Fact-checked by Grok 2 weeks ago

Respect Yourself

"" is a and song written by and Mack Rice, first recorded and released by the American family group in October 1971 as the from their Be Altitude: Respect Yourself on . The track, produced by , features on guitar and lead vocals shared among family members, blending rhythmic funk with inspirational lyrics urging self-dignity amid social challenges of the era. It achieved crossover commercial success, peaking at number 12 on the chart in December 1971 and number 2 on the Hot Soul Singles chart, where it held the runner-up position for three weeks behind Jean Knight's "." The song's empowering message of personal responsibility and resilience, encapsulated in lines like "If you don't respect yourself / Ain't nobody gonna give a good cahoot," resonated widely, contributing to the 's gold certification and cementing the Staple Singers' transition from roots to mainstream appeal. Its enduring influence is evident in numerous covers by artists including , , and , as well as samples in and its frequent use in media soundtracks promoting self-empowerment.

Origins

Songwriting

"Respect Yourself" was written in 1971 by , a Stax Records artist known for his 1972 hit "(If Loving You Is Wrong) I Don't Want to Be Right," and Mack Rice, a Stax house songwriter who co-wrote the 1965 hit "Mustang Sally." The song originated from a conversation between Ingram and Rice, during which Ingram remarked that "Black folk need to respect themselves," prompting Rice to compose a quick demo. Rice then suggested offering the song to for recording, recognizing its alignment with their gospel-influenced style and messages of empowerment. The lyrics emphasize self-respect and personal dignity, with lines such as "If you don't respect yourself / Ain't nobody gonna give a good cahoot," reflecting the era's civil rights themes without overt political rhetoric. Rice's demo featured a more driving, funk-oriented arrangement akin to Stax contemporaries like , but The Staple Singers' version incorporated gospel elements, including originally intended as horn lines and ' emphatic vocal delivery. This adaptation transformed the track into a soul-gospel , credited under Ingram and on the single release.

Recording and production

"Respect Yourself" was produced by , a executive who had previously helmed ' 1971 album The Staple Swingers and sought to elevate their sound by pairing them with the . The rhythm tracks for the song were recorded at in , utilizing the studio's renowned house band, including on keyboards, Roger Hawkins on drums, on bass, on guitar, and contributing lead guitar. Vocals were overdubbed in at Stax Studios following the instrumental sessions, a common practice for Stax productions to blend regional expertise. Terry Manning served as Al Bell's assistant producer and , handling the integration of the elements and noted for his microphone techniques that captured the vocal intensity of . Additional engineering credits included Jerry Masters, with the sessions emphasizing a funk-infused soul groove to align with the song's empowering message. The production approach marked a shift for the Staple Singers from their gospel roots toward broader commercial appeal, with Bell's direction incorporating tight rhythm sections and layered harmonies without diluting the family's raw energy. Sessions for the parent album Be Altitude: Respect Yourself occurred primarily in late 1971, yielding the single's release that year ahead of the full LP in February 1972.

Release and commercial performance

Chart performance

"Respect Yourself" debuted on the at number 82 on the chart dated October 16, 1971. The single reached a peak position of number 12 on December 25, 1971, holding that spot for one week, and spent 15 weeks on the overall. On the chart (now ), it peaked at number 2 for three consecutive weeks.
Chart (1971–1972)Peak
position
US Billboard Hot 10012
US Billboard Hot Soul Singles2

Certifications and sales

"Respect Yourself" by was certified platinum by the (RIAA), signifying at least one million units shipped . This certification underscores the single's strong commercial performance after its October 1971 release from the album Be Altitude: Respect Yourself. Specific sales figures beyond the platinum threshold are not publicly detailed in RIAA records, though the song's crossover appeal contributed to over two million total for the group by the mid-1970s, as recognized in industry awards. No international certifications, such as from the , have been documented for the single.

Critical reception and analysis

Contemporary reviews

The single "Respect Yourself," released in October 1971, drew acclaim in music trade publications for its fusion of harmonies with grooves and its exhortation to personal dignity amid social upheaval. noted its strong crossover potential, highlighting ' raw vocal delivery and Al Bell's production as key to its rhythmic drive and message of . In Cash Box, reviewers praised the track's infectious energy and ' guitar work, positioning it as a standout entry with broad appeal beyond R&B audiences. Critic , writing in Voice's 1972 Consumer Guide on the album Be Altitude: Respect Yourself, commended the song's musical execution as part of a "triumph of the Staples' evolving pop style," with arrangements that suited Roebuck and ' voices better than prior efforts, though he dismissed some lyrics—including the track's reference—as overly simplistic or "silly." Christgau assigned the album a B- grade, reflecting qualified enthusiasm for its sonic maturity amid uneven songwriting. Overall, early press emphasized the recording's timeliness in the post-civil rights era, valuing its call to internal strength over external validation, even as its playful phrasing occasionally drew skeptical commentary from discerning critics.

Lyrical themes and message

The lyrics of "Respect Yourself," written by and Mack Rice, center on the theme of as an essential prerequisite for mutual and personal empowerment. The song asserts that disrespecting others undermines one's own dignity, as exemplified in the opening lines: "If you disrespect anybody that you run in to / How in the world do you think / Anybody's s'posed to you?" This establishes a causal link between individual behavior and , urging listeners to prioritize internal over external validation. Ingram and Rice drew inspiration from discussions on the need for self-respect within communities amid ongoing social unrest, framing the message as a call to psychological self-worth rather than mere interpersonal . Further verses critique and inaction, reinforcing themes of personal responsibility and . Lines such as "If you're walking 'round thinkin' that the world owes you something 'cause you're here" challenge victimhood narratives, implying that expecting unearned favors erodes and societal progress. The song dismisses futile complaints—e.g., "Keep talkin' 'bout the won't stop / Put your hand on your mouth when you cough"—to advocate proactive over passive grievance. This aligns with ' broader gospel-soul ethos of , positioning self-respect as a tool for overcoming and during the civil rights era's transition toward and accountability. The —"Respect yourself, respect yourself / If you don't respect yourself / Ain't nobody's gonna give a good cahoot"—encapsulates the core message of intrinsic value driving external outcomes, a principle rooted in the song's release context of slow post-civil advancements. By blending with uplift, the promote causal : individual fosters collective respect, countering mindsets prevalent in welfare-era critiques. This , echoed in analyses tying the track to self-empowerment anthems, underscores its role in encouraging without reliance on systemic excuses.

Live performances and cultural context

Wattstax performance

The Staple Singers performed "Respect Yourself" as part of their set at the festival on August 20, 1972, held at the in to mark the seventh anniversary of the 1965 . The event, organized by , drew an estimated attendance of over 100,000 people and featured a lineup of Stax artists delivering seven hours of , , and , often described as the "Black " for its emphasis on community empowerment and cultural pride. Their rendition of "Respect Yourself," which followed songs like "Oh La De Da" and preceded "" in the setlist, showcased the group's signature blend of gospel roots and rhythmic soul, with lead vocals by driving the call for personal dignity amid socioeconomic challenges. The live version, lasting approximately 4 minutes and 35 seconds, captured audience participation and high energy, amplifying the song's message of as a counter to external judgments. This performance was documented in Mel Stuart's 1973 Wattstax, which included footage of the Staples' set and highlighted its role in fostering unity and resilience within the Black community. The inclusion of "Respect Yourself" at underscored its timeliness, as the song—released the prior year—aligned with the festival's themes of black , drawing from speeches by figures like that preceded musical acts and reinforced messages of economic independence and cultural affirmation. Audio and video recordings from the event, later released in compilations like Wattstax: The Complete Concert, preserve the performance's raw intensity, with on guitar and backing vocals from Yvonne and Cleotha Staples contributing to its familial, uplifting delivery.

Role in civil rights era music

"Respect Yourself," released as a single by the Staple Singers on October 4, 1971, emerged during the waning but still influential phase of the civil rights movement, encapsulating a shift toward individual agency and self-empowerment within African American communities. Unlike the group's earlier explicitly protest-oriented songs such as "Freedom Highway" (1965), inspired by the Selma to Montgomery marches and endorsed by Martin Luther King Jr., this track emphasized personal dignity as a prerequisite for collective progress, with lyrics asserting, "If you don't respect yourself / Ain't nobody gonna give a good cahoot / Respect yourself." The Staple Singers, led by Roebuck "Pops" Staples—a close associate of King who performed at civil rights rallies and integrated gospel with freedom themes—used the song to extend their musical advocacy beyond overt activism, reflecting post-1968 realities after King's assassination and urban unrest. The song's message aligned with evolving civil rights discourse, promoting self-respect as a counter to systemic degradation and dependency, which resonated in an era marked by influences and critiques of welfare paternalism. Educational analyses highlight its departure from earlier soul tracks like Otis Redding's "" (1967, covered by ), which focused on demanding external regard, toward internal fortitude amid ongoing racial struggles. ' prior collaborations with , including concerts and nonviolent anthems, lent authenticity to this pivot, positioning "Respect Yourself" as a bridge between collective mobilization and personal resilience in soul music's civil rights legacy. Though not performed at major marches, the track's commercial success—peaking at No. 12 on the —and ' context amplified its cultural role, reinforcing themes of and in African American expressive traditions. Its enduring association with civil rights stems from the family's history and the song's lyrical insistence on as foundational to .

Legacy and impact

Influence on subsequent music

"Respect Yourself" pioneered a fusion of gospel's fervent vocals and moral messaging with funk's propulsive rhythms and soul's emotional depth, shaping the trajectory of socially conscious R&B and soul in the 1970s. Released amid ' peak output, the track's arrangement—featuring a prominent bass groove, wah-wah guitar accents, and call-and-response choruses—served as a blueprint for later productions that prioritized rhythmic drive alongside lyrical exhortations for personal agency. This stylistic synthesis, credited to producer Al Bell's oversight and the contributions of the , elevated the song's crossover appeal and influenced contemporaries at Stax, such as , whose extended compositions echoed similar structural expansiveness. The song's core theme of self-respect as a prerequisite for mutual resonated in subsequent anthems, prefiguring the introspective lyricism in and early . By secularizing gospel's ethical imperatives without diluting their intensity, it facilitated music's shift toward explicit , a motif traceable in 1970s works by artists like , who amplified personal and communal resilience in tracks such as "Move On Up" (1970, though predating slightly, its aligned post-release). Its impact extended to hip-hop's formative years, where producers and MCs adopted analogous motivational frameworks to address urban struggles, underscoring the track's role in bridging civil rights-era with genre's conscious variants. In broader terms, "Respect Yourself" exemplified Stax's contribution to soul's "," embedding causal links between individual and societal that later R&B acts emulated amid post-1970s cultural shifts. The song's rhythmic and thematic durability is affirmed by its adaptation in diverse genres, from to pop-funk hybrids, affirming its foundational status in evolving black musical expression.

Use in media and sampling

The recording of "Respect Yourself" has been sampled sparingly compared to other Stax-era soul tracks, with notable instances in electronic and alternative genres. De-Phazz featuring Karl Frierson's "Hero Dead and Gone" (2001) incorporates vocal and instrumental elements from the original, layering them over a downtempo arrangement on the album Lugarzinho. Similarly, Sgt. Talby's obscure "A Rare and Tender Moment" draws directly from the song's groove and phrasing. These uses highlight the track's enduring rhythmic appeal, though it lacks the widespread interpolation seen in hip-hop, where covers or lyrical nods predominate over direct sampling of the 1971 recording. In visual media, the original version appears in the soundtrack of the 2015 documentary Mavis!, which chronicles the life of group member and includes the song to underscore her contributions to soul and gospel fusion. No major commercial advertisements or mainstream film soundtracks beyond biographical contexts have prominently licensed the Staple Singers' recording, distinguishing it from more frequently synced contemporaries like "." TV appearances, such as the group's May 25, 1973, performance on NBC's The Midnight Special, aired the live rendition but did not integrate the studio version into scripted programming.

Cover versions

Kane Gang version

The , an English pop trio formed in in 1982, released their cover of "Respect Yourself" as the third single from their debut album The Bad and Lowdown World of the Kane Gang on November 10, 1984. The track, originally by , was reinterpreted in an upbeat pop-soul style incorporating synthesizers and elements characteristic of the band's sound. Produced by alongside the band members , Paul Woods, and Dave Brewis, the recording featured prominent backing vocals from and Sam Brown, enhancing its gospel-infused energy. The single achieved moderate commercial success, peaking at number 21 on the and remaining on the chart for 11 weeks. It also received airplay on programs such as TopPop and The Tube, where the band performed it live, contributing to its visibility during their early tours. Critical reception noted the cover's faithful yet modernized approach, blending the original's motivational lyrics with contemporary production techniques, though it did not garner extensive reviews beyond its alignment with the band's emerging style of soul-reviving pop. The version appeared on compilations like Now That's What I Call Music 4, underscoring its role in the mid-1980s UK music scene.

Bruce Willis version

Bruce Willis, known primarily as an actor for his role in the television series Moonlighting, recorded a cover of "Respect Yourself" as the lead single from his debut album The Return of Bruno, released by Records. The single was issued in December 1986, preceding the album's full release in 1987. The track features backing vocals from , with contributing prominently. Musically, Willis's version adopts an upbeat R&B and soul arrangement, aligning with the album's eclectic mix of genres including blues and pop. It peaked at number 5 on the chart on March 7, 1987, after debuting at number 55 on January 17 and spending 14 weeks on the chart. In the , it reached number 7 on the . The commercial success was bolstered by Willis's rising fame as a television and film star, amid a trend of actors venturing into music during the 1980s. Critical reception to Willis's musical output, including "Respect Yourself," was generally mixed, with some reviewers dismissing it as a novelty act lacking vocal depth despite strong production and guest contributions. Fan responses varied, with certain listeners appreciating the energetic delivery and entertainment value, while others critiqued Willis's singing ability. The accompanying , directed in , depicted Willis in a setting, emphasizing his charismatic persona over musical prowess. Despite the single's chart performance, Willis's subsequent albums underperformed, marking this as a high point in his brief music career.

Robert Palmer version

Robert Palmer's version of "Respect Yourself" was released as a single in 1995, serving as a cover of the 1971 Staple Singers original written by Luther Ingram and Mack Rice. The track was co-produced by Palmer and Bernard Edwards, known for his work with Chic, reflecting a soul-funk arrangement that maintained the song's motivational core while incorporating Palmer's smooth vocal style. In the , the single debuted on the Official Singles Chart on October 14, 1995, reaching a peak position of number 45 before dropping to number 63 the following week. This modest chart performance occurred amid Palmer's established career, following hits like "Addicted to Love" from 1985, but did not replicate the original's crossover success. The release aligned with Palmer's output in the mid-1990s, including live performances; a notable rendition aired on the Danish television show Husk lige tandbørsten on October 20, 1995, featuring Palmer backed by the band The Rootcanals. The cover retained the song's lyrical emphasis on self-respect and personal accountability, with Palmer's interpretation emphasizing rhythmic groove over gospel roots, produced under distribution in . While not a major commercial , it contributed to Palmer's catalog of reinterpretations, showcasing his versatility in blending rock, soul, and elements.

Other notable covers

A cover by featuring , daughter of the Staple Singers' , was released in 2006 on Neville's album Bring It On Home... The Soul Classics, blending soul and gospel elements in homage to the original. recorded a soul-infused version for his 2007 album S.O.S.: Save Our Soul, a collection of New Orleans-style reinterpretations of classic R&B tracks. Gospel group Trin-i-tee 5:7 included a contemporary rendition on their 1998 self-titled debut album, adapting the song's message to stylings.

References

  1. [1]
    Respect Yourself by The Staple Singers - Songfacts
    The first two Stax albums The Staple Singers recorded were with Steve Cropper of the Stax house band, but by August 1971, when they recorded "Respect Yourself," ...
  2. [2]
    Staple Singers – Respect Yourself
    Jan 12, 2020 · “Respect Yourself” was written by the Stax songwriter Mack Rice and one of their artists, Luther Ingram, who is best known for his song “(If Loving You Is ...
  3. [3]
    "Respect Yourself": 1971 Staple Singers anthem - Pan African Music
    Nov 5, 2020 · With their 1971 title “Respect Yourself,” the Staple Singers spread a pacifist message of tolerance, self-respect and, above all, empowerment.
  4. [4]
    Song of the Week #142 – “Respect Yourself” - Classic Pop Icons
    Jan 21, 2013 · “Respect Yourself” reached number two on Billboard's R&B Chart and peaked at number 12 on the Hot 100. Staple Singers - Respect Yourself Hot 100.<|separator|>
  5. [5]
    Lyrics for Respect Yourself by The Staple Singers - Songfacts
    Nineteen months earlier on October 10th, 1971 "Respect Yourself" entered Billboard's Hot Top 100 chart at #82; ten weeks later it would peak at #12 {for 1 week} ...
  6. [6]
  7. [7]
    Respect Yourself - First Draft
    Jul 28, 2023 · Respect Yourself was written in 1971 by Luther Ingram and Mack Rice. It was Rice's idea that The Staple Singers have the first crack at ...Missing: origin | Show results with:origin
  8. [8]
    Mack Rice, Luther Ingram - "Respect Yourself - Demo" - KUTX
    Oct 4, 2023 · Mack Rice's original demo for “Respect Yourself” is a driving one-note stomper more in line with Stax labelmates The Bar-Kays than The Staple Singers.Missing: origin | Show results with:origin
  9. [9]
  10. [10]
    RESPECT YOURSELF, THE ICONIC SOUL CLASSIC ... - Concord
    Apr 19, 2022 · For their next record (1971's The Staple Swingers), Bell took the reins as producer, bringing Pops, Mavis, Yvonne and Cleotha to Alabama's ...Missing: production | Show results with:production
  11. [11]
    Number Ones Archive - Stax Records
    ... recorded in 1972 at Muscle Shoals for the album Be Altitude: Respect Yourself. Al Bell, the former promotions man who recruited the Staples family to the ...Missing: details | Show results with:details<|separator|>
  12. [12]
  13. [13]
    The Staple Singers Respect Yourself - Facebook
    Oct 17, 2020 · After Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting ...The Staple Singers' Classic Song Respect Yourself - FacebookThe Staple Singers' song "Respect Yourself" was written by Luther ...More results from www.facebook.com
  14. [14]
  15. [15]
    The Staple Singers - Be Altitude: Respect Yourself - The Audio Beat
    Oct 18, 2022 · Whether it was Al Bell's production or engineer Terry Manning's microphone choice, I haven't heard a better recording of a soul singer's power ...Missing: producer | Show results with:producer
  16. [16]
  17. [17]
    THE STAPLE SINGERS' COME GO WITH ME - Stax Records
    The group reunited with the Swampers and Bell for 1972's Be Altitude: Respect Yourself, an album that transformed the Staple Singers into mainstream stars.Missing: details | Show results with:details
  18. [18]
    Gold, Platinum & Grammy Awards - Ardent Studios
    ... Platinum, and multi-Platinum certifications from the RIAA and other international bodies. ... The Staple Singers · Respect Yourself, Platinum. The Staple Singers ...
  19. [19]
    Robert Christgau: CG: staple singers
    ### Summary of Review for 'Be Altitude: Respect Yourself'
  20. [20]
    [PDF] Lesson 3:Respecting Yourself and Others - Stax Museum
    "Respect"was written and performed by Otis Redding (1965). "Respect Yourself"was written by Luther Ingram and Mack Rice and performed by the Staple Singers ...<|separator|>
  21. [21]
    Song Analysis – “Respect Yourself” by the Staple Singers
    Feb 25, 2014 · Apparently, “Respect Yourself” was written by Stax Records singer Luther Ingrham and Stax house songwriter Mack Rice.
  22. [22]
    Sweeter Than the Sweet | The Nation
    Jul 2, 2014 · ... Staple Singers. They tended to sing about spiritual uplift (“I'll Take You There”) and self-reliance (the anthemic “Respect Yourself”). But ...
  23. [23]
    The Staple Singers – Respect Yourself Lyrics - Genius
    “Respect Yourself” was written by the Stax songwriter Mack Rice and one of their artists, Luther Ingram, after a discussion where Ingram said to Rice, “Black ...
  24. [24]
    Wattstax - Stax Records
    Aug 17, 2022 · Attended by more than 100,000 people and lasting 7 hours, the concert took place at the Los Angeles Memorial Coliseum on August 20, 1972, and ...
  25. [25]
    50 years ago, Wattstax made, and even changed, L.A. history
    Aug 22, 2022 · A Black soul group performs on an outdoor stage in the early 1970s. The Staple Singers performing at Wattstax on Aug. 20, 1972. (Michael Ochs ...
  26. [26]
  27. [27]
    The Staple Singers Setlist at Wattstax 1972
    The Staple Singers played "Heavy Makes You Happy", "Are You Sure", "Oh La de Da", "I Like the Things About You", "Respect Yourself", and "I'll Take You There".
  28. [28]
    Respect Yourself - Live At The Los Angeles Memorial Coliseum / 1972
    Respect Yourself - Live At The Los Angeles Memorial Coliseum / 1972. The Staple Singers. Wattstax: The Living Word19724:35 ...
  29. [29]
    The Staple Singers - Respect Yourself (Live WattStax 1972) - YouTube
    Jul 24, 2017 · "Respect Yourself" © 1971 Luther Ingram, Mack Rice Label Stax 1971 © UMG in the name of: Fantasy Records Performed by The Staple Singers in ...
  30. [30]
    The Wattstax Concert: More Than Soul's Woodstock - uDiscover Music
    The Wattstax concert was a snapshot of the Black-is-Beautiful movement; an early 70s salve for the wounds caused by the 60s.Missing: details | Show results with:details
  31. [31]
    A 6-Hour Soulful Expression In Front Of 100000 People - JamBase
    Feb 22, 2024 · In recognition of Black History Month, revisit the 1972 all-star Wattstax concert featuring Isaac Hayes, The Staple Singers and many others.<|control11|><|separator|>
  32. [32]
    The Staple Singers - Stax Records
    There, they scored their first Top Ten R&B LPs (1971's The Staple Swingers and 1972's Be Altitude: Respect Yourself) plus many of their biggest hits, including ...Missing: details | Show results with:details
  33. [33]
    For Mavis Staples, The Music Of The Civil Rights Era Couldn't ... - NPR
    Dec 10, 2016 · But the group was also prominent in the civil rights movement, performing at marches and rallies, and was close to Dr. Martin Luther King Jr.
  34. [34]
    Sound of civil rights rings out in resurrected Staple Singers records
    Feb 26, 2015 · A friend to Martin Luther King Jr., Pops and his family worked churches throughout the South during the movement. With a Chicago home base ...
  35. [35]
    Staples, Pops, and the Staples Singers - Mississippi Encyclopedia
    Apr 15, 2018 · During the 1960s the Staple Singers began to fuse their gospel leanings with the message-type folk songs associated with the civil rights ...
  36. [36]
    Soul Music in the Civil Rights Era: Respecting Self and Others
    How do Otis Redding's "Respect" (1965) and the Staple Singers' "Respect Yourself" (1971) represent the changing attitudes and ideas in the civil rights movement ...
  37. [37]
    The Staple Singers - Memphis Music Hall of Fame
    The Staple Singers scored a major crossover hit in 1971 with Pops' positive message song, “Respect Yourself,” landing at No. 2 on the R&B charts, No. 12 pop.
  38. [38]
    Staple Singers Drop Lyric Video for Protest Anthem 'Respect Yourself'
    Oct 30, 2020 · Stax Records have paired the Staple Singers' 1971 protest anthem “Respect Yourself” with a new lyric video that features footage from both the Civil Rights ...
  39. [39]
    How the Staple Singers Became the Soul of Protest Music
    Jan 27, 2020 · A similarly upstanding message characterizes “Respect Yourself”, a standout single from the next album, Be Altitude: Respect Yourself (1971).
  40. [40]
    Respect Yourself by The Staple Singers - WhoSampled
    Main genre: Hip-Hop / Rap / R&B. Tags: US #12 Hit, Single, Grammy Hall of ... Who produced "Respect Yourself" by The Staple Singers? "Respect Yourself ...
  41. [41]
    Respect Yourself: Stax Records and the Soul Explosion - Amazon.com
    Set in the world of 1960s and '70s soul music, Respect Yourself is a story of epic heroes in a shady industry. It's about music and musicians -- Isaac Hayes ...
  42. [42]
    September 2: Staple Singers, "Respect Yourself" - The Daily Guru
    Sep 2, 2011 · The lasting impact of "Respect Yourself" can be seen all across the decades and genres, with the track being covered by everyone from B.B. ...Missing: stylistic influence
  43. [43]
    De-Phazz feat. Karl Frierson's 'Hero Dead and Gone' - WhoSampled
    "Hero Dead and Gone" by De-Phazz feat. Karl Frierson sampled The Staple Singers's "Respect Yourself". Listen to both songs on WhoSampled.
  44. [44]
    Sgt. Talby's 'A Rare and Tender Moment' sample of The Staple ...
    "A Rare and Tender Moment" by Sgt. Talby sampled The Staple Singers's "Respect Yourself". Listen to both songs on WhoSampled.
  45. [45]
    Mavis! (2015) - Soundtracks - IMDb
    Irving Music. Concord Music Group. Respect Yourself. Written by Luther Ingram & Mack Rice. Performed by The Staple Singers. Universal Music Publishing Group.
  46. [46]
    RESPECT YOURSELF – KANE GANG - Official Charts
    Nov 10, 1984 · Latest chart stats about RESPECT YOURSELF - peak chart position, weeks on chart, catalogue number, week-by-week chart placement and latest ...Missing: performance | Show results with:performance
  47. [47]
    Respect Yourself (song by The Kane Gang) - Music VF.com
    Respect Yourself. : The Kane Gang Date: 11/1984. From: Bad and Lowdown World of the Kane Gang Comment: written by Luther Ingram & Mack Rice. Chart, Debut date ...Missing: performance | Show results with:performance
  48. [48]
    The Kane Gang - Respect Yourself • TopPop - YouTube
    Jan 26, 2022 · ... produced by Pete Wingfield, and featured P. P. Arnold and Sam Brown as backing vocalists. This exclusive Toppop recording was first ...Missing: details reception
  49. [49]
    The Kane Gang Respect Yourself The Tube Live - YouTube
    Apr 8, 2022 · At the end of the November 1984 tour, The Kane Gang perform Respect Yourself live on the Tube, Channel 4. Produced by Tyne Tees Television ...Missing: details reception
  50. [50]
    The Kane Gang - Toppermost
    May 23, 2024 · A thrilling mix of old school soul, funk and 80s pop with a message. Very much in that Style Council, Blow Monkeys mould with voices to die for.Missing: reception | Show results with:reception
  51. [51]
    1987 Bruce Willis – Respect Yourself (US:#5 UK:#7) | Sessiondays
    Released in late 1971 from their album Be Altitude: Respect Yourself, the song became a crossover hit.
  52. [52]
    Respect Yourself by Bruce Willis - SecondHandSongs
    Released on · Respect Yourself Single December 1986 ; Other release · The Return of Bruno Album 1987 ; Chart placings: #5 in United States #7 in United Kingdom #8 ...Missing: reception | Show results with:reception
  53. [53]
    Bruce Willis feat. June Pointer's 'Respect Yourself' - WhoSampled
    "Respect Yourself" by Bruce Willis feat. June Pointer is a cover of The Staple Singers's "Respect Yourself". Listen to both songs on WhoSampled.<|separator|>
  54. [54]
    SINGLE / Bruce Willis / Respect Yourself - Billboard Database
    Respect Yourself / Bruce Willis. Loading... CHART SPECIFICATION. Peak. #5 Mar 07, 1987. Debut. #55 Jan 17, 1987. Final. #97 Apr 18, 1987 · WEEKS OF CHART 14.
  55. [55]
    RESPECT YOURSELF – BRUCE WILLIS - Official Charts
    Latest chart stats about RESPECT YOURSELF - peak chart position, weeks on chart, catalogue number, week-by-week chart placement and latest ...Missing: reception | Show results with:reception
  56. [56]
    Bruce Willis Might Have Ruined His Career In Music With A Major ...
    Jan 28, 2024 · One critical review called Bruce's music "a kitsch artifact" and seemed to call him out for seeming to "believe he has vocal talent." ...Missing: reception | Show results with:reception
  57. [57]
    Respect Yourself / Fun Time by Bruce Willis - Rate Your Music
    Rating 1.9 (115) Yes, I heard this song, and No I dont like it at all. Bruce has no talent, and even worse he tries to sing Bluesy numbers. "Holding my head" just stop it ...Missing: critical | Show results with:critical
  58. [58]
    Bruce Willis: Respect Yourself (Music Video 1987) - IMDb
    Rating 5.5/10 (124) ... Respect Yourself" from the album "The Return of Bruno" recorded for Motown ... US Billboard Hot 100, peak position 5, 1987. Connections. Featured in 100 ...<|separator|>
  59. [59]
    Performance: Respect Yourself by Robert Palmer | SecondHandSongs
    Respect Yourself by Robert Palmer was written by Luther Ingram and Mack Rice and was first released by The Staple Singers in 1971. Robert Palmer released it ...
  60. [60]
    Robert Palmer - Respect Yourself - charts.org.nz
    ROBERT PALMER - RESPECT YOURSELF (SONG). Year: 1995. Music/Lyrics: Mack Rice · Luther Ingram. Producer: Bernard Edwards · Robert Palmer. Cover version of: The ...<|control11|><|separator|>
  61. [61]
  62. [62]
    RESPECT YOURSELF – ROBERT PALMER - Official Charts
    Official Charts logo Official Singles Chart · 45 14/10/1995 peak. View 14/10/1995 chart · 63 21/10/1995. View 21/10/1995 chart.Missing: performance | Show results with:performance
  63. [63]
    Robert Palmer - Respect Yourself (live) - YouTube
    Dec 6, 2009 · Robert Palmer with a cover of the 1971 Staple Singers hit "Respect Yourself". From a danish TV gameshow 1995. The band is "The Rootcanals": ...
  64. [64]
    Respect Yourself - song and lyrics by Robert Palmer - Spotify
    Lyrics. Da da da da da da... Doo, doo, doo, doo, doo. If you disrespect. Everybody that you run into. How in the world do you think.
  65. [65]
    Covers of Respect Yourself by The Staple Singers - WhoSampled
    Covered in 23 songs ; Kane Gang's Respect Yourself, Respect Yourself · Kane Gang ; Bruce Willis feat. June Pointer's Respect Yourself, Respect Yourself · Bruce ...
  66. [66]
  67. [67]
  68. [68]
    The Staple Singers – Respect Yourself Covers - Genius
    Respect Yourself Covers: Respect Yourself Aaron Neville, Mavis Staples (2006) Read the lyrics, Respect Yourself Trin-i-tee 5:7 (1998) Read the lyrics.