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Ticking

Ticking may refer to several distinct concepts:

Textile

Definition and characteristics

Ticking is a tightly woven traditionally made from or , designed for durability and strength in protective coverings. It is commonly featured with narrow, even vertical stripes, often in contrasting colors like blue and white, which enhance its aesthetic appeal and aid in the even distribution of contents. This composition makes ticking particularly suited for encasing fillings such as feathers, down, or , preventing them from escaping while maintaining a firm, supportive surface. Key characteristics of ticking include its strong or herringbone weave, which provides exceptional tensile strength and longevity. The fabric typically has a high count of 180 to 250 threads per inch, ensuring a dense construction that resists and wear from repeated use. Unlike similar heavy-duty fabrics such as or cloth, which employ a without patterned striping, ticking prioritizes fine, uniform stripes for combined visual appeal and secure containment in coverings. The etymology of "ticking" traces back to the English word "tick," denoting a mattress or pillow cover, with the term first recorded in the 1640s and derived from the Greek thēkē, meaning "case" or "covering." Primarily employed in bedding, ticking serves as a resilient outer layer for items like pillows and mattresses.

History and production

Ticking fabric emerged in as a practical for encasing mattresses and , designed to contain fillings like feathers or straw and prevent them from escaping. The term "ticking" derives from the Greek word "theka," meaning a case or covering, and first appeared in English dictionaries in 1649. Early versions were densely woven from or in plain or patterns, often solid-colored to ensure for utilitarian purposes such as covers, aprons, and tents. By the 18th century, ticking gained popularity in and , where it evolved to include narrow, even stripes—typically in blue and white—for aesthetic appeal while maintaining functionality. The blue stripes were commonly achieved through of the yarns, creating a resilient fabric suitable for heavy use. This striped variant, known as mattress ticking, originated particularly in regions like , , emphasizing a tight weave to block light and enhance longevity. The in the transformed ticking production through mechanized innovations, shifting from handloom weaving to power-driven factories that boosted output and affordability. Centered in Lancashire, England, where cotton mills proliferated, the industry benefited from inventions like the and , enabling mass production of cotton-based ticking. In the United States, emerged as a parallel hub, with mills adopting similar technologies to supply growing domestic demand for bedding and workwear fabrics. Traditional ticking production begins with spinning strong cotton or linen yarns, followed by dyeing—often using indigo for the iconic stripes—prior to weaving on power looms in a twill pattern, such as 2/2 twill, which provides the fabric's characteristic diagonal texture and strength. This process ensures a tight construction capable of withstanding repeated stuffing and unstuffing of mattresses. Key mills, like those in Manchester, New Hampshire, specialized in cotton ticking during the early 20th century, contributing to its widespread availability. In the , ticking transitioned from primarily utilitarian roles to decorative applications, notably popularized by designer Dorothy "Sister" Parish in the 1930s and 1940s for curtains and , elevating its status in country-style interiors. Post-World War II advancements introduced synthetic blends for enhanced affordability and wrinkle resistance, though all- versions persisted for premium uses. By the , a revival of traditional cotton ticking occurred in heritage markets, driven by renewed interest in vintage patterns for home furnishings.

Modern uses and variations

In contemporary textile applications, ticking fabric primarily serves as a durable covering for mattresses and pillows, known as "ticks," to encase fillings such as feathers, , or springs. This tight-weave construction prevents the shifting of internal materials and acts as a barrier against allergens like mites and , promoting better . Beyond , striped ticking has found renewed popularity in and , where its crisp, linear pattern evokes nautical or rustic . It is commonly used in apparel such as shirts and aprons, as well as for furniture slipcovers and curtains, offering both functionality and visual appeal in home decor. High-end brands like incorporate ticking stripes into shirting collections for a classic, look. Modern variations of ticking address , , and design flexibility. Flame-retardant versions, suitable for commercial bedding and public spaces, meet standards like those for fire resistance in textiles, enhancing in and institutional settings. Since the 2000s, organic cotton ticking certified by the Global Organic Textile Standard (GOTS) has gained traction, appealing to eco-conscious consumers with chemical-free production. Additionally, printed patterns extend beyond traditional stripes, incorporating screen-printed motifs for broader decorative uses in and accents. Historically, ticking's durability led to its use in military applications, such as WWII tent linings, underscoring its enduring practicality.

Sound

Mechanical origins

The ticking sound originates primarily from mechanisms in mechanical clocks and watches, which regulate the release of energy from a power source—such as a wound spring or falling weight—in discrete intervals to drive the . In these devices, a or oscillates at a consistent , and the intermittently locks and unlocks the escape wheel, producing a sharp click each time a tooth advances. This intermittent motion ensures precise timekeeping while generating the characteristic auditory feedback. The earliest form of this mechanism, the , emerged in around the late , marking the advent of fully timepieces. In a , the oscillating verge—attached to a foliot balance or later a —features two pallets that alternately engage the teeth of a crown wheel; each swing advances the wheel by one tooth, creating a metallic from the sudden arrest and release. The first documented example of such a ticking clock dates to 1386, as seen in the , one of the oldest surviving timekeepers, which employed a verge and foliot system without a dial but audible strikes and ticks for hourly indications. In modern quartz watches, introduced commercially in the late , the ticking persists through a different mechanism: a crystal vibrates at 32,768 Hz, dividing down to drive a that advances the second hand in jumps, often once per second, producing a subtle click from the motor's and gear engagement. This contrasts with mechanical escapements but maintains the discrete "tick" for analog displays, though high-beat models may step 4–8 times per second for smoother motion. Beyond timepieces, similar ticking arises in other mechanical devices. Geiger counters produce clicks when ionizing radiation enters the Geiger-Müller tube, triggering an electrical discharge amplified through a , with each event corresponding to a detected particle. Typewriters generate ticks from the mechanical impact of keys striking the inked ribbon and paper via typebars. Metronomes create ticks through a pendulum's weighted arm impacting an adjustable scale or escapement-like stop, typically at 40–208 beats per minute. The acoustic profile of ticking in clocks features a low repetition frequency of around 1–2 Hz for traditional pendulum models, where each full swing yields one or two impulses per second. Sound amplitude and pitch vary with materials; for instance, brass components in escapements yield a warmer, lower-pitched tone compared to the sharper, higher-pitched ring from steel, due to differences in resonance and damping.

Acoustic properties

The ticking sound is classified as a short-duration impulse noise, often lasting on the order of 5-50 milliseconds per , produced by brief mechanical impacts or pulses. In signal broadcasts, such as those from NIST's WWV station, the tick consists of a 5 ms audio burst, exemplifying the concise nature of these events. The sound's content typically features a fundamental around 500-2000 Hz, as seen in examples like 1000 Hz pulses used in radio clocks, with higher harmonics extending into the 10 kHz range due to the impulsive nature, which broadens the spectrum and contributes to its sharp, percussive quality. The waveform of a tick exhibits a rapid onset (attack) followed by a swift exponential decay, akin to a damped oscillation where energy dissipates quickly after the initial impulse. This structure arises from the brief vibration of components like escapement mechanisms, resulting in a transient signal rather than a sustained tone. When repeated at regular intervals—such as 0.5 to 1 second in traditional clocks—the sequence creates a rhythmic perception, with the period T = \frac{1}{f}, where f is the repetition frequency (e.g., f = 1 Hz yields T = 1 s for a seconds-hand tick). Audio analysis tools, including oscilloscopes and spectrum analyzers, capture these characteristics by recording the transient waveform and computing its Fourier transform to reveal the frequency components. From a psychoacoustic , ticking sounds evoke a strong of time passage, influencing and . A 2009 study demonstrated that the of clock ticking affects task , with slower ticks (20% reduced speed) increasing completion times by approximately 0.45 minutes on average compared to normal rates, suggesting an alteration in perceived temporal urgency. These effects stem from the brain's to the rhythmic pulses, which can modulate and internal timing mechanisms. Variations in ticking intensity depend on the mechanism: softer clocks produce levels around 20-30 , comparable to a quiet whisper, while mechanical wind-up alarms generate louder ticks up to 40 due to more pronounced gear movements. Environmental acoustics, such as room echoes, can modify perception by introducing reverberation, which prolongs the decay and alters the sound's clarity or perceived directionality.

Cultural and symbolic references

The ticking sound has long symbolized the inexorable passage of time, urgency, and impending doom in literature and popular culture. In Edgar Allan Poe's 1841 short story "," the relentless ticking of a watch heard by the narrator evokes the heartbeat of the victim and underscores themes of guilt and mortality, with each tick marking a step closer to psychological unraveling and inevitable death. This motif extends to the onomatopoeic "tick-tock" in children's nursery rhymes, such as "," first published in 1744, where the sound mimics a clock's to introduce young audiences to temporal concepts in a playful yet rhythmic manner. In film, the ticking clock serves as a staple of , particularly in Alfred Hitchcock's works, where it amplifies tension by signaling escalating danger known to the audience but not always the characters, as illustrated in his "bomb under the table" analogy for building dread through temporal awareness. Music similarly employs ticking for rhythmic and thematic effect; for instance, an rings abruptly in ' 1967 track "" to transition between dreamlike verses and everyday routine, evoking the abrupt intrusion of time into consciousness. ticking remains essential in practice for maintaining , while electronic genres frequently sample clock ticks, as in Zedd's 2015 album Clarity, where they frame tracks to convey progression and intensity. Psychologically, the ticking sound can heighten in scenarios involving waiting or deadlines, as repetitive auditory cues like clock ticks have been linked to increased anxiety and perceived time pressure in research. Conversely, in modern practices, gentle ticking serves a calming role, promoting relaxation through predictable, non-threatening rhythms that mimic soothing ambient noise. In contemporary media, ticking enhances tension in video games such as (2013), where an opening clock tick sets a foreboding tone for the post-apocalyptic narrative, signaling the relentless march toward survival challenges. Advertising for watches often highlights audible ticks to convey precision and reliability, as exemplified by Timex's long-running "takes a licking and keeps on ticking" campaign from the onward, which positioned the sound as a of durability.

In animal genetics

Definition in canine coats

In canine genetics, ticking refers to a coat pattern characterized by small, evenly distributed flecks or spots of on the white areas of a dog's , typically in colors such as , liver, or that match the dog's underlying pigmentation. This pattern creates a fine, uniform "peppered" appearance without forming solid patches or larger clusters, distinguishing it from other white modifications like roaning, which involves a blended mixture of colored and white hairs, or spotting, which produces more pronounced, clustered marks. The ticking pattern typically develops after birth and becomes visible around 6-8 weeks of age, gradually intensifying as the matures. It is often densest on the muzzle, legs, belly, and other white-marked regions, giving the coat a subtle, speckled that enhances in field-working breeds. Unlike the bold, rounded spots seen in breeds like Dalmatians, which arise from a modified form of spotting rather than true ticking, this pattern remains fine and dispersed throughout the white areas. Ticking is commonly observed in breeds such as the , , and , where it contributes to their distinctive aesthetics and functionality in roles. In contrast, it is absent in Dalmatians, which exhibit larger, isolated spots instead. The term "ticking" appears in breed standards for pointers and setters.

Genetic basis

Ticking in coats is primarily controlled by variants at the locus (traditionally referred to as the T locus) on canine chromosome 38 (CFA38), in proximity to the USH2A gene encoding usherin. The dominant T results in ticking, characterized by small pigmented spots in white areas, while the recessive allele t permits clear white markings without pigmentation. Inheritance of ticking follows autosomal dominant Mendelian , where offspring inheriting at least one T from heterozygous T/t parents will display the trait. Full expression of ticking, however, depends on the presence of underlying white spotting patterns, such as those produced by variants at the S locus (e.g., spotting via the MITF gene) or interactions with the merle pattern at the M locus. In a typical cross between two heterozygous T/t individuals, 75% of offspring are expected to exhibit ticking (genotypes TT or Tt), while 25% will be clear (tt), as illustrated by a analysis. At the molecular level, the T allele corresponds to specific haplotypes in USH2A, such as the TCC variant, which introduce missense mutations (e.g., CFA38:g.11,111,286C>T) that disrupt normal melanocyte migration and distribution from the neural crest during embryonic development, resulting in dispersed pigmented spots rather than uniform white. DNA testing for these USH2A haplotypes became commercially available in the early 2020s through veterinary genetic companies like Embark Veterinary and Orivet Genetic Pet Care, enabling breeders to predict ticking in litters. Selective breeding for the T allele has been common in breeds like pointers and setters, as well as lines, to enhance through subtle pigmentation in white areas, aiding field performance without compromising overall coat utility.

Variations in other species

In , the ticked tabby pattern, characterized by banded hairs that create a uniform appearance without distinct spots or stripes, is controlled by the autosomal dominant Ta at the Ticked locus on chromosome B1. This pattern results from variants in the DKK4 , which encodes a Wnt signaling inhibitor affecting development and spacing, leading to multiple pigmented bands per hair shaft rather than solid pigmentation. The is prominent in breeds such as the and , where homozygosity for Ta produces the classic ticked coat, while heterozygotes may show intermediate banding. In , a ticked pattern manifests as rare white flecking or roaning, often termed rabicano, which involves interspersed white hairs primarily on the flanks, belly, and tail base, creating a brindled effect distinct from broader spotting or uniform roan. The genetic basis remains incompletely understood but may involve regulatory regions affecting genes such as or KITLG that influence white patterning and distribution during development. Flecking or roan-like patterns also appear in other mammals, such as , where Shorthorn breeds exhibit "blue roan" coats with a of and colored hairs due to a in the KITLG gene (also known as MGF), which disrupts signaling for pigment cell distribution. These patterns likely evolved to enhance in prey by breaking up the outline of the coat against varied environments, providing adaptive advantages in natural habitats. Comparatively, the genetic mechanisms underlying ticking-like patterns show conserved pathways across mammals, particularly involving Wnt signaling regulators like DKK4, which influence follicle patterning in cats and may parallel control in other species, though the T-locus on CFA38 (near USH2A) represents a distinct genomic without direct . Research, including analyses from the 99 Lives Cat Genome Sequencing Consortium, has refined these mappings since initial linkage studies in , highlighting shared developmental processes for coat variation.

Other meanings

In dance

Ticking is an illusional dance technique integral to the street dance styles of and , characterized by isolated, rapid "ticks" or contractions of specific body parts that sync precisely with music beats to produce a strobe-light or stop-motion effect. These movements break down larger motions into small, angular increments, mimicking the frame-by-frame progression of animated characters or robotic actions, and are executed through sudden muscle tensing and releasing known as "hitting." Developed within the broader tradition, ticking emphasizes visual deception, where the dancer's body appears to or teleport under rhythmic lighting or bass drops. The technique involves sharp, percussive isolations of limbs, torso, or even , creating a ticking clock-like that contrasts with the fluid waving often seen in . Emerging in the late and gaining prominence in the scene, particularly among African-American communities in Fresno, Oakland, and , ticking evolved from earlier and influences as dancers adapted street performances to styles broadcast on shows like . Pioneers refined it through competitive cyphers and club scenes, where precise control allowed for exaggerated, otherworldly illusions that captivated audiences. Influenced by mime artistry for its isolation principles and animation for its exaggerated, segmented motions, ticking draws from 20th-century traditions to infuse with surreal, mechanical aesthetics. Key modern practitioners include Marquese "Nonstop" Scott, whose viral videos since 2012—amassing over 100 million views—showcase ticking in intricate routines set to , elevating the style's global visibility through precise, high-speed isolations. In performance, ticking is frequently combined with tutting, a geometric arm-positioning style derived from and , to layer angular shapes with ticking pulses for enhanced optical illusions. It demands exact timing to the music's "tic" on bass hits or snares, requiring dancers to halt abruptly in "dime stops" to sustain the strobe effect, often during pedestrian actions like walking to heighten the surreal quality. Ticking has spread culturally through international hip-hop battles such as Juste Debout, an annual Paris-based competition since 2002 that features popping categories where ticking showcases muscle precision in crew versus crew formats. Online tutorials from popping educators stress building foundational muscle control—starting with arm isolations and breath synchronization—over raw speed, enabling dancers worldwide to master the technique for freestyle improvisation and battle dominance.

Idiomatic expressions

The idiom refers to a situation or entity that harbors potential for sudden, catastrophic escalation, much like a bomb with an audible timer. This metaphor originated in the early in American journalism. It gained prominence during the era in and media, often depicting political or social tensions on the verge of explosion, such as nuclear threats or unresolved conflicts. In , ticking off denotes a or scolding, evolving from the literal act of marking items on a list in the 19th century to a figurative expression of rebuke by the early . The phrase's first known use in this sense dates to , likely drawing from where "ticking" implied noting faults or offenses. By the 1950s, it had solidified as for expressing or disapproval, as in receiving "a good ticking off" from an authority figure. The expression keep on ticking, symbolizing endurance and reliability, emerged from a long-running by watches starting in the 1950s. The full , "takes a licking and keeps on ticking," was popularized through televised demonstrations of the watches' durability, such as surviving dives from cliffs or hammer strikes, and continued into the and beyond to emphasize in everyday life. Ticking boxes describes the mechanical fulfillment of requirements in bureaucratic or contexts, often implying superficial rather than genuine achievement. This is associated with the rise of checklists and forms in and administration. In literature, particularly novels, "ticking" evokes psychological anxiety through associations with clock sounds, heightening tension as time-sensitive crises unfold. Authors like employ such motifs in thrillers to underscore urgency, where the relentless "ticking" mirrors characters' mounting dread amid legal or conspiratorial plots. Over time, idioms involving "ticking" have shifted from literal references to mechanical clock sounds—evoking steady progression or warning—to abstract representations of urgency and inevitability in . This evolution reflects broader linguistic trends where auditory metaphors from pre-digital eras adapt to convey emotional or situational pressure in contemporary .

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