Quadeca
Quadeca (born Benjamin Fernando Barajas Lasky; October 2, 2000) is an American musician, singer-songwriter, producer, YouTuber, and director from Los Angeles, California.[1][2][3] He first gained online prominence in 2012 through his YouTube channel, initially posting FIFA video game pack-opening content and comedic sketches, before evolving into rap battles and parody songs that amassed millions of views.[3] A pivotal moment came in 2018 with his viral diss track "Insecure" targeting British YouTuber KSI, which showcased his lyrical wit and production skills, propelling him toward a professional music career.[4] Transitioning from YouTube comedy to experimental and art pop music, Quadeca self-produced his 2021 studio album From Me to You, exploring themes of isolation and introspection through lo-fi and electronic elements.[5] This was followed by the concept album I Didn't Mean to Haunt You in 2022, a haunting narrative from the perspective of a ghost reflecting on suicide and regret, which earned widespread praise for its emotional depth and innovative sound design.[3][6] His 2025 release, Vanisher, Horizon Scraper, marked a bolder, maximalist evolution with turbulent orchestration and abstract storytelling, further solidifying his reputation as a genre-blending artist.[7] In addition to music, he has directed his own music videos and collaborated with artists like Danny Brown, while maintaining a significant online presence with approximately 1.92 million YouTube subscribers (as of November 2025).[8][3][9]Early life
Childhood and family
Benjamin Fernando Barajas Lasky, known professionally as Quadeca, was born on October 2, 2000, in Los Angeles, California.[10] He is the son of Mitch Lasky, a prominent video game entrepreneur and venture capitalist who co-founded companies such as Playdom and served as an executive at Electronic Arts, and Cecilia Barajas.[11][10] Quadeca has a younger sister who has appeared in some of his early YouTube videos.[1] Quadeca's multicultural heritage includes Ashkenazi Jewish ancestry from his father's side and Mexican roots from his mother's side, reflected in his middle name and surname Barajas.[10] He grew up in the affluent suburbs of Los Angeles, where his family's involvement in the tech and entertainment industries provided an environment rich in creative resources. During his childhood, Quadeca developed an early interest in music, adopting the stage name "Quadeca" during preschool as an imaginary superhero alias and beginning basic music production at age 10 using his father's computer.[12] By age 12, he was experimenting with video content, laying the groundwork for his online presence through simple edits and recordings inspired by family access to technology.Education and early interests
Lasky attended Menlo School, a private preparatory institution in Atherton, California, where he graduated in 2019. Throughout high school, he showed particular strength in arts and media coursework, including a senior-year Independent Project Capstone titled "Narrative Flow in Contemporary Songwriting," in which he examined lyrical structures and literary devices in modern hip-hop and pop music. He also participated in school talent shows, notably performing an original freestyle rap during middle school that later became a viral YouTube video with over 2 million views.[13][3] Lasky's creative hobbies emerged prominently around age 13, when he began self-teaching video editing and rapping to produce content centered on the FIFA video game series for his burgeoning YouTube channel. By age 14, he had recorded his first original songs, including rap battles and tracks incorporated into gaming videos, and released his debut mixtape Work in Progress in 2015. These early efforts were supported by family, including piano lessons from a teacher who prioritized imaginative expression over strict technique. Initially using online pseudonyms derived from his preschool-era invention of "Quadeca" as an imaginary superhero alias, he formalized it as QuadecaX8 for his digital presence starting in 2012.[14][13][3][12]Career
YouTube beginnings and rise to fame
Benjamin Lasky, known professionally as Quadeca, launched his YouTube channel on June 12, 2012, at the age of 11, initially under the username QuadecaX8. His early content centered on gaming commentary, particularly FIFA video game pack openings and reviews, interspersed with comedy sketches that showcased his emerging rapping skills developed during childhood talent shows. These videos, often humorous and self-produced, quickly attracted a young audience interested in soccer simulations and lighthearted entertainment.[8][3][13] Quadeca's channel experienced steady growth in the mid-2010s, reaching 100,000 subscribers in 2016, which earned him YouTube's Silver Play Button award. By December 2, 2018, he had surpassed 1 million subscribers, marking a significant milestone in his ascent as an online personality. This period saw his content evolve from pure gaming to incorporate music parodies, reaction videos to popular trends, and satirical raps, broadening his appeal beyond niche gaming communities. A pivotal moment came in 2017 with the release of his diss track "Exposed," targeting fellow YouTuber RiceGum, which highlighted his sharp lyrical style and contributed to his rising visibility within the YouTube rap scene.[15] Further collaborations amplified his fame, including a high-profile 2018 diss track "Insecure" aimed at KSI, which amassed over 39 million views and solidified his reputation for clever, viral confrontations in the YouTuber diss culture. These efforts, combined with ad revenue and sponsorship deals from gaming and music brands, allowed Quadeca to transition to full-time content creation by 2019 following his high school graduation from Menlo School. This financial independence enabled him to focus exclusively on producing original videos, setting the stage for his later pivot toward professional music endeavors.[16][17][18]Transition to music and early releases
In 2015, Quadeca began seriously pursuing music alongside his YouTube content, releasing his debut mixtape Work in Progress on September 16, which featured 15 tracks blending trap-influenced rap with personal lyrics produced primarily by himself.[19] This project marked his initial shift from FIFA gameplay videos to incorporating rap freestyles and beats directly into his online presence, allowing him to experiment with hip-hop while maintaining his established audience.[20] Building on this foundation, Quadeca released his second mixtape, Nostalgia for the Now, on May 11, 2016, a 15-track effort that expanded his sound with more introspective themes and self-produced instrumentals recorded in a modest home setup.[21] The following year, he dropped Bad Internet Rapper on January 31, 2017, his first full-length project comprising 12 tracks that satirized internet culture and his YouTube persona through trap beats and humorous bars, all self-released via platforms like SoundCloud and Spotify after facing initial rejections from major labels.[22] These early works highlighted challenges in balancing daily YouTube obligations with music creation, often leading to late-night sessions in his bedroom studio using basic digital audio workstations.[23] Quadeca continued self-releasing during this transitional period, culminating in his album Voice Memos on March 8, 2019, a 13-track collection that showcased evolving production techniques with features from artists like Sad Frosty.[24] Despite growing recognition, he navigated label disinterest by distributing independently on streaming services, fostering a dedicated fanbase through organic online sharing. A key milestone came in 2020 when Quadeca signed with AWAL, enabling wider distribution for subsequent projects and marking his first professional paid collaborations in 2021, including production features on tracks like those from emerging hip-hop acts.[25]Breakthrough with From Me to You
Quadeca's breakthrough came with his debut studio album From Me to You, self-released on March 30, 2021, through AWAL. The album explored themes of isolation and introspection through lo-fi and electronic elements, marking a shift from his earlier rap-focused work to experimental art pop. Self-produced by Quadeca, it featured raw, bedroom-recorded tracks that captured the emotional weight of the COVID-19 pandemic, earning praise for its vulnerability and innovative sound design.[5] The project debuted to critical acclaim, with outlets highlighting its genre-blending approach and personal lyricism. Promotion included music videos and YouTube uploads that bridged his online roots with music, amassing millions of streams on Spotify in its first year. This success solidified Quadeca's transition from YouTuber to musician, leading to his signing with DeadAir Records for future releases and opening doors to collaborations and live performances. From Me to You paved the way for his 2022 concept album I Didn't Mean to Haunt You, which built on its introspective themes with a haunting narrative from a ghost's perspective, featuring Danny Brown on "house settling" and the Sunday Service Choir on "fractions of infinity," and released on November 10, 2022, through DeadAir and AWAL. The 2022 album further expanded his reputation, with immersive videos and a companion film enhancing its emotional depth.[14][26]Recent projects and expansions into film
In 2023, Quadeca released a series of experimental EPs under the Scrapyard banner, beginning with Scrapyard I on October 11, followed by Scrapyard II and Scrapyard III on November 22, blending electronic production with rap elements in a genre-defying style.[7] These EPs were later compiled into the full-length mixtape SCRAPYARD, issued on February 16, 2024, via DeadAir Records, featuring contributions from artists like brakence and Kevin Abstract and showcasing maximalist soundscapes that pushed boundaries between electronica, shoegaze, and hip-hop.[27] Building on this momentum, Quadeca announced his fourth studio album, Vanisher, Horizon Scraper, a sailor-themed concept album exploring themes of navigation, loss, and existential drift through intricate, self-produced layers of orchestral strings, electronic textures, and narrative rap flows.[28] The project was preceded by the single "MONDAY" on April 21, 2025, a string-driven track depicting emotional aftermath and regret, which Quadeca directed and edited as a visual companion. Vanisher, Horizon Scraper arrived on July 25, 2025, via X8 Music, with standout tracks like those highlighting collaborations with Danny Brown, Maruja, and Olēka.[29][30] Parallel to his music, Quadeca expanded into filmmaking, releasing Vanisher, Horizon Scraper as a full album movie on July 24, 2025, which he produced, wrote, directed, and edited to intertwine the record's tracks with a cohesive narrative of maritime metaphor and personal turmoil.[31] This marked an evolution from his self-directed music videos, such as those for earlier singles, into more ambitious short-form projects that blend experimental visuals with thematic depth, including a companion piece for the track "don't mind me" produced earlier in 2025.[30] To promote the album, Quadeca announced a 2025 world tour comprising 31 shows starting in the fall, extending his multimedia approach to live performances.[29]Artistry
Musical style and themes
Quadeca's musical style originated in the mid-2010s with hip-hop roots deeply intertwined with his YouTube persona, featuring comedic rap characterized by rapid flows, freestyles, and humorous diss tracks often tied to gaming content like FIFA pack openings.[3] Early releases such as his 2015 mixtape Work in Progress emphasized spectacle and parody, with tracks like "20 Styles of Rap" showcasing impressionistic versatility in a lighthearted, viral format.[3] This phase prioritized entertainment over depth, blending boastful lyricism with pop culture references to build an online audience.[3] Following a transitional period around 2020, Quadeca's sound evolved into a more introspective alt-pop framework, incorporating indie rock, electronic, and experimental elements while retaining hip-hop foundations. His 2021 album From Me to You marked this shift, fusing intense rapping with mournful singing over versatile soundscapes that included electric guitars, synthesizers, and classical strings like violins and church organs.[32] By 2022's I Didn't Mean to Haunt You, the style expanded to indie folk with pop, electronic, hip-hop, and rock infusions, featuring genre shifts within tracks and grand, introspective arrangements.[33] Later works like 2024's SCRAPYARD further blended postmodern hip-hop, cloud rap, indie rock, and noise elements, creating glitchy, maximalist collages.[34] This progression reflects a move from humor-driven tracks to narrative-driven concepts, emphasizing emotional vulnerability in alt-pop structures.[3] Quadeca's production techniques highlight self-reliance and innovation, particularly evident in albums like From Me to You, where he handled most arrangements with minimal collaborators, using emotional instrumentals—such as dramatic violins and synthesizers—as core narrative drivers rather than mere backdrops.[32] He frequently employs heavy sampling, auto-tune for vocal layering, and lo-fi aesthetics, as seen in the distorted 808s, disorienting hi-hats, and ambient progressions of SCRAPYARD.[34] In I Didn't Mean to Haunt You, production incorporates rapid tone changes and varied instrumentation to support its conceptual arc, blending hip-hop beats with folktronica glitches.[33] By 2025's Vanisher, Horizon Scraper, techniques advanced to dense textural layers, including world music elements like Japanese taiko drums and Chinese cymbals, alongside reverb-heavy vocals and pitched-up pianos for an ethereal quality.[35] Recurring themes in Quadeca's work center on identity struggles, the psychological toll of internet fame, and mental health challenges, evolving from early comedic explorations to profound, narrative introspection. From Me to You delves into personal flaws, heartache, and self-doubt through relatable songwriting, as in tracks like "Sisyphus."[32] I Didn't Mean to Haunt You frames these as a ghost's journey through depression, regret, and loneliness post-suicide, observing loved ones from an isolated purgatory.[33] Later projects amplify isolation and existential fears; SCRAPYARD confronts grief and relational purgatory via eerie soundscapes.[34] In Vanisher, Horizon Scraper, a sailor metaphor symbolizes a quest for freedom amid perfectionism, AI anxieties, and apocalyptic introspection, using nautical imagery to evoke emotional drift and self-discovery.[35] This thematic maturation underscores a departure from surface-level humor to layered conceptual storytelling.[3]Influences and collaborations
Quadeca's musical evolution has been shaped by a diverse array of influences, particularly evident in his shift from YouTube rap to experimental artistry. For his 2022 album I Didn't Mean to Haunt You, he curated a playlist highlighting key inspirations, including the bossa nova classic "Tinguá" by Brazilian guitarist Luiz Bonfá, the shoegaze track "Constellations" by Duster, Björk's avant-garde "Pluto," and the lo-fi indie rock of The Microphones' The Glow, Pt. 2.[36] These selections reflect his affinity for blending ethereal, introspective sounds with rhythmic experimentation. In more recent work, Quadeca has drawn deeply from global traditions, especially Brazilian music, which informed the conceptual and sonic layers of his 2025 album Vanisher, Horizon Scraper. He has praised Chico Buarque's 1971 album Construção—which Quadeca selected as his "Perfect 10" in Pitchfork's artist series—for its fusion of world music elements with pop melodies and hip-hop-like structures, crediting it as a pivotal influence in merging cultural rhythms into his compositions.[3] This period also saw him exploring artists like Gal Costa and Milton Nascimento, whose soulful and psychedelic styles contributed to the album's rhythmic innovations inspired by international explorations.[37] Quadeca's collaborations have similarly expanded his genre boundaries, beginning with YouTube-era interactions that honed his rap delivery through competitive feuds, such as his 2017 diss tracks targeting figures like RiceGum, which showcased his comedic wordplay and battle rap prowess.[17] As he transitioned to music, partnerships grew more formal and diverse; for instance, on I Didn't Mean to Haunt You, he worked with Thor Harris, former drummer of Swans, adding experimental percussion to tracks.[26] Recent projects highlight high-profile team-ups that amplify his experimental edge. In 2025, Quadeca collaborated with Danny Brown on the track "THE GREAT BAKUNAWA", a collaboration Brown described as one of his favorites, blending their shared affinity for abstract hip-hop.[3] The same album features Maruja, the UK post-rock band, on "CASPER," where they contributed verses and instrumentation to create a climactic, atmospheric close.[3] Other notable recent partners include Kevin Abstract on tracks like "Abandon Me".[3] Production sessions echoed the collaborative intensity of figures like Jack Antonoff, emphasizing layered, narrative-driven arrangements without direct involvement.[3] These influences and partnerships have propelled Quadeca's genre-jumping style, particularly through the integration of Brazilian rhythms post-2024, where global travels and cultural immersions informed Vanisher, Horizon Scraper's theme of a lost sailor navigating uncharted sonic waters.[38] This approach allows him to synthesize disparate elements— from bossa nova grooves to post-rock swells—into cohesive, boundary-pushing works that prioritize storytelling and emotional depth.Personal life
Relationships and privacy
Quadeca has consistently prioritized privacy in his personal life, particularly regarding romantic relationships.[[3]] In a 2025 interview, he emphasized the value of disconnection from online personas to foster genuine artistic growth.[[3]] As of 2025, details of any current relationship remain private. He collaborated professionally with musician Olēka on his 2025 album Vanisher, Horizon Scraper, where she contributed flute and vocals to select tracks. Quadeca shares a close bond with his family, occasionally featuring them in early YouTube videos, such as cameos with his brother during FIFA pack openings. His father, Mitch Lasky, is a video game entrepreneur and venture capitalist.[[39]]Health and activism
Quadeca has been open about his struggles with anxiety and depression in interviews from 2022, particularly in connection with the themes explored in his album I Didn't Mean to Haunt You.[[14]]Discography
Studio albums
Quadeca released his debut studio album, From Me to You, on March 30, 2021, marking his transition to a more structured musical project following earlier mixtapes and EPs. The album comprises 14 tracks (18 on deluxe edition), blending experimental hip-hop with introspective lyricism, and was primarily self-produced by Quadeca in collaboration with a small team of engineers. It features guest appearances from artists such as Guapdad 4000, IDK, and PlayThatBoiZay, adding layers to its thematic exploration of personal relationships and emotional vulnerability. Critical reception was positive, with praise for its innovative sound design and emotional depth. The album achieved strong streaming performance on platforms like Spotify.[40][41] Quadeca's second studio album, I Didn't Mean to Haunt You, was released on November 10, 2022, as a concept album from the perspective of a ghost reflecting on suicide and regret. It features 11 tracks and was self-produced by Quadeca, with guest vocals from Danny Brown on "house settling." The album received widespread praise for its emotional depth, innovative sound design, and indie folk elements.[26] Building on this foundation, Quadeca's third studio album, Vanisher, Horizon Scraper, arrived on July 25, 2025, as an ambitious concept album centered on themes of loss, transcendence, and existential reinvention. Spanning 18 tracks, it incorporates orchestral elements, electronic textures, and narrative arcs that tie into an accompanying full-length film released on YouTube. Production occurred across coastal studios in California and the Philippines, where Quadeca handled much of the engineering, mixing, and instrumentation himself, with contributions from co-producers and guest vocalists including Danny Brown, Maruja, and Olēka on select tracks. The album was marketed through independent channels and earned positive reception for its cinematic scope and innovation. Among its standout singles, "Godstained" highlighted Quadeca's evolving vocal style.[42]Mixtapes
Quadeca began his music career with a series of self-released mixtapes that emphasized his early rap style and were distributed for free on platforms like SoundCloud to cultivate a dedicated fanbase from his YouTube audience.[20] In 2016, he released Nostalgia for the Now, a 15-track project focused on trap-influenced rap tracks exploring themes of youth and ambition, exclusively available initially on SoundCloud.[21][43] These early mixtapes, including follow-ups like Bad Internet Rapper in 2017, tied into his YouTube era by repurposing "scraps" of ideas from video content and freestyles, allowing experimental freedom without commercial pressure. Quadeca's mixtape output evolved toward more electronic and genre-blending experiments with Scrapyard in 2024, a 15-track compilation drawn from his 2023 EPs and unreleased material, featuring collaborations with brakence and Kevin Abstract.[44][45] Thematically, Scrapyard continues the motif of salvaging creative "scraps," reflecting unfinished ideas from his transitional period between YouTube and full-time music, and was made available for streaming with free promotional elements to expand his audience.[45] Reception for these mixtapes has centered on a cult following among indie and experimental hip-hop listeners, with Scrapyard praised for its eclectic production but without achieving major chart positions.[46]Extended plays
Quadeca's extended plays primarily consist of the Scrapyard series, released in 2023 as a series of short-form projects that previewed the experimental directions of his subsequent mixtape, Scrapyard. These EPs marked a shift toward more fragmented, glitch-infused compositions, blending art pop, experimental hip hop, and electronic elements to explore introspective themes of identity, effort, and existential tension. By releasing them sequentially over a few months, Quadeca tested innovative production techniques, such as layered vocal manipulations and abrupt sonic shifts, before expanding them into a cohesive full-length release. The series was distributed exclusively through digital streaming platforms, generating buzz within niche online communities and contributing to modest streaming figures in the low millions across the episodes combined. SCRAPYARD I, released on October 11, 2023, comprises two tracks: "A LA CARTE" (featuring brakence) and "U DON'T KNOW ME LIKE THAT." Clocking in at under seven minutes total, the EP introduces glitch pop aesthetics with distorted beats and confessional lyrics, setting a raw, unpolished tone for the series. It debuted on platforms like Spotify and YouTube, where it quickly amassed hundreds of thousands of streams, praised for its collaborative energy and bold sound design. Following shortly after, SCRAPYARD II arrived on October 30, 2023, with three tracks: "DUSTCUTTER," "UNDER MY SKIN," and "I MAKE IT LOOK EFFORTLESS." Running about six and a half minutes, this installment delves deeper into themes of superficiality and inner conflict, employing industrial-tinged percussion and minimalist arrangements to heighten emotional intensity. The EP's reception highlighted its role in building anticipation, earning an average user score of 76 on Album of the Year. The trilogy concluded with SCRAPYARD III on November 22, 2023, featuring three tracks: "EVEN IF I TRIED," "EASIER," and "GUESS WHO?" At nearly ten minutes, it expands on the prior EPs' motifs with more ambient textures and rhythmic experimentation, reflecting Quadeca's evolving artistry. Collectively, the Scrapyard EPs served as a creative laboratory, with tracks from all three integrated into the 2024 Scrapyard mixtape alongside new material, demonstrating their purpose as iterative bridges between standalone releases.Singles
Quadeca's singles discography spans his evolution from YouTube-originated rap tracks to experimental art pop, with over 20 lead singles released as of November 2025, many serving as album precursors or standalone releases. Early in his career, he issued diss tracks like "Insecure" in 2018, which amassed millions of views and streams, reflecting his initial foray into provocative, introspective hip-hop themes. A pivotal breakthrough came with "born yesterday," the lead single from his 2022 album I Didn't Mean to Haunt You, released in September 2022, which gained popularity and highlighted his shift toward emotive, genre-blending production. In 2025, Quadeca continued building momentum with "Monday," a standalone single released April 22, 2025, that amassed over 15 million streams across platforms within months of release and was accompanied by a self-directed music video premiere, emphasizing atmospheric strings and themes of post-breakup reflection.[47] Among his notable singles, recent outputs like "Monday" and earlier hits underscore his growing streaming dominance, with cumulative single streams exceeding 100 million.[48]Guest appearances
Quadeca has contributed guest vocals and production to over 15 tracks by other artists across his career, fostering collaborations that have broadened his reach within hip-hop, experimental, and alternative scenes while showcasing his versatility as a rapper and producer. These appearances often highlight his ability to blend introspective lyrics with diverse production styles, strengthening ties with established and emerging talents. Early in his career, Quadeca gained visibility through features on tracks tied to the YouTube rap and diss track culture. In 2018, he appeared on "Batter Up" by Didac, delivering a high-energy verse on the non-album single that aligned with his initial trap-influenced sound.[49] The following year, he featured on "Paranoia" by Josh A from the album Disgrace, contributing to a hype track amid Josh A's emo-rap project. Also in 2019, Quadeca joined "Roll the Dice" by KSI and Randolph on their collaborative album New Age, where his verse added a playful, risk-taking edge to the song's theme of chance and ambition.[50] As his style evolved toward more experimental and melodic territory in the early 2020s, Quadeca's guest spots reflected growing cross-genre connections. In 2020, he appeared on "Tales from the Crypt" by Guapdad 4000 from the album Who Made This Album?, infusing the track with his signature witty flows amid the project's eclectic hip-hop vibes. In 2021, he featured on "Darken the Shadow" by PelleK, adding layered vocals to the metal-adjacent track. In 2022, he collaborated with Danny Brown on "house settling" from I Didn't Mean to Haunt You. In 2024, he appeared on tracks from Kevin Abstract's album, including executive production contributions. More recently, Quadeca's collaborations have emphasized co-production and deeper artistic partnerships. In 2025, he featured on multiple tracks from Danny Brown's album Stardust, including "Book of Daniel" and "What You See," where he provided vocals, guitar, synthesizer, and co-production, contributing to the record's genre-defying blend of rap, electronic, and experimental elements released on Warp Records.[51] That same year, he appeared on "Running Running Running" by Johan Lenox, adding layered vocals to the track's intense, orchestral energy.[52] Additional 2025 features include "Sunshine When It Rains" and "See the World" by Olēka, where his contributions enhanced the atmospheric pop sound, as well as "Solid" by JAG, demonstrating his expanding influence in indie and metal-adjacent spaces.[53] These guest roles, spanning from YouTube-adjacent rap battles to high-profile experimental projects, have solidified Quadeca's network, leading to ongoing partnerships like his repeated work with Danny Brown and exposure to broader audiences through platforms like Warp Records.[54]| Year | Artist | Track/Album | Role | Notes |
|---|---|---|---|---|
| 2018 | Didac | "Batter Up" (single) | Vocals | High-energy trap verse on non-album release. |
| 2019 | Josh A | "Paranoia" (Disgrace) | Vocals | Hype feature on emo-rap album. |
| 2019 | KSI & Randolph | "Roll the Dice" (New Age) | Vocals | Verse on collaborative hip-hop project. |
| 2020 | Guapdad 4000 | "Tales from the Crypt" (Who Made This Album?) | Vocals | Witty flows on eclectic rap track. |
| 2021 | PelleK | "Darken the Shadow" (single) | Vocals | Layered performance on metal track. |
| 2022 | Danny Brown | "house settling" (I Didn't Mean to Haunt You) | Vocals | Collaboration on concept album. |
| 2024 | Kevin Abstract | Various (project) | Vocals, executive producer | Contributions to indie project. |
| 2025 | Danny Brown | "Book of Daniel," "What You See" (Stardust) | Vocals, co-producer, guitar, synthesizer | Key contributions to experimental rap album. |
| 2025 | Johan Lenox | "Running Running Running" (single) | Vocals | Layered performance on orchestral track. |
| 2025 | Olēka | "Sunshine When It Rains," "See the World" (singles) | Vocals | Atmospheric additions to pop releases. |