , portrays Elphaba, the green-skinned outcast who becomes the , while plays her counterpart . The first installment, subtitled Part One, was released on November 22, 2024, covering the early stages of Elphaba's journey at Shiz University and her evolving friendship with Glinda. Part Two, titled Wicked: For Good and set for release on November 21, 2025, continues Elphaba's arc, including her confrontation with the and deeper exploration of her defiance against Oz's corruption. Principal photography for both parts began in December 2022 in , with filming resuming after a hiatus due to the and wrapping in early 2024; the production budget for Part One exceeded $145 million. play a key role in depicting Elphaba's distinctive green skin, achieved through practical makeup applied daily for up to four hours on Erivo, with digital enhancements to ensure seamless integration amid the challenges of processes that conflict with green elements. Flying sequences, such as those in "Defying Gravity," combine wire work and stunt performance by Erivo with to create dynamic aerial moments over practical sets. Costume designer Paul Tazewell drew from early 20th-century aesthetics, including Victorian influences and the 1939 film, to craft Elphaba's —featuring layered blacks and greens—that echoes the stage production while adding period-specific realism like corseted silhouettes and natural textures inspired by bark and leaves. The film expands Elphaba's backstory visually, particularly in scenes at Shiz University, where detailed sets depict her arrival, academic struggles, and budding sorcery, providing more context for her isolation and talents than the stage version. The two-part structure allows for a runtime that preserves the musical's integrity, with Part One clocking in at over two and a half hours to accommodate key songs and character development. Erivo's vocal performance, especially her emotionally charged rendition of "Defying Gravity," garnered significant acclaim for its depth and power, leading to nominations and a live performance at the that received a .

Cultural Impact and Legacy

Critical Reception

Elphaba's portrayal in Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West received praise for subverting L. Frank Baum's original depiction of the character as a one-dimensional villain, instead presenting her as a misunderstood figure shaped by societal prejudice. A New York Times review highlighted the audacious retelling, noting that the Wicked Witch "wasn’t wicked, just misunderstood," while critiquing Glinda as a "sanctimonious socialite." Kirkus Reviews commended the novel's "magical telling" of Oz's underbelly, emphasizing Elphaba's complex journey from alienated child to resistor against oppression. Academic analyses have interpreted Elphaba through a postcolonial lens, portraying her green skin and advocacy for silenced Animals as symbolic of indigenous resistance against colonial forces in Oz. For instance, scholarship in The Edinburgh Companion to Vegan Literary Studies (2021) frames her activism as a monstrous vegan figure calling for ethical recognition of marginalized voices, aligning her with broader themes of anti-imperial struggle. The musical adaptation of , which premiered on in 2003, garnered critical acclaim for its empowerment narrative centered on Elphaba, earning three in 2004, including Best Actress in a Musical for as Elphaba, Best , and Best Costume Design. Feminist scholarship has examined the production's portrayal of Elphaba's arc as a model of female and defiance against patriarchal norms, with analyses in American Music (2010) discussing how her vocal performance in songs like "Defying Gravity" challenges gender expectations through queer-inflected musical conventions. A 2021 thesis in Liberty University's Digital Commons further positions the musical as a feminist revision of fairy tales, restoring Elphaba's by critiquing standards and systemic marginalization. By 2025, the musical had achieved unprecedented commercial success, grossing over $5 billion worldwide across runs, international tours, and productions, underscoring its cultural resonance. Critical response to the 2024 film adaptation Wicked: Part One has been largely positive, with an 88% approval rating on based on over 400 reviews, praising its spectacle and emotional depth. Discussions of Erivo's portrayal have highlighted how it amplifies subtle undertones present in the and musical, interpreting Elphaba's bond with as a for outsider , as explored in media analyses like those in . Erivo's performance as a , actress adds layers to Elphaba's othering, with The Reckoning (2025) describing it as embodying "Black brilliance" in confronting . The 2025 sequel Wicked: For Good continued this trajectory, opening to over $200 million globally and earning a 72% score from early reviews, further solidifying Elphaba's resonance as a of . Across media, critics and scholars debate Elphaba's "wickedness" as a societal construct rather than inherent , reflecting how constructs villains from the marginalized. 2020s scholarship links this to #MeToo-era themes of outcasts reclaiming narratives, as in a article (2025) that views her story as vital for representing rage and resilience among the oppressed, and an intersectional feminist study in (2025) that ties her struggles to ongoing fights against beauty norms and exclusion.

Influence on Media and Fandom

Elphaba has permeated through various parodies and references in . In the animated show , Elphaba-inspired characters appear in comedic sketches, such as a witch parody emphasizing her unconventional traits in a 2016 clip shared by the official account. Similarly, 's 2012 episode "" satirizes by depicting adult characters obsessing over the musical's subliminal messages, with performing a humorous rendition of "," Elphaba's signature empowerment anthem. Merchandise tied to Elphaba has extended her influence into consumer products, particularly beauty lines inspired by her iconic green skin. M·A·C Cosmetics launched limited-edition collections featuring green shades for Elphaba and theming, starting with collaborations around Wicked's Broadway run and continuing into the , such as the 2024 M·A·C x Wicked line exclusive to stores with Emerald City-inspired palettes. Fan events, including Wicked-themed gatherings like the annual Oz Dust Ball in , recreate scenes such as the Ozdust Ballroom , fostering community celebrations of Elphaba's story with music, costumes, and giveaways. Elphaba's fandom has grown significantly through online communities and conventions, with cosplay becoming a staple at events like Comic-Con. Attendees frequently portray her in green attire and black cloaks, as seen in viral photos and videos from MCM Comic Con 2025 and , where Elphaba outfits trended alongside pairings. On , "Defying Gravity" has evolved into an empowerment slogan, spawning memes that highlight Elphaba's themes of resilience and self-acceptance, including the viral "holding space" trend from the 2024 Wicked film where fans humorously reference emotional preparation for the song's climax. The film's release amplified this on , boosting challenges like high-note singing renditions of Elphaba's solos and duet dances, garnering millions of views in late 2024 and 2025. Fanfiction centered on Elphaba thrives on platforms like (AO3), with thousands of stories exploring her relationships and legacy by 2025, particularly post-film surges in Elphaba/ and Elphaba/Fiyero pairings. Her character extends into literature through sequels like Gregory Maguire's (2005), where Elphaba's son Liir grapples with her rumored survival and inherited magical abilities, continuing her narrative arc in the series.

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